SKU: HL.1718680
UPC: 196288267539. 9.0x12.0x0.127 inches.
Swifties with recorders, unite! This updated collection features 24 Swift favorites from her whole career through The Tortured Poets Department arranged for recorder. The book includes a handy fingering chart for beginners or those who need a refresher. Songs include: Anti-Hero ⢠Bad Blood ⢠Blank Space ⢠Cardigan ⢠Champagne Problems ⢠Cruel Summer ⢠Evermore ⢠Exile ⢠Fortnight ⢠I Knew You Were Trouble ⢠Lavender Haze ⢠Loml ⢠Love Story ⢠Lover ⢠The 1 ⢠Our Song ⢠Shake It Off ⢠Sweet Nothing ⢠22 ⢠We Are Never Ever Getting Back Together ⢠Who's Afraid of Little Old Me? ⢠Willow ⢠You Belong with Me ⢠You Need to Calm Down.
SKU: HL.1255559
ISBN 9798350100563. UPC: 196288156017. 9.0x12.0 inches.
If you're new to the ukulele, you're probably eager to learn some songs! This book features favorites in standard G-C-E-A tuning with melody, lyrics, and chord diagrams that beginning players want to strum and sing. Songs include: Ain't No Sunshine â?¢ All You Need Is Love â?¢ California Dreamin' â?¢ Demons â?¢ Drift Away â?¢ Have You Ever Seen the Rain? â?¢ Knockin' on Heaven's Door â?¢ Last Kiss â?¢ Margaritaville â?¢ My Girl â?¢ Perfect â?¢ The Sound of Silence â?¢ Wake Me Up â?¢ When Will I Be Loved â?¢ and more.
SKU: PR.114422360
ISBN 9781491133828. UPC: 680160683321. 9 x 12 inches.
Based on an Armenian troubadour song, I WILL NOT BE SAD IN THIS WORLD is a uniquely beautiful work for alto flute (or bass flute) accompanied by a pre-recorded audio track made purely from the composer’s own singing. The result is a fluid interplay between the live flute and the composer’s multi-tracked and processed vocal sonorities. The work was created for Marya Martin’s “Eight Visions†collection (published by Presser), and is now available as a single publication.I will not be sad in this world is based on the song “Ashkharumes Akh Chim Kashil†by the legendary 18th-century Armenian troubadour Sayat Nova. The song is often played on the duduk, and your flute playing should respond to the ornamentation, intonation, and vibrato of traditional duduk playing.In playing this piece, you will want to be flexible with time: the 32nd notes are mostly notated grace notes coloring the following note, and can be compressed towards that next note for effect. Similarly, the meter should be downplayed: use the pre-recorded part to give you guideposts, and then shape your phrases quite freely around those guideposts.I strongly suggest that you listen to my demo recording of the piece, as it will give an indication of what I am looking for. I have not transcribed every note that I sang on the demo, and similarly, once you feel comfortable with the playing style, you can ornament the melody with some flexibility yourself. The notated turns are meant to indicate places where it is most natural to do some ornamentation.The piece can be played on either alto flute or bass flute. I am hoping for a certain vulnerability in your playing, so choose the flute that will help you most with that. If you are playing in a dry hall, you might consider slight amplification, not for volume, but to allow you to add reverb to your sound. It will then be easier to blend well with the tape part.Optionally, one (or even two) additional flutists may double the lines called “voice†that are part of the tape part. The additional player(s) should play more softly than the soloist, and get even softer as the piece progresses and the electronics take over.* * *Thanks to Marya Martin who commissioned the piece. Many thanks to my friend and colleague Margaret Lancaster, who tried out the piece for me and advised me about notation. Thanks also to the Civitella Ranieri Foundation who were my generous hosts while I was writing I will not be sad in this world.The audio accompaniment and the demo are available for free download from the “Additional Downloads†tab at www.presser.com/114-42236 .
