Sous la forme d'un journal imaginaire, Mélisande Chauveau a pris le parti original de donner la parole à Franz Liszt, entremêlant subtilement dans son récit anecdotes, témoignages de contemporains et extraits de lettres. Elle met l'homme au coeur du sujet dans la réalité musicale, sociale et économique de son époque, nous offrant une relecture passionnante et passionnée de la vie du compositeur. / Livre

Symphonies de Beethoven Nos. 8-9Publié par Sulyok Imre, Mező Imre, Gémesi Géza, Farkas ZoltánInstrument: PianoSérie: New Liszt Edition II. 'B'Genre: RomanticLangue: English, GermanPages: 152 ppDate du parution: Juillet 1993

Publié par Sulyok Imre, Martos LászlóInstrument: PianoSérie: New Liszt Edition II. 'B'Genre: RomanticLangue: English, GermanPages: 196 ppDate du parution: Juillet 2001

New Liszt Edition III Vol. 1. Par LISZT FRANZ. Composed in 1834, Liszt's Grand duo is based on material from three pieces from the first book (op. 19b) of Mendelssohn's Songs without Words (no. 1 in E major, no. 6 in G minor, and no. 3 in A major). While Liszt made an almost literal transcription of the first piece, he gave the second and third pieces a much freer arrangement, in the style of concert paraphrases. The large-scale concert piece was premiered by Liszt and Chopin on Christmas Day 1834 in a salon in Paris. The Grand duo was not published in Liszt's lifetime, and has survived as a draft. Schubert's Fantasy in C major (also known as the 'Wanderer' Fantasy) was a defining musical experience for the young Liszt. He arranged this masterpiece of Romantic piano literature for piano and orchestra in 1851, at the beginning of his Weimar period, and it was premiered by Julius Egghard in Vienna in December of that year. By 1855, Liszt had transcribed this arrangement for two pianos, because it was played on 22 October 1855 at a concert held in Weimar in honour of his birthday. With the version for piano and orchestra, Liszt attuned the fantasy to the requirements of the concert hall, reinforcing the orchestral effects inherent in Schubert's composition. His aim with the two-piano version was to achieve a similarly grand effect in spaces too small for an orchestra. The arrangement for piano and orchestra appeared in print in 1857, followed by the two-piano version in 1862. This volume comes complete with a detailed preface in English, German, and Hungarian containing new research findings, several manuscript facsimiles, and a critical report in English. / Date parution : 2023-03-11/ Répertoire / 2 Pianos

Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

The Complete Winterreise and Seven Other Great Songs. Par LISZT FRANZ. Of the many transcriptions Franz Liszt made of the works of other composers, those he made of the songs of Franz Schubert are among his most inspired. This volume contains the legendary pianist's twelve transcriptions from Schubert's great song cycle 'Winterreise', along with the four songs of 'Geistliche Leider', and the beloved single songs 'La Rose', 'Lob Der Thranen' and 'Die Forelle'. These rare transcriptions offer unique blending of Classical inspiration with Romantic virtuosity. Here, Liszt retained the intense lyricism and emotional impact of Schubert's songs as he transformed them into dazzling compositions for solo piano. This Dover publication has alleviated years of anxiety that availability of authoritative editions of these masterpieces were becoming thin on the ground. Now, nineteen rare gems of the keyboard literature are once more available, reproduced from extremely rare early editions. Of the many transcriptions Franz Liszt made of the works of other composers, those he made of the songs of Franz Schubert are among his most inspired. This volume contains the legendary pianist's twelve transcriptions from Schubert's great song cycle 'Winterreise', along with the four songs of 'Geistliche Leider', and the beloved single songs 'La Rose', 'Lob Der Thranen' and 'Die Forelle'. These rare transcriptions offer unique blending of Classical inspiration with Romantic virtuosity. Here, Liszt retained the intense lyricism and emotional impact of Schubert's songs as he transformed them into dazzling compositions for solo piano. This Dover publication has alleviated yearsof anxiety that availability of authoritative editions of these masterpieces were becoming thin on the ground. Now, nineteen rare gems of the keyboard literature are once more available, reproduced from extremely rare early editions./ Répertoire / Piano

La partie principale du Supplément Volume 12 dispose le prédécesseur de Grandes Etudes de Paganini , une série de six études écrites après Paganini entre 1838 et 1840, et en passant par Liszt performances transcendant ( Etudes d'exécution transcendante d'apres Paganini ) . La série a été inspiré non seulement par le violoniste virtuose et Caprices et le Concerto pour violon du compositeur en si mineur , mais aussi par les études de Paganini de Schumann , Liszt probablement rencontrés grâce à Clara Wieck au début de 1838. Le volume comprend également les première et deuxième versions solo de piano de Die Zelle dans Nonnenwerth (1840 et 1841 ) , que Liszt compose d'un certain nombre de fois dans plusieurs versions , ainsi que deux transcriptions de Wagner et les premières versions de l'adaptation de deux oeuvres de Russie compositeurs .Une préface détaillée en hongrois , anglais et allemand , y compris les nouveaux résultats de la recherche , de nombreux fac-similés de manuscrits et notes critiques font de ce volume de la nouvelle édition Liszt une publication particulièrement important de valeur scientifique . Simultanément, le livre de poche pour des raisons pratiques , son volume Complete Edition tissu lié est publié avec les notes critiques . / Piano

Aribert Reimann's idea to arrange the lieder of Franz Liszt for baritone and string quartet goes back to his collaboration with Dietrich Fischer-Dieskau, recording some of these lieder for the German broadcasting company formerly known as Sender Freies Berlin (SFB). Since then, Reimann has continued to be fascinated by Liszt's thrilling harmony and unconventional treatment of the voice. Here, he has compiled a cycle containing seven lieder from Liszt's middle and late periods, arranged so that each song is the logical continuation of its predecessor. Liszt's fundamental harmony has been retained, but the registers have been altered to such an extent that they appear in a completely new light. / Baryton Et Quatuor A Cordes

Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece #13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later #7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This editions contents are identical to those of the hardcover edition with the exception that the critical notes are not included. / Piano

Publié par Mez? Imre Instrument: Piano Série: New Liszt Edition Supplement 'B' Genre: Romantic Langue: Hungarian, English, German Pages: 220 pp Date du parution: 1983 The Technical Studies 1 is the opening volume of Supplements which completes New Liszt Edition with 11 volumes. Liszt's series of exercises designed to maintain or further perfect piano technique which has already attained the highest level. The Critical Notes make it possible to study, among other things, the most important discrepancies between the sources of the volume. The thematic Index provides an overview of the content of all three volumes of the Technical Studies.

The B.A.C.H. motif has been known and used for centuries but enjoyed a great revival in the late 19th century as composers paid homage to the composer J.S. Bach. It derives from the German nomenclature and is expressed in standard notation as Bb-A-C-B. The Fantasia And Fugue On B.A.C.H. is one of the most famous Organ works of Franz Liszt (1811-1886). The piece was intended for the inauguration of the famous Ladegast Organ at Merseburg Cathedral but sadly it wasn’t finished in time. Liszt then revised the work in 1870 and produced the version that survives today. A well-loved piece no organist’s library iscomplete without it.

The Piano Bench Of Classical Music is designed to be the cornerstone of your personal music library. This tremendous piano collection contains 400 pages of great music literature, specially selected and edited for the pianist who loves classical music. No other single volume can provide the wealth of exquisite piano selections contained within these pages. Here you will find the world's greatest inventions, movements, nocturnes, valses, mazurkas, intermezzos, romantic short pieces, impressionist works, and light classics - as well as the most rewarding traditional arrangements of themes from the great symphonies, chamber works, operas and ballets by the master composers of the past four centuries. / Piano

50 Essential Masterworks Compiled and Edited by Jennifer Linn. Journey Through the Classics - Romantic Collection is a piano repertoire collection of 50 original masterworks by Romantic era composers including Brahms, Burgmüller, Chopin, Grieg, Heller, Liszt, Mendelssohn, Schumann, Tchaikovsky, and many more. The graded pieces 1-50 are presented in a progressive order from early intermediate through late intermediate level. The authentic repertoire is ideal for auditions and recitals, and each level includes a handy reference chart with the key, composer, and challenge elements listed for each piece.Journey Through the Classics - Romantic Collection is a piano repertoire collection of 50 original masterworks by Romantic era composers including Brahms, Burgmüller, Chopin, Grieg, Heller, Liszt, Mendelssohn, Schumann, Tchaikovsky, and many more. The graded pieces 1-50 are presented in a progressive order from early intermediate through late intermediate level. The authentic repertoire is ideal for auditions and recitals, and each level includes a handy reference chart with the key, composer, and challenge elements listed for each piece. / Etudes et exercices / Recueil / Piano

One of the greatest piano virtuosos of all time Franz Liszt composed piano music marked by its technical brilliance innovation and imagination. This collection presents authoritative miniature score editions of two staples of the repertoire: Liszt's Piano Concerto No. 1 in E-flat Major and his Piano Concerto No. 2 in A Major.The works are reproduced here from authoritative editions complete with bar-numbered movements for easy reference. Affordable durable and portable this miniature score edition is ideal for study in the classroom at home or in the concert hall.Reprint of the Breitkopf & Härtel Leipzig 1907 39 editions.