für Oboe, Violine, Tasteninstrument, Cello ad lib.. Par BACH JOHANN SEBASTIAN. Here is a publication that springs from the spirit of Baroque transcription practice at its best. In this case, it also goes hand in hand with a reconstruction made with scholarly precision. As to the choice of the key, editor Klaus Hofmann decided against C minor, which the previous generation had preferred, and turned instead to D minor that Max Schneider had chosen back in 1921. The fruit of Siegfried Petrenzs labor is an inspired, transparent 'Clavier' reduction (EB 8662) that is amazingly faithful to Baroque practice. Musicians will undoubtedly welcome this arrangement, which boldly transgresses the conventions of Piano scores and presents a 'new' work, the 'TrioSonata' in D minor BWV 1060./ Répertoire / 2 Violons Hautbois et Orchestre

Handel Suite Hwv 448, Marcello Concerto In D Minor. Par RODRIGUES PEDRO. These transcriptions provide new repertory for the intermediate/advanced player. Includes the well-known Marcello's 'Oboe Concerto” after the Bach harpsichord version BWV974 and the 'Suite HWV 448” by Handel. They both retain the maximum of musical information from the original manuscripts and are a most interesting challenge for players who desire to include Baroque masterpieces in their concerts. Free audio downloads are available for use with this title. / Niveau : Intermédiaire / Baroque - Solos / Recueil / Guitare Classique

The Bohuslav Martinu Complete Edition III/1/5. Par MARTINU BOHUSLAV. “Incarnation” (1956), Bohuslav Martinu’s fourth piano concerto, follows an atypical two-movement structure. It was composed for Martinu’s friend Rudolf Firkušný, who played from a copy of the autograph until 1970, when the composition was first put into print. The next work, “Concerto in B flat major for Piano and Orchestra”, known under the name “Fantasia Concertante”, was to be Martinu’s very last concert work. The concerto in three movements, composed at the request of Swiss pianist Margrit Weber, is quite different from the previous work in terms of its compositional means. In this case, Martinu strongly influenced the edition of the work. The present volume of the Complete Edition of works by Bohuslav Martinu is based mainly on contemporary copies containing the composer’s own modifications. The edition presents numerous new findings about the genesis of both works./ Recueil / Orchestre

Par DVORAK ANTONIN. Antonin Dvorák?s impressive Stabat Mater for soloists, chorus and orchestra is probably the best-known of the composer?s sacred works. Some painful experiences in 1875 his first daughter died, and in 1877 he lost two other children in quick succession may have led to Dvorák?s preoccupation with the suffering of the Mother of God, who stands weeping beneath the cross of her son. The music enters into the different moods of the liturgical texts with great sensitivity. Nine movements in slow to moderate tempi serve as a kind of Passion meditation, before the ecstasy of a vision of the resurrection wins the upper hand at the end of the tenth movement. With our newly-publishedarrangement for chamber orchestra (flute, oboe, clarinet, horn, bassoon, timpani, and strings), smaller choirs now have the opportunity of performing this work without the choir being drowned out by a large-scale symphony orchestra. The symphonic character of the work is nevertheless preserved. This scoring offers an optimal balance between transparency and orchestral sound. All vocal parts (soloists and chorus) are identical with the original version. Vocal score and choral score can be used also together with the original version, which is in preparation. / Date parution : 2023-06-02/ Répertoire / Choeur Mixte SATB et Piano

100 of the best songs from the silver screen arranged for piano, voice and guitar: Theme from Angela's Ashes · Beauty and the Beast · Chariots of Fire · Endless Love · Falling Slowly · Gabriel's Oboe · Hymn to the Fallen · The Music of the Night · Never Enough · Over the Rainbow · The Rose · Somewhere Out There · A Thousand Years · Unchained Melody · What a Wonderful World · and more./ Recueil / Piano/Vocal/Guitare (PVG)

Printed Chamber Orchestration-Printed Chamber Orchestration: Inspired by Celtic music traditions this new work for Lent or Holy Week presents Christ's journey to the cross. Utilizing folk songs hymns and newly composed sacred songs the music adornsthe heart-felt message of God's love and grace displayed in Christ's redemptive work on Calvary. A thoughtful narration weaves the movements of the work together with Scripture prayer and poetry while delivering a reflectivemessage of hope and assurance. Gentle orchestrations capture the Celtic spirit of the music in a smaller more restrained approach in keeping with Holy Week considerations. A full line of support products is available. Duration:approx. 30 minutes. Titles include: Prologue The Song of the Cross A Celtic Hosanna Come to the Upper Room The Garden of Tears The Carpenter A Tree Once Stood Consolation of the Cross Epilogue. Available separately:SATB Listening CD Preview Pack (Book/CD) StudioTrax CD (Accompaniment only) RehearsalTrax CDs 10-Pack Listening CDs Digital Resource Kit Chamber Orchestration (Score & Parts for Soprano Recorder/Penny Whistle AltoRecorder Oboe/English Horn Clarinet 1&2 Bassoon Horn 1&2 Trumpet 1-3 Trombone 1&2 Tuba Timpani Percussion 1&2 Harp Piano Violin 1&2 Viola Cello Double Bass) and Chamber Orchestration CD-ROM. Duration: ca. 30:00.

Par BACH JOHANN SEBASTIAN. Wachet auf, ruft uns die Stimme (Wake ye maids! hark, strikes the hour) (BWV 140) Cantata for the 27th sunday after Trinity The Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus, the work is scored for two Oboes, English Horn, Bassoon, Horn, Violino Piccolo, Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake', is based on a hymn by Philipp Nicolai, also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach Edition Study scoreformat 22. 5 x 16. 5cm (TP1140), performance material (BA10140) and vocal score (BA10140-90) available for sale/ Répertoire / Partition de Poche

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

Solomotette Zum Dreifaltigkeitsfest Oder Zu Weihnachten. Par MOZART WOLFGANG AMADEUS. A good six years following its first performance in Milan [1773] a second version of Exsultate, jubilate was completed for a performance on Trinity Sunday in 1779. It has survived in a manuscript from Salzburg. This “Salzburg version, ” which was discovered in 1978, differs from the “Milan version” primarily through the use of flutes instead of oboes and also through the use of two different texts for the first aria. In the first version the text refers to Christmas, whereas in the second version it refers to the festival of Trinity. Mozart’s autograph of the Milan version had been thought to be missing since the second world war and it has only been accessible in the BibliotekaJagiellónska in Kraków for a little over a decade. The present new critical edition by Wolfgang Hochstein is the first which could be based on both versions. / Hymnes et chorals / Répertoire / Solo S, 2 Hautbois ou 2 Flûtes Traversières, 2 Cor

(Christmas Cantata)-It was into the shadows and winter of this world that Christ came to bring us the light and warmth of his salvation. The new cantata Winter's Grace from renowned composer Joseph M. Martin celebrates this great light and washes the sanctuary with the message of hope peace joy and love using a program of candles scriptures prayers and music. The incorporation of familiar carols will engage the listener and ease the learning process. There is a full line of support products available to facilitate your presentation of this dramatic new work including a digital resource kit featuring art work PowerPoint visuals a Bible study practice hints interpretive movement options plus a unique composer's commentary explaining some of the writer's perspective on the composition of the work. Includes: A Winter's Song Celebration for Advent Hop Peace Joy and Love Carols of Adoration Let the Earth Resound With Praise! A Silent Holy Night and more. Score and Parts for Flute 1&2 Oboe Clarinet 1&2 Bassoon Horn 1&2 Percusson 1&2 Harp Piano Timpani Trumpet 1 2&3 Trombone 1&2 Bass Trombone Tuba Violin 1 Violin 2 Viola Cello Double Bass.