| John McCabe: String
Quartet No.7 - Summer
Eves: String Quartet:
Score Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
24.99 GBP - vendu par Musicroom GB |
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| John McCabe: String
Quartet No.7 - Summer
Eves (Parts): String
Quartet: Parts Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Novello & Co Ltd.
Commissioned by the Presteigne Festival of Music and the Arts Limited with fund...(+)
Commissioned by the Presteigne Festival of Music and the Arts Limited with funds provided by the Arts Council of Wales for premiere in August 2012 by the Carducci String Quartet in St. Andrew?s Church Presteigne.Composer's Note.'Some years ago I noted down the opening theme of what I anticipated would be a relatively Classical string quartet ?Classical? in the sense of the forms adopted plus perhaps a predominantly lyrical tone of voice. The commission for this work from the Presteigne Festival for their 30th anniversary in 2012 gave me the opportunity of putting into practice this long-held idea. It isdedicated to the Festival and to the Carducci Quartet whose career as much-admired friends and colleagues I have greatly enjoyed.The only break with ?classical? tradition is that there are five movements instead of four with two Scherzi as the second and third though both these are very short and contrasting. I found myself listening to Haydn?s string quartets a lot before and during the composition of this work and I hope the spirit of his delight in writing for this medium is echoed in my own music. The opening movement is in sonata form unusually for me and lyricism is I hope the basis of it though there is a good deal of activity at times. The Scherzo light and marked by frequently-changing rhythms is followed by an equally short but ferocious Perpetuum mobile marked Wild und rasch (one of my favourite German tempo markings). The fourth movement is an intense Adagio in which a single phrase uttered strongly in unison is gradually transformed into gentle diatonic chords before the close intermingled with cadenzas for cello for viola and for the two violins together. The finale (a Rondo) resumes the classical tone of the first movement but apart from one dance-like episode it builds up a fair head of steam towards a final Presto which however ascends slows and quietens towards a gentle summer sky at dusk.'
29.99 GBP - vendu par Musicroom GB |
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| Concerto For Alto
Saxophone And Orchestra
(DENISOV EDISON) Saxophone Alto et Piano Sikorski
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison...(+)
Piano Reduction including solo part. Par DENISOV EDISON. The catalogue of Edison Denisov's works includes 16 concertos. It was a genre to which he returned time and again throughout his life, from the Concerto for Cello and Orchestra of 1972 to the Double Concerto for Flute, Clarinet and Orchestra of 1996. In Denisov's music the role of the soloist, or rather the protagonist, is extraordinarily important, not so much for its virtuosity as for its confessional character. The solo part is a monologue distinguished by poetic diction and a very personal message from the composer. The dramaturgical conception of the Concerto for Saxophone and Orchestra, a reworking of the Viola Concerto of 1986, draws on traditional sonata form, thereby reaffirming the ubiquitous classicism in Denisov's thought. In this late work, we find all the typical features of his style: sinuous melodic lines layered into dense contrapuntal textures, and an interplay of orchestral colours, with pure sonorities contrasting with complex mixtures of sounds. It is a perfect dramaturgy that governs the evolution of the music to the very end. The first movement assumes the role of a sonata-allegro, with the standard formal sections of exposition, development, recapitulation and coda. The second movement is an Adagio for strings. The third takes the form of a little contrasting intermezzo that introduces both new thematic material and a new range of colours. Here tunefulness gives way to pointillism enriched with sonic effects. The only movement with a virtuosic solo part, its nervousness and inner tension set it worlds apart from the second and fourth movements that surround it. The fourth movement assumes the traditional form of a final set of variations. It is the dramaturgical and semantic heart of the concerto. The theme of the variations is Franz Schubert's Impromptu in B-flat major, op. 142, which in this case is 'born' from the celesta as the product of a dodecaphonic string cluster. This finale represents Denisov's homage to his great mentor, Schubert's music being for him a symbol of eternal and universal beauty. 'The attentive listener', Denisov stressed, 'will recognise that the Impromptu theme is already suggested very slowly in the course of the three preceding movements, not only thematically, but also psychologically. That's what makes the appearance of the Schubert theme sound so natural.' The variations relate to the variation genre less in their form than in their spiritual and conceptual metamorphoses. It is, one might say, 'music round about Schubert'. (Ekaterina Kouprovskaia-Denisova)/ Répertoire / Saxophone Alto et Piano
77.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Ludwig van Beethoven:
Awake Alone in
Gethsemane: SATB: Vocal
Score Chorale SATB [Vocal Score] Shawnee Press
Uses: Holy Week Maundy Thursday Scripture: Matthew 26:36-56 - Luke 22:39-46 Wit...(+)
Uses: Holy Week Maundy Thursday Scripture: Matthew 26:36-56 - Luke 22:39-46 With the haunting strains of The Moonlight Sonata this anthem unfolds into layers of beautiful textures delivering an emotional portrait of Christ in the garden of prayer. The powerful text is filled with evocative imagery and sacred meaning reminding the listener of the humanity of the suffering Savior and His divine destiny of grace. Highly effective!
11.25 GBP - vendu par Musicroom GB |
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| Sonate (BRAHMS JOHANNES) Flûte traversière et
Piano Universal Edition
Emmanuel Pahud Presents. Par BRAHMS JOHANNES. Flutists will enjoy this arrangeme...(+)
Emmanuel Pahud Presents. Par BRAHMS JOHANNES. Flutists will enjoy this arrangement of Brahms’s “Sonata Opus 120, no. 1” in F minor, as they can present their instrument’s full range of tonal colours. Throughout four movements of different character, the flute is in intensive dialogue with its instrumental partner. In a singing, sensitive, tender, dance-like, cheerful and thoroughly humorous manner, both instrumentalists present romantic compositional art in its most perfect form. Listeners will thus experience a lively performance on stage./ Répertoire / Flûte Traversière et Piano
28.40 EUR - vendu par LMI-partitions Délais: Sur commande |
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| John McCabe: Spielend
(Violin 2 Part): Violin:
Part Violon [Partie seule] Novello & Co Ltd.
Spielend for two violins was written during the summer and early autumn of 2003 ...(+)
Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes.So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise.The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004.'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.' - Richard Morrison The Times 11/05/2004
13.99 GBP - vendu par Musicroom GB |
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| VIOLIN PLAY ALONG VOLUME
25 - CLASSICAL
MASTERPIECES Violon [Partition + Accès audio] Hal Leonard
The Violin Play-Along series will help you play your favorite songs quickly and ...(+)
The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music, listen to the CD to hear how the violin should sound, and then play along using the separate backing tracks. With the melody and lyrics included in the book, you may also choose to sing along. The audio CD is playable on any CD player, and also enhanced so Mac and PC users can adjust the recording to any tempo without changing pitch! This volume includes the pieces: Allegro (Fiocco) · The Boy Paganini (Mollenhauer) · Concertino in Hungarian Style (Rieding) · Humoresque (Dvorak) · Hungarian Dance No.2 (Brahms) · The Infant Paganini (Mollenhauer) · Rondo in D Major, K 485 (Mozart) · Sonata in E Minor (Mozart). 1. Allegro 2. Humoresque 3. Sonata In E Minor 4. Concertino In Hungarian Style 5. The Boy Paganini 6. The Infant Paganini 7. Rondo In D Major, K 485 8. Hungarian Dance No.2 (Brahms) / Musique films - comédies musicales / Hal Leonard
19.62 EUR - vendu par Woodbrass Délais: Sur commande |
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| John McCabe: Spielend
(Violin 1 Part): Violin:
Part Violon [Partie seule] Novello & Co Ltd.
Spielend for two violins was written during the summer and early autumn of 2003 ...(+)
Spielend for two violins was written during the summer and early autumn of 2003 and is based on the idea of the two instruments not only playing the instruments but also playing in the sense of sport i.e. playing their themes off against each other and playing with the musical material. There are times for instance when they seem to be having a contest to see who can finish the themes first or who can divert the other’s attention to a new texture or rhythm. The title the German word for 'playing' also refers in a way to the composer himself exploring the themes harmonies and rhythms - particularly notable in this respect is the large central slow section which contraststwo altered reminiscences of the Violin Sonata of Poulenc (a composer whose music is very dear to me) with the gradual expansion of a fugue from two parts to eight (four in each violin). Fugue after all is in a sense an example of a composer making sport however seriously with the themes.So the work is a kind of extended musical pun lasting about fifteen minutes in all and being performed without a break. Though the central section is slow the outer ones are quick and energetic emphasizing especially the idea of activity and vigour - the ending however may catch the unwary listener by surprise.The first performance was given by Philippa Mo and Peter Sheppard Skærved in Leighton House London on 7th May 2004.'John McCabe's new 'Spielend' strikes me as a miniature masterpiece: a highly charged 15-minute piece in which the violins chase or echo each other in a thousand different ways including a fugure in which as with Bach two instruments seemed to suggest a dozen voices.' - Richard Morrison The Times 11/05/2004
13.99 GBP - vendu par Musicroom GB |
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| In Recital With Classical
Themes 1 Book 5: Piano:
Instrumental Album Piano seul [Partition + CD] - Intermédiaire FJH
This intermediate level collection of solo and duet arrangements of classical th...(+)
This intermediate level collection of solo and duet arrangements of classical themes further builds upon the exceptional repertoire set forth in this series. The arrangements capture the essence of these extraordinary classical pieces utilizing themes from a cello sonata operas symphonies and more. Students will attain a more in-depth look behind these classics as they read 'About the Pieces and Composers ' and listen to the performance CD that is included.
6.95 GBP - vendu par Musicroom GB |
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| Thomas Doss: REM-scapes:
Brass Band: Score & Parts Ensemble de cuivres Mitropa Music
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight S...(+)
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase however in which most dreams take place and where the day’s events are worked through we hear other sounds played.With distorted sounds reminiscent of an old gramophone the music pulls the listener inevitably ever deeper into the dreamscape in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment it seems as if the wakeful urge has won out before dream’s powerful spell is again cast and there’s no escape…
144.99 GBP - vendu par Musicroom GB |
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| Eric Wen: Structurally
Sound: Reference [Livre] Dover Publications
A well-written textbook by a learned musician practicing his craft. The analyses...(+)
A well-written textbook by a learned musician practicing his craft. The analyses are clearly argued, and Wen projects a reassuring sense of authenticity in his approach to tonal music analysis. The book will be of interest to many musicians, especially those focused on Schenkerian theory and analysis. I believe the book will be a welcome addition to the range of teaching manuals on the subject. ? Music Theory OnlineMusic theorist Eric Wen presents in-depth analyses of seven masterworks from the common-practice period of Western art music: Bach: Air from Orchestral Suite No. 3 in D, BWV 1068 Mendelssohn: Andante con moto tranquillo from Piano Trio No. 1 in D minor, Op. 49 Schubert: Nacht und Traüme, D. 827 Haydn: Adagio ? Vivace assai from Symphony No. 94 in G, Hob. I:94 Mozart: Molto Allegro from Symphony No. 40 in G minor, K. 550 Beethoven: Marcia funebre: Adagio assai from Symphony No. 3 in E-flat, Op. 55 Brahms: Un poco presto e con sentimento from Violin Sonata No. 3 in D minor, Op. 108 Wen employs the analytic approach developed by Heinrich Schenker, a method that uses musical notation to clarify and illuminate a work's structural hierarchies. Copiously illustrated with analytic musical examples that elucidate the tonal organization of each of the seven works, this study also explores aspects of form, rhythmic organization, and programmatic meaning. This volume will be of particular interest to musicologists and professional musicians, and it will also appeal to listeners keen to probe the rich complexities of these masterpieces.
25.40 GBP - vendu par Musicroom GB |
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| Mathias W. - Sonatina -
Flute Et Piano Flûte traversière et
Piano Oxford University Press
Mathias' Sonatina, originally composed in 1953 but revised in 1986, is a slighte...(+)
Mathias' Sonatina, originally composed in 1953 but revised in 1986, is a slighter yet more approachable work. A considerable amount of straight repetition renders the music easily assimilable. For instance, both main themes in the opening sonata movement are repeated during the exposition; similarly a large stretch of the development consists simply of a transposed version of a previous passage. Only in the third and final movement does the structure become more complex, with the combination of variants of the main themes of the first movement. But such subtleties pale into insignificance when compared with the rhythmic ebullience and good humour of the outer movements, and the suave, urbane lyricism of the central Andante. If the listener is entertained agreeably, the Sonatina has done its job well. © Trevor Bray
26.00 EUR - vendu par Woodbrass Délais: Sur commande |
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| Trumpet
Artistry:Classical Solos
for Trumpet/Piano:
Trumpet and Accomp.: Trompette, Piano [Partition + CD] Music Minus One
Music Minus One Bb Trumpet-Trumpet virtuoso Alfred Lang takes you on a tour of s...(+)
Music Minus One Bb Trumpet-Trumpet virtuoso Alfred Lang takes you on a tour of some of the greatest classical solos featuring concert-pieces and sonata movements arranged for trumpet or cornet with piano. Listen to his sensitive renditions of each piece then you step in and take over the solo part with world-renowned Harriet Wingreen as your piano accompanist. Includes compositions by such greats as Bach Händel Mozart Schubert and many many more! Includes a newly engraved high-quality solo part printed on acid-free ivory paper and a compact disc containing digital stereo complete versions of each tune and another recording of each accompaniment minus the soloist. Performed by Alfred Lang trumpet Accompaniment: Harriet Wingreen piano
16.99 GBP - vendu par Musicroom GB |
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| Thomas Doss: REM-scapes:
Brass Band: Score Ensemble de cuivres Mitropa Music
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight S...(+)
...some moments for Ludwig van...-Sweet echoes of Beethoven’s Moonlight Sonata in the introduction bring a gentle slumber. Breathing is calm and sleep holds the promise of rest and relaxation.With the onset of the REM sleep phase however in which most dreams take place and where the day’s events are worked through we hear other sounds played.With distorted sounds reminiscent of an old gramophone the music pulls the listener inevitably ever deeper into the dreamscape in a very realistic dangerous situation that comes to a dramatic head. It triggers a desperate struggle between theimpulse to awaken and the exhausting urge to flee. For a short moment it seems as if the wakeful urge has won out before dream’s powerful spell is again cast and there’s no escape…
23.99 GBP - vendu par Musicroom GB |
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| Hammerklavier (EGGERT
MORITZ) Piano seul Schott
Part VII-XI. Par EGGERT MORITZ. ‘Hämmerklavier’ is a full-length cyclical w...(+)
Part VII-XI. Par EGGERT MORITZ. ‘Hämmerklavier’ is a full-length cyclical work. The composer tries casting off the straight-jacket of hide-bound musical traditions, sending the listener on a voyage of discovery and liberation. The ‘Hämmer’ of the title refers not to the mechanical action of the pianoforte nor to Beethoven’s ‘Hammerklaviersonata’ but to the mental approach required of the performer who doesn’t just simply depress the keys of the piano but needs to be a true ‘performance artist’. The composer has recorded the entire cycle for WERGO
(WER 6611-2)./ Répertoire / Piano
41.80 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Classical Masterpieces:
Violin Solo: Instrumental
Album Violon [Partition + CD] Hal Leonard
Violin Play-Along Volume 25-The Violin Play-Along series will help you play your...(+)
Violin Play-Along Volume 25-The Violin Play-Along series will help you play your favorite songs quickly and easily. Just follow the music listen to the CD to hear how the violin should sound and then play along using the separate backing tracks. With themelody and lyrics included in the book you may also choose to sing along. Chord symbols are provided should you wish to elaborate on the melody. The audio CD is playable on any CD player and also enhanced so Mac and PC users canadjust the recording to any tempo without changing pitch!This volume includes the pieces: Allegro (Fiocco) ? The Boy Paganini (Mollenhauer) ? Concertino in Hungarian Style (Rieding) ? Humoresque (Dvorak)? Hungarian Dance No.2 (Brahms) ? The Infant Paganini (Mollenhauer) ? Rondo in D Major K 485 (Mozart) ? Sonata in E Minor (Mozart).
15.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| John Adams: Grand Pianola
Music: Orchestra: Score Orchestre Associated
Score-This work 3 Amplified Women's Voices 2 Pianos Percussion Wind and Brass...(+)
Score-This work 3 Amplified Women's Voices 2 Pianos Percussion Wind and Brass was premiered by the San Fransico Symphony in February 1982. Grand Pianola Music recalls the music of Charles Ives in its creative synthesis ofvarious musical styles. The listener is greeted with a wide spectrum of sonic allusions ranging from band marches to gospel tunes from Beethoven's sonatas to melodramatic movie-hall stylings. The result is a work that walks theline between sincerity and irony.
74.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| 1001 All-Time Hit Songs Ligne De Mélodie, (Paroles) et
Accords [Partition] Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
60.30 EUR - vendu par LMI-partitions Délais: Sur commande |
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| New Busker's
Fakebook 1001 All-Time
Hit Songs [Sheet music] - Facile Music Sales
The second volume of a thousand and one all-time hit songs ranging from essentia...(+)
The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare
98.70 EUR - vendu par LMI-partitions Délais: Sur commande |
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