A collection of celebrated song hits and showstoppers for solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores. Turn these pages to enjoy great musical moments of the cabaret, stage, and concert hall - or bring to life the jazz and blues clubs of days gone by. Explore the musical genius of Jermone Kern, Irving Berlin and George Gershwin - the dramatic power of George M. Cohan, W.C. Handy, Jelly Roll Morton, and John Philip Sousa - the elegant styles of Scott Joplin, Zez Confrey, James Scott, and Eubie Blake - and much, much more. / Rép International / Recueil / Piano

For Fingerstyle Guitar. Par GROSSMAN STEFAN. As aspiring fingerpicking guitarists started expanding their horizons from folk, blues, and ragtime in the 1970s, it was only logical to look towards early jazz tunes as a vast source for new possibilities. For one thing, they could follow the same evolutionary path from ragtime to jazz that had been taken by pianists such as Jelly Roll Morton and Harlem stride players like James P. Johnson and Fats Waller. These musicians all composed in a variety of styles, but their most ambitious piano solos expanded on the classic ragtime format developed by the likes of Scott Joplin, James Scott, and Joseph Lamb, using several strains that usually changed keys at least once. Morton, the self-proclaimed inventor of jazz, would record versions of tunes like King Porter Stomp and The Original Jelly Roll Blues that are similar to straight ragtime performances, and others where there is lots of room left for embellishment and jazz improvisation. The present collection is a bonanza for guitarists who want to tackle advanced arrangements along the lines of ragtime but featuring jazz age harmonies from the playing of Jelly Roll Morton, Louis Armstrong, Bix Beiderbecke, WC Handy, the Original Dixieland Jazz Band and other early jazz legends. The 32 arrangements included are by a wide assortment of guitarists including Ernie Hawkins, Pat Donohue, Lasse Johansson, Duck Baker, Ton Van Bergeyk, Sandy Shalk, Steve McWilliam, and Dorian Henry. / Date parution : 2022-01-14/ Recueil / Guitare

Description A First Book Of Ragtime For The Beginning Pianist This compilation of easy-to-play ragtime favourites features 24 rollicking melodies by The Big Three of ragtime - Scott Joplin, James Scott, and Joseph Lamb - plus pieces by Eubie Blake, Tom Turpin, and Songlist A Breeze From Alabama Blue Goose Rag Bohemia Rag Champagne Rag Charleston Rag Chevy Chase Rag Easy Winners Felicity Rag Fig Leaf Rag Fizz Water Grace And Beauty Great Scott Rag Harlem Rag High Society Magnetic Rag Maple Leaf Rag Mississippi Rag Peach Rag Sleepy Hollow The Entertainer The Weeping Willow Tiger Rag Twelfth Street Rag Violin Rag

Par SCOTT ANDY. A new arrangement of Andy Scott's popular piece, And Everything is Still... is now available. Arranged by virtuoso guitarist James Girling, in conjunction with the composer. Inspired by a poem written by Lemn Sissay (taken from his children?s book The Emperor?s Watchmaker), And Everything Is Still? was commissioned by the Royal Northern College of Music and was premiered by Carla Souza (flute) and Lucy Colquhoun (piano) on 22nd June 2008. A simple melody unravels alongside delicate harmonic statements, creating a calm and gentle atmosphere. / Date parution : 2021-11-03/ Répertoire / Flûte Traversière et Guitare

This volume contains a delightful collection of 16 well-known Ragtimes by Scott Joplin (Country Club Easy Winners Elite Syncopations Pineapple Rag) James Scott and original compositions by violinist/composer BenediktBrydern; arranged for 2 violins (intermediate-level) in progressive order. It teaches syncopated rhythms accompaniment and double-stops in an entertaining way. All arrangements are suitable for student recitals or could be usedas effective encores.

Par DAUTIGNY FREDERIC. Avec pas moins de 25 morceaux pour piano dans les styles boogie-woogie et ragtime, cette méthode va vous régaler pendant un bon bout de temps. Mais pas seulement... En effet, l'idée étant ici d'apprendre tout en jouant, de progresser tout en se faisant plaisir, ces morceaux vous permettront aussi de découvrir et de travailler toutes les techniques, gimmicks et autres figures de styles qui en font la particularité. Et pour vous aider à les aborder plus facilement, les doigtés vous sont proposés de bout en bout. Enfin, en s'inspirant des plus grands artistes et claviéristes des styles en question (Scott Joplin, Joseph Lamb, James Scott, Pine Top Smith, Meade Lux Lewis, Albert Ammons... et bien d'autres), ces 25 morceaux offrent un très vaste tour d'horizon du boogie-woogie et du ragtime au piano. Sur le disque joint à la méthode, vous trouverez plusieurs fichiers audios et vidéos. Les vidéos (mp4) présentent en images les 25 morceaux tels qu'ils doivent être joués, à vitesse normale et ralentie. Les enregistrements audios (mp3), pour leur part, proposent les playbacks correspondants, là encore à deux tempi différents. Vous pourrez donc y jouer à votre tour les morceaux proposés, ou en profiter pour développer librement vos propres idées d'accompagnement dans le style./ Recueil / Piano

Of Scott Joplin James Scott and Joseph Lamb-The great ragtime pieces of the early 20th century were written mostly for Piano but many translate superbly for the Guitar and David Laibman will show you how.Here's a mystery: if the great ragtime pieces of the early 20th century were not written for Guitar and if they weren't player on the Guitar at all (until some of us started doing so half a century ago) then why do they work so will on Guitar?Well thumb vs. three fingers on the right hand (we'll leave out thepinky for now) creates that subtle antagonism between steady bass and syncopated melody - the 'twinkle in the eye' of Ragtime. There is a theory that the original borrowing actually went in the other directed from three-finger Banjo to Piano. Who knows? But I'm finding that the 'educated thumb' is only one neat thing about ragtime Guitar. Classic rags are very expressive with moods and tempers hills and valley. You can capture some of this with left-hand notes (slides hammer-ons pull-offs) with right-hand brushes rolls nail strokes with clever use of open strings and natural harmonics. This works. It is it's own story - not an imitation of a Piano or of a dixieland or jazz band. It is simply - ragtime Guitar.In these lessons I have tried for the most part to meet two goals. First to create versions of some of the most beautiful classical rags that 'lay down' well on Guitar so when you play them you are working with the instrument not fighting it. I have tried to pitch and arrange the pieces so that a lot of the action is in first position rather than high up on the neck and to keep left hand gymnastics to a minimum. Second I didn't want these arrangements to sound like 'student' arrangements too elementary to be believable. It is all about striking a balance. I am generally pleased with the result and I hope

Compilation. Collection progressive de ragtimes classiques pour piano par Scott Joplin, James Scott, Joseph F. Lamb, Tom Turpin, Charles Hunter, Percy Wenrich et de nombreux autres / Rép International / Recueil / Piano

A collection of the world's finest classical and popular music set for the developing pianist. Here you will find the great masterpieces from every musical era, in rewarding piano arrangements that are easy to play. Turn these pages to enjoy three centuries of all-time favorite piano solos - the classic genius of Bach, Beethoven and Brahms - the expressive beauty of Chopin and Debussy - the elegant syncopations of Scott Joplin - the timeless melodies of Irving Berlin, Jerome Kern and many, many more. This expansive music library will provide years of playing pleasure for any pianist. Nowhere else will you find such a rich array of classical, ragtime, popular and folk music in a single volume. These easy and rewarding piano arrangements make it truly a joy to explore the world's most beloved piano music. Spiral Bound. / Piano

Arr. James Curnow. Par JOPLIN SCOTT. Langue: Français / Niveau : 3 / Musique légère originale / Répertoire / Brass Band