For Solo Piano. Par LISZT FRANZ. Beethoven Symphonies Nos 6-9 transcribed for solo piano by Franz Liszt. The collection also contains engrossing pieces of background information, including a facsimile of Liszt's handwritten French preface to his Beethoven transcriptions (along with its English translation). Suitable for advanced pianists. Beethoven Symphonies Nos 6-9 transcribed for solo piano by Franz Liszt. The collection also contains engrossing pieces of background information, including a facsimile of Liszt's handwritten French preface to his Beethoven transcriptions (along with its English translation). Suitable for advanced pianists./ Répertoire / Piano

16 Pieces by 10 Composers-16 pieces by Bartók Beethoven Brahms Chopin Debussy Grieg Liszt Rachmaninoff Schumann and Scriabin. All are at the early advanced level in a slim affordable volume. Includes - Bartók; Allegrobarbaro; Beethoven: Adagio cantabile from Piano Sonata in c minor “Pathétique ” Op. 13; Adagio sostenuto from Piano Sonata in C-sharp minor “Moonlight ” Op. 27 No. 2; Brahms: Rhapsody in G minro Op. 79 No. 2; Intermezzo in A Major from Six Pieces for Piano Op. 118 No. 2; Chopin: Fantaisie-Impromptu in C-sharp minor Op. 66 (Posthumous); Nocturne in E-flat Major Op. 9 No. 2; Waltz in D-flat Major “Minute ” Op. 64 No. 1; Debussy: Clair de lunefrom Suite bergamasque Arabesque No. 2 from Two Arabesques La cathédrale engloutie from Préludes Book 1; GRIEG: Wedding Day at Troldhaugen from LyricPieces Op. 65 No. 6; Liszt: Liebestraum No. 3 from Three Liebestraüme; Three Notturnos; Rachmaninoff: Prelude in G minor Op. 23 No.5; Schumann: Warum? (Why?) from Fantasiestücke Op. 12 No. 3; Scriabin: Prelude in Aminor Op. 11 No. 2

Special Arrangements for 2 Advanced Pianists. 7 brilliant arrangements of Liszt's solo piano works.

Including the Paganini Etudes and Concert Etudes Ed. Busoni-Series II of the Dover republication in two series of the three-volume edition published by Breitkopf and Hartel. This second volume includes many of Liszt's most important piano works. Edited by Ferruccio Busoni.

Best remembered for his extraordinary advancement of Piano technique, Franz Liszt saw himself in quite a different light: as an innovative composer prepared to move beyond convention into uncharted waters. He and Richard Wagner were allies in Zukunftsmusik, the 'music of the future,' a new approach that was liberated from all prescribed rules of musical form. Liszt invented the tone poem, and this work is his most famous example. Inspired by Goethe's great verse drama, A Faust Symphony premiered in 1857. The three-movement work musically depicts the essence of Faust, Gretchen, and Mephistopheles, the characters who drive Goethe's tale. Brilliantly innovative and endlessly fascinating in its transformations of thematic materials, the work has influenced many major composers, including Strauss and Debussy, and remains frequently studied, performed, and recorded. This affordable edition was reproduced from an authoritative text and features an informative Introduction by a renowned expert on Liszt . / Orchestre

The piano collection contains a wealth of wonderful pieces: 50 of the finest classical piano pieces written by 22 composers from the Baroque, Classical, Romantic and Modern eras. These perennial favourites, which are all of medium difficulty, are ideally suited for advanced pupils, students, adults returning to the instrument, and all lovers of great piano music. This is a 'treasure trove' for piano tuition and recreational music-making.

This album represents astonishing value for money! / Partition /

20 Intermediate to Early Advanced Pieces with Practice and Performance Tips-The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major C. 27 · FAURE: Romance Without Words Op. 17 No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste Volume 1 · GREIG: Bell Ringing from Lyric Pieces Op. 54 No. 6 · HAYDN: Allegretto from Sonata in C Major Hob. XVI:3 · LISZT: Etude in D Minor Op. 1 No. 4 · MACDOWELL: TheWitch from Marionettes Op. 38 No. 6 · MENDELSSOHN: Prelude in B-flat Major Op. 35 No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance K. 509 No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor K. 141/L. 422 · SCHUBERT: Ecossaise D. 735 No. 3 · Landler D. 145 No. 7 · SCHUMAN: Wild Rider from Album for the Young Op. 68 No. 8 The music in this collection has been selected to illustrate specific topics that would be addressed in a piano lesson. Dr. Immanuela Gruenberg provides clear techniques and ideas about performance that explore the characteristics and demands of each piece. CONTENTS: CPE BACH: Solfeggietto · BARTOK: Minuet from The First Term at the Piano · CIMAROSA: Sonata in B-flat Major C. 27 · FAURE: Romance Without Words Op. 17 No. 3 · FRANCK: Adagio from Three Early Pieces · FRANCK: Poco maestoso from L'organiste Volume 1 · GREIG: Bell Ringing from Lyric Pieces Op. 54 No. 6 · HAYDN: Allegretto from Sonata in C Major Hob. XVI:3 · LISZT: Etude in D Minor Op. 1 No. 4 · MACDOWELL: TheWitch from Marionettes Op. 38 No. 6 · MENDELSSOHN: Prelude in B-flat Major Op. 35 No. 6 · MENDELSSOHN: A Song Without Words in F Major · L MOZART: Allegro moderato in F Major from Nannerl's Notebook · WA MOZART: German Dance K. 509 No. 3 · SATIE: Crooked Dance No. 2 from Cold Pieces · D. SCARLATTI: Sonata in C Major K. 95/L. 358 · D. SCARLATTI: Sonata in D Minor K. 141/L. 422 · SCHUBERT: Ecossaise D. 735 No. 3 · Landler D. 145 No. 7 · SCHUMAN: Wild Rider from Album for the Young Op. 68 No. 8

Reprint edited and newly commented by Wilhelm Ohmen.-Ignaz Moscheles' (1794-1870) Studien für das Pianoforte zur höheren Vollendung bereits ausgebildeter Klavierspieler bestehend aus 24 charakteristischen Tonstücken Op. 70 published in 1827 are among the best studies of that time covering the different idiomatic figurations for the Piano in every key mostly alternating between major and minor mode.With their imaginative piano setting their typical phrasing and expressive harmonic idioms the studies present themselves as the forerunners of the romantic character piece.The technically demanding figuration is mainly played by the right hand but often appears in short left-hand passages as well. Asthe title of the work implies these studies are meant for the advanced pianist although they are not as difficult as the études by Chopin Schumann or Liszt.

This collection of Rummel's J.S. Bach 'adaptations' for the Piano presents twelve titles from the original twenty-five originally published by J & W Chester between 1922 and 1938, demonstrating a range of styles from the contemplative Liebster Jesu, Wir Sind Hier to the uninhibited Sturze zu Boden. A close friend of Debussy, Rummel belonged to a younger generation of leading composers, leading a trend away from previous Keyboard transcribers, established by Busoni, Liszt, Reger and others who concentrated on adapting Bach's Organ works rather than the Vocal music. <br>This vibrant collection is suitable for intermediate to advanced pianists but will be of interest to all who enjoy Bach's music for Keyboard. <br>Born in Berlin to a diversely creative family, Walter Rummel (1887 - 1953) was surrounded by art and music from an early age. He came from a pedigree of distinguished musicians, his family home a favoured meeting place for musicians and artists alike. His great grandfather, Christian Rummel (1787 - 1849) was director of the court orchestra at Wiesbaden for Duke Wilhelm of Nassau and his maternal grandfather, Samuel Morse (1791 - 1892), the American painter and inventor of the telegraph. / [J.S. Bach Adaptions: Piano Transcriptions By Walter Rummel] / Classique / Partition /

And New England Idyls-Edward MacDowell (1860 1908) was America's most prominent nineteenth-century composer. Championed by Franz Liszt he was one of the first U.S. composers to gain international recognition. A leading exponent of theRomantic tradition he was a prolific composer for the Piano. This outstanding collection presents his best most characteristic works reprinted from original editions. They include:Woodland Sketches Op.51Sea Pieces Op. 55Fireside Tales Op. 61New England Idyls Op. 62These beautiful and affecting compositions reflect not only MacDowell's poetic Romanticism but also hisvirtuosic skills as a pianist which won him an international reputation as a concert artist. Intermediate- and advanced-level pianists will appreciate the lyric intensity and ebullient spirit of these pieces.

Harmonica Encores presents famous concertos by Bach and Vivaldi plus other select classical works arranged by chromatic harmonica virtuoso Jiayi He. Includes Hungarian Rhapsody No. 2 by Franz Liszt, Romanian Rhapsody No. 1 by George Enescu, Spring Sonata by Ludwig van Beethoven, Waltz, Op. 64, No. 2 by Frédéric Chopin, and more. As these solos require advanced technique, the author has included both standard notation and chromatic harmonica tablature with hole numbers, blow/draw instructions and slide positions. The author's stellar performances of many of these works can be found on YouTube. Downloadable online audio tracks provide accompaniment for practice and performance./ Recueil / Harmonica

Larsen derives a Joplinesque ragtime theme from one of the most familiar passages from Liszt's Mephisto pieces and builds it into a grand showpiece on the Romantic model for advanced pianists. It builds to a satisfyingly tempestous climax.

Harmonica Encores presents famous concertos by Bach and Vivaldi plus other select classical works arranged by chromatic harmonica virtuoso Jiayi He.Includes Hungarian Rhapsody No. 2 byFranz Liszt  Romanian Rhapsody No. 1 by George Enescu  Spring Sonata by Ludwig van Beethoven  Waltz Op. 64 No. 2 by Frédéric Chopin and more.As thesesolos require advanced technique the author has included both standard notation and chromatic harmonica tablature with hole numbers blow/draw instructions and slide positions. The author’s stellar performances of many ofthese works can be found on YouTube. Downloadable online audio tracks provide accompaniment for practice and performance.

Par SINDING CHRISTIAN. Christian Sinding (1856-1941) gained worldwide fame with his piano piece 'Frühlingsrauschen', which is likely to be his most famous work still today. The '5 Klavierstücke' Op. 97, created in 1909, are bravura pieces the late Romantic harmony of which is sometimes reminiscent of Richard Strauss. The effective brilliant piano setting is characterised by a widely elaborated melody and can be easily mastered by the advanced player. Large arpeggios characterise the first piece 'Des Morgens'. 'Auf dem Wasser' is an evocative tone painting in swaying 12/8 time with powerful unison passages in the middle section. 'Intermezzo' appears capricious, with dance-like figures. 'Gewitter' is a brilliant concert study in the style of Liszt. The work concludes with the piece 'Aquarell', a poetic salon piece revelling in harmonies, notated as a clear piano setting./ Répertoire / Piano