Favourite opera themes in jazzy arrangements Well-known classical themes, arranged with jazz and pop elements, making opera fun and appealing for all ages! • Easy, jazzy arrangements of famous opera themes • Short, lively descriptions of the operas • For all lovers of 'crossover' between classical, jazz and pop music • Written improvisations as well as chord symbols for your own improvisations • Performance tracks of all pieces, played by live musicians • Backing tracks recorded in the studio for you to play along with • Piano accompaniments available as PDF files on the CD / Opéra-opérette / Date parution : 2005-11-20/ Recueil / Saxophone Alto et Piano ad lib.

Voix grave-“Song to Ladylove” is the second volume of the Don Quixote songs a set of four songs by Jacques Ibert. Written for Voice and Piano on a poem by Alexandra Arnoux it features two verses and a chorus. The lyrics in French are about love and the chorus explains that a day is like a year when you can’t see your lover. The song could be played and sung by intermediate musician. The full series features: 1. Chanson du depart de Don Quichotte / Song for Don Quixotte’s departure 2. Chanson à Dulcinée / Song to Ladylove 3. Chanson du Duc / Duke’s song 4. Chanson dela mort de Don Quixotte / Song for Don Quixotte’s death Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

This new Opera was first performed in 1998 in Huddersfield by Opera North. Designed for the modern stage it utilises only a small cast and orchestra albeit one with a good variety of percussion! The libretto is adapted by thecomposer from the play ‘The Love of Don Pemperlin for Belisa in the Garden’ by Feredico Garcia Lorca translated into English by David Johnston. The plot revolves around the ill-fated marriage of Don Pemperlin an ageing bachelorand his beautiful neighbour Belisa which was suggested by Pemperlin’s maid. Tricks and misunderstandings abound and because of them Pemperlin ends by stabbing himself and dying even as Belisa proclaims her love for him.

Par . 31 great pop/rock songs, including: Bennie and the Jets · Brown Eyed Girl · Crazy Little Thing Called Love · Good Times · I Did It · Maneater · Smooth Operator · Veronica · You Oughta Know · and more. / Date parution : 2022-12-08/ Recueil / Guitare Basse

A new series for players of all ages. - Easy, jazzy arrangements of famous Opera songs - CD to play along with - Exciting new arrangements - Brief, amusing synopsis of the operas from which the pieces are taken - Variety of styles (from Blues to Ballad) - Piano accompaniments supplied as PDF files on CD / Opéra-opérette / Recueil / Clarinette et Piano ad lib.

Instrumentalists will love this collection of Broadway classics, including: Any Dream Will Do - Cabaret - Defying Gravity - Do You Hear the People Sing? - Edelweiss - Getting to Know You - Guys and Dolls - Hello, Dolly! - I Dreamed a Dream - If I Were a Bell - Luck Be a Lady - Mame - The Music of the Night - Ol' Man River - People Will Say We're in Love - Seasons of Love - Send in the Clowns - The Surrey with the Fringe on Top - Think of Me - Tomorrow - What I Did for Love - You'll Never Walk Alone - and many more. / Saxophone Alto

A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano

Love me sweet was composed for the occasion of the composer's wedding in July 2010. The text consists of four verses taken from Elizabeth Barrett Browning's ironic poem A Man's Requirements which ends with the couplet, 'I will love thee - half a year - As a man is able.' This setting responds to the purer sentiments of the earlier verses, employing a lilting metre, a harmonic idiom and a piquant sprinkling of dissonance. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Tom Wiggall is a London-based composer writing mainly for voice, stage and screen. In recent years Tom's work has taken in large-scale community opera projects, numerous anthems and songs, and music for film and television including Melvyn Bragg's ITV1 series Faith in the Frame and Channel 4's The Art Show. Tom is also Director of Music at Highgate School. / Choeur SATB

Description G. Schirmer Opera Anthology - Arias For Soprano Carefully chosen arias to anticipate the needs of singers, teachers and coaches for years to come. Songlist Ach, Ich Fühl's (Die Zauberflöte) [Mozart, Wolfgang Amadeus] Adieu, Notre Petite Table (Manon) [Massenet, Jules] Ah Je Rise De Me Voir (Faust) [Gounod, Charles] Ah Je Veux Vivre (Romeo Et Juliette) [Gounod, Charles] Batti, Batti, O Bel Masetto (Don Giovanni) [Mozart, Wolfgang Amadeus] Bester Jungling (Der Schauspieldirektor) [Mozart, Wolfgang Amadeus] Caro Nome (Rigoletto) [Verdi, Giuseppe] Deh Vieni, Non Tardar (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Donde Lieta Usci (La Boheme) [Puccini, Giacomo] Dove Sono I Bei Momenti (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Elle A Fui, La Tourterelle (Les Contes D'Hoffman) [Offenbach, Jacques] Fair Robin I Love (Tartuffe) [Mechem, Kirke] Je Dis Que Rien Ne M'epouvante (Carmen) [Bizet, Georges] Kommt Ein Schlanker Bursch Gegangen (Der Freischutz) [Weber, Carl Maria Von] Mi Chiamano Mimi (La Boheme) [Puccini, Giacomo] Monica's Waltz (The Medium) [Menotti, Gian Carlo] O Mio Babbino Caro (Gianni Schicchi) [Puccini, Giacomo] O War Ich Schon Mit Dir Vereint (Fidelio) [Beethoven, Ludwig Van] Porgi Amor (Le Nozze Di Figaro) [Mozart, Wolfgang Amadeus] Quando M'en Vo Soletta (La Boheme) [Puccini, Giacomo] Saper Vorreste (Un Ballo In Maschera) [Verdi, Giuseppe] Signore Ascolta (Turandot) [Puccini, Giacomo] Stridono Lassu (I Pagliacci) [Leoncavallo, Ruggiero] Sul Fil D'un Soffio Estastio (Falstaff) [Verdi, Giuseppe] The Black Swan (The Medium) [Menotti, Gian Carlo] The Silver Aria (The Ballad Of Baby Doe) [Moore, Douglas] Tu Che Di Gel Sei Cinta (Turandot) [Puccini, Giacomo] Un Bel Di (One Fine Day) (Madama Butterfly) [Puccini, Giacomo] V'adoro, Pupille (Giulio Cesare) [Handel, George Frideric] Vedrai Carino (Don Giovanni) [Mozart, Wolfgang Amadeus] Willow Song (The Ballad Of Baby Doe) [Moore, Douglas]

Based on the legend of Tristan and Isolda Wagner's 'Tristan und Isolde' has long been acknowledged as the beginning of musical modernism. It is said that the entire opera is an attempt to resolve the tension setestablished in the first eight bars. In the story Isolde plots to kill Tristan the man who is taking her to be betrothed to King Marke of Cornwall. She deeply resents him as she had nursed him back to health after abattle only to find he was the slayer of her fiancé Morold. Isolde asks her companion Brangäne to prepare a potion that will cause death but instead she brews a love-potion. Both drink it and fall hopelessly for each other. Theycontinue their affair when they reach Cornwall but are spied on by Mark?s man Melot who wounds Tristan. Tended by Kurwenal he holds onto life just long enough for Isolde to reach him then falls and dies. As Isolde standsstricken by grief Marke and Melot arrive to pardon the lovers but Kurwenal does not believe this kills Melot and is himself killed. Isolde feels Tristan calling to her from the ?realm of night? and even as Brangäne tries topersuade her to live falls dead next to him.