| English Medievl And
Renaissance (GREENBERG
STEVE) Piano, Voix [Partition] Dover Publications
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six...(+)
Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano
15.90 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Rob MacKillop:
Renaissance Lute
Repetoire: Guitar:
Instrumental Collection Guitare notes et tablatures Mel Bay
Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a s...(+)
Renaissance Lute Repertoire-Guitar Tablature Edition can be viewed as either a supplement to the popular Introduction to the Lute: for Lute and Guitar Players or as a standalone edition of 16th-century lute tablatures reset in guitar tab. Play from beautifully-typeset scores, music by John Dowland, Francesco da Milano, Vicenzo Galilei (father of the famous astronomer), and many others, including vihuela composers, Narváez and Milán. Together, this collection provides in guitar tab a beautiful and extensive overview of music for the Renaissance lute. TUNING: To get Renaissance lute tuning on a guitar, all you need to do is tune the 3rd string, G, down one semitone to Fâ?¯. That's it. Then just read the tab as normal. This edition is in guitar tablature. There is a separate edition in lute tablature, Renaissance Lute Repertoire-Lute Tablature Edition.
18.99 GBP - vendu par Musicroom GB Délais: En Stock |
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| Noël! 2 - Carols And
Anthems For Advent,
Christmas And Epiphany Chorale SATB SATB, Orgue Novello & Co Ltd.
Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mi...(+)
Noël 2 is an exciting collection of Advent, Christmas and Epiphany music for mixed voice choirs, which follows on from the highly acclaimed Noël! Volume 1 (Catalogue No. NOV310800). The contents range from the Renaissance to the present: from Byrd and Sweelinck, via Bach, familiar settings of traditional and lesser known carols through the ages to Howells and Leighton, and work by today's composers including Richard Rodney Bennett, Eric Whitacre, John Tavener Tarik O'Regan and Richard Allain. Mixed voice choirs of all levels will find here new arrangements of favourite carols as well as stimulating works for the Christmas season, from the easy to learn to the more challenging and unconventional. Selected and edited by David Hill, Choral Advisor to Novello, Chief Conductor of the BBC singers, Musical Director of The Bach Choir, Chief Conductor of The Southern Sinfonia and Music Director of Leeds Philharmonic Society. He was awarded an honorary Doctorate by the University of Southampton in 2002 in recognition of his Services to Music. 'Noël was a welcome addition to the Christmas list for decent standard choirs - Noël 2 adds even more to the repertoire in a handy volume... The main enticements are some fantastic new arrangements of old favourites, a number of works previously only available in single sheets (Whitacre's Lux Arumque among others) and some fantastic new surprises. Adrian Peacock's Venite, Gaudete is a wonderfully original and vibrant setting, Richard Rodney Bennet's I Wonder as I Wander is both reflective and effective, and there are plenty more. Some of the pieces here will challenge your choir, but there's a vast amount to get the Christmas inspiration flowing. ' - Jonathan Wikeley, Music Teacher November 2009 '?an outstanding resource for Advent, Christmas and Epiphany ' Andrew Stewart, Choir and amp - Organ November/December 2010 Noel! 2 Interview With David Hill by Musicroom / Choeur SATB Et Orgue (Ou Piano)
26.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Easy Renaissance Pieces
For Classical Guitar Guitare notes et tablatures Guitare classique [Partition + CD] - Facile Amsco Wise Publications
Easy Renaissance Pieces For Classical Guitar brings to life some of the best-kno...(+)
Easy Renaissance Pieces For Classical Guitar brings to life some of the best-known Lute works of the Renaissance, including many musical selections from the plays of William Shakespeare, such as 'Greensleeves,' 'Where the Bee Sucks' and 'When That I Was a Little Tiny Boy'. Many of the great Lute composers are represented here, including Dowland, Johnson and even King Henry VIII. Easy Renaissance Pieces For Classical Guitar is designed for the beginner and intermediate guitarist and includes 61 pieces with an accompanying audio CD performed by Jerry Willard. With standard notation and TAB. / Guitare et Guitare Tablatures Et Guitare Classique
26.61 EUR - vendu par LMI-partitions Délais: En Stock |
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| Nigra Sum (FOCCROULLE
BERNARD)
En Français Soprano, Cor et Orgue [Partition] Lemoine, Henry
Par FOCCROULLE BERNARD. This piece is part of a composition cycle for ancient or...(+)
Par FOCCROULLE BERNARD. This piece is part of a composition cycle for ancient organs. It is meant for a soprano voice and a cornetto (cornet à bouquin), favorite instrument of the Renaissance music and of the early baroque period, often considered the closest to human voice.
This piece was written for a meantone temperament (eight perfect thirds), which is also the temperament in which the cornetto naturally sounds the best. A slightly modified meantone temperament can also be suitable.
Ideally, the organ should have two keyboards. However, a version for one keyboard should not be excluded. The indication of dynamics and registration are to be interpreted freely depending on the instrument, and of the balance with the voice. The organ switches between the resonance and soloist functions, almost always in duo with the cornetto. The organist will make sure not to cover the voice and instead will look to merge with it.
The text comes from the Song of Songs. Music was often made from it and Monteverdi used it in a famous motet for tenor and basso continuo in Il Vespro della Beata Vergine.
The premiere of Nigra Sum took place on September 16, 2012, on Thomas d'Orp-le-Grand's organ, an instrument inspired by the 17th Century Franco-Flemish craftsmanship. The artists were Alice Foccroulle, soprano, Lambert Colson, cornetto, and the composer at keyboards. / contemporain / Répertoire / Soprano, Cor et Orgue
24.90 EUR - vendu par LMI-partitions Délais: Sur commande |
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| Time Pieces For Saxophone
Vol.1 Saxophone Tenor [Partition] - Facile ABRSM Publishing
20 pièces de la Renaissance jusqu'à la fin du 20e siècle. Pour saxophonistes ...(+)
20 pièces de la Renaissance jusqu'à la fin du 20e siècle. Pour saxophonistes de la norme 1-3 e année. Comprend les sélections de la teneur et les examens ABRSM Saxophone Soprano pour les grades 1,2 et 3. / Saxophone Tenor / niveau : Facile / Partition
16.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Library Of Easy Guitar
Classics Guitare notes et tablatures Guitare classique [Livre] Amsco Wise Publications
Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes cla...(+)
Plus de 200 morceaux du début de la Renaissance et du Baroque aux périodes classiques et romantiques. Inclues des oeuvres de Carcassi, Bach, Tarrega et Mozart. / Guitare / Partition
25.40 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| A.C. MacKenzie:
Benedictus for Violin and
Piano: Violin: Score and
Parts Violon et Piano [Partition] Novello & Co Ltd.
Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars ...(+)
Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Benedictus is a work of depth and feeling that some listeners claim ?out-Elgars Elgar.?Composer conductor and educator Alexander MacKenzie is perhaps best known for his Choral works and his works inspired by Scottish melodies and themes as in this well-known work Benedictus . Benedictus is extracted from Six Pieces for Violin and is dedicated to Lady Hallé. During hislifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century. and is dedicated to Lady Hallé. During his lifetime 1847 to 1935 MacKenzie?s programmatic Scottish-inflected work was extremely popular and he is regarded as one of those who set the scene for the British musical renaissance of the late 19th century.
8.99 GBP - vendu par Musicroom GB |
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| 50 Renaissance Solos For
Classical Guitar Cd Guitare notes et tablatures Guitare classique [Partition + Accès audio] - Intermédiaire Hal Leonard
Les racines de la guitare classique sont trouvent dans les instruments à cordes...(+)
Les racines de la guitare classique sont trouvent dans les instruments à cordes au début de la Renaissance, et cette collection spéciale comporte 50 solos arrangés pour guitare solo avec tablature. L'ensemble des pièces comprend la musique de Thomas Campian, Francis Cutting, John Dowland, Orlando Gibbons, Michael Praetorius et autres, avec chaque arrangement présenté en notation standard et onglet. Un CD est également inclus, avec démonstrations soigneusement enregistrées qui vous aideront à capturer un aithentic style afin de refléter le caractère unique de musique de la Renaissance de jeu. / Guitare
21.70 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| English Songs Renaissance
To Baroque High Voice Piano, Voix Hal Leonard
Compilé et édité par Steven Stolen et Richard Walters, cette collection a ét...(+)
Compilé et édité par Steven Stolen et Richard Walters, cette collection a été spécifiquement compilée extraordinairement utiles pour les chanteurs de l'étudiant. 17 compositeurs sont représentés avec des informations historiques et 34 chansons. / Chant Et Piano
17.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| English Songs Renaissance
To Baroque Low Voice Voix basse, Piano Hal Leonard
Compilé et édité par Steven Stolen et Richard Walters, cette collection a ét...(+)
Compilé et édité par Steven Stolen et Richard Walters, cette collection a été spécifiquement compilée extraordinairement utiles pour les chanteurs de l'étudiant. 17 compositeurs sont représentés avec des informations historiques et 34 chansons. / Chant Et Piano
17.80 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Sigh No More
Piano, Voix et Guitare [Partition] - Intermédiaire Amsco Wise Publications
Créé en 2007, ce groupe de folk/rock de Londres formé de Marcus Mumford, Coun...(+)
Créé en 2007, ce groupe de folk/rock de Londres formé de Marcus Mumford, Country Winston, Ben Lovett et Ted Dwayne a progressivement connu un succès planétaire et s'impose désormais en représentant de la renaissance de la musique folk londonienne. Leur premier album, Sigh No More a été acclamé par la presse à sa sortie, et plus particulièrement par Zane Lowe de la BBC 1 qui a qualifié la chanson Little Lion Man de 'titre le plus cool du monde.'L'album est devenu disque de platine Royaume-Uni et cette édition présente pour la première fois des arrangements pour piano, chant et guitare de toutes les chansons. / Piano/Vocal/Guitare (PVG)
25.63 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Ancient Noels Dulcimer Mel Bay
Ancient carols, Renaissance rhythms,and haunting medieval hymns recapturethe spi...(+)
Ancient carols, Renaissance rhythms,and haunting medieval hymns recapturethe spirit of Christmas from antiquity.This book features note-for-notetranscriptions of hammered dulcimerarrangements from Ancient Noels byMaggie Sansone and Ensemble Galilei forthe beginning to advanced player. Innotation and tablature. Ancient carols, Renaissance rhythms,and haunting medieval hymns recapturethe spirit of Christmas from antiquity.This book features note-for-notetranscriptions of hammered dulcimerarrangements fromAncient Noels byMaggie Sansone and Ensemble Galilei forthe beginning to advanced player. Innotation and tablature./ Recueil / Dulcimer
16.46 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Renaissance Anthology A
Vol.4: Piano or Keyboard:
Instrumental Album Piano seul [Partition] Spartan Press
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book...(+)
Grade 8+-It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Anthology A Vol.3: Piano:
Instrumental Album Piano seul [Partition] - Intermédiaire/avancé Spartan Press
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of t...(+)
Grades 6-7-Beautifully presented and thoroughly readable 'modern' editions of the best of these pre-Baroque masterpieces. Carefully graded.It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the DeadSea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbled miraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to look beyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance with avant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on period instruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the
9.95 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Keyboard Anthology 1:
Harpsichord or Piano:
Instrumental Piano seul Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.95 GBP - vendu par Musicroom GB |
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| M. Tanner: Renaissance
Keyboard Anthology 2:
Harpsichord or Piano:
Instrumental Piano seul - Intermédiaire Spartan Press
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a colle...(+)
It has often struck me as intriguing that The Fitzwilliam Virginal Book (a collection of keyboard music spanning the period c.1562-1612) occupies a virtually non-existent place in the literature considered viable by pianists.Needless to say harpsichordists continue to hold the music in the highest esteem while a number of transcriptions for instruments and ensembles have been made available in more recent times. How can it be that this ancient heritage - which in keyboard music terms might be regarded as the equivalent to the Dead Sea Scrolls - has hitherto seemed a no-go area for pianists? It is as if the first 'proper' keyboard music tumbledmiraculously out of some parallel universe around Bach's time i.e. the first half of the 18th century. While our modern piano is perhaps as different from a virginal as a washing machine is from a mangle there are in fact a good many facets of virginal music which read across perfectly well to today's instruments. For this to be possible we need to take the time to lookbeyond peculiarities in translation which to a significant extent comes down to issues resulting from burgeoning notational practices. It also becomes necessary to re-imagine the music in light of what is possible as well as what is desirable. Problems with accessing the sound-world of pre-Baroque keyboard music can be overcome quite easily just as it is possible to become better in resonance withavant garde musical styles given appropriate immersion. Since the writing of the performance notes to The Fitzwilliam Virginal Book more than a century ago (by J.A. Fuller Maitland and W. Barclay Squire) the momentum generated by the Early Music Revival has brought about immeasurable insights into the intentions of Renaissance and Baroque composers. Performances on periodinstruments continue to reacquaint us with a bygone age and stimulate a healthy fascination for the practices that were once fundamental to the craft. On balance however the potential for a major
9.99 GBP - vendu par Musicroom GB |
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| Music Of The British
Isles Guitare notes et tablatures [Partition + CD] ADG productions
La musique des îles britanniques se compose d'un large spectre de la grande mus...(+)
La musique des îles britanniques se compose d'un large spectre de la grande musique que vous ne pourrez pas d'arrêter de jouer ! Vous trouverez ici la musique d'un manuscrit de luth, musique des grands compositeurs de Renaissance John Dowland et Anthony Holborne, une pièce obsédante intitulée en forêt Yon et de belles pièces du compositeur grand harper Turlough O'Carolan. Il y a également des pièces traditionnelles comme le danseur de Deever et de Slane, qui ont duré car personnes ne pouvaient pas arrêter de fredonner les et même un hymne hypnotique très tôt intitulé The Truth ci-dessus. Les pièces sont soigneusement doits de porter sur la touche. Vous trouverez dans cette pièces de collection, vous n'avez jamais vu transcrit ou arrangé pour guitare, et beaucoup d'entre eux ont des variations qui s'étendent de la jouissance. En plus d'avoir les scores d'où vous pouvez jouer à ces pièces, le livre vient aussi avec un CD qui vise à la fois référence et le plaisir à l'écoute. / Guitare
40.10 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Renaissance Recorder
Anthology Vol.1 Flûte à Bec [Partition + CD] - Intermédiaire Schott
Author of the Baroque Recorder Anthology series, Peter Bowman presents the first...(+)
Author of the Baroque Recorder Anthology series, Peter Bowman presents the first in a series of four volumes dedicated to recorder music from the Renaissance period. Featuring a variety of interesting pieces scored for recorder and keyboard accompaniment, this collection includes works by well-known figures as well as lesser known and rarely available pieces from a range of other composers.Suitable for students of ca. 2-3 years' of playing experience, this book includes composer biographies and teaching notes on each piece, together with a CD recording of all works performed by Kathryn Bennetts. / Flûte A Bec Soprano Et Piano
22.12 EUR - vendu par LMI-partitions Délais: En Stock |
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| 2 Fantasies For Piano Piano seul Simrock
Schultze 'Fantasmes' beziehn sur deux autres oeuvres d'art, la peinture 'Temptes...(+)
Schultze 'Fantasmes' beziehn sur deux autres oeuvres d'art, la peinture 'Temptesta' de Giorgione et de Schubert chanson 'The Zügenglöcklein'.Giorgione image, l'un des tableaux les plus énigmatiques de la Renaissance montre, au premier plan, un homme debout qui regarde une personne assise sur une couverture femme allaitant son enfant tout en regardant le spectateur de l'image. Au fond, un paysage vu à travers les décharges orageuses avec une des éclairs devant de sombres nuages??. Schultze première pièce commence avec l'atmosphère et le son. Dans l'orage alors imminente, les thèmes de l'homme et de la femme a présenté et filé dans une histoire. Ce condensé de l'histoire de la musique est tout aussi énigmatique que la peinture.Le second fantasme présente un homme désespéré qui - entend une cloche mort sous la forme de la chanson de Schubert (basé sur un poème de Johann Gabriel Seidl) - surplombant de très loin. La musique ouvre finalement un paysage d'un autre monde dans lequel dissoudre les questions de personnes désespérées et la chanson schubert humaine progressivement. / Piano
19.42 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Ottorino Respighi:
Concerto All'Antica
Concerto In La Minore :
Violin Violon et Piano Ricordi
Concerto in the Old Style Concerto in A Minor (18th century style)-Now available...(+)
Concerto in the Old Style Concerto in A Minor (18th century style)-Now available for the very first time the reduction for violin and piano of Ottorino Respighi’s Concerto all’antica originally composed for violin and orchestra.Composed in 1908 Respighi’s Concerto all’antica reflects one of the most characteristic artistic aspects of this composer namely his love for ancient music. This can also be seen in those of his works that adopt the toccata and concertoforms (Toccata for piano and orchestra Concerto a cinque) as well as his use of the late Renaissance/Baroque style for the three suites in his Antiche danze ed arie per liuto or in his Uccelli. We find it again in hisSuites per istrumenti ad arco (1902) and his Concerto all’antica for violin (1908) here provided.
14.99 GBP - vendu par Musicroom GB |
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| Gerard Garno: Ancient
Chant and Hymns for
Guitar: Guitar TAB:
Instrumental Album Guitare notes et tablatures [Partition + Accès audio] Mel Bay
This is the first book to publish an extensive collection of pre-Renaissance mus...(+)
This is the first book to publish an extensive collection of pre-Renaissance music transcribed for Guitar! Gregorian Chant melodies -- enormously popular in recent years -- form the basis for this volume. Inside Garno arguesthat this music of the first 1500 years of Western history should no longer be ignored by guitarists. In support he presents copious notes along with a myriad of single and multi-movement works and concludes that such music isappropriately played on the Guitar. A pioneering work that should be in every serious guitarist's library. Notation and tablature. Intermediate to advanced level. Includes access to online audio.
29.99 GBP - vendu par Musicroom GB |
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