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Longest Cocktail Party, The
29.00
Longest Cocktail Party, The
Divers
Alfred Publishing
Apple Records was a noble experiment created in the spirit of the 1960s by four ...
(+)
Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers
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1001 All-Time Hit Songs
60.30
1001 All-Time Hit Songs
Ligne De Mélodie, (Paroles) et Accords
[Partition]
Amsco Wise Publications
Third edition of the world's biggest songbook. This is a vast bumper collection,...
(+)
Third edition of the world's biggest songbook. This is a vast bumper collection, perfect for buskers, of 1001 all-time hit songs.Whatever your taste, there's guaranteed to be tonnes of songs you'll want to play, this book will last you years!Inside the spiral bound cover you will find a generous selection of hit songs, golden standards, jazz and blues numbers, classical pieces, hymns, gospel songs, stage, film and musical music! Arranged here in Melody line arrangements for Piano, Organ, Electronic Keyboards, Guitar and all C instruments, complete with lyrics and chord symbols. / Ligne Mélodique, Paroles Et Accords (Avec Grilles D'Accords)
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Ron Block - A Fresh Look At Bluegrass
62.60
Ron Block - A Fresh Look At Bluegrass
Banjo
Acutab Publications
There aren't many banjos players more widely heard, or who have performed before...
(+)
There aren't many banjos players more widely heard, or who have performed before more people, than Ron Block. Working with Alison Krauss and Union Station since 1991, Ron's distinctive banjo sound has become nearly as much a part of the group sound as Alison's voice. Ron has taught in a limited number of worshops, but this is his first instructional DVD of any kind, offering a detailed look at his unique approach to the banjo. This 2 DVD release from AcuTab begins with Ron explaining how he learned, and what resources have been useful to him, plus how he looks at both left and right hand patterns. AcuTab's John Lawless leads him through a discussion of several topics, including tone production, Ron's use of bends and chokes, how he arranges solos, and improvisation. Ron goes into great detail about his practice routine, showing examples of exercises and drills he uses to stay in shape. He discusses how to use a metronome in your practice, with several examples. He also describes a number of guitar techniques and concepts which have informed his banjo playing, such as working within 'boxes,? or blocks of frets, and learning to visualize and play scales and patterns both vertically and horizontally. The meat of the DVD is in the songs Ron teaches, which are played in a number of keys and tunings. You'll learn Cluck Old Hen, Tiny Broken Heart, Man Of Constant Sorrow, I'll Remember You Love In My Prayers, Everytime You Say Goodbye, Bright Sunny South, My Poor Old Heart and Smashville. Each song is played with a band before Ron breaks it down lick by lick, and is then shown (medium and slow) in a split screen orientation. Three screen orientations are available for the split screen sections, based on whether the left or right hand is of greater interest - or seeing them both at equal size. Two audio mixes are available for the band sections: normal, and banjo-heavy. 3 hours and 45 minutes on 2 DVDs, with tab booklet. / Banjo (5 Cordes) / 225 pages / niveau : Débutant/Intermédiaire / 2-Dvd Set - Format: 7,5 X 5,25
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La Muette
71.50
La Muette
Jobert
Make the silence talk'La Muette knew how to make the silence talk like no one', ...
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Make the silence talk'La Muette knew how to make the silence talk like no one', writes Djavann in his book (La Muette, © Flammarion 2008). Those words deeply touched me for they express one of the most beautiful metaphors in music. Through the lines of discourse, beyond words, I was listening to the silence of 'La Muette'. A rare and intense listening which joins the same internal listening I use when I'm writing my score. I was listening to La Muette, I decided to write a new piece to make the silent voice of La Muette told by Chahdortt Djavann sound through music. Choosing the extracts The text put in music is composed of short extracts from Djavann's story. I focused on this woman's portrait, who conquers her freedom through silence in which she forms a strong love relationship with her niece Fatemeh on the one hand, and the Uncle on the other hand. 'She had made her silence become her art of living, her freedom' writes Djavann. The extremely dramatic tension, the flow of the singing in Persian language, and the oppression in relation to the Iranian context are trying to underline the independent beauty of that woman who resists and exists without a voice. Story A young 15 years old Iranian girl named Fatemeh is in jail. Waiting for her death sentence, she writes the story of her aunt on a small notebook, 'so that someone remembers La Muette and myself'. The young teenager was raised by her aunt who becomes mute because she decided to stop talking on a dark day of her own childhood when she was interrogated, never to tell THE truth. An aunt whose silence makes even more fascinating, haughty, with an insolent look, cigarette at her lips, bare-footed and without any scarf on her head. 'La Muette' had made her silence become her art of living, her freedom. Around her, women start to talk, even considering her mad, for only a mad person could act this way. Fatemeh loves her mute aunt unconditionally, that is how she wants to become a woman, by being like her, fascinated by her silence and her excesses. La Muette embodies a figure of Freedom and makes us remember that in some countries, the woman who won't be submissive risks capital punishment. She will be hung. Following this beautiful text by Chahdortt Djavann, 'La Muette', a powerful text, stiff, tensed, without any lyricism nor compromises, which takes place in Iran under the Mollahs' regime. Persian: Phonological material / Compositional material Djavann's story is written in French. I asked Baharé Khadjé-Nouri to translate the text into Persian, and worked with her on pronunciation, accentuation, metric and the structure of the language, and I thank her again for that. I spent a long time having some people reading me the text in Persian and through listening I immersed myself in that sound universe. From this linguistic material, the beginning of the piece starts with the constitution of a tank of sound objects which will constitute parts of the compositional material. To compose the phonological tank, I worked on writing the pronunciation that lies at the origin of every possible vocal composition, writing the tone as well as the 'percussive - resounding' aspects of phonemes, multiple uses of fricative consonants or sibilants. Finally I used the vocal treatment of the phoneme through modes of play in relation to sprechsang: sing -inspire, or -expire, -blow, -chanting, -whispering, -spitting, -speaking. But a purely phonetic analysis of the vocal structures composing the sung part would reduce the word to its mere phonetic entity. The phonological material then constituted a compositional material by giving to the sung word its semantic entity. Form of the piece To strip the drama off every narrative element, at least of the discursive and linear character of the story, I first re-organized parts of the text extracted from the whole book in an order fitting the form I wanted to give to the piece (except for the beginning and ending which are kept in their linear forms). I imagined Fatemeh in jail, whose memories bounced between the four walls of her cell: recurring musical material, re-injected in an obsessive way, disjointed and contrasted, continuously modified each time, bouncing from one sequence to the next in another state. The piece is divided into 5 sequences, between each of them is an instrumental interlude with a voice-off, the voice of the present in the cell that contrasts with the singing voice of the sequence, evocation of memories of La Muette (sequence 1: preamble, sequence 2: portrait of La Muette, sequence 3: La Muette and Fatemeh, sequence 4: La Muette and the Uncle, sequence 5: epilogue). Electroacoustic setupFor this piece, I wrote the electroacoustic parts myself at the same time I was writing the instrumental parts. The electroacoustic setup is here considered as a whole instrument, an instrument added to the 12 others electroacoustic instruments and to Donatienne's voice. The electroacoustic sounds are divided into three types: - Samples from the singer's voice and instruments of the TM+ ensemble transformed - The narrator's voice Baharé Khadjé-Nouri in Persian, original version or transformed - Extra-musical sounds As for the synchronization between the acoustic and the electroacoustic scores, we will use for the first time an innovative application developed by Frédéric Bevilacqua and Bruno Zamborlin, not to follow the moves as we did it in StreicherKreis (my string quartet created in November 2008), but to follow the voice and orchestra. Thus, we will be using an 'audio-following', which constituted a first. This setup of recognition and following will allow the synchronization between instrumental and electroacoustic scores in a musical and precise way. Concerning the interactivity between performers and device, it will all be in real-time. Characteristics of the musicians' sound will 'interpret' what comes out of the speakers. The musicians will define the settings of the sound transformations, in terms of space, transposition, tone or length. This new piece expresses a message through the choice of subject that goes beyond strictly music. For me, it is important that both the composer and writer can invest their work into problematics which they're confronted to because they are immediate witnesses. / Soprano Et Percussions
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Singles Collection (OASIS)
31.50
Singles Collection (OASIS)
Guitare notes et tablatures
[Partition]
Amsco Wise Publications
Par OASIS. It is no secret that the singles released by Oasis since the mid-1990...
(+)
Par OASIS. It is no secret that the singles released by Oasis since the mid-1990s were responsible for a universally rejuvenated interest in the British rock tradition. Shining with confidence, swagger, attitude and rich in that special working-class optimism that has characterised the greatest British bands through the years, the Oasis singles made guitar rock relevant for a new generation of young hopefuls. The Blur-vs-Oasis race to the #1 slot in 1995 has since become regarded as the epitome of the 'Britpop' phenomenon, demonstrating the cultural power a simple pop single can adopt in the eyes of its audience. This specially compiled collection celebrates the very best singles by this important band, all presented in accurate Guitar Tab with full melody line and lyrics. / Niveau : Elémentaire / Rép International / Tablatures / Guitare Tablatures
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M. Tanner: Renaissance Anthology A Vol.3: Piano: Instrumental Album
9.95
M. Tanner: Renaissance Anthology A Vol.3: Piano: Instrumental Album
Piano seul
[Partition]
-
Intermédiaire/avancé
Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...
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Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
9.95 GBP - vendu par Musicroom GB
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Renaissance Anthology A Vol.4: Piano or Keyboard: Instrumental Album
9.95
Renaissance Anthology A Vol.4: Piano or Keyboard: Instrumental Album
Piano seul
[Partition]
Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...
(+)
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB
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M. Tanner: Renaissance Keyboard Anthology 1: Harpsichord or Piano: Instrumental
9.95
M. Tanner: Renaissance Keyboard Anthology 1: Harpsichord or Piano: Instrumental
Piano seul
Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...
(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB
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M. Tanner: Renaissance Keyboard Anthology 2: Harpsichord or Piano: Instrumental
9.99
M. Tanner: Renaissance Keyboard Anthology 2: Harpsichord or Piano: Instrumental
Piano seul
-
Intermédiaire
Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...
(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.99 GBP - vendu par Musicroom GB
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3 vendeurs
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The New Standards
38.00
The New Standards
Piano Facile
-
Facile
Hal Leonard
64 Popular Modern Songs. 64 pop hits which have become modern-day standards are ...
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64 Popular Modern Songs. 64 pop hits which have become modern-day standards are included in this collection for easy piano. / Niveau : Facile / Pop and rock / Recueil / Piano
38.00 EUR - vendu par LMI-partitions
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Allen Bargfrede: Music Law in the Digital Age - 2nd Edition: Reference Books:
23.99
Allen Bargfrede: Music Law in the Digital Age - 2nd Edition: Reference Books:
[Livre]
Berklee
Copyright Essentials for Today's Music Business-With the free-form exchange of m...
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Copyright Essentials for Today's Music Business-With the free-form exchange of music files and musical ideas online understanding copyright laws has become essential to career success in the new music marketplace. This cutting-edge plain-language guide shows you how copyright law drives the contemporary music industry. By looking at the law and its recent history you will understand the new issues introduced by the digital age as well as continuing issues of traditional copyright law. Whether you are an artist lawyer entertainment Web site administrator record label executive student or other participant in the music industry this book will help you understand how copyright law affects you helping you use the law toyour benefit. - How do you get fair compensation for your work and avoid making costly mistakes' - Can you control who is selling your music on their website' - Is it legal to create mash-ups' - What qualifies as fair use' - How do you clear another artist's samples to use in your own recordings' - What is the Creative Commons/Copyleft movement' - How do you clear music for use in an online music service or store' - Who decides who gets paid how much and by whom' You will learn the answers to these questions as well as: - The basics of copyright law looking at the Copyright Act while explaining it in plain language - How revenue streams for music are generated under copyright law - The reasoning behind high-profile court decisions related to copyright violations -What licenses are needed for the legal online delivery of music - The intricacies of using music on sites like YouTube Pandora and Spotify - Deficiencies in current copyright law and new business model ideas
23.99 GBP - vendu par Musicroom GB
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En Stock
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John Stiernberg: Succeeding in Music - 2nd Edition: Reference Books: Reference
15.95
John Stiernberg: Succeeding in Music - 2nd Edition: Reference Books: Reference
Hal Leonard
Music Pro Guides-Written for both musicians and musical entrepreneurs this upda...
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Music Pro Guides-Written for both musicians and musical entrepreneurs this updated and revised user-friendly guide spells out the fundamentals of business finance and marketing for the music world.Author John Stiernberg provides an in-depth look at what it takes to become a success in music in the 21st century with insights culled from his years of experience working in the entertainment industry.You'll learn how to take a strategic approach to all aspects of the music business from product development and pricing to surviving the industry's notoriously competitive environment.This practical guide is written in an accessible style that will give you a real head start in planning yoursuccess while helping you avoid failures. Whether you're starting or strengthening your music career you'll see why you need a business plan and how to put yours into action.Includes a CD-ROM with checklists resources and templates for planning and managing your career and more!
15.95 GBP - vendu par Musicroom GB
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2 vendeurs
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Guitar For Girls + Dvd
34.20
Guitar For Girls + Dvd
Guitare notes et tablatures
[Partition + DVD]
-
Facile
Amsco Wise Publications
Start playing with Alex Bach and follow in the footsteps of great female guitari...
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Start playing with Alex Bach and follow in the footsteps of great female guitarists such as Avril Lavigne, Brodi Dalle, Courtney Love, Sheryl Crow, Crissy Hynde and KT Tunstall. Here's everything you need to start playing the guitar. This guitar method covers every topic from first strumming and playing position to playing complete songs. It's your chance to learn how to play and find out if you've got what it takes to become a talented guitarist and singer/songwriter. Acoustic or electric, either type is catered for but the style and the look are your own. This book shows you how! Author Alex Bach gives fast-track access to chords, scales, strumming patterns, and finger-picking style. You even get your own backing band - the DVD has professional backing tracks that let you experience the excitement of perforoming onstage with a group. / Niveau : Facile / Méthode en anglais / Méthode / Guitare Tablatures
34.20 EUR - vendu par LMI-partitions
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100 Years Of Popular Music Vol.2
32.60
100 Years Of Popular Music Vol.2
Piano, Voix et Guitare
[Partition]
-
Facile
Faber Music Limited
100 Years of Popular Music: 1960s - Volume 2 chronicles the greatest music of th...
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100 Years of Popular Music: 1960s - Volume 2 chronicles the greatest music of the swinging sixties. This songbook contains more than 70 songs from the 1960s arranged for Piano, Voice and Guitar, providing a fascinating insight into the music of the era. A listing of new inventions first seen during the 1960s is also included. / Niveau : Assez Facile / Recueil / Piano, Chant et Guitare
32.60 EUR - vendu par LMI-partitions
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Alex Bach: Guitar For Girls: Guitar: Instrumental Tutor
25.99
Alex Bach: Guitar For Girls: Guitar: Instrumental Tutor
Guitare notes et tablatures
[Livre + DVD]
-
Débutant
Amsco Wise Publications
Start playing with Alex Bach and follow in the footsteps of great female guitari...
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Start playing with Alex Bach and follow in the footsteps of great female guitarists such as Avril Lavigne Brodi Dalle Courtney Love Sheryl Crow Crissy Hynde and KT Tunstall. Here’s everything you need to start playing theguitar. This guitar method covers every topic from first strumming and playing position to playing complete songs. It’s your chance to learn how to play and find out if you’ve got what it takes to become a talented guitaristand singer/songwriter. Acoustic or electric either type is catered for but the style and the look are your own. This book shows you how! Author Alex Bach gives fast-track access to chords scales strumming patterns andfinger-picking style. You even get your own backing band the DVD has professional backing tracks that let you experience the excitement of perforoming onstage with a group. Also included is exclusive FREE access to The RockHouse Method’s support system on the web at www.rockhousemethod.com
25.99 GBP - vendu par Musicroom GB
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Nate Sabat: Dirt Simple Upright Bass: Double Bass Solo: Instrumental Tutor
13.99
Nate Sabat: Dirt Simple Upright Bass: Double Bass Solo: Instrumental Tutor
Contre Basse
[Partition + Accès audio]
Mel Bay
Dirt Simple Upright Bass. Although designed for newcomers to the upright bass an...
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Dirt Simple Upright Bass. Although designed for newcomers to the upright bass and bluegrass music in general, this unique approach to creating basslines has something for everyone! The first half focuses on bass-playing essentials, giving the reader a solid technical footing with the instrument. Then, using his own baritone voice and the classic bluegrass song, 'Going Down the Road Feeling Bad,' author Nate Sabat reveals his creative process in crafting effective basslines from the song's melody and chord progression. The second half focuses on bass playing within the specific context of complementing bluegrass vocals. Well beyond what you might expect from an introductory method, Nate tastefully guides the reader by presenting multiple composed bassline options for each of five well-known bluegrass songs: Rabbit in the Log, Don't this Road Look Rough and Rocky\', Long Journey Home, I Am a Pilgrim, and Angel Band.Nate's warm, pitch-perfect vocals can be heard on virtually every track, giving this method an undeniable musicality. A lightly accompanied vocal track with no bass is also provided, so you can be the sole upright or electric bassist in the band. You'll not only want to back Nate up'but sing harmony with him too! The impulse to sing can't help but influence your bass playing in a natural and positive way. Nate provides notated versions of the eight major scales most commonly used in bluegrass. Once you get them under your fingers, you'll soon be able to play along with the book's 50 companion online recordings.With its simple harmonic palette and repetitive nature, bluegrass music offers bassists the perfect opportunity to become musically literate. If you've hesitated to learn to read music, this is the time and place to eliminate that drawback. Working through these 46 pages will provide the tools and confidence needed to create your own engaging and musical basslines and hopefully, you'll be inspired to continue your bluegrass bass journey for years to come. Includes access to online audio.
13.99 GBP - vendu par Musicroom GB
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150 Of The Best Jazz Standards Ever
44.50
150 Of The Best Jazz Standards Ever
Piano, Voix et Guitare
[Partition]
-
Intermédiaire
Hal Leonard
150 des plus célébres standards de jazz, speciallement arrangés pour piano, c...
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150 des plus célébres standards de jazz, speciallement arrangés pour piano, chant et guitare (accords) / Variétés Internationale / Partition /
44.50 EUR - vendu par Note4Piano
Délais:
2-5 jours - En Stock Fournisseur
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Arias For Baritone/Bass And Pianoe
48.20
Arias For Baritone/Bass And Pianoe
Voix Baryton, Piano
Schott
/ Baryton Et Piano
48.20 EUR - vendu par LMI-partitions
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3 vendeurs
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Canzoniere International Vol.1
26.10
Canzoniere International Vol.1
Paroles et Accords
Carisch
255 Testi con accordi dei successi internazionali. / Pop & rock / Recueil / Cha...
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255 Testi con accordi dei successi internazionali. / Pop & rock / Recueil / Chanson
26.10 EUR - vendu par LMI-partitions
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101 Hits For Buskers
29.30
101 Hits For Buskers
Ligne De Mélodie, (Paroles) et Accords
[Partition]
-
Facile
Amsco Wise Publications
Includes A Fine Romance , New York, New York , The Lady Is A Tramp , Come Fly Wi...
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Includes A Fine Romance , New York, New York , The Lady Is A Tramp , Come Fly With Me plus many more Frank Sinatra hits. / Chant Et Guitare
29.30 EUR - vendu par LMI-partitions
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100 Love Songs
46.10
100 Love Songs
Piano, Voix et Guitare
[Partition]
-
Intermédiaire
Amsco Wise Publications
Des chansons romantiques par les plus grand chanteurs et artistes. Comprend Elto...
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Des chansons romantiques par les plus grand chanteurs et artistes. Comprend Elton John, Nat King Cole et Stevie Wonder. / Piano/Vocal/Guitare (PVG) / 320 pages / Partition
46.10 EUR - vendu par LMI-partitions
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