Par HESS NIGEL. Commissioned in 1985, 'East Coast Pictures' has become a modern classic for all wind bands. 'Shelter Island' is the first movement of the suite. The music conjures up a vivid picture of this small island, moving from a crowded summer tourist trap to the onslaught of the Atlantic during the winter./ Répertoire / Orchestre D'Harmonie

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians students teachers and all those who take a general interest in this field of music.The focus of this series is on the language of instrumental music nowadays performed in Brazil based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music which are presented in the following versions:1. Complete takes in other words the full versions of the pieces included in the book which are performed by all the instruments playing simultaneously;2. Without melody / solo part so that the melodic instruments can play along with the recording executing their own interpretations and practicing improvisations;3. Without harmony so that the harmonic instruments can practice the language of accompaniment especially with regard to the rhythmic vocabulary of each style.4. Without bass so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects;5. Without drums so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations.Each book contains the scores in the form of lead sheets in four different versions: in C Bb Eb and bass clef. Due to the widely defined concept of this method it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution.The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos rhythmic comping phrases bass lines and drum grooves for instance can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition

Ecoles de Musique, Conservatoires, Médiathèques, Etablissements Scolaires, Professeurs de Piano, Pianistes débutants ou confirmés, Concertistes...
désormais, vous pouvez imprimer, utiliser et faire circuler librement un grand répertoire de partitions sans que ce soit considéré comme une photocopie pour les cours, les examens, les auditions, les concerts, le travail chez soi'

128 Partitions pour étudier le Jazz, les rythmes Latin, la Bossa Nova, le Modern Jazz, le Blues, le Boogie Woogie, le Rock...sur plusieurs niveaux de difficultés, de la 1ère à la 6ème année de piano.

Chaque partition dispose de son Accompagenement Basse / Batterie interprété par deux musiciens professionnels, exportable sans restriction en fichier MIDI et en fichier audio MP3.

Pour les cours de musique, cours collectifs, cours d'initiation dans les Ecoles primaires, Collèges, Lycées, Conservatoires', Piano Scores Unlimited Marc Bercovitz est une solution ludique et inépuisable pour travailler sur des musiques actuelles. Le professeur imprimera pour chaque élève la partition libre de droit qu'il aura choisi de travailler, de déchiffrer et d'expliquer avec l'aide de l'Audio. Naturellement l'élève pourra emporter la partition chez lui pour la travailler.

Pour les bibliothèques et médiathèques, nous autorisons le prêt de ce DVD-Rom. Vos adhérents disposent donc d'un répertoire complet à imprimer à l'infini sans que ce soit considéré comme du « photocopillage », puisque les 'uvres contenues dans Piano Score Unlimited Marc Bercovitz sont libres de droit (Attention : les partitions imprimées peuvent circuler et sont libres de droit, mais ne peuvent en aucun cas faire l'objet d'une revente ou d'une transaction commerciale). / DVD /

Par RAE JAMES. This book has been written to familiarise the clarinettist with the various rhythms and phrasings encountered in modern music. Each study deals with a particular aspect of rhythmic playing, ranging from Jazz and Rock to modern Classical interpretation. They are of short to moderate lenght in order to maximise concentration on style. They are compiled in order of difficulty. Early to advanced grades./ Etude / Clarinette

Par HESS NIGEL. Travaux les plus récents de la plume de Nigel Hess. Photos de New London représente les éléments de Londres au XXIe siècle. Le pont du millénaire décrit le voyage du piéton à travers ce nouveau pont merveilleux de point de repère sur la Tamise, à partir de ses cloches sonnant sur la grande ville à l'imposant Tate Modern, traversant la rivière occupée et à partir de la cathédrale Saint-Paul. London Eye est une grande roue incroyablement large, située sur la rive sud de la Tamise. Ce mouvement dépeint un ' vol ' sur cette roue riverside, au sommet dont la vue anoramic de Londres est le souffle et l'exapnse de la musique est une représentation appropriée de la vue. Comme pour toutes les villes modernes, Londres est surpeuplées avec des véhicules à moteur. Londres est la première grande ville en EuAvailablee d'adopter un péage, et cette pièce (avec ses feux de circulation de s'arrêter et aller) est comiques et racé. Voici les Londoniens tentant de vaquer à leurs occupations face à l'écrasantes odds...../ Répertoire / Orchestre D'Harmonie

A modern unplugged collection ideal for acoustic guitarists, arranged for Voice and Guitar with full vocal line, strumming patterns, riffs and chords. Includes Richard Ashcroft's Break the Night with Colour (Acoustic Version), Corinne Bailey Rae's Put Your Records On , and KT Tunstall's Universe and U (Acoustic Version). / Niveau : Assez Facile / Tablatures / Guitare Tablatures

The first in this book-and-CD anthology of solos, duets and songs covering four centuries of composers for the Guitar and Lute family. Taken from original sources, and carefully fingered for the modern player, the transcriptions are as faithful as possible to the original while at the same time offering a practical performing score. / Niveau : Intermédiaire / Rép International / Recueil / Guitare

Le théâtre musical Essentials série représente la sélection finale des chansons de la scène. Les volumes sont disponibles pour soprano, mezzo-soprano, ténor et baryton / basse, avec ou sans CD d'accompagnement. Listes de chansons uniques sont fournies dans les livres pour chaque gamme vocale, y compris ce volume pour ténor.Nouvellement édités et gravés avec la ligne vocale et accompagnement au piano, les deux volumes Ténor de la série Essentials Théâtre Musical de fournir une occasion en or pour célébrer la musique de la scène, contenant des chansons de comédies musicales classiques et modernes tels que: Cabaret, Le Roi Lion, Hairspray , du Pacifique Sud et Les Misérables. / Tenor Et Piano

I have the pleasure of presenting the new Souza Lima playalong method series. This project is the result of extensive research and careful elaboration aiming at offering representative material on the most varied styles of Brazilian music to professional musicians, students, teachers and all those who take a general interest in this field of music. The focus of this series is on the language of instrumental music nowadays performed in Brazil, based on elements of modern improvisation. Each volume contains two CDs with seven pieces of music, which are presented in the following versions:1. Complete takes – in other words, the full versions of the pieces included in the book, which are performed by all the instruments playing simultaneously; 2. Without melody / solo part – so that the melodic instruments can play along with the recording, executing their own interpretations and practicing improvisations; 3. Without harmony – so that the harmonic instruments can practice the language of accompaniment, especially with regard to the rhythmic vocabulary of each style. 4. Without bass – so that the bassists can practice their traditional task of accompaniment while working on the rhythmic but also the harmonic aspects; 5. Without drums – so that the drummers can practice the rhythms characteristic of each piece of music but also create their own variations. Each book contains the scores in the form of lead sheets in four different versions: in C, Bb, Eb, and bass clef. Due to the widely defined concept of this method, it is important to point out that musicians playing transposing instruments might have to make adaptions when reading the scores. Wind instrumentalists are at liberty to carry out adjustments whenever these are called for in order to facilitate the musical execution. The Souza Lima playalong method series was not exclusively devised for musicians to learn and practise how to read scores and accompany the recordings. Try to be creative and explore each type of music in every way possible. Transcribing solos, rhythmic comping phrases, bass lines and drum grooves, for instance, can be an important tool in order to assimilate the elements of this language. The instrumentalists may place themselves in a new musical situation in addition / Jazz / Recueil / Instruments Mélodiques

These six solo pieces with easy Piano accompaniments provide an ideal introduction to accompanied playing. Although the range of each piece has been carefully graded the collection ideally compliments and extends the work of tutor books by encouraging listening and rhythmic and dynamic contrast in a variety of moods and styles.These pieces are ideal for concert performance as well as for developing a thoughtful musical approach to playing.

Par HESS NIGEL. Comme pour toutes les villes modernes, Londres est surpeuplées avec des véhicules à moteur. Londres est la première grande ville en EuAvailablee d'adopter un péage, et cette pièce (avec ses feux de circulation de s'arrêter et aller) est comiques et racé. Voici les Londoniens tentant de vaquer à leurs occupations face à l'écrasantes odds..... Cette pièce est 'New London images' le mouvement final Nigel Hess qui représente les éléments de Londres au XXIe siècle./ Répertoire / Orchestre D'Harmonie

Otto M. Schwarz is endeavoring to contribute new ideas to concert band literature. He has contributed in the field of multimedia (Asteroid) and with his many compositions in symphonic/modern arrangement (Jazz Waltz No 1 Fire and Ice or Band Fever). His new composition Funk Attack is as the name suggests a piece in funk style. Otto M. Schwarz first gained his experience in his style in the 8o?s transcribing numbers by famos Amerarican bands including 'Earth Wind and Fire' 'Tower of Power'' and the British slap idol 'Mark King' (Level 42). Funk attack is atypical of 'the concert band scene' and requires absolute precision in phrasing and rhythm. Without the support of agreat percussion groove the orchestra plays an interlocked theme in the central section in style of recent American Big Bands. Otto M. Schwarz dedicated this work to 'Alexander Veit and Symphonic Winds'.