Ce recueil musical constitue un florilège d'études pour piano, à l?attention des pianistes débutants et confirmés, où se côtoient les grandes études des compositeurs célèbres et les ?uvres plus didactiques d'auteurs moins connus.
A travers 101 Études, le pianiste aborde les grandes pages de la littérature pour piano, voyageant ainsi à travers les époques et les styles.
L'ouvrage est complété par un double CD (tapez TP002CD dans notre moteur de recherche) : à son gré le musicien peut y trouver un guide et un supplément indissociable de la partition.

?uvres de : Chopin, Liszt, Thalberg, Moszkovski, Sibelius, Brahms, Nazareth, Scriabin, Debussy, Czerny, Bertini, Burgmüller, Cramer, Gurlitt, Heller, Kadosa, etc.
/ [101 Etudes Pour Piano] / Classique / Feraux, Pierre / Partitions / Carré Collé /

24 Pieces For Piano. Par WOLF PETER E.. Péter Wolf (a doctoral graduate of the Franz Liszt Academy of Music in Budapest) has composed a number of large-scale compositions in recent years which have had success at the hands of distinguished performers: these include two piano concertos as well as concertos for oboe, clarinet, and violin. By entitling his newest set of pieces for piano Wolf-temperiertes Klavier, the composer was able to simultaneously indulge in wordplay based upon his surname and give a tip of the hat to German baroque master Johann Sebastian Bach. The work's likeness to Bach is not limited to its title - the manner in which a piece has been written in both major and minor keys for each tone of the chromatic scale is blatantly inspired by Bach. In the preface to this publication, Wolf offers the following insights: ''I think I managed to find expressive titles. The first piece, Epiclesis (a prayer for inspiration, patience, and support), was heard from above: I was able to work continuously and without inhibitions. The works could be born in every key, until the last one, the Epilogue, was completed. When I finally finished inscribing the pitches of Bach's name, I admit, a little shiver went through me.'' Of the character pieces, all were completely new with the exceptions of one being previously written and another whose theme Wolf borrowed from one of his own stage works. Wolf-temperiertes Klavier is recommended for advanced pianists who wish to push the boundaries between musical genres, as well as classical musicians interested in the harmonic language of jazz. / Niveau : Intermédiaire à Avancé / Musique contemporaine / Répertoire / Piano

Transcription for Violin and Piano by the Composer. Par SAINT-SAENS CAMILLE. In his symphonic poem “Danse macabre” Saint-Saëns takes up a poem by Henri Cazalis that he had already set as an art song. Here the Devil brings the dead to life by playing his violin. Although the orchestral work was given a lukewarm reception in its early performances, or was even rejected, it became highly popular and internationally famous in the years that followed. Of the countless later arrangements and variations (e.g. by Franz Liszt), Saint-Saëns’ own version for violin and piano stands out as particularly successful. Céline Drèze’s advance edition for a future volume of the “Saint-Saëns Complete Edition of the Instrumental Works” is the first modern scholarly edition of this celebrated piece. This Urtext edition draws on the original print of the 1877 version, while eliminating its many misprints and anomalies on the basis of the autograph./ Répertoire / Violon et Piano

It's an unforgettable experience to go on stage for the first time and win applause with your playing. This album encourages children to make a first appearance and gives effective help in doing so. It brings together pieces that can earn real success: easy arrangements of favorite works by Dowland, Vivaldi, Handel, Bach, Haydn, Mozart, Weber, Schubert, Schumann, Liszt, Anton Rubinstein and Brahms. The CD enclosed with the publication includes recordings of the piano accompaniment for each piece and a full performance by noted Hungarian musicians. So the disc makes practice at home easier and gives assistance with performance style as well. The publication offers numerous pieces of advice to young violinists, including: how to get ready for a concert, how to control stage fright, and how to be confident on stage. In addition, some charming illustrations by Edit Szalma are included. / Violon Et Piano

Par ORCHESTRA TRANS-SIBERIAN. This is the third and final volume of Trans-Siberian Orchestra's Christmas trilogy, featuring their blend of classical, RandB, Broadway, and hard rock music. Titles: Faith Noel * The Lost Christmas Eve * Christmas Dreams * Wizards In Winter * Remember * Anno Domine * Christmas Concerto * Queen of the Winter Night * Christmas Nights in Blue * Christmas Jazz * Christmas Jam * Siberian Sleigh Ride * What Is Christmas' * For the Sake of Our Brother * The Wisdom of Snow * Wish Liszt (Toy Shop Madness) * Back to a Reason (Part II) * Christmas Bells, Carousels and Time * What Child Is This' * O Come All Ye Faithful * Christmas Canon Rock * Different Wings * Midnight Clear. / Miscellaneous, Scores, Songbooks / Recueil / Piano, Voix, Guitare et Clavier

Conducteur Avec Couverture Rigide. Par SAINT-SAENS CAMILLE. With his four works 'Le Rouet d'Omphale”, 'Phaéton”, 'Danse macabre” and 'La Jeunesse d'Hercule”, composed between 1872 and 1877, Camille Saint-Saëns decidedly put himself in the tradition of Hector Berlioz, who heralded a new epoch with his 'Symphonie fantastique” premiered in France 1830, as well as the symphonic poems by Franz Liszt, who established the term for this genre in Germany. During Saint-Saëns' lifetime the four 'Poèmes symphoniques” had become part of the repertoire all around the globe. They were recorded numerously - but the piece to hold its ground in the concert halls until today is 'Danse macabre” alone. The critical first editions which are currently issued as part of the 'oeuvres complètes instrumentals” afford the opportunity for new interpretations based upon reliable sources. / Date parution : 2019-09-06/ Répertoire / Orchestre

Arrangement: Scott Daniel. Par SCOTT DANIEL. Allemagne - une terre de rivières et de montagnes, de folklore et de fantasy. Une terre où magnifiques Châteaux montent la garde sur le Rhin, les créatures de contes de fées pourraient encore se cachent dans les cavernes et les forêts - et où l'esprit du romantisme est né. Par-dessus tout, une terre de musique - les paysages bucoliques réconfortants de Bach à grands compositeurs romantiques : lyrisme chaleureux de Mendelssohn, le monde crépusculaire eerie de Weber Magic Huntsman, qui vend son unique au diable, majestueux évocation de Schumann du paysage rhénanes contraste avec son charme vignette des paysans, des soldats et des horseman fantomatique, les mélodies passionnés de la liste. Et le plus romantique de tous - Richard Wagner, dont vaste univers musical englobe les récits de chevalerie médiévale, géants, dieux, héros, nains, potions magiques love et écuyère vol. Jouer de la musique et Imaginez-vous sur les rives du Rhin mousseux, sur une terre de magie et de mystère./ Recueil / Piano

12 grands thèmes adaptés pour le piano par Elvire Aucher et Valérie Benzaquine/ Recueil / Piano

Variationen über die Caprice Nr. 24 im Stil des Modern Jazz. Par SAY FAZIL. The concert piece Paganini Jazz by Fazil Say, which was inspired by classical, modern and jazz styles, is reminiscent of the music of such greats as Scott Joplin, Art Tatum, Gershwin and Bernstein, and was originally designed as a charming encore work (1988); following the appreciative response of music lovers and, in particular, that of music critics, it was transformed over a perion of time into a more substantial work for piano. Briefly, the piece was rewritten and expanded a number of times between 1988 and 1995. We can evaluate the work as having taken its inspiration from Paganini's renowned '24th Capriccio', transforming it into 'variations on jazz' requiring virtuoso rendition as well as being a creation open to the addition of improvisations and a variety of arrangements. Throughout music history a number of composers have written various works inspired by the '24th Capriccio'. We can count among them Liszt, Brahms, Rachmaninov and Lutoslavski. In Say's work, however, a different aspect must be noted: the composer is prepared to add various 'developmental passages' and 'transitional improvisations' while interpreting this work in concert. Furthermore, when the work is considered as a short encore piece, it is abbreviated in a manner deemed suitable by Say. / Niveau : 5 / Répertoire / Violon, Piano, Guitare Basse et Percussion