Il s'agit de la troisième volume d'une série de DVD présentant l'évolution récente des fingerstyle guitar présente une gamme de stylistes qui semblent parfois ont guère plus en commun que le manteau des instrumentistes tester leurs talents et leurs répertoires à la limite. Quel pont existe entre amble d'avant-garde de Larry Coryell et de dosage de Martin Carthy d'une mélodie de cornemuse ' seul de curiosité partagée et de courage, de pilotes d'essai déterminé à briser les obstacles personnels de sound stylistiques. Chacun des neuf artistes ici écrit sa signature musicale avec des traits audacieuses et indéniablement individuels. Musicalement diversifiée, le dénominateur commun parmi eux est un engagement à poursuivre une version unique, une pour laquelle la voix se trouve être la guitare. Martin TaylorMedley : Dixie, Old Man River Martin Simpson Medley : les banques de la Bann, la fille de Bantry complainte and Jock O'Hazeldean Bob Brozman Man de l'acier Blues Larry CoryellJulia La Belle Steve Howe Clap Martin Carthy le siège de Delhi Peppino d'Agostino acoustique... / Guitare

For SAB voices. Poem by Julia Ward Howe tune by William Steffe arranged by Roy Ringwald.

Holderlin Lieder is an important addition to the Voice and Clarinet repertoire by the renowned and esteemed composer Alan Ridout.The work was originally written for Georgina Dobrée probably in late 1978 or early 1979 however for some reason she was unable to give the first performance and so clarinettist Lawrence Bradley stepped into the breach with singer Julia Cleobury.The first performance took place on 3rd May 1979 (which happened to be a very busy General Election night putting Margaret Thatcher into No. 10 Downing Street) at St Edmund's School Canterbury. The composer was in attendance.

Easy-play Piano arrangements of 24 hymns and spiritual favourites by Stephen Duro. Complete with full lyrics and chord symbols. Includes The Lord Is My Shepherd, Rock Of Ages, Joshua Fight The Battle Of Jericho and Swing Low, Sweet Chariot . / Piano/Vocal/Guitare (PVG)

Welcome back this rousing patriotic/sacred standard. One of our perennial best-sellers Battle Hymn of the Republic is available with an orchestration from Brant Adams that will offer expanded performance options. A trueShawnee classic! Available separately: SAB baritone solo one piano/two hands; SATB baritone solo four-hand piano; SSA mezzo-soprano solo four-hand piano; TTBB baritone solo four-hand piano; SAB baritone solo four-handpiano; SA four-hand piano Orchestration StudioTrax CD.

For SATB with one piano/two hands (NEW!) Welcome back this rousing patriotic/sacred standard. One of our perennial best-sellers Battle Hymn of the Republic is available with an orchestration from Brant Adams thatwill offer expanded performance options. A true Shawnee classic! Available separately: SAB baritone solo one piano/two hands; SATB baritone solo four-hand piano; SSA mezzo-soprano solo four-hand piano; TTBB baritone solo four-hand piano; SAB baritone solo four-hand piano; SA four-hand piano Orchestration StudioTrax CD.

Together We Sing Series-This patriotic favorite has now been arranged in accessible 3-part and SSA voicings by Lon Beery. In addition the 3-Part Mixed has optional baritone notes for changing voices. Always an audience pleaser your younger singers cannow experience the power of this great song easily and more quickly. Available separately: 3-Part Mixed; SSA; Parts for Brass (tpt 1 tpt 2 tbn) and Timpani; StudioTrax CD. Duration: ca. 2:38.

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)