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Hillbilly Fingerstyle Blues Guitar
26.45
Hillbilly Fingerstyle Blues Guitar
Guitare notes et tablatures
[Partition + Accès audio]
Grossman's Guitar Workshop
Par . The musical appeal of the Blues, as they began to be heard in the early tw...
(+)
Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare
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JOHN MILLER - HILLBILLY FINGERSTYLE BLUES GUITAR
22.20
JOHN MILLER - HILLBILLY FINGERSTYLE BLUES GUITAR
Guitare notes et tablatures
Mel Bay
The musical appeal of the Blues, as they began to be heard in the early twentiet...
(+)
The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY
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The Little Black Book Of The Blues
19.80
The Little Black Book Of The Blues
Paroles et Accords
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Intermédiaire
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Play the best of the blues from the past and present! This pocket-sized collecti...
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Play the best of the blues from the past and present! This pocket-sized collection is packed with 88 songs arranged for guitar in the same key as the original recordings, with complete lyrics, chord names and amp - chord boxes. / Paroles Et Accords
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Album For The Young: 64 Piano Classics Written By The Masters
28.18
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Piano seul
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Album For The Young features 64 classic Piano pieces inspired by the spirit of c...
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Album For The Young features 64 classic Piano pieces inspired by the spirit of childhood. From Johannes Brahms' unashamedly lyrical Wiegenlied through the more cerebral approach of Schumann's album Für die Jugend and the works of contemporary composers such as Lutoslawksi and Richard Rodney Bennett, the music contained in this collection offers many contrasting approaches to the idea of music for the young. Great composers down the ages have been consistently attracted to writing albums about or for the young. Some pieces are suitable for children to play and some are drawn from the nostalgic memory of childhood innocence. Here is a unique collection to treasure, reflecting the variety of both their emotional approaches and the richness of their creative responses. / Piano
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Dvd Legends Of Old Time Music
31.60
Dvd Legends Of Old Time Music
Guitar
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Séquences rares des légendes du vieux temps musique mettant en vedette Tommy J...
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Séquences rares des légendes du vieux temps musique mettant en vedette Tommy Jarrell, Clarence Ashley, Roscoe Holcomb, Doc Watson, Sam McGee, Pete Steele, Jean Ritchie et autres. Une brochure complète de 22 pages mettant en vedette materail biographique, photographies rares et des détails sur les airs effectués est également disponible au téléchargement avec ce produit. / Guitare / Dvd
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R. Grave: Funky Tunes(25) (Grade 2): Piano: Instrumental Album
4.99
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Piano seul
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Beautifully presented up-to-date sight-reading tunes for young Piano students.F...
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Beautifully presented up-to-date sight-reading tunes for young Piano students.Film composer Rachel Grave graduated with her second Masters Degree in Composition for Screen from the Royal College of Music where she studied with Joseph Horovitz and David Burnand. She gained her first degree in Music at the University of Surrey and then took her first Masters at the Guildhall in London where she studied with composer Malcolm Singer.She scored the award winning short animation Five O’Clock Shadow which has been screened at Cannes Film Festival. Her piece for choreographer Yessica Lovbrand was broadcast on Radio 3. Rachel has composed the film music for manyfilms including El m o and Two Left Feet for the animator Laura Marion James and several films for the German Director Andreas Ksoll. She has scored a feature documentary and an American feature film Crash Down Hearts for Kovach Productions.Rachel is currently working as assistant to EMMY nominated composer Guy Michelmore where she has orchestrated for some feature animated Marvel films.Her current projects include a feature film for Kovack Productions in the US a wildlife film for the Royal Society for the Protection of Birds and orchestrating a feature film Planet Hulk for Marvel and Lionsgate Pictures.
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Hank Williams Complete - Pvg
31.50
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Description Hank Williams Complete The complete Hank Williams for piano, voic...
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Description Hank Williams Complete The complete Hank Williams for piano, voice and guitar. This book contains 128 songs including Cold, Cold Heart, Hey, Good Looking, I Can't Help It (If I'm Still In Love With You) and many more. Songlist A Home In Heaven A House Without Love A Mansion On The Hill A Picture From Life's Other Side A Stranger In The Night A Teardrop On A Rose Alone And Forsaken Angel Of Death Are You Lonely Too Are You Walkin' And A-talkin' For The Lord Baby, We're Really In Love Bayou Pon Pon Cajun Baby California Zephyr Calling You Cold, Cold Heart Countryfied Dear Brother Everything's Okay For Me There Is No Place Forever's A Long, Long Time Help Me Understand Hey, Good Lookin' Homesick Honey, Do You Love Me, Huh? Honky Tonk Blues Honky Tonkin' House Of Gold How Can You Refuse Him Now Howlin' At The Moon I Ain't Got Nothing But Time I Can't Escape From You I Can't Get You Off My Mind I Can't Help It I Could Never Be Ashamed Of You I Don't Care I Heard You Crying I Just Didn't Have The Heart I Just Don't Like This Kind Of Livin' I Lost The Only Love I Knew I Saw The Light I Wish You Didn't Love Me So Much I Won't Be Home No More I'd Still Want You If I Didn't Love You If You'll Be A Baby I'll Be A Bachelor Till I Die I'll Never Get Out I'm A Long Gone Daddy I'm Going Home I'm Gonna Sing I'm Just Crying I'm So Lonesome I'm So Tired Of It All I'm Sorry For You I'm Yvonne Is This Goodbye I've Been Down That Road Before Jambalaya Jesus Died For Me Jesus Is Calling Jesus Remembered Me Just Me And My Broken Heart Just Waitin' Kaw-liga Last Night I Dreamed Of Heaven Let's Turn Back The Years Little Bosephus Long Gone Lonesome Blues Lost On The River Low Down Blues May You Never Be Alone Me And My Broken Heart Men With Broken Hearts Message To My Mother Mind Your Own Business Minni-ha-cha Moanin' The Blues Mother Is Gone Move It On Over My Cold, Cold Heart Is Melted Now My Heart Won't Let Me Go My Heart Would Know My Love For You Has Turned To Hate My Son Calls Another Man Daddy My Sweet Love Ain't Around 'neath A Cold Grey Tomb Of Stone Never Again Never Been So Lonesome No, Not Now Nobody's Lonesome For Me On The Banks Of The Old Pontchartrain On The Evening Train Pan American Peace Will Come Please Make Up Your Mind Ramblin' Man Ready To Go Home Rockin' Chair Daddy Singing Waterfall Six More Miles Somebody's Lonesome The Alabama Waltz The Blues Come Around The Funeral The Little House We Built There's A Tear In My Beer There's Nothing As Sweet Wealth Won't Save Your Soul Wearin' Out Your Walkin' Shoes Weary Blues From Waiting We're Getting Closer To The Grave When God Comes And Gathers His Jewels When The Book Of Life Is Read When You're Tired Of Breaking Other Hearts Where Do I Go From Here Why Don't You Love Me Why Should I Cry Why Should We Try Anymore You Better Keep It On Your Mind You Broke Your Own Heart You Can't Take My Memories You Win Again Your Cheatin' Heart Your Turn To Cry You're Barking Up The Wrong Tree You're Gonna Change
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Will Todd: Passion Music: Mixed Choir: Vocal Score
15.25
Will Todd: Passion Music: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
Passion Music continues the fusion of jazz and choral music so successfully ble...
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Passion Music continues the fusion of jazz and choral music so successfully blended in Will Todd's Mass in Blue. The structure highlights different points in the Passion story beginning with a new setting of 'Greater love has no man' and including an evocative Stabat Mater a movement focusing on the seven last words of Christ and a setting of 'Were you there when they crucified my Lord''. While some sections are reflective Todd also makes full use of his understanding of energetic jazz and gospel. The vocal soloist is given plenty of expressive freedom singing both with the choir and independently to achieve the characteristic jazz-soulstyle. The seven-piece jazz accompaniment which is presented in the vocal score as a piano reduction for rehearsal only completes the ensemble. The full score and set of parts for the jazz accompaniment are available on sale and hire. A complete backing track and individual rehearsal tracks for the vocal parts are also available to download.
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15 Art Songs By American Composers
24.90
15 Art Songs By American Composers
Voix basse, Piano
[Partition + CD]
Boosey and Hawkes
15 mélodies de compositeurs américains - une sélection qui devrait intéresse...
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15 mélodies de compositeurs américains - une sélection qui devrait intéresser en particulier ceux qui étudient le chant. Le CD contient l'accompagnent au piano. / Voix Grave Et Piano / Partition Cd
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Fight For Your Mind
31.10
Fight For Your Mind
Guitare notes et tablatures
[Partition]
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Intermédiaire/avancé
Hal Leonard
Remarque pour note transcriptions de tous les 14 titres de plus classique 1995 l...
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Remarque pour note transcriptions de tous les 14 titres de plus classique 1995 la libération de Ben Harper, y compris: Another Lonely Day - Graver One Down - By My Side - Excusez-moi M. - Lutte pour votre esprit - Donnez à un homme un homme Accueil - Craignant Dieu - Or pour moi - Terrain en bas - Un chemin vers la liberté - oppression - Les personnes plomb - S'il vous plaît moi comme vous voulez - Puissance de l'Evangile. / Guitare
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50 Greatest Guitar Tones Songbook
36.98
50 Greatest Guitar Tones Songbook
Guitare notes et tablatures
-
Intermédiaire/avancé
Hal Leonard
Célébrer les sons du jeu changeant des plus grands guitaristes jamais, le 50 G...
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Célébrer les sons du jeu changeant des plus grands guitaristes jamais, le 50 Greatest Guitar Songbook Tones vous propose 50 chansons, transcrit la note pour note à onglet, avec une description de l'engin utilisé pour obtenir le son célèbre. Ce pare-chocs 512 pages d'un livre comprend des chansons de Hendrix, Slash, Jimmy Page, Stevie Ray Vaughan, Eric Johnson, The Edge, David Gilmour, et plus encore. Les chansons incluent All Along the Watchtower, Come As You Are, Killer Queen, Mine Sweet Child O ', Ziggy Stardust et beaucoup plus. / Guitare
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50 Standards : Renaissance Et Baroque - Version Française
24.10
50 Standards : Renaissance Et Baroque - Version Française
Traîté
-
Facile
Anne Fuzeau Productions
Avec Variantes, Exemples Et Conseils Pour Jouer Et Improviser Sur Tous Instrumen...
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Avec Variantes, Exemples Et Conseils Pour Jouer Et Improviser Sur Tous Instruments. Par AUTEURS DIVERS. Anne Fuzeau Classique vous propose des ouvrages sur la musique en général.Le présent recueil propose un panorama de ces basses obstinées, chansons et danses de la Renaissance et du Baroque qui circulaient d'une publication ou d'un manuscrit à l'autre, de pays en pays et sur lesquelles, au fil des décades et même des siècles, les compositeurs n'avaient cesse de proposer des variations, les musiciens d'improviser.Se référant aux compilations de ' standards ' utilisés par les jazzmen, Pascale Boquet et Gérard Rebours présentent ici, sur une centaine de pages de musique, 50 pièces dans leur version de base, avec leurs transpositions, et un choix de 210 variantes et airs dérivés les plus significatifs - le tout ponctué d'explications, de commentaires, de références et de notes historiques, et précédé d'une généreuse analyse théorique et pratique de l'improvisation. Sans oublier le glossaire, la liste des sources et la bibliographie.Classées par ordre progressif, les pièces de ce recueil peuvent être utilisées à trois niveaux : - - - - - - Le débutant jouera les airs, souvent faciles, tels quels. - - - - - Le musicien un peu familiarisé avec le sujet pourra commencer à écrire quelques diminutions ou variations. - - - - - L'expérience aidant, il pourra ensuite se lancer dans l'improvisation, ' sans filet ', comme il se doit.De plus, tout instrument et groupe instrumental, ancien ou moderne, pourra aborder ce répertoire dans lequel : - - - - - - Les instruments mélodiques (flûtes, violons, violes, hautbois,...) auront la charge de - jouer et de varier ces airs et ces danses. - - - - - Les instruments polyphoniques (claviers, luths, guitares, harpes) pourront les accompagner de nombreuses façons à partir de la basse chiffrée, mais aussi en réaliser des versions autonomes en jouant et variant les deux parties ensemble. - - - - - Les instruments graves (basse de viole, basson, violoncelle,....) assureront la ligne de basse sans oublier d'y introduire eux aussi variations et diminutions.Enfin, ce sera l'occasion d'explorer une partie conséquente du répertoire de base des XVIe et XVIIe siècles, d'approfondir certains aspects harmoniques, mélodiques et stylistiques propres à chaque époque, chaque pays, voire chaque auteur, et d'élargir son approche de la musique ancienne en y introduisant cette dimension pas encore assez familière : l'improvisation.Sommaire : Avant-ProposGenèse'Standards'Principes éditoriauxImproviser (G.R.)Le geste improvisatoireDiminutions, fredons, passages, gloses, divisionsImproviser, selon les traitésUne leçon de diminutionsConseils pratiques pour improviser (P.B.)Analyse de deux grands standards : - - 1-La Passemezzo (P.B.) - - 2-Les folies (G.R.)50 standards Renaissance et BaroqueGlossaireSources : - - 1-Traités - - 2-Sources musicales - - 3-Compilations musicales manuscritesBibliographieLes auteursRemerciementsIndex des 50 StandardsIndex des compositeurs et des ouvrages / Niveau : Facile / Date parution : 2006-01-01/ Recueil / Traîté
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The Louis Armstrong Songbook - Book
27.60
The Louis Armstrong Songbook - Book
Piano, Voix et Guitare
[Partition + CD]
-
Intermédiaire
Amsco Wise Publications
A 20th century jazz prodigy with a supreme talent for improvisation, Louis Armst...
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A 20th century jazz prodigy with a supreme talent for improvisation, Louis Armstrong would become a successful popular entertainer in later years. He could still revisit the dazzling instrumental performances of his youth but in time 'Satchmo' became even more famous for his gravelly vocals and larger-than-life guest performances in TV shows and musical films. Scott Fitzgerald famously wrote that there were no second acts in American lives but Armstrong proved him wrong. With his reputation secure, the pioneering jazzman happily tackled the wide range of popular songs reflected in this excellent collection. In addition to self-penned jazz numbers like Back O' Town Blues and I Want A Butter And Egg Man , Armstrong recorded Thiele and Weiss's What A Wonderful World and John Barry and Hal David's wistful James Bond film song We Have All The Time In The World . Armstrong would sing anything. He never gave less than a heartfelt vocal performance and people loved him for it. This unique collection celebrates some of his best and most famous songs. The accompanying audio CD features a selection of Armstrong 's Storyville recordings made in Europe and offers a further insight into the range and versatility of this unique musician and performer. / Piano/Vocal/Guitare (PVG)
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Blues Fakebook Melodies/Accords Woody Mann
36.70
Blues Fakebook Melodies/Accords Woody Mann
Fake Book
[Partition]
-
Facile
Oak Publications
Plus de 200 chansons de blues de la vingtaine d'années à aujourd'hui sont incl...
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Plus de 200 chansons de blues de la vingtaine d'années à aujourd'hui sont inclus dans cette édition deluxe. De nombreux artistes représentant une grande variété de styles et comprend des photographies rares. / Piano/Vocal/Guitare (PVG) / 192 pages / Partition
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Coffret Great Piano Solos Vol.2
104.90
Coffret Great Piano Solos Vol.2
Piano seul
Amsco Wise Publications
A superb four-volume collection of over 180 solos for the intermediate level Pia...
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A superb four-volume collection of over 180 solos for the intermediate level Pianist. Includes popular film and show tunes - themes and songs from top TV shows - and classical favourites from choral works, concertos, ballets, operas and symphonies. / Piano
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Baroque Flûte Anthology Vol.2
22.82
Baroque Flûte Anthology Vol.2
Flûte traversière
[Partition + CD]
Schott
The early music specialist and flautist, Annabel Knight, presents the second in ...
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The early music specialist and flautist, Annabel Knight, presents the second in a series of four volumes dedicated to flute music from the Baroque period. Featuring a variety of interesting pieces scored for flute and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 4-5 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Annabel Knight and Robin Bigwood. / Flûte
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John Miller: John Miller's Mississippi Fingerstyle Blues Guitar: Guitar Solo:
22.99
John Miller: John Miller's Mississippi Fingerstyle Blues Guitar: Guitar Solo:
Guitare notes et tablatures
-
Intermédiaire
Mel Bay
1926-1959
22.99 GBP - vendu par Musicroom GB
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Gordon Highlanders Pipe Music Collection Vol.2
Cornemuse
Paterson Ltd.
/ Cornemuse
80.20 EUR - vendu par LMI-partitions
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America S All-Time Favorite Songs For God And Country
31.10
America S All-Time Favorite Songs For God And Country
Piano seul
[Partition]
Amsco Wise Publications
Nowhere else will you find gathered together into one priceless treasury so many...
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Nowhere else will you find gathered together into one priceless treasury so many of your favourite American folk songs, patriotic anthems and marches, heart songs, sea chanteys, colonial songs, civil war songs, hymns, gospel songs, spirituals, Christmas carols, memorial songs, and sacred classics. This comprehensive volume includes over 175 full Piano arrangements with complete lyrics and chord symbols, and is illustrated with woodcuts, engravings and drawings throughout. / Rép International / Recueil / Piano
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Delta Blues
28.11
Delta Blues
Guitare notes et tablatures
Oak Publications
Une édition entièrement revue de ce guide d'instruction classique pour les gui...
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Une édition entièrement revue de ce guide d'instruction classique pour les guitaristes. Explorez les styles traditionnels de jeu grâce à des transcriptions et analyses de vingt-six morceaux par les plus grands musiciens. Inclues une discographie et une nouvelle tablature facile à lire. / Guitare
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John Leavitt: In Remembrance: Parts
49.99
John Leavitt: In Remembrance: Parts
Hal Leonard
This lyrical and emotional setting by John Leavitt creates a harmonic tapestry t...
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This lyrical and emotional setting by John Leavitt creates a harmonic tapestry that perfectly matches the text of unknown origin: “Do not stand at my grave and weep. I am not there I do not sleep ” Creating anatmosphere of hope and assurance it begins softly and gradually builds to a full and dramatic expression then recedes into quiet reflection. Available separately: SATB SSA TTB ChoirTrax CD. Score and parts available as aprinted edition and as a digital download (fl 1-2 ob cl 1-2 (in A) bn perc 1-2 hp vn 1-2 va vc db). Duration: ca. 3:00.
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John Leavitt: In Remembrance: SSA: Vocal Score
11.25
John Leavitt: In Remembrance: SSA: Vocal Score
Chorale 3 parties
SSA
[Vocal Score]
Hal Leonard
This lyrical and emotional setting by John Leavitt creates a harmonic tapestry t...
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This lyrical and emotional setting by John Leavitt creates a harmonic tapestry that perfectly matches the text of unknown origin: “Do not stand at my grave and weep. I am not there I do not sleep ” Creating anatmosphere of hope and assurance it begins softly and gradually builds to a full and dramatic expression then recedes into quiet reflection. Available separately: SATB SSA TTB ChoirTrax CD. Score and parts available as aprinted edition and as a digital download (fl 1-2 ob cl 1-2 (in A) bn perc 1-2 hp vn 1-2 va vc db). Duration: ca. 3:00.
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John Harle: City Solstice - A Song For London Bridge: Soprano Saxophone: Part
SSAX::Saxophone Soprano
[Partition]
Chester
City Solstice was commissioned by The City of London Corporation for The City o...
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City Solstice was commissioned by The City of London Corporation for The City of London Festival 2009 and is dedicated with thanks to Ian Ritchie.Instrumentations - Choir Organ (available separatly) Soprano SaxophoneDuration - 18 minutesFirst performance - 22nd June 2009 at Southwark Cathedral.Performed by The Choir of King's College Cambridgeconducted by StephenCleobury with John Harle (Soprano Saxophone). Programme Note City Solstice celebrates the 800th anniversary of the construction of variousbridges on the site of the current London Bridge. The difficulty of erecting sturdy constructions on this bend in the Thames where the currents are particularly strong has led to a rich seam of stories aboutthe bridges passed on through history myth and folklore.What are thought to be the original words of 'London Bridge is falling down' carry much of the references to materials used in building the original bridges- wood and stone gravel and stone and then later iron and steel. The lines my fair lady dance over my lady lea (or lee ) and with a gay lady are thought to refer to Matilda of Scotland (c.1080- 1118) consort of Henry I and who was responsible for building the series of bridges that carried the London toColchester road across the River Lea.King (Saint) Olaf II of Norway figures prominently in the destruction of the bridge after its occupation by the Danes around 1013. Coming to the assistance of Aethelred Olaf isthought to have pulled the bridge down into the Thames along with its occupying Danes rather than fight on the bridge itself. There is a line in the Norse saga The
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