The blanket term 'rock' is used to describe a musical genre that covers over six decades of musical diversity. The question for this book is, What does rock mean to harmonica players' This book is for harmonica players who have a basic grasp of the instrument and are looking to study the rock style in greater detail. You'll learn greater control of bends; speed licks; high-end licks; how to play bluesy notes and textures; how to play and construct hooks; how to deal with and play over the common chord progressions used in rock; and, music theory relative to playing rock harmonica. Concepts are presented through original tunes as well as staples of rock harmonica repertoire such as Magic Dick's Whammer Jammer!. 68 pages, audio included. Contents: Introduction - What is Rock Harmonica' Harmonicas Needed Chapter 1 - A Word about Notation and Embouchure Chapter 2 - Bending What Notes Can Be Bent Bending Exercises Chapter 3 - Scales for Improvising Major Pentatonic Scale Blues Scale Context and Homework Chapter 4 - Speed and High-End Licks Mastering the High End of the Harmonica Speed Playing (Breath and Movement Patterns and Backtracking) Words of Caution and Homework Chapter 5 - Power Licks Chapter 6 - Decoding Music for Improvisation Scale Theory Chord Theory Chord Qualities 7th and 9th Chords Arpeggios and Chord Scales The Making of a Chord Scale Chord Charts Chapter 7 - Common Chord Progressions Chapter 8 - Hooks, Heads and Sequences Head Hooks and Sequences Sequence Worksheet Sequence Licks Room to Move Head Chapter 9 - Whammer Jammer Study Song Chorus by Chorus Study Whammer Jammer Full Transcription Chapter 10 - Butter Strut Study Song Form Analysis Butter Strut Full Transcription Chapter 11 - How to be a Great Rock Harmonica Player by Jason Ricci Chapter 12 - Recommended Artists Chapter 13 - Notation Key

There is a vast amount of knowledge throughout the world about how to make the harmonica sound better and play better but little of it is written down. This fully illustrated book solves the problem. It contains sections on: how to buy a harmonica common problems advice about tools and techniques for using them the basic parts of the chromatic harmonica solutions to improve sound and functionality experimenting on old harmonicas tuning and much more. For chromatic players but diatonic players will learn just as much.

Par BARRETT DAVID. Prendre un saut dans le grand monde de harmonica blues. Cet ouvrage couvre la note de lecture, embouchure, rythmique et des progressions blues. Bourrés de tonnes de chansons de blues utilisant majeurs et naturels de harmonicas diatoniques mineures. / Niveau : Intermédiaire / Blues - Methods / Recueil / Harmonica Diatonique

Media Type : Book/CD Set Level : Beginning Musical Genre : Children Series : Harmonica Masterclass Lesson Number of pages : 48 Youth Harmonica Method is an exciting harmonica course that teaches reading and playing music for the person looking to study at home or with a school harmonica band. Whether the student stays with the harmonica or moves on to another instrument, the music studies in this book will prepare them for a fruitful lifetime of music making. The recording contains all the music examples with piano accompaniment for the popular melodies and a full size blues band for the Rhythm and Blues songs. The most exciting part of this book is the harmonica band arrangements. Imagine an orchestra of harmonicas playing four and five part harmonies! This book is a natural for school music startup programs and any community based groups that want to introduce music into young peopleâ''s lives.

Par BARRETT DAVID. Un tableau de référence pour l'harmonica diatonique majeur de 10 trous et l'harmonica chromatique. Inclut de l'harmonica diatonique: 1) un graphique des notes pour toutes les grandes touches et les positions relatives - 2) Note layout pour dessiner et souffler de flexion de norme - 3) Note à disposition pour over-bending des-ajustements 4) Lee Oskar altéré apportés - et 5) la plus courante des échelles. Pour harmonica chromatique, le graphique montre la présentation de la Note 1) pour 10, 12 et 16 trous harmonicas chromatiques - et des échelles majeurs et mineurs 2) complètes avec les modes communs. / Niveau : Tous Niveaux / All Styles - Reference / Méthode / Harmonica

Teatrino Ambulante Per Due Attori E Una Fisarmonica. Par GERVASONI STEFANO. Teatrino Ambulante Per Due Attori E Una Fisarmonica / Musique contemporaine / Date parution : 1905-07-01/ Répertoire / Accordéon

Par DUNCAN PHIL. Un pratique graphique montrant dans les procédures de façon très détaillée pour localiser et réparer les problèmes courants d'harmonica. Une publication idéale pour garder votre harmonica fonctionne correctement et le sondeur propre et claire ! Comprend l'entretien, réparation, conseils de nettoyage, alignement de reed, ajustement de reed, action de reed et réponse, tuning, amélioration de reed, vent de veille des soins et placement de valve. / Niveau : Tous Niveaux / All Styles - Setup/Maintenance / Recueil / Harmonica

2Vl Bc. Par TORELLI GIUSEPPE. Torelli, 1658 in Verona geboren, war Mitglied der berühmten 'Accademia Filarmonica' in Bologna und des Orchesters von San Petronio als Violettaspieler, gleichzeitig studierte er Komposition bei Giacomo Antonio Perti. Reisen nach Wien und Ansbach, 1701 Rückkehr nach Bologna, wo er 1709 starb. Sonaten, Konzerte und Sinfonien./ Répertoire / Musique de Chambre

Par SCHIAVI ANGELO. Metodo basilare per lo studio teorico-pratico dell'improvvisazione jazz. Costruzione di una melodia rmonica. / Pédagogie / Autre FM / Opéra Théorique ou Didactique

ANNE SYLVESTRE - ALBUM N°1Partitions pour piano, chant et accords (grilles guitare)Recueil de 15 partitions des chansons d?Anne SylvestrePages : 76Nathalie Miravette, fidèle pianiste et arrangeur d?Anne Sylvestre a réalisé les transcriptions.Des photos inédites d?Henri Droux (contrebassiste et compagnon de vie d?Anne Sylvestre des années 60 à 80) ont été glissées dans ce recueil.Titres :Avec toi le délugeLe lac Saint-SébastienDes calamars à l?harmonicaLes gens qui doutentCarcasseLettre ouverte à EliseThérèseLe p?tit grenierMa chérieVioletteLes grandes baladesZenRoseNon tu n?as pas de nomBelle parenthèse / Piano voix guitare / Capte Note

10'; for Banjo 2 Guitars Harp Taisho-Koto HarmonicaFirst performance: Tokyo 1974 Norio Sato (banjo) Ayako Shinozaki (hrp) et al.

Par PIAZZOLLA ASTOR. Quintetto - bandoneon o fisarmonica, violino, chitarra elettrica e contrabbasso (con parti staccate)/ Répertoire / Quintette

Par LAMBERT RICHARD. 3 movement sonata in a modern style The Sonata for euphonium and piano was written in 2013, an idiomatic transcription of the Sonata for bassoon and piano (Op.36) Lasting about 13 minutes, it has three movements: Allegro Moderato - Larghetto - Allegretto con spirito. The first movement is free-ranging tonally, continually developing the initial thematic material - a neo-Baroque motif with prominent use of a minor seventh interval. The time signature is continually changing, predominantly between 2/4 and 3/8, to give a highly-charged rhythmic, and perhaps unsettled, effect. The central movement is expressive, melancholy and desolate. The rhythm is more regular here - largely a steady 6/8 flow, butharmonically, the highly chromatic style is almost atonal to enhance this forlorn atmosphere. The movement explores the entire range of the euphonium and the piano accompaniment converses contrapuntally, sharing the numerous motifs with the euphonium. It concludes plaintively with reiterations of the euphonium's initial four notes. The finale reverts to a more relaxed, and uplifting, mood. The euphonium's initial scalic motif also has a neo-Baroque flavour. This originates from a solitary piano figure (bar 202) in the first movement. In fact, these outer movements have numerous melodic and harmonic links to consolidate a sense of overall organic shape. Ultimately, the whole movement derives from its first few bars, and constantly develops this material. / Niveau : Avancé / Répertoire / Euphonium et Piano

Two Responses for Quiet Worship 1. A Gentle Alleluia 2. A Quiet Blessing of Peace-Uses: General service musicScripture: 1 Kings 19:12 Isaiah 6:1-3Truly something different in tone from writer Heather Sorenson is found in this help service music set. The style is harmonicallyfresh matching the evocative gestures of the text. Included are a call to worship and a quiescent benediction perfect for candlelight services or times of contemplation. Sensitive!

Par FEWELL GARRISON. Il materiale presentato in questo libro contempla un certo numero di situazioni armoniche nel quale qualsiasi musicista potrebbe trovarsi a improvvisare. Questo volume contiene un CD con 56 tracce degli esempi musicali trascritti, e servirà come una te fonte di ispirazione per lo sviluppo del vostro personale modo di suonare. Il libro si conclude con l'analisi armonica e scale per l'improvvisazione di 10 brani jazz standards. Include un 'bonus track” dal titolo 'Are You Afraid of the Dark?' trat omonimo CD registrato a NYC di Garrison Fewell (chitarra) con Laszlo Gardony (pianoforte), Cecil McBee (contrabasso) e Matt Wilson (batteria). Questo brano è completato dalla partitura originale personalmente manoscritta dall'autore. Il libro si puòare sia ad un uso autodidattico che sotto la guida di un maestro. Impara ad applicare le scale adatte ad ogni tipo di accordo - crea fraseggi più melodici nelle tue improvvisazioni - usa i toni guida per muoverti più sicuro sul cambio degli accordi - ac / Formation musicale / Répertoire / Tout Instrument