SKU: HH.HH393-FSC

ISBN 9790708146094.

In the Lotus Symphony a mixed chorus recite in Japanese excerpts from the Expedient Means (Chapter 2) and the Life Span (Chapter 16) of the Lotus sutra. This composition is not intended as an alternative to the solemn ceremony of Gongyo, it is simply the composer’s artistic response to the beautiful ideas and images contained in the ‘wonderful law of the Lotus flower’. Quite apart from the meaning contained in the words, the extraordinary sound of the recitation, its rhythm of dynamic determination and joyful courage was the starting point for this musical journey.

SKU: BT.MUSM570207442

English.

For Counter Tenor, Flute (+Piccolo, Alto Flute, Bass Flute), Cello, Piano.

SKU: BT.MUSM570206858

English.

Publish ed 2002. Commissioned by Mary Sharp Cronson for the Work and Process at the Guggenheim Museum, New York, in celebration of Les Murray. First performance: Elizabeth Farnum (sop), Curtis Macomber (vn), New York, June 2002.

Cyril Scott was an English composer, writer, and poet. He was essentially a late romantic composer, whose style was at the same time strongly influenced by impressionism. His harmony was notably exotic. Scott wrote around four hundred works,which include two mature symphonies, three operas, three Piano concertos,concertos for Violin, Cello, Oboe and Harpsichord, several overtures, four oratorios, as well as a mass of chamber music

SKU: CL.016-0175-00

This product contains two titles on one sheet of music: The Lotus Flower Theme from Serenade Op. 8.

SKU: CF.BAS74

ISBN 9781491146385. UPC: 680160903887. 9 x 12 inches. Key: G major.

Graceful flower dances are a beautiful part of many cultures, illustrated here with a flowing theme in first position. Very playable by beginning ensembles with simple rhythms and melodies based on the D-major and G-major scales. Delicate pentatonic harmonies and gentle pizzicato accompaniment float like the lotus blossom in an ancient garden.

About Carl Fischer Beginning String Orchestra Series

Thi s series of Grade 1 pieces is designed for first year string groups. The pieces in this series are characterized by:

• Limited parts (often 2nd violin and viola are the same part, cello and bass are same part)
• Limited keys and rhythms - only simple 8th note patterns
• Limited independence of parts
• Playable after limited study time
• First position and natural bowings
• Piano for rehearsal and reinforcement

SKU: HL.156024

ISBN 9781495057670. UPC: 888680603267. 9.0x12.0x0.856 inches.

24 note-for-note transcriptions spanning Vai's career, including: The Attitude Song • The Audience Is Listening • Bad Horsie • Big Trouble • Building the Church • The Crying Machine • Die to Live • Eugene's Trick Bag • For the Love of God • Gravity Storm • Hand on Heart • Head Cuttin' Duel • I Would Love To • Jibboom • Juice • K'm-Pee-Du-Wee • Lotus Feet • Now We Run • The Story of Light • Tender Surrender • Touching Tongues • Viv Woman • Whispering a Prayer • Yankee Rose.

About Hal Leonard Guitar Recorded Versions

G uitar Recorded Versions are note-for-note transcriptions of guitar music taken directly off recordings. This series, one of the most popular in print today, features some of the greatest guitar players and groups from blues, rock, and heavy metal. Guitar Recorded Versions are transcribed by the best transcribers in the business. Every book contains notes and tablature.

SKU: P2.30140

I come from where the Lotus Flower blooms- for Oboe, Clarinet and Bassoon by Amir Zaheri is based structurally on the diatonic scale as its reliable foundation which gives the listener a sense of stability.
Parts Included: Oboe, Clarinet, Bassoon.

SKU: HL.263117

8.25x11.75 inches.

Per Drud Nielsen's Lotusoje er en samling miniaturer for blandet kor (SATB) baseret pa Suzanne Broggers digtsamling af samme navn fra 1999. Suzanne Brogger tager i sine digte udgangspunkt idet japanske haikudigts stramme form, og Per Drud Nielsens tones''ttelser har samme knaphed og koncentrationsom digtene. Primtallet 17 udover sin egen talmagi bade i digtsamlingen og blandt tones''ttelserne: Hvert digt bestar af 17 stavelser. Digtsamlingen rummer 3 x 17, i alt altsa 51 digte. Og Per Drud Nielsens samling af tones''ttelser benytter et udvalg pa netop 17 af disse 51 digte. Digtene sp''nder fra det lette og vittige til det tungere og mere reflekterende, og musikken str''kker sig fra det enkle og lyriske over det kabaretagtigt sk''vvredne til det foruroligende og dissonansfyldte. De 17 satser er ikke afh''ngige af hinanden, men kan opfores i mindre, valgfri konstellationer.

SKU: CL.016-0444-00

SKU: BT.MUSM570361922

English.

The song repertoire has its origins in the late nineteenth century when every household had a piano and for much of the twentieth century, singers and their pianist collaborators were able to create recital programmes from a deep reservoir of European and North American song. The recital genre became more sophisticated as the century progressed and metamorphosed from a miscellaneous collection of lollipops to something altogether more sophisticated, often featuring elaborate themes which would enable the music to be presented in a variety of new contexts. In the twenty first century opportunities for recitalists are fewer and programmes still tend to focus on the much-loved butwell-explored repertoire. We hope this collection will contribute to a broadening of possibilities for recitalists or anyone who just wants something new to sing. There are several songs for voice and piano but some require other instruments. There is a wide range of styles. We have resisted the temptation to grade them by difficulty, as our criteria were more broadly performative and musical rather than didactic. All selected composers have a particular sympathy for the singing voice, so there is nothing that cannot be sung by a competent performer. The songs generally have a designated voice type, but this shouldn't be thought of as prescriptive; they are designed to be flexible and to offer the maximum opportunity for creative interpretation. They range from the curious and quirky to the virtuosic and challenging, the intense and mysterious to the sad and the light-hearted. We hope that many performers will find their tastes represented here. Compiled by David Blake and John Potter. Edited by Michael Hooper.