Par LISZT FRANZ. This final volume in Liszt?s Années de pèlerinage in the Urtext edition by renowned Liszt scholar, Leslie Howard, contains the Troisième Année ? Italie S163, together with Trois Odes funèbres S516, S516a and S517. Although the Odes funèbres are not originally part of the Années they have been included in this volume because they form a musical and spiritual bridge between Années II and III. Together, these works demonstrate a character not met elsewhere in the great music literature of the nineteenth century. The thinning out of the style, almost to the point of deliberate barrenness, and the simultaneous impression of avant-garde pioneering and the reflection in solitude, even loneliness, that comes with age are particular to Liszt. Final volume of the Années de pèlerinage series by acknowledged Liszt specialist Leslie Howard Informative Preface and Critical Notes With original illustrations and historical texts Other volumes of Liszt piano music from Edition Peters edited by Leslie Howard: Consolations / Liebesträume (Notturnos) EP7820, ISMN 979-0-57708-610-1 (published 2006) Two Episodes from Lenau?s ?Faust? EP7987, ISMN 979-0-57708-642-2 (published 2008) Sonata B minor EP71900, ISMN 979-057708-723-8 (published 2011) Trois Études de concert (S144) EP72780, ISMN 979-0-57701-106-6 (published 2016) Années de pèlerinage: Première Année ? Suisse (S160) and Trois Morceaux suisses (S156b) EP72782, ISMN 979-0-57701-108-0 (published 2019) Années de pèlerinage: Deuxième Année ? Italie (S161) and Venezia e Napoli (S162) EP72783, ISMN 979-0-57701-109-7 (published 2019) / Date parution : 2022-07-20/ Recueil / Piano

Second volume in a Dover series of Liszt's piano transcriptions of Beethoven's nine symphonies includes Symphony No. 6 in F major, Op. 68, Pastorale; Symphony No. 7 in A major, Op. 92; Symphony No. 8 in F major, Op. 93; and Symphony No. 9 in D minor, Op. 125, Choral. Also contains Liszt's handwritten French preface to his transcriptions and an English translation, plus an introduction by Dr. Alan Walker, author of the definitive Liszt biography. Reprint of Volume 2 of Symphonies de Beethoven/Partition de Piano/dediée au Baron H. de Bülow/par F. Liszt, originally published by Breitkopf and Härtel, Leipzig, 1865.

Supplement 8 of the New Liszt Edition contains first versions of Hungarian Rhapsodies Nos 12-21 and two shorter Liszt pieces with a Hungarian connection. All works in the volume appear here for the first time in a scholarly edition. This version of the Hungarian Rhapsodies ensued in 1846-50 from Magyar dallok (Hungarian Songs) Nos 1-11, published in Supplement 7. Piece #13 is based on the Rákóczi March, which Liszt set on several occasions. It had been a vital encore piece since his first concert in Hungary in 1839. Inclusion in this volume of the first version of the piece known as the Mosonyi Funeral March (a forerunner of the much later #7 in the Hungarian Historical Portraits) is especially notable as its autograph manuscript only emerged recently. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This editions contents are identical to those of the hardcover edition with the exception that the critical notes are not included. / Piano

The three volumes of Années de pèlerinage (?Pilgrim Years?) are among Liszt?s most important compositions for piano solo. From dramatic-virtuoso to pensive-romantic music, the 29 ?travel pieces? represent the complete range of Liszt?s compositional expression. For the first time, this first volume of the trilogy, Suisse (Switzerland) is published together with the Trois Morceaux suisses, in line with the composer?s original intention to combine all his Swiss-inspired character pieces into a single volume. The musical journey is supported by the inclusion of historical illustrations of the scenes and landscapes that inspired the composer. Edited by world-renowned Liszt expert and concert pianist Leslie Howard, the edition also contains Liszt?s original fingerings.

La partie principale du Supplément Volume 12 dispose le prédécesseur de Grandes Etudes de Paganini , une série de six études écrites après Paganini entre 1838 et 1840, et en passant par Liszt performances transcendant ( Etudes d'exécution transcendante d'apres Paganini ) . La série a été inspiré non seulement par le violoniste virtuose et Caprices et le Concerto pour violon du compositeur en si mineur , mais aussi par les études de Paganini de Schumann , Liszt probablement rencontrés grâce à Clara Wieck au début de 1838. Le volume comprend également les première et deuxième versions solo de piano de Die Zelle dans Nonnenwerth (1840 et 1841 ) , que Liszt compose d'un certain nombre de fois dans plusieurs versions , ainsi que deux transcriptions de Wagner et les premières versions de l'adaptation de deux oeuvres de Russie compositeurs .Une préface détaillée en hongrois , anglais et allemand , y compris les nouveaux résultats de la recherche , de nombreux fac-similés de manuscrits et notes critiques font de ce volume de la nouvelle édition Liszt une publication particulièrement important de valeur scientifique . Simultanément, le livre de poche pour des raisons pratiques , son volume Complete Edition tissu lié est publié avec les notes critiques . / Piano

Aribert Reimann's idea to arrange the lieder of Franz Liszt for baritone and string quartet goes back to his collaboration with Dietrich Fischer-Dieskau, recording some of these lieder for the German broadcasting company formerly known as Sender Freies Berlin (SFB). Since then, Reimann has continued to be fascinated by Liszt's thrilling harmony and unconventional treatment of the voice. Here, he has compiled a cycle containing seven lieder from Liszt's middle and late periods, arranged so that each song is the logical continuation of its predecessor. Liszt's fundamental harmony has been retained, but the registers have been altered to such an extent that they appear in a completely new light. / Baryton Et Quatuor A Cordes

Paperback. Par LISZT FRANZ. This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846- it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st Hungarian Rhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included./ Répertoire / Piano

La partie principale du Supplément Volume 12 dispose le prédécesseur de Grandes Etudes de Paganini , une série de six études écrites après Paganini entre 1838 et 1840, et en passant par Liszt performances transcendant ( Etudes d'exécution transcendante d'apres Paganini ) . La série a été inspiré non seulement par le violoniste virtuose et Caprices et le Concerto pour violon du compositeur en si mineur , mais aussi par les études de Paganini de Schumann , Liszt probablement rencontrés grâce à Clara Wieck au début de 1838. Le volume comprend également les première et deuxième versions solo de piano de Die Zelle dans Nonnenwerth (1840 et 1841 ) , que Liszt compose d'un certain nombre de fois dans plusieurs versions , ainsi que deux transcriptions de Wagner et les premières versions de l'adaptation de deux oeuvres de Russie compositeurs . Une préface détaillée en hongrois , anglais et allemand , y compris les nouveaux résultats de la recherche , de nombreux fac-similés de manuscrits et notes critiques font de ce volume de la nouvelle édition Liszt une publication particulièrement important de valeur scientifique . En même temps que le volume de l'édition complète en tissu assortis , sa poche pour des raisons pratiques est également publiée , dont le contenu , à l'exception des notes critiques , est identique avec le volume de l'édition complète . / Piano

11 well-known original pieces in progressive order of difficulty with practical comments-Franz Liszt is still regarded as one of the greatest pianists of all time: a superb virtuoso whose own piano works also bristle with extreme technical difficulties. But no one needs to be afraid of big names. Our carefully chosenselection from Liszt?s immense oeuvre ranges here from the easy to the moderately difficult. These pieces are truly charming and well-suited for ?ordinary mortals?. And for those who reach the end of the volume there?s aworthwhile reward: perhaps Liszt?s best-known piano piece the third ?Liebestraum? ...

Easy piano pieces with practising Tips-This volume presents easy pieces for Piano by great virtuosos. It unites the two greatest and perhaps best-known pianists of the 19th century Frédéric Chopin and Franz Liszt. The technical requirements of these works are very moderate without muting the stylistic characteristics of these two composers. The ability to play an original composition by Liszt in the first years of lessons can be very motivating for the Piano student. Also featured in this collection are works by the virtuoso Ferdinand Hiller to whom Robert Schumann dedicated his Piano Concerto. As in many of the works by Liszt and Chopin Hiller's works are frequently reminiscent of folk music. His Irländisches Lied and Fandango included in the collection are fine examples of 19th-century 'world music'.

Faksimile der Handschrift revidierte Ausgabe-L?autographe de la Sonate en si de Liszt est un document fascinant. On y voit à travers les nombreuses biffures et les collages comment le compositeur a peaufiné l?architecture de son oeuvre. Si le fac-similé de ce manuscrit disponible auxéditions Henle permettait déjà de se plonger dans la genèse de la sonate il n?était pas possible jusqu?ici de voir ce que Liszt avait noté à l?origine dans les passages recouverts par une version ultérieure. On a désormais détaché les morceauxcollés ce qui permet de découvrir dans notre nouvelle édition fac-similé la mouture précédente. Dans une préface circonstanciée la spécialiste de Liszt Mária Eckhardt commente le regard unique que l?on peut ainsi jeter au-dessus de l?épaule ducompositeur en plein travail.

Franz Liszt arrangea maintes ?uvres d?autres compositeurs pour son instrument de prédilection, privilégiant toutefois les extraits des ?uvres scéniques de son ami et beau-fils Richard Wagner.

Liszt traita à deux reprises le «Vaisseau Fantôme»: hormis la Ballade de Senta, il mit tout son génie pour transcrire au piano également le ch?ur des fileuses extrait du 2e acte («Bon rouet, gronde et bourdonne»).

Étincelant d?une brillance virtuose, son «ch?ur des fileuses» est resté jusqu?à aujourd?hui l?une de ses transcriptions les plus appréciées.

Pour notre édition Urtext, nous avons pu disposer entre autres de l?autographe de Weimar et des révisions de la main de Liszt provenant des archives de la maison d?édition Breitkopf and Härtel. / Partition /

This authoritative edition presents full-score reproductions of three of Liszt?s best-known symphonic poems. Les Preludes (Symphonic Poem No.3) grew out of the composer?s unpublished choral setting of Joseph Autran?s poem ?The Four Elements?, blending stirring martial music and lovely pastoral themes to make this work the most popular of the symphonic poems. Mazeppa (Symphonic Poem No.6) evokes Victor Hugo?s portrayal of the Cossack leader and the symbolic triumph that comes only after defeat: ?He runs, he flies, he falls, and he stands up king!? Heroide Funebre (Symphonic Poem No.8) is the last vestige of the monumental Revolutionary Symphony, planned but never completed, suggesting universal brotherhood: a fine, heroic, dignified funeral march. In these richly sonorous works, Liszt explored the concept of the one-movement ?transformation of themes,? an approach to composition that Wagner would carry forward in his development of the leitmotif. Liszt?s expanding chromaticism would be no less influential, anticipating the twentieth century?s embrace of atonality. Frequently performed favourites of audiences around the world, these three works are reprinted from the original Breitkopf & Härtel edition.

Liszt Separate Editions are published with scholarly authenticity and are based on the New Liszt Edition. Their musical scores and presentation correspond to the complete edition yet their extent is far smaller and they cost much less than the larger volumes of the full set. Liszt Separate Editions provide the same quality as the complete edition while also fully meeting practical requirements.

(Version for piano solo) and other works. Supplementary Volume 15 of the New Liszt Edition contains both earlier versions of published works and also several works that remained as manuscript. The most extensive work in this volume is the earliest known draft of the Piano Concerto in A major (written in 1839 for solo piano). Not only does the draft give insight into the process of the work?s genesis, but it also holds its own as a work for piano solo. Additionally, the volume contains several shorter works, such as a piano transcription of Robert Schumann?s Lied Widmung, which shows how original Liszt?s interpretations were, and also two early drafts of the Zweite Elegie dedicated to Lina Ramann (a former pupil of Liszt?s and his first biographer). The latter have been published in facsimile. Supplementary Volume 15 features a detailed preface in German, English and Hungarian, which reveals valuable details on each work. The cloth-bound version also has critical notes in English.