In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon II

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Ensemble A Vent

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Orchestre

In spite of the most enthusiastic reception at the work's premiere, the famous pianist and conductor Hans von Bülow criticized Verdi's Messa da Requiem as 'an opera in ecclesiastical robes?. Nonetheless, or maybe precisely for this quality, the work has conquered concert podiums worldwide.For this scholarly-critical edition, the editor has consulted no less than 16 sources, many more than were ever used for any other edition of the Requiem - some of these sources were never evaluated before and one source, a hand-written vocal score, particularly relevant to the evaluation of the 'Liber scriptus?, was newly discovered.As such, this edition offers new philological and editorial decisions regarding phrasing, articulation and dynamics and succeeds in presenting practical suggestions to solve musical problems and those concerning the interpretation of this famous work.This edition comprises a concise Critical Commentary in the score. The most important editions published in the 19th century are compared with regard to musicological questions in the work. The genesis of some misunderstandings included in the 1913 and 1964 Ricordi editions is traced. The first version of the 'Liber scriptus? for chorus is included in the appendix while the later version for mezzosoprano solo is to be found in the main part of the edition.- Verdi's monumental work in a Bärenreiter Urtext edition- Trilingual preface (Ital/Eng/Ger)- Critical Commentary (Eng) in the score- Idiomatic well-presented piano reduction / Violon I

C instruments. Par . 200 more popular songs in real book format, with no duplication from the first volume. / Date parution : 2023-01-24/ Recueil / Instruments en Do

The New Decade Series provides great synopses of the musical decades, including the most iconic songs from each era presented for Piano, Vocal and Guitar. Songs of the 1950s includes hits from Elvis Presley, Perry Como, Cliff Richard and many more! 1. Ain’t That a Shame [Pat Boone] 2. All I Have to Do Is Dream [Everly Brothers] 3. All Shook Up [Elvis Presley] 4. At the Hop [Danny and the Juniors] 5. Blue Suede Shoes [Elvis Presley] 6. Bo Diddley [Buddy Holly] 7. Bye Bye Love [Everly Brothers] 8. Cara, Mia [David Whitfield] 9. Chantilly Lace [Big Bopper] 10. Diana [Paul Anka] 11. Dream Lover [Bobby Darin] 12. Earth Angel [Crew Cuts] 13. The Garden of Eden [Frankie Vaughan] 14. Give Me Your Word [Tennessee Ernie Ford] 15. Great balls of fire [Jerry Lee Lewis] 16. The Great Pretender [The Platters] 17. The Happy Wanderer (Val-De-Ri Val-De-Ra) [Obernkirchen Children's Choir] 18. Heartbreak Hotel [Elvis Presley] 19. Here In My Heart [Al Martino] 20. Hold My Hand [Don Cornell] 21. Hound Dog [Elvis Presley] 22. I Believe [Frankie Laine] 23. I Need Your Love Tonight [Elvis Presley] 24. I’ll Be Home [Pat Boone] 25. It Doesn’t Matter Anymore [Buddy Holly] 26. It’s All In the Game [Tommy Edwards] 27. It’s Only Make Believe [Conway Twitty] 28. Jailhouse Rock [Elvis Presley] 29. Just Walking In the Rain [Johnnie Ray] 30. Lipstick On Your Collar [Connie Francis] 31. Little Darlin’ [Diamonds] 32. Little Things Mean a Lot [Kitty Kallen] 33. Living Doll [Cliff Richard and the Shadows] 34. Magic Moments [Perry Como ] 35. Mambo Italiano [Rosemary Clooney and The Mellomen] 36. Maybe Baby [Crickets] 37. Memories Are Made Of This [Dean Martin] 38. Mona Lisa [Conway Twitty] 39. My Prayer [The Platters] 40. No Other Love [Ronnie Hilton] 41. Oh! My Pa-pa (Oh Mein Papa) [Eddie Calvert] 42. Peggy Sue [Buddy Holly] 43. (You’ve Got) Personality [Anthony Newley] 44. Peter Gunn [Duane Eddy] 45. Pretend [Nat King Cole] 46. Put your head on my shoulder [Paul Anka] 47. Que Sera, Sera (Whatever Will Be, Will Be) [Doris Day] 48. Rose-Marie [Slim Whitman] 49. Sea of Love [Marty Wilde] 50. See You Later, Alligator [Bill Haley and His Comets] 51. Shake, Rattle and Roll [Bill Haley and His Comets] 52. Singing the Blues [Guy Mitchell] 53. Sixteen Tons [Tennessee Ernie Ford] 54. Smoke gets in your eyes [The Platters] 55. Splish Splash [Charlie Drake] 56. Stupid Cupid [Connie Francis] 57. Such a Night [Johnnie Ray] 58. Tammy [Debbie Reynolds] 59. Teddy Bear [Elvis Presley] 60. Tequila [The Champs] 61. That’ll Be the Day [The Crickets] 62. That’s Amore (That’s Love) [Dean Martin] 63. Three Coins In the Fountain [Frank Sinatra] 64. Volare (Parish Version) [Dean Martin] 65. Wake Up Little Susie [Everley Brothers] 66. Wear My Ring Around Your Neck [Elvis Presley] 67. What Do You Want to Make those Eyes At Me For [Emile Ford and the Checkmates] 68. Where Is Your Heart (The Song from Moulin Rouge) [Mantovani] 69. A White Sport Coat (And a Pink Carnation) [King Brothers] 70. Who’s Sorry Now [Connie Francis] 71. Why Do Fools Fall In Love [Frankie Lymon and The Teenagers] 72. A Woman In Love [Frankie Laine] 73. You Belong to Me [Jo Stafford] 74. Young Love [Tab Hunter] / Piano voix guitare / Hal Leonard

Lyrics and chords to over 130 Cat Stevens songs. Arranged from the actual recordings in the original keys. / Chant Et Guitare

Inclut Jailhouse Rock, dentelle de Chantilly, retour à l'envoyeur, Blue Suede Shoes et être Bop A Lula. Paroles, accords de guitare. / Chant Et Guitare / 200 pages / Partition

Instantanée, ' sans superflu ' arrangements - ligne de la mélodie, cordes, paroles - de numéros de danse grand 186. Mettant en vedette une gamme de styles de valse au Disco, Rock'n'Rock de Salsa. Y compris les tubes classiques comme Dancing Queen, Rock Around The Clock, Mona Lisa, The Lambeth Walk et lorsque Irish Eyes Are Smiling. / Chant Et Guitare / 304 pages / Partition