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| Harald Genzmer:
Greensleeves GeWV 261:
Treble Recorder: Score
Schott
Variations on an Old Folk Song-Commissioned by the Schott publishing house the ...(+)
Variations on an Old Folk Song-Commissioned by the Schott publishing house the present variations on the song Greensleeves were written in 2000 by Genzmer who seized on the suggestion to write a cycle of variations on this Old English melody which had often served as a theme for variations in music history as for example in the famous anonymous cycle 'Greensleeves to a ground' (around 1700). Genzmer keeps the theme simple yet with great virtuosity and original harmony. All parts are written in a linear fashion. The four variations observe almost in a classical manner the principle of increasing differentiation and acceleration of therhythm.Variation 1 uses crotchets and quavers as well as semiquaver triplets whereas Variation 2 uses semiquavers throughout and Variation 3 the somewhat faster semiquaver triplets. Variation 4 stays on this fast rhythmic level with semiquavers and semiquaver triplets. A rewarding piece for the 'Jugend musiziert' competition as well as for advanced lessons.
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| English Medievl And
Renaissance (GREENBERG
STEVE)
Piano, Voix [Partition]
Dover Publications
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six...(+)
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano
Délais: Sur commande |
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| Wolfgang Amadeus Mozart:
Mozart S Choral
Favourites: String
Quartet:
Quatuor à cordes: 2 violons,
alto, violoncelle
Spartan Press
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem...(+)
Three arrangements including Ave Verum Corpus and the Lacrimosa from the Requiem.During the year 1771 when Mozart was 15 years old he and his father Leopold were touring Italy which was at that time the most formidable citadel of the music world. In the following four years the young Mozart was received at the homes and villas of Italy's aristocracy. He met the most famous musicians of the time including Niccolo Piccinni operatic rival to Gluck and Padre Martini from whom he was to benefit from studies in counterpoint. He also met many noted male soprano singers and for one the celebrated Venanzio Rauzzini he wrote in 1773 the motet Exsultate Jubilate from whichcomes the well known Alleluia.At the end of his life only 19 years later in Vienna 1791 Mozart was very ill and working on a number of massive works such as the operas The Magic Flute and Titus also the Requiem. Titus was completed in 18 nerve-shattering days as it had to be performed in Prague in September 1791. At its premiere it was a complete flop. This affected the now overworked almost penniless composer's spirit and he returned to Vienna suffering from mental and physical exhaustion. Rest was denied him. The Magic Flute had to be finished for its premier on September 30th 1791. The task of the Requiem still faced him. In this weakened state Mozart thought that he was in fact writing his own requiem reading evil omens into the commissioning of the work. He thought someone had calculated the precise time of his death and was thus troubled with sombre thoughts. He completed the first two of the twelve parts. The next six parts were in an unfinished state and his manuscript ceased at the Lacrimosa. Süssmayer who was working closely with Mozart at the time was given the task of finishing the Requiem.Ave Verum Corpus is also one of his final works. It is a setting of an anonymous hymn written as a motet for Anton Stoll the choirmaster at Baden in June 1791.Mozart was a composer of great genius who
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| Keyboard And Organ Works
From Copied Sources:
Polyphonic Works
Orgue
Barenreiter
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of compos...(+)
Johann Jacob Froberger, who lived from 1617 to 1667, developed a style of composition representing a synthesis of Italian, French and English influences, thereby setting new standards at that time. Only Jan Peterszoon Sweelinck can match Froberger in terms of significance for 17th century keyboard music.The text to each volume of the complete edition of Froberger's organ and keyboard music is published in German and English comprising a critical commentary as well as a detailed foreword explaining the scope and subdivision of the edition and the editorial techniques. Also, information on performance practice, on instruments of the time and on ornamentation is included, as well as details on Froberger's biography.Volume V.2, like the previously published volume V.1, contains the musical text from an anonymous 17th century copy which was returned to the Berlin Singakademie from Kiev in 2001. It is divided into works of definitive authenticity, new readings and two appendices containing works of doubtful authenticity and spurious arrangements.- Definitive complete Urtext edition- At the cutting edge of scholarship- Detailed explanatory notes / Orgue Ou Piano
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| The 'Lynar'
Virginal Book
Piano seul [Partition]
Stainer and Bell
Twelve pieces by John Bull, Giles and Richard Farnaby, Orlando Gibbons, Leonhard...(+)
Twelve pieces by John Bull, Giles and Richard Farnaby, Orlando Gibbons, Leonhard Woodson and others are here collected to make an attractive anthology of English keyboard music found in the precious Lynar A manuscripts, which also contain primary sources for the keyboard music of Sweelinck, Peter Philips and Tarquinio Merula. Edited by Pieter Dirksen. CONTENTS ANONYMOUS: (A toij; Courant; Courant; Masque; O neijbour Robert; Robin) BULL, John: (Bonni swet Robin; My Grief) FARNABY, Giles: (Kempes Moris) FARNABY, Richard: (Flet Stret) GIBBONS, Orlando: (The Queenes Command) WOODSON, Leonhard: (Malle Siemon)/ Recueil / Piano
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| Keyboard Crocodile
Piano Facile [Partition] - Facile
Breitkopf & Härtel
Easy Piano Pieces for Children (36). The 'Keyboard Crocodile' is actually quite ...(+)
Easy Piano Pieces for Children (36). The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colorfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It wont wag its tail at the Funeral ofMax the Turtle or snarl at Carefree Jack. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into areboring piano albums for beginners! The 'Keyboard Crocodile' is actually quite harmless. This friendly beast crawls colourfully and playfully amidst these piano pieces from all over the world chosen from among the easiest pieces of all times. It won't wag its tail at the 'Funeral of Max the Turtle' or snarl at 'Carefree Jack'. This delightful little reptile quickly finds its way into the hearts of all children beginning to play the piano. The only thing the 'Keyboard Crocodile' would like to sink its teeth into are boring piano albums for beginners! Anonymous: Early French Dance Bach, J. S. : Musette Bartó k: Sorrow Batschinskaja: The Old Cuckoo-Clock Beethoven:German Dance Burgmuller: Arabesque Duncombe: Fanfare Minuet Fux: Almost a Canon Gillock: Fiesta Gillock: The Swinging Sioux Graupner: Bourree Gretschaninow: Riding on the Hobby Horse Gurlitt, C. : Night Journey Gurlitt, C. : The Little Rascal Gurlitt, C. : Theme and Variation Haydn: 2 German Dances Haydn: Gipsy Dance Kabalewskij: Dance Kodàly: Children's Dance Lefeld: Little Mouse Löhlein: Balletto Martin: Boogie No. 1 Mozart: Minuet Mozart, Leop. : Bourlesqe Schubert: Ecossaise Schumann: Hide and Seek Schumann: Soldier's March Schwerdtner: The Funeral of Max the Turtle Schwertberger: Samba in Sixths Seifert: Little Piece Takàcs: Glider Flight Takàcs: Pien-Tshung Turk: Carefree Jack Turk: Echo in the Castle Vanhal: Allegretto WitthauerTurk: Gavotte / Niveau : Facile / Répertoire d'Examen / Recueil / Piano
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| Peter Maxwell Davies:
Three Organ Voluntaries:
Organ: Instrumental Work
Orgue [Partition]
Chester
These are all arrangements of sixteenth-century Scottish church music beginning...(+)
These are all arrangements of sixteenth-century Scottish church music beginning with Psalm 124 by David Peebles which gains an athletic counterpoint of Davies's own. Then comes John Fethy's O God Abufe playedstraight and finally an anonymous motet All Sons of Adam again infiltrated by a modern voice.
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| Francis Pott: As Joseph
was a-walking: Mixed
Choir: Vocal Score [Vocal Score]
Oxford University Press
This carol was composed in March 2009 and bears a dedication to Jeremy Backhouse...(+)
This carol was composed in March 2009 and bears a dedication to Jeremy Backhouse and the Vasari Singers with whom Pott has enjoyed a fruitful creative relationship over recent years. The folk ballad style of the anonymous traditional text lent itself well to a musical setting that preserved the original strophic arrangement and this in turn encouraged the use of textural variation in successive verses to offset repetition of the same musical material. One ‘verse’ of music actually spans two verses of text and therefore the first verse of the poem is here repeated before the fifth and last of the original an arrangement which permits three completemusical presentations. In the second of these the melody is sung by the tenors against a flowing wordlessly hushed background. In the third the melody deviates slightly presenting its central material slightly higher in pitch to create a restrained climax before a slower more melancholic peroration. Francis PottOver the past twenty-five years Francis Pott has acquired an international reputation as a composer of dramatic and emotionally challenging music. His writing unites a distinctive personal voice with a highly disciplined yet versatile technique that is rooted in a keen awareness of the past. Including a steady flow of major commissions his works are regularly performed recorded and broadcast throughout the world. Formerly Lecturer in Music at St Hilda's College Oxford he is currently Professor of Composition at London College of Music Thames Valley University.
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| Favorite Recorder Tunes
(DIEHL MARCIA)
Flûte à Bec [Partition]
Mel Bay
Beautiful Airs and Ballads of the British Isles. Par DIEHL MARCIA. This exceptio...(+)
Beautiful Airs and Ballads of the British Isles. Par DIEHL MARCIA. This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough O?Carolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include O?Carolan?s classically influenced ?Lord Inchiquin? and ?Eleanor Plunkett? as well as ?O Gentle Dove? and ?Cuckoo Dear?? both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of ?The Dark Slender Boy? and ?Enchanted Valley? express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. ?Bonny at Morn?, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. ?The Skye Boat Song? originally recounted Bonnie Prince Charles Edward Stuart?s journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes. / Date parution : 2022-02-17/ Recueil / Flûte à Bec
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| Roger Quilter: Fair House
Of Joy In D Flat op.
12/7: Voice: Vocal Work [Vocal Score]
Boosey and Hawkes
A terrific song in D flat completed in 1908 by the great English vocal composer...(+)
A terrific song in D flat completed in 1908 by the great English vocal composer Roger Quilter. He was inspired by a 16th Century traditional text by an anonymous poet which he has set to music for Voice and Piano creating an evocative and stirring work.
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| FIRST 50 CLASSICAL PIECES
YOU SHOULD PLAY ON THE
CLARINET
Clarinette - Facile
Hal Leonard
If you've been playing clarinet for a little while, you are probably eager to le...(+)
If you've been playing clarinet for a little while, you are probably eager to learn some familiar works. This book includes 50 must-know works by Bach, Brahms, Handel, Tchaikovsky and more arranged for clarinet.
Complete contents include: About Strange Lands and People from Scenes from Childhood (Schumann) ? Adagio, Op. 63, No. 24 (Baermann) ? Andante from Symphony No. 6 ?Pathétique? (Tchaikovsky) ? Andante from Symphony No. 94 ?Surprise? (Haydn) ? Aria from Aria con Variazioni (Handel) ? Ave Maria (Schubert) ? Barcarolle from The Tales of Hoffmann (Offenbach) ? Canon in D (Pachelbel) ? Dance of the Blessed Spirits from Orfeo ed Euridice (Gluck) ? Emperor Waltz (Strauss) ? Etude in E Major, Op. 10, No. 3 (Chopin) ? Evening Prayer from Hansel and Gretel (Humperdink) ? Funeral March of a Marionette (Gounod) ? He Shall Feed His Flock from Messiah (Handel) ? Heidenröslein (Schubert) ? Hungarian Dance No. 5 (Brahms) ? Intermezzo, Op. 117, No. 1 (Brahms) ? Irish Tune from County Derry (Grainger) ? Jupiter Chorale from The Planets (Holst) ? La donna è mobile from Rigoletto (Verdi) ? Largo from Serse (Handel) ? Largo from Symphony No. 9 ?From the New World? (Dvorák) ? Lullaby (Brahms) ? Lullaby (Schubert) ? Marmotte (Beethoven) ? Mazurka (Glinka) ? The Merry Farmer from Album for the Young (Schumann) ? Minuet from String Quintet in E Major, Op. 11, No. 5 (Boccherini) ? Minuet in D minor, BWV Appendix 132 (Anonymous) ? Minuet in G Major, BWV Appendix 114 (Petzold) ? Minuet in G Major, WoO 10, No. 2 (Beethoven) ? Minuet in G minor, BWV Appendix 115 (Petzold) ? The Moldau from Ma Vlast (Smetana) ? Musette in D Major, BWV Appendix 126 (Bach) ? Non più andrai from The Marriage of Figaro (Mozart) ? O mio babbino caro from Gianni Schicchi (Puccini) ? Ode to Joy from Symphony No. 9 (Beethoven) ? On the Beautiful Blue Danube (Strauss) ? Pavane (Fauré) ? Pomp and Circumstance March No. 1 (Elgar) ? Schlummerlied, Op. 84, No. 2 (Baermann) ? Solvejg's Song from Peer Gynt (Grieg) ? St. Anthony Chorale (Haydn) ? Theme from Swan Lake (Tchaikovsky) ? To Music (Schubert) ? Toreador's Song from Carmen (Bizet) ? Waltz from Sleeping Beauty (Tchaikovsky) ? Waltz from The Merry Widow (Lehár) ? Waltz, Op. 39, No. 15 (Brahms) ? Wild Horseman from Album for the Young (Schumann). / Partitions classique / Bois / Clarinette / HAL LEONARD
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| Thea Musgrave: Journey
Into Light (Full Score):
Soprano: Score
Voix Soprano, Orchestre [Partition]
Novello & Co Ltd.
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProg...(+)
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and
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| Wolfgang Amadeus Mozart:
Requiem K.626: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Novello & Co Ltd.
Vocal Score Large Print-The story of the composition of Mozart's Requiem has a s...(+)
Vocal Score Large Print-The story of the composition of Mozart's Requiem has a strange fabulous quality that is entirely typical of the events of his life. Whether we are considering his amazing exploits and achievements as a youthful virtuoso and maestro or the depth of his financial misfortunes in Vienna in the late 1780s there is little that is mundane about the main biographical facts.It comes as no surprise then to find that these facts have often been coloured and embroidered to enhance their emotional effect and to create a legend about this most remarkable musician. The simple story of the genesis of the Requiem is in itself striking - that in the last weeks of his lifeMozart was working on a Mass for the Dead that this work was the result of an anonymous commission and that the commissioner's envoy in order to avoid giving an address paid Mozart several unannounced visits like a messenger from another world - this story can easily be filled out with portents and hints of the supernatural.Even the account by Franz Niemetscheki (first published in 1798 based on information given by Mozart's widow Constanze and later receiving 'official' approval by being incorporated into the Mozart biography by Constanze's second husband Georg von Nissen) writes of the commissioner's agent appearing 'like a ghost' and Friedrich Rochlitz's account goes much further in suggesting that the composer was possessed by a demoniac and feverish desire to complete the Requiem and conscious of approaching doom
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| Concerto For Piano And
Orchestra G Minor Op. 33
B 63 (DVORAK ANTONIN)
2 Pianos, 4 mains [Partition]
Barenreiter
Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano con...(+)
Réduction Piano. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.
The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc./ Répertoire / 2 Pianos
Délais: Sur commande |
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| Dvorak A. - Concerto In
G Minor Op.33 - 2 Pianos
2 Pianos, 4 mains
Barenreiter
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urt...(+)
Dvorák, Antonín Concerto for Piano and Orchestra G minor op. 33 B 63 - New Urtext edition of Dvorák's only piano concerto - Commentary on performance practice by Czech pianist Ivo Kahánek (Eng/Cz/Ger) - Piano reduction by Karel 'olc adapted to fit this new edition Edition no. BA 10420-90 ISMN 9790260108394 Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form. The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel 'olc.
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| Dominick Argento:
Farewell This World!:
TTBB: Vocal Score
Chorale TTBB [Vocal Score]
Boosey and Hawkes
from Te Deum (Verba Domini cum verbis populi)-The anonymous Middle English text ...(+)
from Te Deum (Verba Domini cum verbis populi)-The anonymous Middle English text is a beautiful poignant contemplation of mortality and Argento's setting of it casts a quiet haunting spell. The men's chorus is occasionally joined by an insistent single chime note. The complete major work Te Deum (979-0-051-32380-7) was performed at the 2017 National ACDA Conference in Minneapolis.
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| Sonata
Violon, Violoncelle Et Basse Continue
Ricordi
The sonata RV 820 represents two 'firsts': it is the latest work to be added to ...(+)
The sonata RV 820 represents two 'firsts': it is the latest work to be added to the Vivaldian canon, and it is also one of the oldest works by Vivaldi - perhaps the very oldest among those known. Having come to light among the numerous anonymous manuscripts preserved in the Sächsische Landesbibliothek - Staats- und Universitätsbibliothek in Dresden, it was attributed to him by Federico Maria Sardelli on the basis of several musical concordances with early works of known authenticity- in addition, a complex network of biographical and paleographical relationships has revealed how this sonata, copied in the hand of the very young Johann Georg Pisendel, belonged to an initial stock of compositions that Giuseppe Torelli brought with him from Italy after he was appointed Kapellmeister at Ansbach in 1698. In this context, Vivaldi's sonata finds itself in the company of two manuscripts that evidence early versions of two concertos that were later included in L'estro armonico ,, plus works by Torelli and his pupil Pietro Bettinozzi. From these facts we obtain a new picture that sheds light on on Vivaldi's period of apprenticeship and his debt to Torelli: from a stylistic viewpoint, RV 820 is an unusual type of trio sonata for violin and cello that remains structured in a late-seventeenth-century way, a work into which Vivaldi injects inventions that are completely new and individual. This is a rare jewel that reveals the work produced by its composer before he became himself. / Violon, Violoncelle Et Basse Continue
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| The Great Arpeggios Book
Guitare
Hal Leonard
54 Pieces and 23 Exercises for Classical and Fingerstyle Guitar. Right hand arpe...(+)
54 Pieces and 23 Exercises for Classical and Fingerstyle Guitar. Right hand arpeggios are essential cornerstones for the development of classical and fingerstyle guitar technique. The study of arpeggios will enable the student of the guitar the opportunity to observe and refine technique and musicianship while playing beautiful music. Includes: 23 Arpeggio Exercises (from Complete Method for Guitar by Carcassi) - Grazioso (Guiliani) - Lõndler Op. 9, No. 4 (Mertz) - O Mio Babbino Caro (Puccini) - Prelude (J.S. Bach) - Recuerdos de la Alhambra (Tßrrega) - Spanish Romance (Anonymous) - Study Op. 35, Nos. 9, 13 and 22 (Sor) - and much more. / Etudes et exercices / Etude / Guitare
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| Georg Friedrich Händel:
Arrival Of The Queen Of
Sheba: Piano:
Instrumental Work
Piano seul
Kevin Mayhew
Solomon is an English oratorio by George Frideric Handel. The anonymous libretto...(+)
Solomon is an English oratorio by George Frideric Handel. The anonymous libretto is based on the biblical stories of wise king Solomon from the First Book of Kings and the Second Book of Chronicles with additionalmaterial from Antiquities of the Jews by ancient historian Flavius Josephus. The music was composed between 5 May and 13 June 1748 and the first performance took place on 17 March 1749. The oratorio contains a short and livelyinstrumental passage for two Oboes and Strings in Act Three known as The Arrival of the Queen of Sheba which has become famous outside the context of the complete work.The familiar Baroque melody ofThe Arrival of the Queen of Sheba has been masterfully transcribed for intermediate level (Grade 5-6) solo Piano.
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| Concerto For Piano And
Orchestra G Minor Op. 33
B 63 (DVORAK ANTONIN)
Orchestre et Piano [Partition]
Barenreiter
g-moll Op. 33 B. 63. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano ...(+)
g-moll Op. 33 B. 63. Par DVORAK ANTONIN. Composed in 1876, Dvorák's only piano concerto has been overshadowed by his other two concertos, for violin and violoncello, respectively. Performers and editors have often attempted to upgrade this pianistically unassuming work by adding stylisations of their own. Our Urtext edition revaluates the sources, frees the work from subsequent interventions and presents it to full advantage in its authentic form.
The principal source of our new edition is the first complete print issued by the publisher Hainauer in 1883, which has been meticulously collated with the autograph. The anonymous original piano reduction is so full of mistakes that editor Robbert van Steijn decided instead to present the version by Karel Šolc./ Répertoire / Orchestre et Piano
Délais: Sur commande |
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| Thea Musgrave: Journey
Into Light: Soprano:
Vocal Score
Voix Soprano [Partition]
Novello & Co Ltd.
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProg...(+)
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and
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| Alan Bullard: Oxford Book
Of Flexible Carols: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Oxford University Press
The Oxford Book of Flexible Carols is the perfect resource for choirs of all typ...(+)
The Oxford Book of Flexible Carols is the perfect resource for choirs of all types and sizes. Each piece is presented with flexible scoring options clearly explained throughout enabling performance by various combinations of singers. With carols for Advent Christmas New Year and Epiphany and a fabulous range of accessible quality material this is a must-have collection for all choirs at Christmas. 56 flexibly scored carols Suitable for mixed choirs upper-voice choirs choirs with few men unison choirs small choirs and all other groups New flexible arrangements of traditional carols and modern favourites Brandnew carols written specially for the collection Variety of composers including Kerry Andrew Malcolm Archer Alan Bullard Bob Chilcott Stephen Cleobury Cecilia McDowall John Rutter Mack Wilberg and David Willcocks Wide range of material from Medieval to the present day and including wassails gallery carols world carols and spirituals Accessible keyboard accompaniments suitable for Organ (with or without pedals) or Piano
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| David Bowie: Rainbowman,
1983-2016
 En Français
Biographie [Livre]
Jérôme Soligny (Auteur) - Broché – 12 novembre 2020 - En novembre 2019, p...(+)
Jérôme Soligny (Auteur) - Broché – 12 novembre 2020 - En novembre 2019, paraissait David Bowie : Rainbowman (1967-1980), premier volume d'une étude très approfondie de l'oeuvre du musicien anglais, enrichie des témoignages exclusifs de ceux qui, depuis ses débuts anonymes dans la banlieue de Londres, jusqu'à ses succès des années 1970, ont participé ou été les témoins de son odyssée fantastique. Dans ce second volume, Jérôme Soligny revient sur les trois dernières décennies de la carrière de l'artiste. De la superstar blonde qui a fait danser la planète sur Let's Dance à l'ermite new-yorkais qui a conçu ses deux derniers albums dans le plus grand secret, en passant par les années de réaffirmation rock (avec Tin Machine) et celles en mode exploratoire (Outside, Earthling), toutes les facettes de la personnalité de ce musicien curieux et insatiable, sont examinées par Jérôme Soligny et ses interlocuteurs. Le rocker aux mille mystères, dont les techniques de création et la grande humanité impressionneront ses compagnons de route jusqu'aux derniers, n'aura eu de cesse de surprendre et de fasciner.
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| 50 Rounds / De Smet -
Deux Flûtes Et Plus
2 Flûtes traversières
(duo) [Partition]
Fentone Music
Rounds ont toujours été populaires surtout en Angleterre et chacun doit savoir...(+)
Rounds ont toujours été populaires surtout en Angleterre et chacun doit savoir Jaques Frère, Three Blind Mice et gravure de Londres. Cependant, il ya des centaines d'autres et peut-être sous la forme était à son plus populaire sur le XVIIe siècle, quand Purcell a été son plus célèbre représentant. Dans les siècles suivants quelques-uns des plus grands compositeurs de l'époque, Mozart, Haydn, Beethoven et Schubert a également utilisé les moyennes et certains de leurs tours sont inclus dans ce livre. / 2 Flûtes Ou Plus / 18 pages / niveau : Facile - Elémentaire / Partition
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Deux Clarinettes Et Plus
2 Clarinettes Et Plus [Partition]
Fentone Music
Tours ont toujours été très populaires surtout en Angleterre et tout le monde...(+)
Tours ont toujours été très populaires surtout en Angleterre et tout le monde doit savoir Frère Jaques, Three Blind Mice et l'incendie de Londres. Cependant, il existe des centaines de plus et peut-être la forme était à son plus populaire sur le XVIIe siècle quand Purcell a ses plus célèbre exposant. Dans les siècles suivants, certains des plus grands compositeurs de l'époque, Mozart, Haydn, Beethoven et Schubert utilisé également le milieu et certains de leurs tours sont inclus dans ce livre. / 2 Clarinettes Et Plus / 22 pages / niveau : Elémentaire / Partition
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| Méthodes Et
Traités - 5
Volumes - France 1600 -
1800
En Français
Orgue
Anne Fuzeau Productions
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, trait...(+)
Anne Fuzeau Classique vous propose tous les textes théoriques, méthodes, traités, articles, partitions de musique classique concernant l'orgue.Ces méthodes anciennes sont reproduites en fac-similé et regroupés en - cinq volumes.Volume 1 (Réf. 5921) - : Anonymes (1-2-3-4) - Marin MERSENNE - Guillaume-Gabriel NIVERS (1) - DOM PIERRE DE SAINTE-CATHERINE - Martin SONNET - Jehan TITELOUZE (1-2) - Pierre TRICHETVolume 2 (Réf. 5922) : ANCELET - Jean Henry d'ANGLEBERT - Anonymes (5-6-7-8-9-10-11) - Louis BOLLIOUD DE MERMET - Jacques BOYVIN (1-2) - Lambert CHAUMONT - Nicolas CLERAMBAULT - Gaspard CORRETTE - Michel - CORRETTE (1-2-3) - Jean-François DANDRIEU - Denis DODART - -Encyclopédie - François-Alexandre-Pierre de GARSAULT - Nicolas GIGAULT (1-2) - Gilles JULLIEN - Nicolas-Antoine LEBEGUE (1-2) - Christophe MOUCHEREL - Guillaume-Gabriel NIVERS (2-3) - André RAISON - Jean-Philippe RAMEAU - Karl Joseph RIEPP - Joseph SAUVEURVolume 3 (Réf. 5923) : François DOM BEDOS DE CELLES (textes)Volume 4 (Réf. 5924) : Anonymes (1-2) - BENAUT - François DOM BEDOS DE CELLES (planches) - Marie-Dominique-Joseph ENGRAMELLE - Philippe MACQUERVolume 5 (Réf. 5925) : François-Henri CLICQUOT - Michel - CORRETTE (4) - Encyclopédie méthodique - Jean Benjamin de LABORDE - Jean-André SILBERMANNTable des matières :Volume 1 :Titelouze Jehan : Hymnes de l'église - 1624Titelouze Jehan : Le Magnificat - 1626Anonyme : Caeremoniale monasticum romanum - 1634Mersenne Marin : Harmonie universelle - 1636Trichet Pierre : Traité des instruments - c. 1640Anonyme : Caeremoniale romanum - 1659Sonnet Martin : Caeremoniale parisiense - 1662Nivers Guillaume Gabriel : Livre d'orgue contenant cent pièces - 1665Sainte-Catherine Pierre de : Cérémonial monastique - 1669Anonyme : Caeremoniale ecclesiasticum - 1669Anonyme : Manière de toucher l'orgue - s.d.Volume 2 :Lebègue Nicolas-Antoine : Les pièces d'orgue - 1676Lebègue Nicolas-Antoine : Second livre d'orgue - 1678Anonyme : Caeremoniale monasticum - 1680Gigault Nicolas : Livre de musique dédié à la très Ste vierge - 1682Nivers Guillaume Gabriel : Dissertation sur le chant grégorien - 1682Gigault Nicolas : Livre de musique pour l'orgue - 1685Raison André : Livre d'orgue contenant cinq messes - 1688Nivers Guillaume Gabriel : Motets à voix seule - 1689Anglebert Jean Henry d' : Pièces de clavecin - 1689Jullien Gilles : Premier livre d'orgue - 1690Boyvin Jacques : Premier livre d'orgue - 1690Chaumont Lambert : Pièces d'orgue sur les huit tons - 1695Anonyme : Mémoire du meslange des jeux - fin XVIIème s.Anonyme : Recueil de l'office senonois en général - fin XVIIème s.Anonyme : Meslange des jeux de l'orgue - début XVIIIème s.Boyvin Jacques : Second livre d'orgue - 1700Anonyme : Cérémonial de Toul - 1700Sauveur Joseph : Application des sons harmoniques - 1702Dodart Denis : Mémoire sur les causes de la voix - 1703Corrette Gaspard : Messe du 8ème ton pour l'orgue - 1703Anonyme : Cérémonial de Bourges - 1708Clérambault Nicolas : Premier livre d'orgue - c. 1714Moucherel Christophe : Mémoire instructif - 1734Corrette Michel : Premier livre d'orgue - 1737Bollioud de Mermet Louis : Mémoire sur la construction de l'orgue - 1738Dandrieu Jean-François : Premier livre de pièces d'orgue - 1739Diderot D. : Encyclopédie - 1751/1772Corrette Michel : Nouveau livres de Noëls - 1753Corrette Michel : VI concerti sei stromenti - 1756Ancelet : Observations sur la musique - 1757Anonyme : Cérémonial du choeur - 1758Rameau Jean-Philippe : Code de musique pratique - 1760Garsault François Alexandre Pierre de : Notionnaire ou mémorial raisonné - 1761Riepp Karl Joseph : Maniere die register zu coupellieren - 1766/1774Volume 3 :Dom Bédos de Celles : L'art du facteur d'orgue (texte) - 1766/1778Volume 4 :Dom Bédos de Celles : L'art du facteur d'orgue (planche) - 1766/1778Anonyme : Cérémoniale de l'église - 1769Macquer Philippe : Dictionnaire raisonné - 1773Benaut : Pièces d'orgue - 1774Engramelle Marie Dominique Joseph : La tonotechnie - 1775Volume 5 :Laborde Jean Benjamin de : Essai sur la musique - 1780Corrette Michel : Pièces pour l'orgue dans un genre nouveau - 1787Encyclopédie : Encyclopédie méthodique - 1788Clicquot François Henri : Théorie pratique de la facture d'orgue - 1789Silbermann Jean André : Mélange des jeux - s.d.Téléchargez le catalogue Anne Fuzeau Classique / Orgue / 1232 pages / niveau : 1 / Fac-Similés - Format: 24 X 33
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