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24 Contemporary Pieces
28.20
24 Contemporary Pieces
Piano seul
[Partition]
-
Intermédiaire
Chester
Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of w...
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Twenty-Four Contemporary Pieces For Solo Piano includes a diverse selection of works from 16 of the world's leading composers. The 24 pieces featured in this collection represent the best of contemporary classical Piano music being composed today. As well as being a compilation of fantastically enjoyable compositions, the book also features interesting notes by each composer to accompany their music.These Contemporary Pieces For Solo Piano are at once accessible and musically inspiring, featuring some of the most talented and respected composers and their most definitive contributions to Piano music. Perhaps the biggest name included here is that of Ludovico Einaudi, whose wide reputation is a result of his masterful ability to pull at heartstrings, exemplified in his works Berlin Song, The Earth Prelude and Waterways, all of which are included here. Other giants of contemporary classical music are included in the collection, names like Philip Glass (Etude #11), Max Richter (Horizon Variations and Vladimir's Blues) and Hauschka, whose Can You Dance For Me, Early In The Park and Until It's Dawn perfectly encapsulate the emotive characteristics of all the pieces in this book. Composers like Nils Frahm, Ólafur Arnalds, Dustin O'Halloran and Jóhann Jóhannsson evolved from a similar school that favours building atmosphere with hypnotic arpeggiation in composition, explaining why these composers are often used to great effect in film soundtracks.Other inclusions in Twenty-Four Contemporary Pieces For Solo Piano are simply too important to have left out, namely Nico Muhly's Hudson Cycle, two pieces by Joby Talbot as well as Tarik O'Regan's Lines Of Desire. The beauty of the songs here speak for themselves, but the composers have also written brief notes that preface each of the pieces, giving fascinating insight into either the composition itself or particular playing notes. Featuring some of the best compositions by the most respected and creative musicians writing today, the Twenty-Four Contemporary Pieces For Solo Piano within this collection are an exciting prospect for any pianist looking for some wonderfully inspiring music to learn and play. / Piano
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The Trane Book In C
33.52
The Trane Book In C
Instruments en Do
[Fake Book]
Hal Leonard
Une sélection de 125 incontournables de l'artiste en transcription 'real book' ...
(+)
Une sélection de 125 incontournables de l'artiste en transcription 'real book' ligne mélodique et accords chiffrés internationnaux. Titres : Acknowledgement - Africa - Afro Blue - After The Crescent - After The Rain - Airegin - Alabama - All Blues - All Or Nothing At All - Amen - Ascension - Ascent - Attaining - Bessie's Blues - Big Nick - Black Pearls - Blue Train (Blue Trane) - Blues Minor - Blues To Bechet - Blues To Elvin - Blues To You - Body And Soul - Brazilia - But Not For Me - By The Numbers - Bye Bye Blackbird - Cattin' - Central Park West - Chasin' The Trane - Compassion - Consequences - Cosmos - Countdown - Cousin Mary - Crescent - Dahomey Dance - Dear Lord - Dearly Beloved - The Drum Thing - Dusk-Dawn - Eclypso - Equinox - Evolution - Exotica - Expression - The Father And The Son And The Holy Ghost - Fifth House - Giant Steps - Goldsboro Express - Grand Central - Greensleeves - Harmonique - I Want To Talk About You - I'm Old Fashioned - Impressions - In A Sentimental Mood - India - Jupiter - Just For The Love - Lazy Bird - Leo - Liberia - Like Sonny (Simple Like) - Living Space - Locomotion - Lonnie's Lament - Love - Lush Life - Manifestation - Mars - Mary's Blues - Miles' Mode (The Red Planet) - Mr. Day - Mr. Knight - Mr. P.C. - Mr. Syms - Moment's Notice - My Favorite Things - My One And Only Love - Naima (Niema) - Nita - Offering - Ogunde - Olé - Oleo - Omicron - Paul's Pal - Peace On Earth - Pristine - The Promise - Psalm - Pursuance - Resolution - Reverend King (Rev. King) - Russian Lullaby - Satellite - Saturn - Selflessness - Serenity - The Sleeper - So What - Softly As In A Morning Sunrise - Some Other Blues - Song Of Praise - Song Of The Underground Railroad - Soul Eyes - Spiral - Spiritual - Summertime - Sun Ship - Syeeda's Song Flute - Theme For Ernie - To Be - Transition - Tunji - 26-2 - Up 'Gainst The Wall - Velvet Scene - Venus - Vigil - Vilia - Village Blues - We Six - Welcome - Wise One - Witches Pit - Your Lady / Tout Instrument
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The Ragtime And Blues Guitar Of Big Bill Broonzy
Guitare
Grossman's Guitar Workshop
Dans cette leçon, double DVD de plus de 4 heures d'enseignement, Ernie Hawkins ...
(+)
Dans cette leçon, double DVD de plus de 4 heures d'enseignement, Ernie Hawkins enseigne une dizaine de solos Big Bill de plus grands guitaristes et les arrangements. Chaque morceau est enseigné phrase par phrase, puis utilise l'écran partagé afin que vous puissiez étudier attentivement ce que chaque main est fait.Détaillées onglet / musique livrets sont inclus sous forme de fichiers PDF sur les deux DVD. On y trouve aussi des images rares de Big Bill, ainsi que des titres bonus audio d'enregistrements Big Bill de des airs sur cette leçon.Big Bill Broonzy (26 Juin, 1903 - Août 15, 1958) était un chanteur américain de blues incroyable, compositeur et guitariste. Sa carrière a commencé dans les années 1920 quand il a joué le country blues au public la plupart du temps noirs. A travers les années 1930 et 1940 il a réussi à naviguer d'une transition dans le style d'un son plus urbain de blues populaire auprès du public blanc. Dans les années 1950 un retour à ses traditionnelles folk-blues des racines fait de lui un des figures de proue du renouveau folk américain émergent de la musique et une star internationale. Il était l'un des bluesmen premiers à en tournée en Europe et ses performances et les dossiers ont influencé guitares folk de John Renbourn, Martin Carthy, Stefan Grossman et Davey Graham au rock guitaristes comme Eric Clapton (qui a enregistré plusieurs chansons Big Bill sur son CD Unplugged) à Ron Wood des Rolling Stones qui a dit: '. aléatoire Guitare Big Bill était l'un des premiers morceaux que j'ai appris à jouer, mais même à ce jour je ne peux pas jouer tout à fait raison' / Guitare
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Wanted On Voyage
25.70
Wanted On Voyage
Piano, Voix et Guitare
Amsco Wise Publications
This Wanted On Voyage sheet music includes every song from the enormous talent G...
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This Wanted On Voyage sheet music includes every song from the enormous talent George Ezra's UK #1 début album, arranged for Piano, Voice and Guitar.Since singing his way onto the scene in 2013, singer-songwriter George Ezra has come a long way. Now, with his debut album garnering international acclaim, you can learn to sing and play every brilliant song exactly as he wrote them. This songbook contains the hit singles Did You Hear The Rain?, Budapest, the undeniably catchy Blame It On Me and many more. This sheet music is perfect if you want to learn to sing Ezra's distinctively acoustic and upbeat songs, while also featuring Piano accompaniment or Guitar chords.With a folk-inspired bass-baritone voice and some bluesy Guitar playing, each song on the album brings something different to the table, whether it's a built-in sense of catchy melody or a soaring gospel-backed chorus. A song like Cassy-O', lends itself perfectly to a massive sing-along at a summer festival while Ezra's booming voice at the outset of Did You Hear The Rain? shows off his impressive range as he smoothly transitions into the higher parts of his vocal register.For fans of George Ezra, this Wanted On Voyage sheet music is perfect, as it contains the most accurate transcriptions of these brilliant pop songs for Piano, Vocal and Guitar. However, this is also a great album for anyone with a love for modern folk music and stellar songwriting. Whether you are looking to perform these powerful songs or just enjoy them privately, the range of Ezra's talents make Wanted On Voyage a great addition to your repertoire. / Piano/Vocal/Guitare (PVG)
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N°007 - Miles Davis Eight Classic Jazz Originals + Cd
19.20
N°007 - Miles Davis Eight Classic Jazz Originals + Cd
Instruments Sib, Mib, Do et Bass clef
[Partition + CD]
Jamey Aebersold Jazz
Eight classic jazz originals written by Miles Davis. This is a unique way to lea...
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Eight classic jazz originals written by Miles Davis. This is a unique way to learn eight of the most popular songs of the Fifties. These tunes are considered jazz classics because most all jazz musicians around the world have learned them. And the reason so many jazz musicians have learned them is because they are all such interesting vehicles for improvising and interesting chord changes, altered bridges and logical melodies that have been quoted in many compositions throughout the music world. Gain an insight into early Miles and gain an understanding of the transitional bop to post-bop period. Rhythm section is Dan Haerle, piano Rufus Reid, bass Jonathan Higgins, drums. Four - Solar - Tune Up - Dig - Vierd Blues - Milestones (Old) - The Theme - Serpent's Tooth. Related Publication: Vol. 50 Magic of Miles.
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The Bluesier Side Of Jazz (GORDON ANDREW D)
30.53
The Bluesier Side Of Jazz (GORDON ANDREW D)
Piano seul
[Partition + CD]
-
Intermédiaire
ADG Productions
Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired...
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Par GORDON ANDREW D.. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they have learnt. Andrew's idea for thisbook is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. / Niveau : 3 / Recueil / Piano
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Aebersold 54 Maiden Voyage
20.60
Aebersold 54 Maiden Voyage
Tous Les Instruments
[Partition + CD]
Jamey Aebersold Jazz
Compilation. Standards and workouts for making the transition from playing scale...
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Compilation. Standards and workouts for making the transition from playing scales & chords. An excellent resource for beginning improv. Features slower tempos, easier changes, and specific tips on approaching soloing. Scales written for every chord change. Perfect for High School and College music directors! For more easy standards at easy tempos, see Volume 70 'Killer Joe. ' Eleven essential jazz standards and 3 important 'workout' tracks for the student ready to make the transition from playing scales, chords and exercises to playing popular jazz standards. This book is an excellent reference material that can be used as a resource for beginning improvisation actual tunes instead of exercises! Features slower tempos and easier changes. Each selection includes it's own specific tips and suggestions on how to approach soloing over it. Scales are written out for every chord change. / Rép International / Recueil / Tout Instrument
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Aebersold 70 (KILLER JOE)
20.60
Aebersold 70 (KILLER JOE)
Tous Les Instruments
[Partition + CD]
Jamey Aebersold Jazz
Jazz Play-Along Vol.70. Par KILLER JOE. Début/intermédiaire niveau Groovin ' S...
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Jazz Play-Along Vol.70. Par KILLER JOE. Début/intermédiaire niveau Groovin ' Standards pour l'improvisateur de début/intermédiaire. Semblable à la populaire 54 Vol. ' Maiden Voyage ', ce volume nouveau répond aux besoins du joueur jazz pleins d'avenir qui est prêt à faire la transition entre les échelles et les accords improvisingal des changements de corde standard. Les sélections en vedette tempos plus lents et les changements plus faciles et chacun a une grande qui rend improvisant plus facile. Jamey Aebersold-piano - Tyrone Wheeler-basse - Steve Davis-batterie. / Rép International / Recueil / Tout Instrument
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N°054 - Maiden Voyage + Cd
19.20
N°054 - Maiden Voyage + Cd
Instruments Sib, Mib, Do et Bass clef
[Partition + CD]
Jamey Aebersold Jazz
11 essential jazz standards and 3 important ?workout? tracks for the student rea...
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11 essential jazz standards and 3 important ?workout? tracks for the student ready to make the transition from playing scales, chords and exercises to playing popular jazz standards. Excellent reference material that can be used as a resource for beginning improvisation . . . actual tunes instead of exercises! Features slower tempos and easier changes. Each selection includes it?s own specific tips and suggestions on how to approach soloing over it. Scales are written out for every chord change. A wide variety of related publications (see below) make this the perfect jazz improvisation method for High School and College music directors. Rhythm section is Jamey Aebersold, piano Tyrone Wheeler, bass and Steve Davis, drums. Summertime - Bb Shuffle Blues - Impressions - Maiden Voyage - Watermelon Man - Doxy - Autumn Leaves - Song For My Father - Cantaloupe Island - Satin Doll - Blues In F - Footprints - III/V17/II/V7 progression ? and more
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Bluesier Side Of Jazz
30.53
Bluesier Side Of Jazz
Saxophone Alto
[Partition + CD]
ADG Productions
The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gor...
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The Bluesier Side of Jazz for Alto Saxophone and Eb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students Andrew teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Alto
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Bluesier Side Of Jazz
30.53
Bluesier Side Of Jazz
Saxophone Tenor
[Partition + CD]
ADG Productions
The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Go...
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The Bluesier Side of Jazz for Tenor Saxophone and Bb instruments by Andrew D. Gordon and Frank Villafranca was inspired by the piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvisedsolo from the phrases they have learnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs. The package includes: Book or PDF file 30 audio tracks to play on your CD player or computer Over 200 mp3 files Over 200 MIDI files/ Recueil / Saxophone Ténor
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The Top Ten Contemporary Classical Pieces To Play
17.73
The Top Ten Contemporary Classical Pieces To Play
Piano seul
[Partition]
Amsco Wise Publications
The Top Ten Contemporary Classical Pieces To Play On Piano is part of a series t...
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The Top Ten Contemporary Classical Pieces To Play On Piano is part of a series that has been specially designed to help pianists of all levels to find the repertoire they really want to play. This volume contains 10 of the very best contemporary pieces for solo Piano.Some people associate classical music very much with the historic past, but there is a wealth of contemporary music out there from a new wave of distinctive and adventurous writers, including plenty of fantastic pieces written for solo Piano. Composers include the remarkable Ludovico Einaudi, whose music, rich in spiritual simplicity, has taken the musical public by storm - Jóhann Jóhannsson, who set the classical system to one side as a teenager to kick loose in indie bands - and multi-instrumentalist and composer Yann Tiersen, who similarly broke his Violin aged thirteen and never looked back!Whether you are already familiar with some of these composers or not, we are confident you will love playing their beautiful music. Often simple in style, there is something magical about the way these writers make the Piano sound, so delve in and enjoy... / Piano
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Bluesier Side Of Jazz
30.53
Bluesier Side Of Jazz
Flûte traversière
[Partition + CD]
ADG Productions
The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students...
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The Bluesier Side of Jazz by Andrew D. Gordon was inspired by the Piano students he teaches at Shepherd University School of Music in Los Angeles and is dedicated to those students: Jungwon, Yumiko, Yoko, Eunice, Sooji, Hae Ji and Ok Kyu. As with many students that come from a classical background (including himself) it is a difficult transition to learn to play Blues & Jazz. When a musician improvises they usually play a variety of riffs or phrases that they have developed and learnt over a period of time and can access these phrases instantaneously whatever key they are playing in to create a seamless improvised solo from the phrases they havelearnt. Andrew's idea for this book is to create phrases or riffs over two measures of various Blues progressions. He sub-divided each of the 12 Bar Blues progressions used in this book (the chord progression for Watermelon Man is a 16 measure progression) into six sections (two measures each) and within each of the six sections created four different phrases or riffs so that the student has a choice of four different phrases to play over every two measures. They can then create a solo based on which phrase they choose for each two measures. By breaking down these phrases to two measures each, he has found that the students have an easier time of learning to improvise than by trying to transcribe a whole solo from an audio recording or leaving them to their own devices in trying to play a solo based on the Blues scale or other related scales. Each of the ten examples are based on common Jazz/Blues chord progressions from Jazz songs such as 'Watermelon Man', 'Blue Monk', 'Tenor Madness', 'Route 66', 'Blue Trane', 'Bag's Groove' starting off with basic I-IV-V chords and increasing in complexity throughout the book. There are over 200 phrases/riffs to choose from that can be learned and applied to many types of jazz songs./ Recueil / Flûte Traversière
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Big Bill Broonzy: The Ragtime and Blues Guitar Of Big Bill Broonzy: Guitar:
29.95
Big Bill Broonzy: The Ragtime and Blues Guitar Of Big Bill Broonzy: Guitar:
Grossman's Guitar Workshop
In this double DVD lesson of over 4 hours of instruction Ernie Hawkins teaches ...
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In this double DVD lesson of over 4 hours of instruction Ernie Hawkins teaches ten of Big Bill’s greatest guitar solos and arrangements. Each tune is taught phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing.Detailed tab/music booklets are included as PDF files on both DVDs. Also included is rare footage of Big Bill as well as bonus audio tracks of Big Bill’s recordings of the tunes on this lesson. Big Bill Broonzy (June 26 1903 August 15 1958) was an incredible Americanblues singer songwriter and guitarist. His career began in the 1920s when he played country blues to mostly black audiences. Through the 1930s and 1940s he successfully navigated a transition in style to a more urban blues sound popular with white audiences. In the 1950s a return to his traditional folk-blues roots made him one of the leading figures of the emerging American folk music revival and an international star. He was one of the first bluesmen to tour in Europe and his performances and records influenced folk guitars from John Renbourn Martin Carthy Stefan Grossman and Davey Graham to rock guitarists as Eric Clapton (who recorded several Big Bill tunes on his Unplugged CD) to Ron Wood of the Rolling Stones who said: 'Big Bill’s Guitar Shuffle was one of the first tracks I learnt to play but even to this day I can't play it exactly right.'
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Banjo Songbook Tab
26.70
Banjo Songbook Tab
Banjo
[Partition]
Oak Publications
Tony Trischka. Une enquête approfondie sur les trois style doigt cueillette cla...
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Tony Trischka. Une enquête approfondie sur les trois style doigt cueillette classiques au début des années 1900, styles transitoires des années 1930 et le Scruggs des années 1940 et au-delà. Comprend plus de 75 pâturin, Old-Time fiddle et airs classiques en tablature pour 5 cordes banjo. / Banjo / 144 pages / Partition
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Rolling Stones The - Aftermath - Guitar Tab
25.30
Rolling Stones The - Aftermath - Guitar Tab
Guitare notes et tablatures
Alfred Publishing
The Stones' second album was unique as it featured all-original material. It inc...
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The Stones' second album was unique as it featured all-original material. It incorporated the influence of psychedelia and folk-rock and showcased the band's multi-instrumental diversity. This album signalled the Stones' transition from blues-based rock and roll band to inventive, groundbreaking artists. These editions include all the songs from the US album release with stand out tracks like 'Paint It Black', 'Under My Thumb' and 'Lady Jane'.Paint It, Black; Stupid Girl; Lady Jane; Under My Thumb; Doncha Bother Me; Think; Flight 505; High And Dry; It's Not Easy; I Am Waiting; Going Home
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Rolling Stones The - Aftermath - Pvg
22.10
Rolling Stones The - Aftermath - Pvg
Piano, Voix et Guitare
Alfred Publishing
The Stones' second album was unique as it featured all-original material. It inc...
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The Stones' second album was unique as it featured all-original material. It incorporated the influence of psychedelia and folk-rock and showcased the band's multi-instrumental diversity. This album signalled the Stones' transition from blues-based rock and roll band to inventive, groundbreaking artists. These editions include all the songs from the album with stand out tracks like 'Paint It Black', 'Under My Thumb' and 'Lady Jane'.Paint It, Black; Stupid Girl; Lady Jane; Under My Thumb; Doncha Bother Me; Think; Flight 505; High And Dry; It's Not Easy; I Am Waiting; Going Home
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