This is a performing score which should be used by the third oboe.Separate parts are provided for the first and second oboes.Edited by James Brown. Includes music by Aber, Vogt, Sellner and Halevy. / Ensemble A Vent Et Hautbois

Music through the Ages in 2 Volumes-Fifteen pieces of grades 4-6 standard for Oboe and Piano accompaniment. Includes work from Purcell to modern day.

Eleven easy pieces-Eleven easy pieces for Oboe as composed by Michael Rose some unaccompanied others with Piano accompaniment.

Flute/Oboe-Here is an accessible accompaniment for the SATB collection (#50489463) and with optional flexible orchestration for mix and match instrumental ensemble. Includes: Handel's ?Hallelujah Chorus? from Messiah Beethoven's?Hallelujah? from the Mount of Olives Handel's ?Hallelujah Amen? from Judas Maccabaeus Mendelssohn's ?He Watching over Israel? from Elijah and Haydn's ?The Heavens Are Telling? from TheCreation.This volume contains a part for Flute or Oboe.

Editée il y a moins de 10 ans par les éditions Henle sous la référence 964, cette partition de musique Oboe Sonata op. 166 du compositeur SaintSaëns Camille a été composée pour Hautbois. Elle fait partie intégrante des partitions musicales de la catégorie Classique. / Hautbois / Chanson En Séparée

Urtext-The Urtext edition of Johann Joachim Quantz's Trio Sonata In C Minor for Flute Oboe and Continuo. Score and Parts.

Shadow of Paradise was written specially for Melinda Maxwell. The work was completed in 2005 the same year that she recorded the work together with Richard Benjafield (percussion) for the Dutton label.'The work is based on the poem by Samuel Taylor Coleridge Kubla Khan and I have attempted to capture some of the spirit of his highly evocative text in my music.It is structured in three main sections: the opening section (And ‘mid this tumult Kubla heard from far Ancestral voices prophesying war) is dramatic in nature with the oboe announcing two ideas - the first a high repeated note rhythmic pattern (later with multiphonics) answered by six differentlypitched drums and temple blocks and the second a short lyrical phrase mainly built on thirds.In the second section (A damsel with a dulcimer In a vision once I saw…Could I revive within me Her symphony and song) the solo oboe transforms the repeated notes and thirds of the first section into a love song underpinned by the percussionist’s vibraphone and crotales.A short reprise of the very opening leads into the final section (Beware! Beware! His flashing eyes his floating hair! Weave a circle round him thrice…) which mirrors the text with three short dances in chain form folk-like in character and increasingly climactic. A final reprise of the opening seems to suggest a violent end but the oboe’s echo of the love song answered by the percussionist’s crotales brings the work to a gentler conclusion.'            Edward Gregson - December 2011Instrumentation:Solo oboeSolo percussion (6 temple blocks 2 bongos 4 tom-toms vibraphone crotales 2 tambourines)

Work for 2 Oboes 2 Horns and Strings. Premiered by the Orchestra of St John's Smith Square May 1988.

Concerto in B-Flat for 3 Oboes 3 Violins and Continuo. Edited by Hermnann Tottcher. Score.

Although I never had any 'official' lessons with him, Heinz Holliger has become and will always remain a lifelong teacher to me. And we have developed a friendship that started 10 years ago, in Davos, where he heard me playing Robert Schumann's Fantasiestücke Op. 73 for the first time. Since then, we have performed together countless times, stood on (and behind) the stage, discussed, philosophized, made jokes. May this exchange never cease! The next occasion will be the World Première of my Oboe concerto which I dedicate to him in sincere friendship. Jörg Widmann / Hautbois Et Orchestre