Par SMALL MARK. Ce volume est pour le duo guitare avancées qui cherche à musique concert-worthy et un défi technique. Les oeuvres transcrits ici comprennent des sélections par Beethoven, Manuel de Falla, Bach, Mozart, Handel, Gounod et autres. Beaucoup d'effort a été exercée pour trouver les oeuvres qui fonctionne bien comme duos guitare, ne sont pas disponibles ailleurs et sera encore bien connues des auditoires. Comme tous les volumes de cette série, les oeuvres choisies proviennent de la Renaissance, Baroque, classique, romantique et périodes de style du XXe siècle. Notation standard. / Niveau : Intermédiaire à Avancé / Classic - Duets / Recueil / Guitare Classique

39 popular works for piano featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Preface by Young Musician of the Year Martin James Bartlett.

The demand for literature in Spanish is a reflection of our changing American culture. Here are twelve songs in two keys that can serve as an introduction to art songs in Spanish for a voice student. International PhoneticAlphabet is included for each song text as are translations for study. Laura Ward has recorded wonderful informed piano accompaniments on the companion CD. Before the accompaniment a excellently instructive pronunciationlesson recorded by a native Spanish speaker (a university Spanish professor) is heard. The songs are by Manuel de Falla Enrique Granados and Fernando Obradors with an additional two Mexican folksong arrangements. A beautifulVelasquez painting is seen on the cover.

Felipe Pedrell's Canco De L'Estrella for Voice and Piano was later arranged with orchestral accompaniment by Manuel De Falla. This edition revised by Yvan Nommick includes the full orchestral score of De Falla's orchestral version and includes detailed editorial notes in Spanish.

Three works for Cello and Piano by Spanish composer Manuel De Falla. Set as part of the ABRSM Cello Grade 5 Syllabus.

21 popular works for mezzo-soprano or alto voice with piano accompaniment featuring selected works from the major exam board syllabuses spanning Grades 5 to 8 and beyond. Includes a preface and performance notes by CatherineWyn-Rogers and Malcolm Martineau and a digital version of the book to view on any device.

for Piano and Orchestra-The seven years that the Spanish composer Falla spent in Paris (from 1907 to 1914) marked a turning point in his compositions. His encounter with contemporary French Impressionist music made a big impact on him. From then on itwas to leave its mark on his oeuvre which was otherwise inspired by Spanish folk music. It was thanks to the advice of the pianist Ricardo Viñes and the composer Isaac Albéniz that Falla decided to expand his ?Nocturnes? for solopiano of 1909 into a three-part symphonic suite for piano and orchestra. He finally completed it in 1915 and named it ?Noches en los jardines de España? (?Nights in the gardens of Spain?). Yuja Wang kindly provided fingerings forthe solo piano part of de Falla?s enchanting musical evocation of his Andalusian homeland.

1 Piano, 4 Hands. Composed by Manuel de Falla (1876-1946). Arranged by Gustave Samazeuilh. / Piano 4 Mains

Fuego Fatuo has an interesting history. Manuel De Falla (1876-1946) often regarded as the greatest Spanish composer of the 20th century wanted to write an opera based around themes from Chopin whomhe greatly admired. The stage work was never finished; however several attempts have been made to arrange the work for orchestra most successfully by the Catalan conductor Antoni Ros-Marb .Despite its history this orchestral suite is far from being a mere mish-mash of Chopin melodies; it is more of a meditation on Chopin’s work in general with the focus on the harmonic and textural elements which De Falla drew from his work.It forms a fascinating insight into the mind of a great musician.

The two existing manuscripts (1915 and 1926) of these extracts 'arranged' by Falla himself correspond to the very beginning and end of a long period during which El Amor Brujo can be seen in a series of different states.They demonstrate the care which the composer generally brought to the task of instrumentation and more particularly the aptness and validity of this piece in his own eyes as chamber music. It is clear that Falla's art oforchestration (and notably his feeling for instrumental idiom) gives his score a profound sense of balance. Score. Piano player reads from full score string parts available separately.

The Composer Portraits series offers unique and original monographs on individual composers. Text and music introductions written by experts are combined with carefully chosen selections of newly-engraved musicto give a concise but informed overview of the life and work of each composer.The Composer Portraits series offers unique and original monographs on individual composers. This edition focuses on the lifeand works of the Spanish composer Manuel de Falla.With notes by Sandy Burnett.Writing in the European Piano Teachers Association Journal Angela Fogg calls Composer Portraits 'a wellthought-out and well presented series of books offering fantastic repertoire for students in the later grades. I cannot recommend them enough!'

Par ALBENIZ ISAAC. A spell-binding exploration of the music of Spain, Fantasía Española features four exciting yet contrasting sections and challenging parts for all players. Three of Spain's most famous composers are represented in this medley arranged by Bob Phillips. The piece begins with an exciting, driving excerpt from 'Asturias (Leyenda)', by Isaac Albéniz, which, though written for piano, is most often heard on guitar. The setting of this section allows the violins and violas a display of virtuosity with its unrelenting rhythmic drive. Beautiful, lyric, and emotional, 'Tango in D,' also by Albéniz, will showcase the musicianship of the entire orchestra. Originally written for piano, the strings will shine in this second section of the arrangement. The third section is the slow and lyric, 'Adelita.' Drawn from the deep treasure of Spanish guitar music and written by the father of classical guitar, Francisco Tárrega, this piece is simply beautiful. The medley concludes with 'Danza Ritual del Fuego' from the ballet El Amor Brujo. Written by Manuel de Falla for full orchestra, the string setting drives to a fabulous and dramatic finish.(5:45) / Date parution : 2022-10-12/ Répertoire / Orchestre à Cordes