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Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
21.95
Grazyna Bacewicz: Concerto For String Orchestra: String Orchestra: Score
Orchestre à Cordes
PWM (Polskie Wydawnictwo Muzyczne)
Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) ...
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Concerto for String Orchestra - the magnum opus of Grayna Bacewicz (1909-1969) the outstanding composer and violinist - was composed in 1948 and at once became one of the most frequently performed works of this Polish artist. This masterpieceof neoclassicism fascinates as much by its invention and virtuosic briliance as its harmonious combination of formal elements of a traditional nature with new tonal ideas. The form of the three-movement Concerto oscillates between that of the baroqueconcerto grosso and the early classical sonata cycle. The neoclassical tendency is evident above all in the articulation of the musical structure in keeping with the rigours of periodicity and the manner of developing thematic threads derived fromthem while the concertato character of particular movements and the generally linear texture indicate baroque connections. The first movement (Allegro) - in the form of an early classical sonata allegro - begins with a subject with energeticfigurations emblematic for the whole piece and based on a constant pendulum-like semiquaver movement anchored securely on D. It is precisely because of the nature of this subject that Bacewiczs work has been compared to the Brandenburg Concertosby Jan Sebastian Bach The second movement (Andante) while retaining its concertato charakter is at the same time an example of the composers ability to create emotionally serene lyrical moods and her sense of cantilena derived from the spiritof romantic song (a motto-subject presented at the beginning by cello solo). In this movement it is both the process of evolution and the instrumental colouring which constitute the constructional agents forming here a self-containedvalue. In thethird movement (Vivo) the composer returns to her favourite type of music understood as an expression of pure motion in the form of figural motives with infinite transformational possibilities. The spontaneity of the music the constant mutabilityof the tonal situations and the sophisticated acerbic harmonies - as Witold Lutosawski described them - form a colourful mosaic built in the structural skeleton of a sonata rondo. Concerto for String Orchestra is not only proof of thestylizing tendency of the composer but also of an unerring intuition concerning the technical and expressive possibilities inherent in a string instruments ensemble. [Magorzata Gsiorowska translated by Ewa Cholewka]
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Works For Violin And Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261A), 373
45.19
Works For Violin And Orchestra K. 207, 211, 216, 218, 219, 261, 269 (261A), 373
Orchestre, Violon
[Partition]
Barenreiter
KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Par MOZART WOLFGANG AMADEUS. B...
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KV 207, 211, 216, 218, 219, 261, 269 (261a), 373. Par MOZART WOLFGANG AMADEUS. Based on the Urtext of the 'New Mozart Edition”, this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available./ Répertoire / Violon et Orchestre
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Per Nørgård: Three Nocturnal Movements: Violin: Score
VLN/VLC/ORCH::Violin, Cello, Orchestra
[Partition]
-
Avancé
Wilhelm Hansen
Three Nocturnal Movements - For Violin Solo Violoncello Solo And Orchestra by P...
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Three Nocturnal Movements - For Violin Solo Violoncello Solo And Orchestra by Per Nørgård (2015). Based on Remembering Child for Viola and Orchestra(1986). Premiered by Peter Herresthal (violin) and Jakob Kullberg (cello) with Bergen Philharmonic June 6th 2015 in Bergen Norway. The original version was premiered by Pinchas Zukerman and the St. Paul' s Chamber Orchestra conducted by Arturo di Mecke on September 12th 1986.Programme Note:The news of the tragic death of Samantha Smith reached me in the early stages of preparation for the commissioned work for viola and chamberorchestra. Already an admirerer of this childworker for peace and nuclear disarmament I completed my work strongly inspired by this unique and uniquely symbolic fate of our time. Music from humble sources - including my composition Beach Poppy a choral work from 1960 - are woven into the texture of the composition. I was guided by the original meaning of the word 'remembering' (making whole healing) in opposition to 'dismembering' (tearing apart): The healing power of the child.(Per Nørgård)
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Ralph Vaughan Williams: Bucolic Suite: Orchestra: Study Score
30.25
Ralph Vaughan Williams: Bucolic Suite: Orchestra: Study Score
Orchestre
Oxford Univertsity Press
This is the first publication of Ralph Vaughan Williams's early work for orchest...
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This is the first publication of Ralph Vaughan Williams's early work for orchestra Bucolic Suite which was completed in November 1900 and first performed by the Bournemouth Municipal Orchestra in March 1902. This attractive work is cast in four movements - Allegro Andante Intermezzo Finale - and already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. This publication will be welcomed by all aficionados of Vaughan Williams's music.
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Britta Byström: Ten Secret Doors - Suite For Orchestra: Orchestra: Score
Orchestre
Wilhelm Hansen
Ten Secret Doors - Suite For Orchestra was composed by Swedish composer Britta B...
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Ten Secret Doors - Suite For Orchestra was composed by Swedish composer Britta Byström in 2010. Commissioned by Västerås Sinfonietta and premiered by VS conducted by Johannes Gustavsson on April 14 2011. Programme note: Each of the ten movements in the orchestral suite Ten Secret Doors contains a transformation a stage-change in sound meant to give a feeling that the music 'slips away'. In the first movement this transformation is achieved by a sudden orchestral sound change from tutti to solo. There follow changes from muted sound to open sound from wind section to string section from bow play to pizzicato play. In the last movement there is a trumpet solo that is first played on stage then off stage - a transformation from close to distant. I pictured the ending of every movement as the opening rather than the closing of a door.In this work there is also a small musical quotation from 'Von fremden Ländern und Menschen' (from Robert Schumann's famous Kinderszenen). This phrase snuck into music as a greeting from another suite characterized by many short movements of flightiness and lightness.(Britta Byström)
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William Schuman: Symphony No. 4 (in Three Movements): Orchestra: Study Score
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William Schuman: Symphony No. 4 (in Three Movements): Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Score-William Schuman's Symphony No.IV In Three Movements for Orchestra. Study s...
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Score-William Schuman's Symphony No.IV In Three Movements for Orchestra. Study score. Duration: 25 minutes.This work was first performed by the Clevland Orchestra on January 22 1942 under thedirection of Arthur Rodzinski.
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Béla Bartók: Concerto For Orchestra: Orchestra: Score
28.99
Béla Bartók: Concerto For Orchestra: Orchestra: Score
Orchestre
Boosey and Hawkes
Bartók’s Concerto for Orchestra one of the most performed 20th century w...
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Bartók’s Concerto for Orchestra one of the most performed 20th century works regularly featuring in the concert programme series of many leading orchestra across the world.Bartok’s Concerto for Orchestra is in five movements arranged in what is termed an ‘arch’ form; the outer movements (first and fifth) are related as are the second and fourth and the third movement functions as the ‘keystone’ of the arch.Available here as part of the Boosey Masterworks series is the full score of Bartok’s popular orchestral work as edited by Malcolm MacDonald.
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Ralph Vaughan Williams: Serenade In A Minor: Orchestra: Study Score
30.25
Ralph Vaughan Williams: Serenade In A Minor: Orchestra: Study Score
Orchestre
Oxford Univertsity Press
This is the first publication of Vaughan Williams's earliest substantial work fo...
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This is the first publication of Vaughan Williams's earliest substantial work for orchestra composed 1897-8 and premiered in April 1901. This attractive work already shows evidence of the composer's emerging musical style and sure grasp of orchestral techniques. Its five movements display much variety and sense of overall architecture with a sombre opening Prelude a fleet-footed Scherzo a graceful Intermezzo and Trio a delicate Romance and a boisterous Finale. This new edition has been carefully prepared from the original manuscript by Julian Rushton and comes with full textual commentary. Orchestral material is available on hire/rental.
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
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John McCabe: Pilgrim Sextet For Strings (Parts): String Ensemble: Instrumental
Orchestre à Cordes
[Partition]
Novello & Co Ltd.
The composer writes:Pilgrim was inspired it will be no surprise to learn by re...
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The composer writes:Pilgrim was inspired it will be no surprise to learn by reading Bunyan's Pilgrim's Progress - Vaughan Williams's great opera on the subject had fascinated me from its first performance yet it was a long time before I caught up with this essential item in any well-stocked library of English classics. It made a great impression not least because of its theme of a journey of self-discovery and a rediscovery or renewal of faith. These are ideas which have a strong interest for me not in religious terms but in their application to every aspect of human life (including great journeys) and this piece reflects my response in musical terms to this concern. The tempo of the whole piece which lasts about 18 minutes is basically slow. There are two quick episodes but these act somewhat like the trio sections of a classical scherzo save that the tempo relationships are inverted (the classical trios would have been slower not quicker) and the canvas is much larger being that of a single substantial slow movement. The form of the whole is perhaps fantasia-like rather than having any relationship to classical forms such as sonata or rondo - some motifs and themes are varied as the work develops and the opening chords are of primary importance throughout the work. There has been no attempt to convey any pictorial elements deriving from Bunyan's great book. There is however one feature which upon completion of the score struck me with some force which is that almost all the thematic material is essentially striving upwards - there is a constant upward movement (sometimes over a lengthy period) throughout the work. Pilgrim was commissioned by the Luton Music Club for the Raphael Ensemble with funds provided by the Eastern Arts Board and Bedfordshire County Council and is dedicated to the Luton Music Club. The first performance was given in Luton on February 10th 1997 and followed as part of a joint scheme by performances in the same week at the Music Clubs of Bedford and Leighton Buzzard.
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Pyotr Ilyich Tchaikovsky: Sinfonia N. 4 Fa M. Op.36: Orchestra: Study Score
8.10
Pyotr Ilyich Tchaikovsky: Sinfonia N. 4 Fa M. Op.36: Orchestra: Study Score
Orchestre
Dover Publications
In Tchaikovsky's symphonic output his Symphony No. 4 was a pivotal work. It ann...
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In Tchaikovsky's symphonic output his Symphony No. 4 was a pivotal work. It announced the composer as a major symphonist of his time overshadowing his previous less-than-distinguished efforts in this form and opened the way to his last major works: the haunting Fifth Symphony and the biographical Sixth the profound 'Pathétique.'Tchaikovsky's Fourth Symphony ? written in 1877 at the age of thirty-seven ? offers itself as an intensely personal statement. Dramatically shaped and brilliantly orchestrated it captures a theatrical quality and orchestral color that shaped the composer's symphonic fantasy Francesca da Rimini written just a year earlier. The Fourth opensunequivocally with the thrust of a brass fanfare ? the 'fate' motive that is to reappear in the last movement ? then flows with the effortless quality that characterizes Tchaikovsky's great generously melodious ballet scores. The second movement lingers over one of the composer's most poignant melodies and the third ? the Scherzo ? offers a delightful fantasy from this master orchestrator: the charming Pizzicato ostinato a unique moment in the entire orchestral literature.The symphony is reproduced here from the authoritative Breitkopf & Härtel edition with bar-numbered movements and ample margins at the bottom of each score page for notes and analysis. Ideal for study in the classroom at home or in the concert hall this affordable high quality conveniently sized volume will be the edition of choice for music students and music lovers alike.Reprint of the Breitkopf & Härtel edition.
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Morton Gould: Declaration Suite: Orchestra: Study Score
15.99
Morton Gould: Declaration Suite: Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Study Score-Declaration Suite consists of the orchestral movements from 'Declara...
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Study Score-Declaration Suite consists of the orchestral movements from 'Declaration - a symphonic narrative' for Orchestra two solo speakers and speaking chorus. In its original form the work includes a setting of theDeclaration of Independence.The composition was comissioned by Station WRC and WRC-TV of the National Broadcasting Company Washington D. C. for the National Symphony Orchestra of that city and was composed during thesummer and fall of 1956. The National Symphony Orchestra Dr. Howard Mitchell conducting gave the first complete performances at the Inaugural Concert in Constitution Hall Washington D. C. January 20 1957 and during theOrchestra's regular subscription series the week following.Declaration Suite was first performed by the Symphony of the Air under Dr. Mitchell in Carnegie Hall New York February 14 1957 as part of theannual WNYC American Music Festival.The movements are:I. Liberty Bell (Passacaglia)II. Midnight Ride (Scherzo)III. Concord Bridge (Memorial)IV. Summer '76 (Serenade)V. Celebration (Chorale and Fugue)
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Philip Glass: Concerto For Cello And Orchestra: Cello: Score
69.99
Philip Glass: Concerto For Cello And Orchestra: Cello: Score
Violoncelle, Orchestre
[Partition]
-
Intermédiaire/avancé
Dunvagen Music Publishers
Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For ...
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Remarkably for a work by Philip Glass the Cello Concerto No 1 or Concerto For Cello And Orchestra conforms broadly to the three-movement form of classic concerti with fast-slow-fast tempi.This concerto is designated as part ofThe Concerto Project recording series started by Glass in the year 2000 currently in four volumes and including eight concerti.American composer Philip Glass is widely known as one of the most celebrated influential and prolificof the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performedacross the globe and he has created work for small and large ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.
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Symphony No. 10: Peking Fantasy (PENG-PENG GONG)
157.74
Symphony No. 10: Peking Fantasy (PENG-PENG GONG)
Orchestre
[Conducteur]
Hal Leonard
for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anni...
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for Orchestra Full Score. Par PENG-PENG GONG. “In celebration of the 40th anniversary of China-U.S. diplomatic relations and in hope to support the promotion of Chinese culture abroad, Peng-Peng Gong's (b. 1992) Tenth Symphony, subtitled 'Peking Fantasy' (Op. 55) was co-commissioned by the Philadelphia Orchestra and the Shanghai Philharmonic Orchestra in 2017. The world premiere of the 2018 original version was presented by the SPO in April of the same year in Shanghai, while the world premiere of the 2019 revised version was presented by the Philadelphia Orchestra in January at its home venue with the combined forces of both orchestras side-by-side. Inspired by the artistic power of Peking Opera ?the crowning heritage of Chinese traditional performing arts, the symphony strives to translate the emotional and philosophical experience of the art form for international audiences and to explore the Western orchestra's expressive abilities in capturing the Eastern spirit. The 2018 original version ran as long as 76 minutes, before the composer extensively revised the score down to 40 and presented it in a single movement without pause. The work is scored for a huge orchestra of over 100 players. Main materials that inspired the music are from the traditional Peking Opera repertory: The Drunken Beauty, Farewell My Concubine, In Pursuit of the General, and The Chancellor and the Advisor (lit. Cao Cao and Yang Xiu). 'Peking Fantasy' is in a sweet, direct musical language ...It's a work of highly original sounds presented in a series of vivid episodes.” -Peter Dobrin, The Philadelphia Inquirer Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-01-18/ Répertoire / Orchestre
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Carl Nielsen: Symphonic Rhapsody: Orchestra: Score
Orchestre
Carl Nielsen Edition
Full score for Carl Nielsen's Symphonic Rhapsody (1888). Corresponding to The Ca...
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Full score for Carl Nielsen's Symphonic Rhapsody (1888). Corresponding to The Carl Nielsen Edition Vol. 8. This allegro movement for symphony orchestra composed in 1888 when Carl Nielsen was in his early twenties was originally conceived as the first movement of a symphony as is evident from the autograph title Symfoni on the first page of music of the ink fair copy. However Carl Nielsen never composed the whole symphony. On 26th February 1893 when the piece was given its first performance conducted by Victor Bendix it was as an independent movement. Two days before the first performance Carl Nielsen noted in his diary: “To a rehearsal ofmy symphonic movement for the People’s Concert. The piece has been given the title ‘Symphonic Rhapsody’. It sounds fine and although it now seems naive to me there is still so much of my own and such a good attitude in the piece that I think it is rather good all the same.” (Thomas Michelsen editor)
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Samuel Barber: Souvenirs Ballet Suite Op. 28 (Original): Orchestra: Study Score
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Samuel Barber: Souvenirs Ballet Suite Op. 28 (Original): Orchestra: Study Score
Orchestre
Schirmer
Score-Ballet Suite in Six Movements for Orchestra from the original version for...
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Score-Ballet Suite in Six Movements for Orchestra from the original version for Piano Duet.
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Morton Gould: Fall River Legend: Orchestra: Study Score
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Morton Gould: Fall River Legend: Orchestra: Study Score
Orchestre
[Partition]
Schirmer
Score-Morton Gould's Fall River Legend ballet suite for Orchestra. Study score.F...
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Score-Morton Gould's Fall River Legend ballet suite for Orchestra. Study score.Fall River Legend was commissioned by Ballet Theatre with choreography by Agnes de Mille music byMorton Gould and sets by Oliver Smith and recieved its world premiere performance at the Metropolitan Opera House New York on April 22 1948.Having selected for her subject the historical Lizzie Borden murder case deMille used both pantomime and ballet techniques to convey the story. Morton Gould created the musical score in a similar way alternating programmatic sections with more formal dance patterns. The set dance movements formthe basis of this orchestral suite omitting most of the purely dramatic sequences.A feeling of austerity and doom opens the Prologue followed by a group of Waltzes depicting Lizzie's childhood. The sadness of Lizzie'sgirlhood is reflected in the nostalgic Elegy. Church social is a setting for a parish dance and Hymnal Variations suggest the old New England hymn tunes. The festive Cotillion is an exhuberant sequence of dancing patterns.Epilogue returns to the foreboding mood of the prologue.
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Anders Nordentoft: Distant Night Ship: Orchestra: Score
57.50
Anders Nordentoft: Distant Night Ship: Orchestra: Score
Orchestre
[Partition]
-
Intermédiaire/avancé
Wilhelm Hansen
Two movements for orchestra.
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Magnus Lindberg: Arena For Orchestra: Orchestra: Score
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Magnus Lindberg: Arena For Orchestra: Orchestra: Score
Orchestre
[Partition]
Chester
Commissioned by the first Sibelius Conductor's Competition held in Helsinki in M...
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Commissioned by the first Sibelius Conductor's Competition held in Helsinki in May 1995 as an obligatory piece to be rehearsed by all the competitors Arena was performed in its totality at the annual Avanti! Chamber Orchestra'sfestival in Porvoo (Finland). Thematic thinking has never been a main feature in Lindberg's music but here horizontal lines (one would not yet dare to call them melodies) gain some independence for example in ornamental figuresand in the intense cello solo around the middle of the piece. Arena also reveals some clearly new material - Lindberg has talked about Beethoven-like formal thinking referring to a passage where the sense of movement seems toaccelerate to an extreme so that finally one perceives only a motionless surface. Another new element - which was already used to some extent at the warmly hovering ending of Aura - is the almost romantic sound world and thesuspension of the harmonies in the final climax which can make one think of Mahler and Berg or Lindberg's grand predecessor and compatriot Sibelius.This is the Score published by Chester Music; the duration of thepieces is approximately 16 minutes.
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Mozart W.a. - Works For Violin And Orchestra Kv 2017, 211, 216, 218, 219, 261, 269 (261a), 373
41.10
Mozart W.a. - Works For Violin And Orchestra Kv 2017, 211, 216, 218, 219, 261, 269 (261a), 373
Orchestre, Violon
Barenreiter
Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, ...
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Mozart, Wolfgang Amadeus Works for Violin and Orchestra KV 2017, 211, 216, 218, 219, 261, 269 (261a), 373 Based on the Urtext of the 'New Mozart Edition', this new study score unites the five violin concertos and the 3 single movements for violin from the pen of Mozart in one thoroughly reliable study score. A new historical introduction by Gudula Schütz provides valuable additional information. Full scores, piano reductions and performance material to all works included in the study score are readily available. This new edition will replace the following study scores: Concerto for Violin and Orchestra no. 1 K. 207, TP 270 Concerto for Violin and Orchestra no. 2 K. 211, TP 271 These study scores will continue to be available: Concerto for Violin and Orchestra no. 3 K. 216, TP 272 Concerto for Violin and Orchestra no. 4 K. 218, TP 273 Concerto for Violin and Orchestra no. 5 K. 219, TP 20 Edition no.: TP 325 ISMN: 9790006205349 Editor: Mahling, Christoph-Hellmut Language(s) of text: German, English Product format: Study score, Anthology, Urtext edition Binding: Paperback Pages / Format: XXII, 303 S. - 22,5 x 16,5 cm
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Herbert Howells: Serenade For 4 Solo Violins & String Orchestra: String
10.99
Herbert Howells: Serenade For 4 Solo Violins & String Orchestra: String
VLN(4)/STR ORCH::Violin (Quartet)/String Orchestra (Quartet)
[Partition]
-
Intermédiaire/avancé
Novello & Co Ltd.
Herbert Howells wrote this Serenade in 1917 as the third and final movement of h...
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Herbert Howells wrote this Serenade in 1917 as the third and final movement of his Suite for Strings Op. 16 (Op 27 on the manuscript) the first two movements of which were re-used by the composer for his Concerto for String Orchestra (213) and Elegy (63) respectively. The Serenade remained unpublished until the present edition of 2011. It was first performed on 13th July 1917 at the Royal College of Music London by the RCM Orchestra conducted by Sir Charles Stanford
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Turandot - Movement 1: Orchestra: Score
25.99
Turandot - Movement 1: Orchestra: Score
Orchestre
Southern Music Ltd
From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or...
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From the Suite To Gozzi's Fairy Tale Drama-The Gozzi's Turandot - in one form or another - occupied Busoni at various times in the years 1904-1917. He was very fond of fantastical and magical tales: his immediately preceding work was the Piano Concerto Op. 39 BV247 which included music from an unfinished adaptatioon of Adam Oehlenschläger's Aladdin. In 1904 Busoni began sketching incidental music for Gozzi's Chinese fable. He also arranged a concert suite which was first performed in 1905 and published in 1906. A production of Gozzi's play with Busoni's music was mounted by Max Reinhardt in Berlin in 1911 and for the second and last time in London in 1913. This transcription of the first movement of Busoni's Turandotsuite was created for George A. Treviño and his superb Lopez High School Band of Brownsville Texas. The piece was premiered in February 2017 at the Texas Music Educators Association convention on the occasion of the Lopez band's 6A Honor Band performance.
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Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
20.25
Béla Bartók: Concerto for Orchestra: Orchestra: Study Score
Orchestre
G. Henle
With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable stud...
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With the ?Concerto for Orchestra ? Henle inaugurates a series of affordable study scores based on the text of the Bartók Complete Edition. When Bartók received the commission to compose this piece from Serge Koussevitsky in May 1943 it meant not only financial support but also an important creative impetus for the gravely ill composer. By October the five-movement concerto which Koussevitsky enthusiastically dubbed ?the best orchestral work of the last 25 years ? was already complete. The first performances in the winter of 1944 45 were also very successful. Nevertheless Bartók was moved to set down an alternate ending which thecomposer who passed away in September 1945 would never be destined to hear. Bartók specialist Klára Móricz includes both versions in her edition and summarises the history and transmission of the ?Concerto for Orchestra? in a fascinating foreword. A brief commentary section provides information about the principles underlying the edition.
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Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
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Per Nørgård: Symphony No. 2 In One Movement: Orchestra: Score
Orchestre
[Partition]
-
Intermédiaire/avancé
Wilhelm Hansen
Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from ...
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Per Nørgård's Symphony No. 2 In One Movement - work for Orchestra dating from 1970. Programme Note: After the first performance of my chamber orchestra work VOYAGE INTO THE GOLDEN SCREEN (1969) I was very preoccupied with ‘voyaging on’ in the infinity series I had brought to fruition in the second movement of the work: instead of about 1000 notes of the series I wanted to use about 4000 in order to create the potential for further exploration of the many layers and interval combinations of the infinity series. Instead of the pristine progression of the notes and its orchestration in‘Voyage’ I now wanted to intervene: to create melodies lead up to climaxes darken enlighten etc. but all with respect for the continuous flow and the preservation of the special timeless objectivity characteristic of the infinity series. One can perhaps experience the many recurrences of motifs in tempo layers from fast to very slow as a successor to the fractal computer graphics of the eighties. At any rate this ‘Symphony no. 2 in one movement’ (which was the result) became the precursor of the other works of the seventies including my 50-minute long chorally integrated Third Symphony (from 1973-75) which is also based on the infinity series but in addition has incorporated the upper and lower harmonic series and rhythms with ‘Golden’ duration proportions. The Second Symphony lasts about 25 minutes and was given its first performance on13th April 1970 by the Aarhus City Orchestra conducted by Per Dreier. Per Nørgård August 1992
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Ralph Vaughan Williams: Norfolk Rhapsody No. 2: Orchestra: Study Score
10.50
Ralph Vaughan Williams: Norfolk Rhapsody No. 2: Orchestra: Study Score
Orchestre
[Conducteur]
Oxford Univertsity Press
Ralph Vaughan Williams' Norfolk Rhapsody No. 2 for large Orchestra.Vaughan Willi...
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Ralph Vaughan Williams' Norfolk Rhapsody No. 2 for large Orchestra.Vaughan Williams originally wrote three Norfolk Rhapsodies with the intention of turning them into a three-movement Norfolk Symphony. This the second rhapsody is a telescoped slow movement and scherzo which has been completed and edited by Stephen Hogger. The first has long been in the repertoire but numbers two and three have not been performed since 1914. The third rhapsody unfortunately did not survive.
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Concerto Giocondo E Severo Op. 132: Orchestra: Score
Orchestre
Wilhelm Hansen
Concerto giocondo e severo (Cheerful and Serious Concerto) Op. 132 for Orchestra...
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Concerto giocondo e severo (Cheerful and Serious Concerto) Op. 132 for Orchestra by Vagn Holmobe (1977). Programme note Concerto giocondo e severo was composed in 1977 and first performed in the following year on 18th April by the Aarhus Symphony Orchestra during a vist to Gothenburg with Jorma Panula conducting. This work is scored for a much larger orchestra than the other conertos (including a large percussion section) but the orchestration is relatively transparent. It is only occasionally that everybody is on the pitch at the same time. The concerto is in onemovement but is divided into a succession of different tempi and sections that contrast with each other in character. A fortissimo chord from the whole orchestra starts the the slow somewhat tentative introduction. But another fortissimo outbreak is required before strings and the woodwinds together prononunce the beginning of the first rapid section. Knud Ketting
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Reinhold Glière: Russian Sailor's Dance: String Orchestra: Score and Parts
56.99
Reinhold Glière: Russian Sailor's Dance: String Orchestra: Score and Parts
Orchestre à Cordes
Schirmer
(Edition for String Orchestra)-In a new arrangement for mature string groups Gl...
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(Edition for String Orchestra)-In a new arrangement for mature string groups Gliere's energetic dance movement again shows why it has become an icon of light classical programming for orchestras everywhere. From the ballet The Red Poppy thedeliberate opening in the low strings accelerating to the frenzied Cossack-style dance makes this work a captivating experience for your students.
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Concerto For Orchestra
45.64
Concerto For Orchestra
Orchestre
Schott Music Ltd., London
Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle...
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Mon Concerto pour orchestre (2007) est une oeuvre de vingt minutes dans laquelle les différentes sections de l'orchestre, ainsi que différents solos et duos du sein de l'orchestre, sont mis en évidence que la musique se déploie. Le travail continue mon intérêt pour les formes à deux mouvement qui a commencé avec mon Concerto pour violoncelle (1991), et plus tard a été développé dans Sortilège (1996) et la Symphonie (Broken Consort) (2004). Dans ces oeuvres, et dans le Concerto pour orchestre, chaque mouvement est le même poids et de l'importance avec le second développement de matériel plus tôt et prendre de nouvelles directions.La forme en deux mouvements du Concerto pour orchestre vient d'une structure symphonique sonate, remodeler la forme en quatre mouvements traditionnels et en combinant cela avec les aspects de la forme sonate, une tradition qui remonte à Liszt, Schoenberg et Sibelius:1er mouvement (i) l'exposition d'idées - dramatique et soudaine (ii) scherzo et développement 1 - résolue2ème mouvement (iii) adagio - calme et tranquille (iv) le développement 2 avec récapitulation - intense et énergiqueLe Concerto pour orchestre a été commandée par le Musikalische Akademie des Nationaltheatre-Orchesters Mannheim avec le soutien de Die Landesbank Baden-Württemberg pour ses deux premières représentations le 31 Mars et 1er Avril 2008 réalisée par Friedemann Layer. La partition est dédiée à l'amitié et l'admiration pour Ronald Zollman. / Orchestre
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Magnus Lindberg: Kraft: Orchestra: Score
Orchestre
Wilhelm Hansen
The hardback edition of Magnus Lindberg's Kraft (1983–85) - for Soloists a...
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The hardback edition of Magnus Lindberg's Kraft (1983–85) - for Soloists and Orchestra with live Electronics. KRAFT was premiered at the Helsinki Festival by the Toimii Ensemble and the Finnish Radio Symphony Orchestra conducted by Esa-Pekka Salonen on 4 September 1985. KRAFT was also the recipient of the Nordic Music Prize 1988. All the musical material of the piece has been prepared with a micro-computer with programmes written in FORTH allowing a very flexible control of rhythm and chord processes. The programme is based on a formalization of rules for creation of rhythmic events gestures and temporal processes and an environment allowing a graphical output for metric notation. Similar rule-based programmes control the creation of harmonic material by a comparison to previously defined and accepted chordal successions given by the composer. The control of amplification and spatialization of the soloists during the performance is done with an application written in PreFORM and running on a Macintosh computer allowing a precise control of movement in the hall in real time.
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