Partitions Pour Piano Solos.. Par ARMSTRONG CRAIG. Craig Armstrong's output is extensive and varied. As well as his classical and film works (including Scores for 'The Bone Collector' and Baz Luhman's 'Romeo and Juliet'), he has worked with such artists as Massive Attack, Madonna, U2, The Future Sound Of London and Bjork, and orchestrated the themes to 'GoldenEye', 'Batman Forever' and 'Mission Impossible'. 'Piano Works' features a selection of these works and the mood is intimate and reflective. Contents: In My Own Words - Heatmiser 2 - Hidden - Gentle Piece - Weather Storm - Diffuse - Leaving Paris - Fugue - Theme from Orphans - 1st Waltz - Satine's Theme (from Moulin Rouge) - Morning Breaks - Laura's Theme - Glasgow Love Theme (from Love Actually) - Delay - Hymn 3 - Angelina - Childhood 2 - Sunrise / TV, Film, Comédie musicale / Recueil / Chant, Piano et/ou Guitare

This book is part of Alfred's Harry Potter Instrumental Solos series arranged for Violin, Viola, and Cello. All string instrument arrangements are fully compatible and can be successfully performed as ensembles or solos. Each book includes piano accompaniments, a removable string part, and a fully orchestrated accompaniment recording, which features each song as a live performance demo track followed by a play-along track. Also included is software that allows the player to adjust the tempo of the audio. Titles: Double Trouble * Family Portrait * Farewell to Dobby * Fawkes the Phoenix * Fireworks * Harry in Winter * Harry's Wondrous World * Hedwig's Theme * Hogwarts' Hymn * Hogwarts' March * Leaving Hogwarts * Lily's Theme * Obliviate * Statues * A Window to the Past * Wizard Wheezes
Due to level considerations regarding keys and instrument ranges, the string instrument arrangements are not compatible with the wind instrument arrangements in this series. This title is available in SmartMusic.
Double Trouble (from Harry Potter and the Prisoner of Azkaban )
John Williams (composer)
Hogwarts' March (from Harry Potter and the Goblet of Fire )
Patrick Doyle (composer)
Harry in Winter (from Harry Potter and the Goblet of Fire )
Patrick Doyle (composer)
Fawkes the Phoenix (from Harry Potter and the Chamber of Secrets )
John Williams (composer)
Hogwarts' Hymn (from Harry Potter and the Goblet of Fire )
Patrick Doyle (composer)
Fireworks (from Harry Potter and the Order of the Phoenix )
Nicholas Hooper (composer)
Wizard Wheezes (from Harry Potter and the Half-Blood Prince )
Nicholas Hooper (composer)
Obliviate (from Harry Potter and the Deathly Hallows, Part 1 )
Alexandre Desplat (composer)
Leaving Hogwarts
John T. Williams (composer)
Statues
Alexandre Desplat (composer)
Lily?s Theme (Main Theme from Harry Potter and the Deathly Hallows, Part 2 )
Alexandre Desplat (composer)
A Window to the Past (from Harry Potter and the Prisoner of Azkaban )
John Williams (composer)
Farewell to Dobby (from Harry Potter and the Deathly Hallows, Part 1 )
Alexandre Desplat (composer)
Harry's Wondrous World (from Harry Potter and the Sorcerer's Stone )
John Williams (composer)
Family Portrait (from Harry Potter and the Sorcerer's Stone )
John Williams (composer)
Hedwig's Theme (from Harry Potter and the Sorcerer's Stone ) / Partitions variété - pop - rock / Musique films - comédies musicales / / ALFRED PUBLISHING

Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died.In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's:'Rock of ages cleft for me Let me hide myself in thee...'

Thomas Campion's Never weather-beaten sail is a sprightly text that powerfully evokes the sailor's plea for God's calming presence upon the sea's unrelenting rushing waves. At the opening of this work for unaccompanied mixed voices, the jaunty alto/tenor movement in thirds symbolises the curling waves of the undulating sea, the mellifluous soprano melody represents the boat's sails, and the bass section's never-changing 'A' provides the anchor. All four voices then come together in homophony, urging God to 'come quickly...and take my soul to rest?. Rather than a simple repetition of thematic material in the manner of a standard hymn, the texture alters through the rest of the work until the very end where all voices gradually fade away into the distance, leaving what seems like a lone voice in the wilderness to cry 'to Thee?. Contrasting to other well-known setting of this text, this new work provides a fresh interpretation, suitable for intermediate choirs. / Choeur Mixte (SATB) A Cappella

Giles Swayne wrote this piece to commemorate the life of his brother-in-law Nii Sackey Codjoe who came to England from Ghana as an illegal worker. Sackey's goal was to make money to give himself a better future in his home country but he was made redundant with the result that his life fell apart. He gambled and drank away all the money he had saved and eventually died of heart failure. Sackey's story is all too common but none the less tragic for that. He left no children and his warmth and laughter were blotted out by a world for which he was not adequately equipped leaving nothing behind. Nobody except a handful of kind Ghanaian church people came to hiscremation which was paid for by the hospital where he died.In the piece a simple 25-bar refrain is gradually transformed recurring four times. These four refrains are interspersed by four episodes which give a musical portrait of aspects of Sackey's life and character. After the fourth refrain comes the final section Valediction in which we hear his pulse (represented by flute horn and viola) falter and cease while the harp quietly plays the melody of a hymn which was a favourite of Sackey's:'Rock of ages cleft for me Let me hide myself in thee...'

La magie de Harry Potter contient des thèmes des huit films de la série Harry Potter. Les thèmes abordés sont 'Thème d'Hedwige' et 'Nimbus 2000' de Harry Potter et l'école des sorciers ', Fawkes the Phoenix' de Harry Potter et la Chambre des Secrets, 'Double Trouble' de Harry Potter et le Prisonnier d'Azkaban, 'Poudlard 'Hymne' de Harry Potter et la Coupe de Feu ', l'Armée de Dumbledore' de Harry Potter et l'Ordre du Phénix ', Harry et Hermione' de Harry Potter et le Prince de Sang-Mêlé ', Ministère de la Magie' de Harry Potter et les reliques de la mort, partie 1, 'Showdown' de Harry Potter et les reliques de la mort, partie 2, et 'Leaving Poudlard', qui est apparu à la fin des deux premiers films et le dernier. Cet arrangement est écrite pour grand orchestre, mais il est tout à fait jouable par cordes seules. (6:00) / Orchestre

Avec cette édition retrouvez les partitions des plus grands films arrangés en partitions pour Piano Solo en niveau facile. La toute nouvelle présentation rend la lecture plus aisée, et vous y trouverez les doigtés complets, les symboles d'accords et les paroles. / Variétés Internationale / Partition /

For Acoustic or Electric 12-String Guitar. Par JOHNSON CHAD. The Hal Leonard 12-String Guitar Method is the perfect introduction for 6-string players to the acoustic or electric 12-string guitar. This easy-to-use book and audio pack includes many useful exercises, nearly 60 popular songs and riffs, invaluable tips, and full-band audio tracks online for demonstration or play-along. Lessons include: Mechanics and Maintenance - Acoustic and Electric Tips - Chords - Arpeggios - Fingerpicking - Alternate Tunings - Playing with a Capo - Recording Ideas - Technique Tips - Standard Notation and Tablature - and more. Audio is accessed online using the unique code inside the book and can be streamed or downloaded. The audio files include PLAYBACK , a multi-functional audio player that allows you to slow down audio without changing pitch, set loop points, change keys, and pan left or right. / Méthode / Méthode / Guitare

Ce livre fait partie d'Alfred de Harry Potter Solos série Instrumental arrangé pour flûte, clarinette, sax alto, Sax ténor, trompette, cor en fa, trombone, et accompagnement de piano en option. Tous les arrangements pour instruments à vent sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos par des étudiants qui ont terminé le premier livre d'une méthode standard de la bande. Un accompagnement tout orchestré MP3 CD est fourni, avec chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Cor En Fa

Ce livre fait partie d'Alfred de Harry Potter Solos série Instrumental arrangé pour flûte, clarinette, sax alto, Sax ténor, trompette, cor en fa, trombone, et accompagnement de piano en option. Tous les arrangements pour instruments à vent sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos par des étudiants qui ont terminé le premier livre d'une méthode standard de la bande. Un accompagnement tout orchestré MP3 CD est fourni, avec chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Piano

Ce livre fait partie d'Alfred de Harry Potter Solos série Instrumental arrangé pour flûte, clarinette, sax alto, Sax ténor, trompette, cor en fa, trombone, et accompagnement de piano en option. Tous les arrangements pour instruments à vent sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos par des étudiants qui ont terminé le premier livre d'une méthode standard de la bande. Un accompagnement tout orchestré MP3 CD est fourni, avec chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Saxophone Alto

Ce livre fait partie d'Alfred de Harry Potter Solos série Instrumental arrangé pour flûte, clarinette, sax alto, Sax ténor, trompette, cor en fa, trombone, et accompagnement de piano en option. Tous les arrangements pour instruments à vent sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos par des étudiants qui ont terminé le premier livre d'une méthode standard de la bande. Un accompagnement tout orchestré MP3 CD est fourni, avec chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Clarinette

Ce livre fait partie d'Alfred de Harry Potter Solos série Instrumental arrangé pour flûte, clarinette, sax alto, Sax ténor, trompette, cor en fa, trombone, et accompagnement de piano en option. Tous les arrangements pour instruments à vent sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos par des étudiants qui ont terminé le premier livre d'une méthode standard de la bande. Un accompagnement tout orchestré MP3 CD est fourni, avec chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Trompette

Ce livre fait partie d'Alfred de Harry Potter Solos série instrumentale arrangée pour violon, alto, et violoncelle. Tous les arrangements d'instruments à cordes sont entièrement compatibles et peuvent être réalisées avec succès comme des ensembles ou des solos. Chaque livre comprend les accompagnements au piano, une partie de chaîne amovible, et un accompagnement entièrement orchestrée MP3 CD, qui propose chaque chanson comme une piste de démonstration des performances en direct suivie d'une piste play-along. / Violon