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| Thea Musgrave: Largo In
Homage To B.A.C.H.:
String Orchestra: Study
Score
Orchestre à Cordes - Intermédiaire/avancé
Novello & Co Ltd.
Largo In Homage to B.A.C.H. was commissioned by the Carmel Bach Festival 2013 ...(+)
Largo In Homage to B.A.C.H. was commissioned by the Carmel Bach Festival 2013 and Music Director Paul Goodwin to whom the work is dedicated.COMPOSER NOTE:My very first idea was to use the BACH initials as a basis for the work - not as the melodic motif often used by composers but rather as a harmonic structure. This is possible because in the German musical tradition B stands for B flat and H for B natural. This led to the thought that there would be four short sections each led by a different soloist forming an emotional journey: Lamentoso (mournful) Ardente (fervent) Inquieto (restless) and Sereno (peaceful).TheDouble Bass leads the first section B. Lamentoso (B flat major). The Cello leads the next A. Ardente (A major) faster and higher in pitch to reflect the change of mood and when the Viola soloist urgently interrupts in C. Inquieto (C major) the scene is set for a big climax. In the final section H. Sereno (B minor) the mood persuaded by the Violin soloist quietens and eventually leads to a brief quote from the famous chorale from the St. Matthew Passion O Haupt voll Blut und Wunden which ends the work in calm and peace with a 'tierce de Picardie'.In turn each soloist carries the linear activity as protagonist on this emotional journey and the accompaniment to each section is dominated by the ?tonality? indicated. But there is also a mysterious ?misty? overlay only dissipating after the Viola?s tempestuous climax. The cluster of notes that makes up this ?mist? is formed from the octatonic scale in each case incorporating notes of the triad of the relative section to determine its tonality (B flat major C major etc).Each section therefore uses only the notes of the octatonic scale1 associated with it - until the Viola begins to incorporate a chromatic scale2 - and it is only in the final section that the familiar diatonic scale 3 appears and the mist is dissipated. Therefore although the overall feeling of
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| Johann Sebastian Bach:
Here Yet Awhile (from St.
Matthew Passion): SATB:
Vocal
Chorale SATB
SATB, Orgue [Vocal Score]
Schirmer
Johann Sebastian Bach's Here Yet Awhile from 'St. Matthew Passion' for SSAATTBB ...(+)
Johann Sebastian Bach's Here Yet Awhile from 'St. Matthew Passion' for SSAATTBB choir with Piano or Organ accompaniment. Edited by H. W. Nicholl.
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| W.C. Martin Charles H.
Gabriel: My Heavenly
Father Watches Over Me:
SATB: Vocal
Chorale SATB
Shawnee Press
Uses: General Scripture: Matthew 8:23-27: Matthew 10:29-31 The care and provisio...(+)
Uses: General Scripture: Matthew 8:23-27: Matthew 10:29-31 The care and provision of our gracious and loving God are the spiritual foundations of this arrangement of a gospel evergreen. Made popular by singers such as George Beverly Shea this hymn has long been a favorite of church soloists... and now your choir will enjoy singing this treasure. Each verse is given its own treatment as the words come to life crowned with a rousing crescendo as the vision of heaven comes into view. I trust in God I know He cares for me: On mountain bleak or on the stormy sea: Though billows roll He keeps my soul: My heavenly Father watches over me.
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| Georg Friedrich Händel:
The Easter Vigil Of Mary
Magdalene: SATB: Vocal
Score
Chorale SATB [Vocal Score]
Hinshaw Music Inc.
From Matthew Mark Luke John Accts. Of Resurrection-Fairly ambitious five-minute ...(+)
From Matthew Mark Luke John Accts. Of Resurrection-Fairly ambitious five-minute Easter production for SATB soprano solo optional congregation and organ based on Judas Maccabeus by G.F. Handel with original music and hymn setting by John Ness Beck.
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| Georg Friedrich Händel:
He Shall Feed His Flock:
Brass Band: Score & Parts
Ensemble de cuivres
De Haske Publications
It is interesting to recall that Handel wrote Messiah his most famous work whil...(+)
It is interesting to recall that Handel wrote Messiah his most famous work whilst at the lowest point of his career suffereing from fianantial hardship and depression. It was only composing that distracted him from this misery. In He Shall Feed His Flock based on texts of Isaiah and Matthew we hear praise for the peace that the Messiah has brought to earth.
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| Matthäus-Passion Bwv
244
Piano seul
Barenreiter
Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance...(+)
Felix Mendelssohn can claim the credit of having ushered in the Bach-Renaissance with his arrangement and performance of the 'St Matthew Passion?. It was revived for the first time in the Berlin Singakademie on 11 March 1829, one hundred years after its premiere in Leipzig's Thomaskirche. A second arrangement was performed in Leipzig in 1841.Originally only available on hire as part of the edition published by Bärenreiter in 2009, this vocal score is now available on sale. It enables both the Berlin and the later Leipzig versions to be performed.A concordance provides information on the respective sequence of movements and their relation to the Bach Works Catalogue (BWV) and the 'New Bach Edition?.- Both Mendelssohn versions available in one edition- Easy-to-play idiomatic piano reduction / Piano
Délais: En Stock |
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| A Red, Red Rose
Chorale TTBB
TTBB A Cappella
Schott
Von liebevoller Zärtlichkeit bis hin zu verzweifelter Sehnsucht bildet Robert B...(+)
Von liebevoller Zärtlichkeit bis hin zu verzweifelter Sehnsucht bildet Robert Burns die Höhen und Tiefen einer Beziehung in seinem Liebesgedicht ab. Die Version für Männerchor entlockt dem Ensemble selten gehörte Klänge. / Choeur TTBB A Cappella
Délais: 2-5 jours - En Stock Fournisseur |
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| Johann Sebastian Bach: St
Matthew Passion: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Schirmer
With English translation and adaption by Rev. Dr Troutbeck. Vocal Score edited b...(+)
With English translation and adaption by Rev. Dr Troutbeck. Vocal Score edited by H.W. Nicholl.
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| A Red, Red Rose
Chorale SATB
SATB A Cappella
Schott
Zart und filigran wirken die feinen Melismen des vertonten Liebesgedichtes, die ...(+)
Zart und filigran wirken die feinen Melismen des vertonten Liebesgedichtes, die sich über herbe und archaisch anmutende Klänge erheben. Sie entführen Hörer und Sänger in die schroffe Landschaft Schottlands, der Heimat des Dichters. / Choeur Mixte (SATB) A Cappella
Délais: 2-5 jours - En Stock Fournisseur |
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| H. Alexander Matthews:
Fantasy For Viola And
Piano: Viola:
Instrumental Work
Alto, Piano [Partition]
Viola World
Matthews 'Fantasy' for viola and piano edited by Alan Arnold.
Délais: Info (stock) sur le site |
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| Classical Hits + Cd -
1-2 Soprano Recorders
2 Flûte à bec (duo) [Partition + CD] - Facile
Schott
INSTRUMENTATION : 1-2 SOPRANO RECORDERS VERSION : EDITION WITH CD DESCRIPTION : ...(+)
INSTRUMENTATION : 1-2 SOPRANO RECORDERS VERSION : EDITION WITH CD DESCRIPTION : HASN'T EVERY RECORDER PLAYER DREAMED OF PLAYING THE MOST CELEBRATED CLASSICAL MELODIES AS A SOLOIST' HERE YOU WILL FIND THE FINEST PIECES IN ARRANGEMENTS FOR ONE OR TWO DESCANT RECORDERS, WITH A CD TO PLAY ALONG WITH. ON A MUSICAL JOURNEY OF DISCOVERY YOU WILL ENCOUNTER MANY FAMOUS COMPOSITIONS, FROM EINE KLEINE NACHTMUSIK AND BEETHOVEN'S ODE TO JOY TO THE BIRDCATCHER'S SONG FROM THE MAGIC FLUTE AND LA DONNA È MOBILE FROM VERDI'S RIGOLETTO . SO THAT YOU CAN REALLY ENJOY MAKING MUSIC THE ARRANGEMENTS HAVE BEEN RECORDED IN TWO VERSIONS ON THE CD: WITH AND WITHOUT RECORDERS. CONTENU : A. VIVALDI: SPRING (THE FOUR SEASONS) - W.A. MOZART: THE BIRDCATHER'S SONG (THE MAGIC FLUTE) - J.S. BACH: O HAUPT VOLL BLUT UND WUNDEN (ST. MATTHEW PASSION) - W.A. MOZART: DAS KLINGET SO HERRLICH (THE MAGIC FLUTE) - J. BRAHMS: CRADLE SONG GUTEN ABEND, GUT NACHT - M.A. CHARPENTIER: PRÉLUDE FROM TE DEUM - J. HAYDN: ANDANTE FROM THE SYMPHONY NO. 94 THE SURPRISE - L.V. BEETHOVEN: ODE TO JOY (9. SINFONIE) - C.M.V. WEBER: WIR WINDEN DIR DEN JUNGFERNKRANZ (DER FREISCHÜTZ) - G. VERDI: LA DONNA È MOBILE (RIGOLETTO) - J. HAYDN: IMPERIAL ANTHEM (EMPEROR QUARTET) - G.F. HÄNDEL: OMBRA MAI FÙ (LARGO FROM XERXES) - B. SMETANA: THE MOLDAU (MY HOMELAND) - G. BIZET: TORÉADOR, EN GARDE! (CARMEN) - J. OFFENBACH: BARCAROLE (TALES OF HOFFMANN) - G. ROSSINI: OVERTURE TO THE BARBER OF SEVILLA - R. WAGNER: WEDDING CHORUS TREULICH GEFÜHRT (LOHENGRIN) - G. VERDI: GEFANGENENCHOR VA, PENSIERO (NABUCCO) - W.A. MOZART: EINE KLEINE NACHTMUSIK - P.I. TSCHAIKOWSKY: MAIN THEME (SCHWANENSEE) - J. OFFENBACH: CANCAN (ORPHEUS IN THE UNDERWORLD) DATE DE PARUTION : 17/02/2003 NOMBRE DE PAGES : 24 LANGUE : ENGLISH FORMAT : PARISIEN PORTRAIT
Délais: Sur commande |
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| Johann Sebastian Bach:
Flute Solos from Sacred
and Secular Vocal Works
1: Flute: [Vocal Score]
Barenreiter
Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 o...(+)
Arias with 1 or 2 flutes obbligato (with the complete vocal part)-Arias with 1 or 2 Flutes obbligato (with the complete vocal part).Selected movements from secular cantatas from St Matthew Passion Mass in B minor and the Lutheran Mass in A major. This volume presents for the first time all those arias from the oratorios Passions Masses and sacred and secular cantatas of Johann Sebastian Bach that contain obbligato parts for one or two Flutes. The musical text has been adopted from the “ Urtext ” of the New Bach Edition. Music and words are inseparable in Bach’s works. Therefore as an aid to the interpretation of these Flute solos our richly annotated collection offers notonly Flute part but also the complete vocal part for each movement. In this way the edition not only represents a novel form of Orchestral studies it also opens up an important area of the Flute repertoire. Contents:Kantate 45. Es ist dir gesagt Mensch was gut ist. Nr. 5 Alt-Arie: Wer Gott bekenntKantate 55. Ich armer Mensch ich Sündenknecht. Nr. 3 Tenor-Arie: Erbarme dichKantate 79. Gott der Herr ist Sonn und Schild. Nr. 2 Alt-Arie: Gott ist unsre Sonn und SchildKantate 180. Schmücke dich o liebe Seel. Nr. 2 Tenor-Arie: Ermuntre dich dein Heiland kommtKantate 94. Was frag ich nach der Welt. Nr. 4 Alt-Arie: Betörte Welt betörte WeltKantate 110. Unser Mund sei voll Lachens. Nr. 2 Tenor-Arie: Ihr Gedanken und ihr Sinnen (2 Flöten)Kantate 78. Jesu der du meine Seel. Nr. 4 Tenor-Arie: Das Blut so meine Schuld durchstreichtKantate 100. Was Gott tut das ist wohlgetan. Nr. 3 Sopran-Arie (Vers): Was Gott tut das ist wohlgetanKantate 96. Herr Christ der einge Gottessohn. Nr. 3 Tenor-Arie: Ach ziehe die Seele mit Seilen der LiebeKantate 102. Herr deine Augen sehen nach dem Glauben. Nr. 5 Tenor-Arie: Erschrecke doch du allzu sichre SeeleKantate 113. Herr Jesu Christ du höchstes Gut. Nr. 5 Tenor-Arie: Jesus nimmt die Sünder anKantate 99. Was Gott tut das ist wohlgetan. Nr. 3 Tenor-Arie: Erschüttre dich nur nicht verzagte SeeleKantate 114. Ach lieben Christen seid getrost. Nr. 2 Tenor-Arie: Wo wird in diesem JammertaleKantate 130. Herr Gott
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| Classical Hits - 1-2
Treble Recorders
2 Flûte à bec (duo) [Partition + CD]
Schott
Instrument : 1-2 treble recordersType : edition with CDNombre de Pages : 24Here ...(+)
Instrument : 1-2 treble recordersType : edition with CDNombre de Pages : 24Here is the long-awaited volume of popular classical melodies in Magoltâ''s successful series. Now recorder players can also enjoy playing through the best known catchy tunes in classical music for themselves with an orchestral accompaniment on CD. Contents include: Hymn to Joy (Beethoven) - Eine kleine Nachtmusik (Mozart) - The Moldau (Smetana) - the Birdcatcherâ''s Song from the Magic Flute (Mozart) - the Toreadorâ''s song from Carmen (Bizet) - La donna è mobile (Verdi) - Barcarole (Offenbach) and many other well-known melodies.Content : A. Vivaldi: Spring from the Vour Seasons - W.A. Mozart: The Birdcatcher's song from The Magic Flute - J.S. Bach: O Haupt voll Blut und Wunden from the St Matthew Passion - W.A. Mozart: Das klinget so herrlich from The Magic Flute - J. Brahms: Cradle Song - M.-A. Charpentier: Prélude fom Te Deum - J. Haydn: Andante ffrom the Symphony No. 94 - L.v. Beethoven: Ode to Joy from the Ninth Symphony - C.M.v. Weber: Wir winden dir den Jungfernkranz from Der Freischütz - G. Verdi: La donna è mobile from Rigoletto - J. Haydn: Imperial anthem from the Emperor Quartet - G.F. Händel: Ombra mai fù from Xerxes - B. Smetana: The Moldau from My Homeland - G. Bizet: Toréador, en garde! from Carmen - J. Offenbach: Barcarole from Tales of Hoffmann - G. Rossini: Ouverture to The Barber of Seville - R. Wagner: Wedding Chorus Treulich geführt from Lohengrin - G. Verdi: Chorus of the Hebrew Captives Va, pensiero from Nabucco - W.A. Mozart: Eine kleine Nachtmusik - P. Tschaikowsky: Main theme from Swan Lake - J. Offenbach: Cancan from Orpheus in the Underworld
Délais: Sur commande |
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| Sir William Henry Harris:
Praise To Thee Lord
Jesus: SATB: Vocal Score
Chorale SATB
SATB [Vocal Score]
Novello & Co Ltd.
Anthem for Passiontide with English translation by Lucy E. Broadwood. This is th...(+)
Anthem for Passiontide with English translation by Lucy E. Broadwood. This is the last movement from the St. Matthew Passion. For SATB Choir A Cappella. Edited by William H. Harris
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| Musique Et Globalisation
: Une Approche Critique
 En Français [Livre]
Delatour France
Musique et globalisation : Une approche critiquesous la direction de Makis Sol...(+)
Musique et globalisation : Une approche critiquesous la direction de Makis Solomos, Joëlle Caullier, Jean-Marc Chouvel, Jean-Paul Olive Le monde a déjà connu par le passé l'expansion considérable de certaines cultures que l'on pourrait être tenté aujourd'hui de nommer ' globalisation ', Le processus qui se fait jour actuellement sur la planète entière est-il du même ordre ou s'en distingue-t-il par des aspects particuliers ?Concernant l'art et, plus particulièrement, la musique, la marchandisation de plus en plus poussée semble parfois justifier la prophétie de la mort de l'art, à moins qu'à cette posture ne soit préférée l'utopie d'un enrichissement de la diversité culturelle, dans la lignée des penseurs du global village, Entre ces deux pôles d'inquiétude et d'espoir, les tendances ne cessent d'osciller,Et qu'en est-il des musiques dites locales ? Certains prédisent leur disparition, alors que d'autres estiment qu'elles savent tirer profit de la globalisation, Telles sont quelques unes des questions posées par le présent livre collectif, qui constitue les actes d'un colloque intitulé Musique et globalisation qui, organisé par la revue Filigrane Musique, esthétique, sciences, société, se déroula à Paris, au Centre de documentation de la musique contemporaine et à la médiathèque de la Cité de la musique en octobre 2008, comme second volet d'un autre colloque portant le même titre (actes de ce second colloque : J, Bouët, M, Solomos (éd,), Musique et globalisation, Regards croisés sur la musique contemporaine et sur l'ethnomusicologie, Paris, L'Harmattan, 2011),SommaireMakis Solomos, Joëlle Caullier, Jean-Marc Chouvel, Jean-Paul OliveIntroductionPhilippe Bouquillion, Jacob MatthewsMutations socio-économiques de la musique enregistrée et diversité des contenusToni GeraciCensure économique et transformation de l'expérience musicale dans la globalisation néolibéraleEtienne BoursMusiques du monde ou marché de l'exotisme ?Marie-Hélène BernardÀ l'écoute de la soie et du bambouBenoît ThiebergienLe transculturel dans la création musicale contemporaineYassen VodenitcharovLes musiques traditionnelles et la mondialisationChristian CorreMusicologie, colonialisme, mondialisationJean-Marie JaconoMusique et dimensions postcoloniales : le cas du rapMartin StokesFour Reflections on Musical GlobalizationFrançois PicardAnnie Ebrel, ou ' une chanteuse traditionnelle bretonne ' ?Fabien LévyLa musique occidentale et ses (ab)-surdités au monde : une autre consonance, venue de BagdadVéronique VerdierLa valeur de la création musicale contemporaine dans le contexte de la globalisationGianfranco VinayDu régime esthétique au régime inesthétiqueLuc Charles-DominiqueSauvegarder aujourd'hui les musiques de tradition orale en FranceGeorges KokkonisLa création musicale savante et les collections des chants populaires en Grèce : découverte ou invention ?Christophe PirenneLa mondialisation multiple des musiques populairesZad MoultakaRésistance de l'oeuvre d'art Collection Filigrane Découvrez les précédents numéros de la Revue Filigrane? / Formation Musicale
Délais: Sur commande |
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| Matthew H. Corl: Blessed
Assurance: Organ:
Instrumental Album
Orgue
MorningStar Music Publishers
Five Gospel Hymns for Organ
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| Les chef d'oeuvres
de Bach en 40 CD [CD]
Brilliant Classics
Pas de partition / CD audio (29 octobre 2004)
Nombre de disques : 40
Délais: En Stock |
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| Matthews Tho: The Lord Is
My Shepherd: High Voice:
Vocal Score [Vocal Score]
H.T. FitzSimons Company
6.50 GBP - vendu par Musicroom GB |
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| Matthews Tho: The Lord Is
My Shepherd Vocal Solo
(Low): Mixed Choir: Vocal
Score [Vocal Score]
H.T. FitzSimons Company
The Lord Is My Shepherd Vocal Solo Low
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| Sacred Bass And Baritone
Arias
Basse (Baryton) Et Piano
Kevin Mayhew
/ Basse (Baryton) Et Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Organ Showpieces Made
Playable Band 2
Orgue
Kevin Mayhew
25.73 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
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| Journey Through The
Classics: Complete
Piano seul [Partition]
Hal Leonard
Journey Through the Classics Complete est une compilation commode de tous les 98...(+)
Journey Through the Classics Complete est une compilation commode de tous les 98 pièces de Livres 1-4 de cette série populaire.Les morceaux gradués sont présentées dans un ordre progressif et disposent d'une variété de plats classiques essentiel de fondation éducative tout étudiant de piano.Le répertoire authentique est idéale pour les auditions et récitals, et chaque niveau comprend un tableau de référence pratique avec la clé, compositeur, période stylistique, et les éléments énumérés défi pour chaque pièce.Qualité et la valeur de ce volume font un compagnon idéal pour toute méthode classique! / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Piano Play Along - Volume
89 : Favourite Hymns
Piano, Voix et Guitare [Partition + CD] - Facile
Hal Leonard
Classique / Partition CD /
Délais: 2-5 jours - En Stock Fournisseur |
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| The Oboe Soloist: Classic
Solos For Oboe
Hautbois [Partition + Accès audio]
Hal Leonard
22.67 EUR - vendu par LMI-partitions
Délais: En Stock |
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| Classical Hits
2 Flûte à bec (duo)
Schott
20.74 EUR - vendu par LMI-partitions
Délais: 2-5 jours - En Stock Fournisseur |
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| Library Of Piano
Entertainment
Piano seul [Partition]
Amsco Wise Publications
A collection of celebrated song hits and showstoppers for solo piano. Here you w...(+)
A collection of celebrated song hits and showstoppers for solo piano. Here you will find over 75 legendary jazz and blues standards, showtunes, rags, novelty numbers, and encores. Turn these pages to enjoy great musical moments of the cabaret, stage, and concert hall - or bring to life the jazz and blues clubs of days gone by. Explore the musical genius of Jermone Kern, Irving Berlin and George Gershwin - the dramatic power of George M. Cohan, W.C. Handy, Jelly Roll Morton, and John Philip Sousa - the elegant styles of Scott Joplin, Zez Confrey, James Scott, and Eubie Blake - and much, much more. / Rép International / Recueil / Piano
Délais: 2-5 jours - En Stock Fournisseur |
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| Christmas Songs Little
Black Songbook
Guitare [Partition] - Facile
Amsco Wise Publications
Cowe, Matt (Arranger) - Farncombe, Tom (Editor). A fantastic pocket-sized collec...(+)
Cowe, Matt (Arranger) - Farncombe, Tom (Editor). A fantastic pocket-sized collection of Christmas cheer. 84 Christmas songs combining traditional favourites and carols with the big Christmas pop hits by Slade, Wizzard, Bing Crosby and David Bowie, The Darkness, Phil Spector, Mariah Carey, Elvis Presley, Paul McCartney and John Lennon. / Niveau : Facile / Recueil / Guitare
Délais: 2-5 jours - En Stock Fournisseur |
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