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J. Paul Williams Joseph M. Martin: Joshua: 2-Part Choir: Vocal Score
27.50
J. Paul Williams Joseph M. Martin: Joshua: 2-Part Choir: Vocal Score
Chorale 2 parties
[Vocal Score]
Fred Bock Music Company
A few years back Joe Martin teamed up with J. Paul Williams to produce one of th...
(+)
A few years back Joe Martin teamed up with J. Paul Williams to produce one of the Houston Children's Chorus Series best-sellers “Goliath ” (now in 2-part and SATB). Well they've done it again with“Joshua.” The many other arrangements of this much-loved spiritual will have to step aside because the story and song have never been told this well. A new entry into the Houston Children's Chorus Choral Series thisone has a sizzling track and will knock down the walls wherever it is sung. Accompaniment CD Rehearsal CD and Rehearsal CD 10-Pak available.
27.50 GBP - vendu par Musicroom GB
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Natalie Sleeth: Weekday Songbook: Unison or 2-Part Choir: Vocal Score
9.99
Natalie Sleeth: Weekday Songbook: Unison or 2-Part Choir: Vocal Score
Chorale 2 parties
[Vocal Score]
Hinshaw Music Inc.
Contents: 1. A Round Of Greeting.2. Sharing It With Me.3. Heres To America.4....
(+)
Contents: 1. A Round Of Greeting.2. Sharing It With Me.3. Heres To America.4. Try Again.5. Keeping Christmas.6. A Valentine Wish.7. The Winters A Drag Rag (HMC433).8. You Never Stop Learning.9. One Day At A Time.10. Lets Make Music (HMC409).11. Two Roads.12. Were On Our Way.
9.99 GBP - vendu par Musicroom GB
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Burt Bacharach Hal David: I'll Never Fall in Love Again: Upper Voices a
11.25
Burt Bacharach Hal David: I'll Never Fall in Love Again: Upper Voices a
Chorale 3 parties
SSA
[Partition]
Hal Leonard
This 1970 pop hit by Dionne Warwick is a great feature for SSA groups. With eas...
(+)
This 1970 pop hit by Dionne Warwick is a great feature for SSA groups. With easy parts and lots of choreography options this Hal David and Burt Bacharach classic will leave your audience with a smile. Available for SSA and ShowTrax CD. Performance Time: 2:35.
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Longest Cocktail Party, The
29.00
Longest Cocktail Party, The
Divers
Alfred Publishing
Apple Records was a noble experiment created in the spirit of the 1960s by four ...
(+)
Apple Records was a noble experiment created in the spirit of the 1960s by four musicians who came to represent everything that was best about those tumultuous, experimental, and liberating times. The Beatles started out with the greatest of intentions, but reality soon got in the way. Much has been written about this period in the history of The Beatles' evolution and dissolution---some of it true, some of it wildly exaggerated, but not much of it first-hand. The Longest Cocktail Party is a rare exception. Written by Richard DiLello, who served as Apple Record's 'House Hippie' from 1968 to 1970, this unusual first-hand glimpse into The Beatles' empire humorously chronicles the stranger-than-life stories that were to become legendary, including visits by the Hell's Angels and endless tales of celebrity antics. Alfred Music is proud to offer this latest edition, which features a new and insightful foreword by the author. Originally published by Playboy Press in 1972, The Longest Cocktail Party has proven itself a timeless chronicle of this most colorful period in pop history. / Divers
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Brandi Carlile Guitar Songbook
29.00
Brandi Carlile Guitar Songbook
Guitare
[Partition]
Alfred Publishing
One of the best of the new generation of singer-songwriters, Brandi Carlile play...
(+)
One of the best of the new generation of singer-songwriters, Brandi Carlile plays a unique blend of alt-rock and country-folk music. This songbook features all 35 songs from her three studio albums, Brandi Carlile,The Story, and Give Up the Ghost. All songs in this must-have collection are arranged as Brandi recorded them. Titles: Again Today * Before It Breaks * Cannonball * Caroline * Closer to You * Downpour * Dreams * Dying Day * Fall Apart Again * Follow * Gone * Happy * Have You Ever * I Will * If There Was No You * In My Own Eyes * Josephine * Late Morning Lullaby * Looking Out * Losing Heart * My Song * Oh Dear * Pride and Joy * Shadow on the Wall * Sixty Years On * Someday Never Comes * The Story * That Year * Throw It All Away * Touching the Ground * Tragedy * Turpentine * Until I Die * Wasted * What Can I Say. / Miscellaneous, Scores, Songbooks / Recueil / Guitare
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
21.00
Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78 - Organ: Orchestra: Part
10.50
Camille Saint-Saëns: Symphony No.3 In C Minor Op.78 - Organ: Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
(+)
“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
10.50 GBP - vendu par Musicroom GB
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Camille Saint-Saëns: Symphony No. 3 C minor Op. 78: Orchestra: Part
31.50
Camille Saint-Saëns: Symphony No. 3 C minor Op. 78: Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...
(+)
?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886.In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected.The edition of Symphony No.3 marks the launch of a large-scale project: thepublication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series.First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns Complete Edition of the Instrumental WorksNow with separate parts for all windsOrchestral parts in a large format (25.5 cm x 32.5 cm)
31.50 GBP - vendu par Musicroom GB
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
42.00
Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
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“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
42.00
Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Part
Orchestre
[Partie séparée]
Barenreiter
?In this work I gave everything I had to give. [?] What I did here I will never ...
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?In this work I gave everything I had to give. [?] What I did here I will never do again?. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven?s Ninth this so-called ?Organ Symphony? was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns ? Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
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Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Parts
208.00
Camille Saint-Saëns: Symphony No.3 In C Minor Op.78: Orchestra: Parts
Orchestre
[Set de Parties séparées]
-
Intermédiaire/avancé
Barenreiter
“In this work I gave everything I had to give. […] What I did here ...
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“In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No.3 in C minor Op.78 dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No.3 marksthe launch of a large-scale project: the publication of Camille Saint-Saëns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saëns – Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25.5 cm x 32.5 cm)
208.00 GBP - vendu par Musicroom GB
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String Quartet No. 4 (LERDAHL FRED)
182.80
String Quartet No. 4 (LERDAHL FRED)
Quatuor à cordes: 2 violons, alto, violoncelle
[Conducteur et Parties séparées]
Schott
Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissione...
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Chaconne. Par LERDAHL FRED. Chaconne (2016), for string quartet, was commissioned by the Daedalus Quartet to celebrate its 15th anniversary. The commission was supported by New Music USA, made possible by annual program support and/or endowment gifts from Pennsylvania Council on the Arts, Helen F. Whitaker Fund, and Aaron Copland Fund for Music. My music has a substantial history with Daedalus. I composed the Third String Quartet (2008) for them, and subsequently they performed my three string quartets on several occasions and recorded them brilliantly on Bridge Records (Bridge 9352: Music of Fred Lerdahl, vol. 3). Chaconne is in one movement lasting 19 minutes. It is effectively my fourth string quartet. Quartets 1-3 form a unified cycle lasting 70 minutes. When I finished the cycle, I thought I would never write again for the medium; yet I could not resist the opportunity of working again with Daedalus. The issue was how to compose another string quartet unrelated to the earlier cycle. The solution came from my solo cello piece There and Back Again (2010), which was based on a four-bar variation pattern from a 17th-century chaconne. Unlike the asymmetrical phrases and expanding variations of much of my music, the chaconne form requires symmetrical phrases and strictly periodic variations. I wished to work again with these symmetries but on a larger scale. Chaconne also differs in character and expression from the three-quartet cycle. The cycle is inward and intense, a kind of psychological excavation. Chaconne is, for the most part, transparent and playful. Many of its textures emerge from little canons, not completely unlike the rounds that children sing. Any composer who writes in chaconne form (one thinks above all of the last movement of Bach’s D minor violin partita and the finale of Brahms’s Fourth Symphony) is confronted with the challenge of how to create a larger form out of a constantly repeating pattern. My Chaconne grows from paired antecedent-consequent phrases, each variation lasting eight bars. The 50 variations group into three large rotations, forming three arcs of tension and relaxation, with subtle parallel connections across the rotations. Notwithstanding my attraction to chaconne form, I purposefully disguised its symmetries and periodicities in order to build an overall dramatic shape. Fred Lerdahl/ Répertoire / Quatuor à Cordes
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Cant De Les Estrelles (Sin Particellas De Coro)
Formation musicale - Solfège
Boileau
(Included with the score are the organ and the piano part (there's available a p...
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(Included with the score are the organ and the piano part (there's available a pack with 20 copies of the parts for the chorus). In case the work is to be performed by more than 20 singers it will be necessary to purchase additional copies of the chorus parts, wich are available in packs of 20 copies).On 11th March 1911, the great pianist and composer Enric Granados performed this piece as an absolute premiere at Barcelona's modernista concert hall Palau de la Música Catalana.In spite of the great success achieved on the day of the premiere by this ambitious work for piano, organ and three choirs whose words in Catalan were provided by an unknown writer, the piece was never again performed or published. Its manuscript was assumed to be lost for decades and it was even thought that it might have been burnt in a fire. Finally, the pianist and Granados specialist Douglas Riva recovered it and offered it to Boileau Editorial de Música for publication.El Cant de les estrelles was performed once again on 22nd March 2007, 96 years after its first performance, in New York's Ascension Church, with Douglas Riva himself at the piano and Dennis Keene conducting. / Choeur Et Piano
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The Very Best Hits Of
29.30
The Very Best Hits Of
Piano, Voix et Guitare
-
Intermédiaire
Amsco Wise Publications
Learn 15 of the Very Best Hits Of Dolly Parton, the country singer-songwriter wh...
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Learn 15 of the Very Best Hits Of Dolly Parton, the country singer-songwriter who took Nashville, then the world, by storm with her sassy, witty and creatively crafted tunes whose simple lyrics and catchy melodies made them some of the most loved songs of all time. Every song in this collection of Dolly Parton sheet music is arranged for Piano, Vocal and Guitar, with full lyrics and chord boxes.Dolly Parton's progression from talented backwoods kid to world-famous country singer-songwriting star was the stuff of Nashville legend, and testimony to her highly skilful self-management. Underneath her big-hair and busty image was a sweet and instantly-recognisable voice apparently incapable of hitting a false note, and a songwriter of exceptional talent. This talent managed to write fun, upbeat and universally-loved songs like Nine To Five and Islands In The Stream as well as melancholic and poetic ballads like Coat Of Many Colours.It is testament to her abilities as a songwriter that two hugely popular hits, Jolene and I Will Always Love You are cover versions of songs originally written by her- these versions being good, but never quite living up to the way Parton performed them. Since moving to Nashville in the 1960s (relocating the day after finishing high school), Dolly Parton has had an incredibly illustrious career, becoming the most famous and most loved country music star in the world. Her latest release, Blue Smoke, features new songs and new covers, some of which are included in this Dolly Parton sheet music collection, such as Blue Smoke, Banks Of The Ohio and You Can't Make Old Friends.Bolstered by a momentously fun performance at Glastonbury 2014, drawing the biggest crowd the festival has ever seen, the success of the album goes to show that even after 42 studio albums, she still has the knack for impeccable songwriting, performance perfection and a sense of humour that endears her to millions. With this Dolly Parton sheet music songbook, you can learn 15 of her biggest and best songs, taken from her timeless albums, all arranged for Piano, Vocal and Guitar. You'll get the Piano parts and vocal melody in standard notation, as well as every funny, heartfelt and poetic lyric, as well as chord boxes and symbols for Guitar. The Very Best Hits Of Dolly Parton is a collection of the greatest Dolly Parton sheet music for everyone from the die-hard Parton fans to the country-mad music-lovers as well as the general musicians who have a sincere respect for undeniably fantastic songwriting. 15 of her finest songs are included here, arranged for Piano, Vocal and Guitar, so you can inject the sound of classic Nashville into your own home exactly as these songs were written by the original queen of country.If her indomitable legacy and inescapable influence weren't enough to convince you that this book should be a mainstay on your bookshelf, check out her performance of Jolene, included in this book, at Glastonbury Festival in 2014, with 100,000 fans singing her song back to her: / Piano/Vocal/Guitare (PVG)
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Pro Vocal Women's Edition Vol.61
17.40
Pro Vocal Women's Edition Vol.61
Voix seule
[Partition + CD]
-
Intermédiaire
Hal Leonard
Ce volume passionnant de la série Vocal Pro vous permet de chanter avec pistes ...
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Ce volume passionnant de la série Vocal Pro vous permet de chanter avec pistes à consonance semblables à Taylor Swift coups.Que vous soyez un chanteur de karaoké ou de préparer une audition, la série Vocal Pro est fait pour vous. Le livre contient les paroles, la mélodie et les symboles d'accord pour huit chansons à succès. Le CD contient des démos pour l'écoute et pistes d'accompagnement afin que vous puissiez chanter avec eux.Le CD est jouable sur n'importe quel CD, mais il est également améliorée pour les utilisateurs d'ordinateurs PC et Mac afin que vous puissiez régler l'enregistrement à n'importe quelle hauteur sans changer le tempo! Parfait pour les répétitions à la maison, les partis, auditions, événements d'entreprise, concerts et sans une bande de sauvegarde.Ce volume comporte 8 chansons Taylor Swift: We Are Never Ever Getting Back Together - Begin Again - Eyes Open - I Knew You Were Trouble / Voix
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Complete Easy Guitar
40.70
Complete Easy Guitar
Guitare
[Partition]
-
Facile
Hal Leonard
Retrouvez les 155 chansons enregistrées par les Beatles en transcriptions parol...
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Retrouvez les 155 chansons enregistrées par les Beatles en transcriptions paroles complètes et diagrammes d'accords guitare. Titres : A Day In The Life - A Hard Days Night - Across The Universe - All I've Got To Do - All My Loving - All Together Now - All You Need Is Love - And I Love Her - And Your Bird Can Sing - Another Day - Another Girl - Anytime At All - Baby You're A Rich Man - Baby's In Black - Back In The Ussr - Ballad Of John And Yoko - Because - Being For The Benefit Of Mr Kite - Birthday - Blackbird - Blue Jay Way - Can't Buy Me Love - Carry That Weight - Come Together - Continuing Story Of Bungalow Bill - Cry Baby Cry - Day Tripper - Dear Prudence - Dig A Pony - Don't Let Me Down - Dr Robert - Drive My Car - Eight Days A Week - Eleanor Rigby - End (The) - Every Little Thing - Everybody's Got Something To Hide Except Me And My Monkey - Fixing A Hole - Flying - For No One - From A Window - From Me To You - Get Back - Getting Better - Girl - Give Peace A Chance - Glass Onion - Golden Slumbers - Good Day Sunshine - Good Morning Good Morning - Goodbye - Goodnight - Got To Get You Into My Life - Happiness Is A Warm Gun - Hello Goodbye - Hello Little Girl - Help! - Helter Skelter - Her Majesty - Here There And Everywhere - Hey Bulldog - Hey Jude - Hold Me Tight - Honey Pie - I Am The Walrus - I Call Your Name - I Don't Want To See You Again - I Don't Want To Spoil The Party - I Feel Fine - I Need You - I Saw Her Standing There - I Should Have Known Better - I Wanna Be Your Man - I Want To Hold Your Hand - I Want To Tell You - I Want You (She's So Heavy) - I Will - If I Fell - If I Needed Someone - I'll Be Back - I'll Cry Instead - I'll Follow The Sun - I'll Get You - I'm A Loser - I'm Down - I'm Happy Just To Dance With You -I'm Just In Love -I'm Looking Through You -I'm Only Sleeping -I'm So Tired -In My Life -Inner Light -It Won't Be Long -It's All Too Much -It's For You -It's Only Love -I've Got A Feeling -I've Just Seen A Face -Julia -Lady Madonna -Let It Be -Like Dreamers Do -Little Child -Love Of The Loved -Love You To -Lovely Rita -Lucy In The Sky With Diamonds -Magical Mystery Tour -Martha My Dear -Maxwell's Silver Hammer -Mean Mr Mustard -Michelle -Misery -Mother Natures Son -Night Before -No Reply -Nobody I Know -Norwegian Wood -Not A Second Time -Nowhere Man -Ob-la-di, Ob-la-da -Oh! Darling -One After 909 -Only A Northern Song -Paperback Writer -Penny Lane -Polythene Pam -Power To The People -Rain -Revolution -Rocky Raccoon -Run For Your Life -Sexy Sady -Sgt. Pepper's Lonely Hearts Club Band -She Came In Through The Bathroom Window -She Loves You -She Said She Said -She's A Woman -She's Leaving Home -Step Inside Love -Strawberry Fields For Ever -Strawberry Fields Forever -Sun King -Taxman -Tell Me What You See -Tell Me Why -Thank You Girl -The Fool On The Hill -There's A Place -Things We Said Today -Think For Yourself -This Boy (Ringo's Theme) -Ticket To Ride -Tip Of My Tongue -Tomorrow Never Knows -Two Of Us -Wait -We Can Work It Out -What Goes On -What You're Doing -When I Get Home -When I'm Sixty Four -With A Little Help From My Friends -Within You Without You -Word -World Without Love -Yellow Submarine -Yer Blues -Yes It Is -Yesterday -You Can't Do That -You Like Me Too Much -You Never Give Me Your Money -You Won't See Me -Your Mother Should Know -You're Going To Lose That Girl -You've Got To Hide Your Love Away / Guitare
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Irish Pub Songs
16.50
Irish Pub Songs
Piano, Voix et Guitare
[Partition]
Hal Leonard
Servez-vous une pinte et ce songbook pour une soirée de fun à l'irlandaise ! C...
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Servez-vous une pinte et ce songbook pour une soirée de fun à l'irlandaise ! Ce livre vous transportera en arrière avec 40 chansons tout arrangées le piano, le chant et la guitare. Parmi celles-ci retrouvez : All for Me Grog, Black Velvet Band, The Fields of Athenry, I Never Will Marry, I'm a Rover and Seldom Sober, The Irish Rover, Jug of Punch, Leaving of Liverpool, A Nation Once Again, The Rare Ould Times, Whiskey in the Jar, Whiskey, You're the Devil, et plus ! / Variétés Internationale / Partition /
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Classic Rock Authentic Transcriptions
10.20
Classic Rock Authentic Transcriptions
Piano, Voix et Guitare
[Partition]
Hal Leonard
Treize chansons rock classiques authentiquement transcrites à partir des enregi...
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Treize chansons rock classiques authentiquement transcrites à partir des enregistrements originaux. Maintenant vous pouvez jouer les parties de clavier, piano et l'orgue de toutes ces grandes chansons note pour note et égaler les performances des artistes originaux. Sont également inclus d'autres parties instrumentales, ainsi que des symboles d'accord et les paroles. La musique est clairement présenté avec une ligne supérieure vocale suivie par la partie du clavier principal. / Piano/Vocal/Guitare (PVG) / 114 pages / Partition
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Symphony No. 3 Op. 78 (SAINT-SAENS CAMILLE)
71.90
Symphony No. 3 Op. 78 (SAINT-SAENS CAMILLE)
Orchestre
[Conducteur]
-
Intermédiaire/avancé
Barenreiter
Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] ...
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Par SAINT-SAENS CAMILLE. “In this work I gave everything I had to give. […] What I did here I will never do again”. Camille Saint-Saëns was justifiably proud of his Symphony No. 3 in C minor op. 78, dedicated to the memory of Franz Liszt. Like Beethoven’s Ninth, this so-called “Organ Symphony” was commissioned by the Philharmonic Society in London, where itreceived its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marks the launch of a large-scale project: the publication of “Camille Saint-Saëns - Complete Edition of the Instrumental Works”. This performing Urtext edition is based on volume BA 10303 from that series. - First scholarly-critical edition of this famous symphony based on “Camille Saint-Saëns – Complete Edition of the Instrumental Works”- Now with separate parts for all winds- Orchestral parts in a large format (25. 5 cm x 32. 5 cm) ; In this work I gave everything I had to give. [… ] What I did here I will never do again. Camille Saint-Saë ns was justifiably proud of his Symphony No. 3 in C minor Op. 78, dedicated to the memory of Franz Liszt. Like Beethoven's Ninth, this so-called ; Organ Symphony was commissioned by the Philharmonic Society in London, where it received its premiere on 19 May 1886. In this first scholarly-critical edition of the symphony, a great many inconsistencies and mistakes inherent in the previously used edition have been unveiled and corrected. The edition of Symphony No. 3 marksthe launch of a large-scale project: the publication of Camille Saint-Saë ns - Complete Edition of the Instrumental Works. This performing Urtext edition is based on volume BA 10303 from that series. First scholarly-critical edition of this famous symphony based on Camille Saint-Saë ns & Complete Edition of the Instrumental Works Now with separate parts for all winds Orchestral parts in a large format (25. 5 cm x 32. 5 cm) / Niveau : 5 / Répertoire / Orchestre
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The European Real Book - C Version: C Instruments: Instrumental Album
34.99
The European Real Book - C Version: C Instruments: Instrumental Album
Instruments en Do
[Fake Book]
Sher Music Company
182 of the best European jazz tunes make The European Real Book a must have for ...
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182 of the best European jazz tunes make The European Real Book a must have for any jazz player. This volume contains pieces by Michel Petrucciani, Florian Ross, George Shearing, Nguyen Le, Toots Thielemans, Philip Catherine, Bill Bruford, Tommy Smith, Enrico Rava, Django Reinhardt and almost 100 others. As with all Sher Real books this book features: 100% accurate composer-approved charts easy-to-read manuscript A great selection of tunes Many extra features like sample Bass lines, chord voicing, Rhythm section hits, harmony parts and an extensive Drum appendix. An exclusive and exciting feature of The European Real Book is that streaming MP3 files of over 100 tunes in the book are available free of charge from Sher Music.
34.99 GBP - vendu par Musicroom GB
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Sam Pegg: A Child of The Snows: SATB: Vocal Score
1.95
Sam Pegg: A Child of The Snows: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Spartan Press
Sam Pegg's A Child Of The Snows for SATB choir and Piano accompaniment is a sett...
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Sam Pegg's A Child Of The Snows for SATB choir and Piano accompaniment is a setting of a poem by G. K. Chesterton. Chesterton was known as an avid traveller and was a friend to all he met on his wanderings. In his own house he was famed for his warmth and hospitality. For him the inn was almost a spiritual symbol. 'In all of my settings of his poems I have tried to convey the sense of a yearning journey of life coupled with the joy of finding something thought lost forever: we travel to a place that if we are truthful we never really left. In A Child of the Snows I have tried to suggest the wandering wondering journey to the next staging post 'the Inn at the end of the world'. - Sam Pegg There is heard a hymn when the panes are dim And never before or again When the nights are strong with a darkness long And the dark is alive with rain. Never we know but in sleet and in snow The place where the great fires are That the midst of the earth is a raging mirthAnd the heart of the earth a star. And at night we win to the ancient innWhere the child in the frost is furled We follow the feet where all souls meetAt the inn at the end of the world. The gods lie dead where the leaves lie red For the flame of the sun is flown The gods lie cold where the leaves lie gold And a Child comes forth alone.
1.95 GBP - vendu par Musicroom GB
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