Suivez le rythme du 20ème siécle à travers les chansons qui l'ont marqué. Une séléction de 100 partitions pour guitare (ligne mélodique, paroles et accords). / Piano/Vocal/Guitare (PVG) / Partition

Le livre Vocal réelle est la réponse à l'ouvrage de faux. C'est une alternative à la pléthore de volumes mal conçues, illisibles, inexacts, mal edited qui abondent sur le marché aujourd'hui. Le livre Vocal réelle est extrêmement précis, soignée et vise, avant tout, pour un usage pratique. Tous les efforts réalisés pour le rendre agréable à effectuer. La sélection de musiques pour ce volume met en évidence les principaux compositeurs jazz du passé des années 60, avec une attention particulière pour les années 1960 et 1970. Un certain nombre de chansons par Rogers

Une sélection de chansons incontournables de la variété et du pop/rock acoustique international en transcriptions ligne mélodique, paroles complètes et accords tous instruments. Titres : Across The Universe - Against The Wind - Alison - American Pie - American Tune - Annie's Song - Arms Of A Woman - At Seventeen - Baby Can I Hold You - Baby Hold On - Babylon - Banana Pancakes - Barely Breathing - Beg Steal Or Borrow - Big Yellow Taxi - Black Horse And The Cherry Tree - The Boys Of Summer - Breakeven - Building A Mystery - Burn One Down - Can't Find My Way Home - Caramel - Cat's In The Cradle - Catch The Wind - Change The World (featured on the Motion Picture Soundtrack PHENOMENON) - Chasing Cars - The Christians And The Pagans - Chuck E's In Love - Cigarettes And Chocolate Milk - City Of New Orleans - Closer To Fine - Closing Time - Come Monday - Come On Get Higher - Come Pick Me Up - Constant Craving - Copperhead Road - Criminal - Dance With Me - Danny's Song - Darlin' Do Not Fear - Diamonds On The Inside - Don't Know Why - Don't Look Back In Anger - Dream Weaver (featured in the Motion Picture WAYNE'S WORLD) - Drift Away - Dust In The Wind - Early Mornin' Rain - Eight Miles High - Elderly Woman Behind The Counter In A Small Town - Escape (The Pina Colada Song) - Everybody's Talkin' (Echoes) (from MIDNIGHT COWBOY) - Everyone's Waiting - Everything I Own - Fallin' For You - Famous Blue Raincoat - Fast Car - Feels Like Home (from the Motion Picture MICHAEL) - Fidelity - Flake - Follow You Down - Fooled Around And Fell In Love - For What It's Worth - Free Fallin' - Fugitive - Give A Little Bit - Good Riddance (Time Of Your Life) - Good Time Charlie's Got The Blues - Half Of My Heart - Hallelujah (featured in the DreamWorks Motion Picture SHREK) - Have A Little Faith In Me - Have You Ever Seen The Rain? - Hello, It's Me - Hey There Delilah - Hickory Wind - Ho Hey - Hold You In My Arms - Home - Home - Hook - A Horse With No Name - Hummingbird - I Believe She's Lying - I Can't Make You Love Me - I Got You Babe - I Melt With You - I Need You - I Saw The Light - I Will Follow You Into The Dark - I Wonder - I'd Rather Be With You - I'll Be - Ice Cream - If I Had A Boat - If It Makes You Happy - If You Could Read My Mind - If You Leave Me Now - If You're Gone - Into The Mystic - It's A Heartache - Jealousy - Jumper - Kiss From A Rose - Knockin' On Heaven's Door - Last Kiss - The Lazy Song - Leader Of The Band - Least Complicated - Leaving On A Jet Plane - Let Him Fly - Like A Rolling Stone - Little Lies - Losing My Religion - Lover, You Should've Come Over - Lowdown - Lucky - Make It With You - Man On The Moon - Me and Julio Down By The Schoolyard - Meet Virginia - Missing You - Mrs. Robinson (from THE GRADUATE) - Mr. Bojangles - More Than Words - My Love - Naked As We Came - Name - New York, New York - 1952 Vincent Black Lightning - No Such Thing - Norwegian Wood (This Bird Has Flown) - Oliver's Army - One Love - One Of Us - Operator (That's Not The Way It Feels) - Peace Train - Peaceful Easy Feeling - Pink Houses - Pink Moon - Please Come To Boston - Possession - Push - Put Your Records On - Reason To Believe - Redemption Song - Rhythm Of Love - Round Here - Running On Empty - San Francisco Bay Blues - Sara Smile - Save Tonight - The Scientist - Scotch And Soda - Screaming Infidelities - She Runs Away - She Talks To Angels - Shelter From The Storm - Shiver Me Timbers - Show Me The Way - 6th Avenue Heartache - Skinny Love - Sky Blue Sky - Slip Slidin' Away - Songbird - The Sound Of Silence - Southern Cross - The Space Between - Stay - Steal Away - Steal My Kisses - Still - Stolen - Stoned Soul Picnic (Picnic, A Green City) - The Story - Suddenly I See - Summer Breeze - Sunny Came Home - Sunshine (Go Away Today) - Sunshine Superman - The Swimming Song - Tangled Up In Blue - Taxi - Tequila Sunrise - Thank You - Time In A Bottle - Toes - Tom's Diner - Torn - Touch Of Grey - Trouble - Tupelo Honey - Use Me - Vincent (Starry Starry Night) - Wagon Wheel - Waiting On The World To Change - Walk On The Wild Side - Walking In Memphis - The Way I Am - We Just Disagree - The Weight - Welcome Back (from the Television Series WELCOME BACK, KOTTER) - What I Am - What I Got - White Flag - Who Will Save Your Soul - Why Walk When You Can Fly - Wicked Game - Wild Horses - Woman - Wonder - Wonderwall - Wooden Ships - Yellow - You Can Sleep While I Drive - You Learn - You Were Meant For Me - You're So Vain - You've Got A Friend - You've Got To Hide Your Love Away - Your Song / Ligne Mélodique, Paroles Et Accords

Treasury of Golden Standards contains 76 songs from stage film and the hit parade that have stood the test of time. Titles: As Time Goes By · At Last · Begin the Beguine · Body and Soul · Chances Are · Days of Wine and Roses · Don't Get Around Much Anymore · Embraceable You · Get Me to the Church on Time · Hi-Lili Hi-Lo · How Are Things in Glocca Morra? · How High the Moon · I Could Write a Book · I Got Rhythm · If Ever I Would Leave You · It's Magic · La Vie en Rose · The Lady Is a Tramp · Misty · My Funny Valentine · Night and Day · Over the Rainbow · People · The Shadow of Your Smile · Star Dust · Summertime · Try to Remember · Where or When · and many more.

Oratorio in two parts Rome 1707. Par HAENDEL GEORG FRIEDRICH. With his “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” (“Beauty Reformed in the Triumph of Time and Enlightenment”), HWV 46a, the 22-year-old Handel notched up one of his greatest successes in this genre right at the very beginning of his oratorio oeuvre. Composed in Rome in 1707, the work was for a long time known as “Il trionfo del Tempo e del Disinganno” (“The Triumph of Time and Enlightenment”). In keeping with the Halle Handel Edition, however, the title is that of the name given in the primary source. In many cases inspired by the melodically rich ideas of Reinhard Keiser (1674–1739), the work is unsurpassed by any other oratorio by Handel. At the end of an impressive sequence of truly captivating arias, duets and quartets, Bellezza’s reformation in favour of living a life pleasing to God is accompanied in incisive E major by her overwhelmingly beautiful, impossibly sad closing aria “Tu del ciel ministro eletto”, the consummate pinnacle of dramatic irony in Handel’s output. By virtue of its flawless dramatic structure as well – unlike many other oratorios and all operas of the Baroque period, the story never goes off at a tangent and all arias revolve around the dispute of the four dramatic personae – the oratorio has enjoyed long runs of widely acclaimed, mostly staged performances in the last few years./ Répertoire / Opéra

For Violin, Viola and Piano (Reduced from the orchestra version). Britten was so remarkably prolific as a young composer that many of the works from his teens were put aside to await revision or completion as he rushed on to the next piece. This was particularly the case around the time of his Opus 1 Sinfonietta , composed in the summer of 1932, his second year as a student at the Royal College Of Music. The Sinfonietta was written (in less than three weeks) very soon after Britten had completed the first draft of the Double Concerto - but after finishing the Sinfonietta he went back to revise the Concerto's second movement. He started work on his Op.2 Phantasy for Oboe and String Trio a few weeks later. Although the Concerto follows the same three-movement pattern as the Sinfonietta , it is more ambitious in scale - and since the sketch is, unusually for Britten, complete in practically every detail, it is puzzling that he never made a full score of the work after finishing the composition, and seems to have made no attempt to get it performed. It is not clear if he had particular performers in mind (he was, of course, a Viola player, although he is not likely to have intended the part for himself). He showed the work to his composition teacher at the college, John Ireland, who, as Britten recorded in his diary, was 'pretty pleased' with it - but it is distinctly possible that his experience in rehearsing the Sinfonietta with a student orchestra in 1932 ('I have never heard such an appalling row!' reads another diary entry) discouraged him from going on to complete the Double Concerto in score. He was not to hear any of his orchestral works until the first performance of Our Hunting Fathers in 1936. In the absence of Britten's full score it was necessary for me to prepare the work from the sketch. But the instrumentation is so carefully indicated in the draft that the resulting score is not far from being 100% Britten - only between bars 70 and 74 of the slow movement did there seem to be any need to add anything significant to Britten's texture. The Double Concerto (Britten's manuscript title was 'Concerto In B Minor', but he referred to it in his diary, in characteristic shorthand, as '2ble Concerto') is the most recent addition to his corpus of works, mostly dating from Britten's youth and early maturity, that, since his death, have been revived after many years, or performed for the first time. Britten himself occasionally returned to his early works, and in his last years revised both the early String Quartet In D of 1931 and the opera Paul Bunyan . The Piano score published separately is not a reduction from the orchestral score, but a transcription of Britten's composition sketch, including his indications of instrumentation. The first performance of the Double Concerto was given at the 50th Aldeburgh Festival by Katherine Hunka and Philip Dukes, with the Britten-Pears Orchestra conducted by Kent Nagano, on June 15th 1997. -Colin Matthews / Violon, Alto Et Piano

Edward Rushton's Combat In The Year Thousand for Piano Quartet.Combat in the Year Thousand is based on material from my Schubert Ensemble commission L'An Mil. Both pieces take their inspiration in part from the writings of Rodolfus Glaber a rebellious monk who chronicled world history and current events around the turn of the last millennium.Banners fly thousands of knights wield axes and swords with brutal disregard for human life. The living shout trumpets blare the dying scream. At night the tumult abates and there is time for peaceful meditation but the new day is full again of the incessant sounds of combat. A thousand years later we still hearthe same sounds. - Edward RushtonCommission made possible by Tuuichiro Nakajima for Hisako.

Durkle Bandrydge is the name of the composers imaginary world but it could very well be anyones invisible dream world with a different name. In this very versatile suite by Bruce Fraser 8 characters are featured each with its ownpeculiarities making Durkle Bandrydge such a colourful place. Do these characters differ that much from us? That is for you to find out! In the last part all characters come together in a special way.Durkle Bandrydge exists at the end ofyour street. It is invisible to humans but Durkle Bandrygators can watch us with great interest. The music will introduce you to some of the characters who live in this unusual place. The parts: Somnanbulyss who is a giant trollguarding the entrance to Durkle Bandryde. At least he is supposed to but he tends to sleep most of the time. His music is therefore very slow moving and sleepy. Long Gwysteen is a tall mysterious and somehow sophisticated character who walls around with a shell on his back. His music glides along rather gracefully. Squelfitch is a rather unpleasant and smelly character who lives in a bog which is why his music sounds rather slimy and a bit like trying to walkthrough quicksand. Perfydlia is a meddling old woman who gossips about everybody and squeals with sudden delight at the small exciting bits of tittletattle about others in the village. In the music you can hear her sudden little squealsof delight. Maryann Lovely is a beautiful young lady graceful gorgeous absolutely devine and her music is obviously just the same. Thistledoo Nicely is a lively character who spends and spends and spends with her credit card buying the latest fashion and never worries about having to pay the bills. Her music reflects her excitement when shopping and het ‘happy go lucky’ approach to life. Marsyn Edginton is the Lord of the manor the richest man in town the‘big cheese’ the man with all the power and of course the biggest house. He is very grand and his music like he could be a king. Jimmy McScotsmyn is a red haired scotsman wearing tartan cap. He misses his home country terribly and eatslots of shortbread oatcakes scotch eggs porridge and drinks an enormous amount of Scotch Wisky which helps him to have fond memories of the kind of music he would like to dance to when he was a younger man. His favourite dance is a Jig andthis is the music he remembers. Grand March of the Durkle Bandrydgators. We hope that you have enjoyed meeting these characters from Drukle Bandrydge and would invite you to listen to all the villagers now march along in a grand parade -it is a pity that you can not see them what is a wonderful sight. If you listen carefully you will hear the melodies which belong to the characters as they march past. Oh what a grand spectacle!