The second volume of a thousand and one all-time hit songs ranging from essential standards to the latest pop hits - a must for all singers and musicians. / Chant Et Guitare

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Violon

Carol Matz's Famous and Fun Jewish Songs, Book 3 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli, and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method and have optional duet parts for teacher or parent. / Piano

Carol Matz's Famous and Fun Jewish Songs, Book 5 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method. / Piano

Carol Matz's Famous and Fun Jewish Songs, Book 1 is filled with well-known, beloved Hebrew melodies. The collection contains songs for various Jewish holidays, Israeli, and Yiddish folk songs, as well as treasured traditional pieces. The arrangements can be used to supplement any method and have optional duet parts for teacher or parent. / Piano

Because a fine orchestra depends on fine players, Solo Time for Strings emphasizes individual accomplishment, progress, and achievement while preparing young students for participation in a school orchestra. The series teaches reading in conjunction with note learning, enabling students to start playing melodies as soon as possible, and is appropriate for class or individual instruction. The solos assist in a progressive technical development from 'twinkle, twinkle' in Book 1 to music by Vivaldi in Book 5. / Alto

Livre de poche qui regroupe tous les plus grands tubes des années 60 de `Good Vibrations` des Beach Boys en passant par `Respect` d'Aretha Franklin et `Hit the Road Jack` de Ray Charles. Partitions pour guitare (symboles et grilles d'accords) avec les paroles complètes. / Variétés Internationales / Partition /

Fingerings, scales and triads. Par DEZAIRE NICO. Position 1 couvre les quatre doigtés de la première position et examine le rapport entre ces doigtés et les différentes tonalités - jusquà trois dièses ou bémols. Cet ouvrage contient 38 exercices pour les divers doigtés, 7exercices de gammes et de triades, et 68 morceaux de concert dans une diversité de styles. Ces morceaux peuvent être exécutés avec l´accompagnement du CD, mais aussi accompagnés au piano. Des versions intégrales et de démonstration figurent surles CD 1 et 2, ce dernier comprenant aussi les partitions du piano sous forme de fichiers PDF. / Niveau : Facile / Etude / Alto

Par LIEBMAN DAVID. Atonement commemorates the holiest day of the year in the Jewish faith, called Yom Kippur. On that day an individual repents for transgressions which may have occurred during the past year. Fasting and prayer are the activities which begin at sundown with the chanting of Kol Nidre and end twenty four hours later. I wrote the melodies for this piece on Yom Kippur, 1979. Part of the piece quotes the beginning strains of Hatikvah, the Israeli national anthem. It is adaptable to any solo instrument. Solo parts are included for C concert, Bb, Eb and bass clef instruments. Recorded on 'Classique”./ Répertoire / Quatuor à Cordes et Instrument Solo

Par SCHOENBERG ARNOLD. Schönberg?s Suite op. 25 of 1923 refers to pre-classical forms in its movement titles Präludium, Gavotte?Musette, Intermezzo, Menuett?Trio and Gigue, yet at the same time it was the first work to be based entirely on a twelve-tone row. But anyone who believes that emotions can be left out of this completely new-sounding music is mistaken: Schönberg requires the player?s full commitment, reflected in a whole palette of new articulation markings which he added to the musical text in order to ensure a nuanced and expressive performance. A challenge for all pianists! In the Henle Urtext edition, the Israeli-American pianist Shai Wosner, a true connoisseur of the Suite, provides indispensable assistance with the fingering to help decode this magnificent work. The Henle Urtext edition publishes this modern classic in a new, generously laid out music setting. / Date parution : 2022-04-05/ Répertoire / Piano

Oratorio in three parts-Israel in Egypt HWV 54Oratorio in three partsThe versions of the 1739 and 1756?7 performancesThe distinguishing feature of our new edition is that it reproduces Israel in Egypt in its complete three-part form: The Lamentation of the Israelites for the Death of Joseph Exodus and Moses? Song. It was in this form that the work was given at its London premiere on 4 April 1739.Handel made extensive changes for the second performance. The reason is often said to have been the audience?s dissatisfaction with the work?s unusual design. However he may possibly only have wanted to satisfy the whims of asoprano who felt under-represented with solo material.Israel in Egypt is made up of a series of contrasting and artfully constructed choruses separated only by a few numbers for solo voice. Part 1 is entirely given to the chorus Part 2 largely so and Part 3 while containing most of the solo numbers still gives ample room to the chorus. Handel shortened several choral numbers and may have taken the opportunity to alter the opening of Exodus. He also added five arias and a recitative for the soprano Elisabeth Duparc. These arias had already been written for insertion in other works of the 1730s and two of them had been sung a short while previously in An Oratorio (1738). There is no libretto containing the changes introduced at the second performance. All the insert arias are reproduced in Appendix 1 of Volume I/14 of the complete edition.The next performance of the piece did not occur until 1756. Handel now compiled an entirely new Part 1 containing a balanced proportion of choral and solo numbers by selecting items from Solomon the Occasional Oratorio and the Peace Anthem. The two other parts retained their original form apart from a few cuts in the choruses and the addition in Part 3 of the aria ?Hope hope a pure and lasting treasure? from the second version of Esther (for both 1756 and 1757) and the aria ?Toss?d from thought to thought? from Alexander Balus (for 1757).Our new edition makes it possible for the first time to perform Israel in Egypt in three different versions: that of the premiere

Continues with more Israeli love songs, liturgical standards like the moving 'Bilvavi', 'L'chi Lach' by Debbie Friedman and several Yiddish and Ladino selections. / Piano/Vocal/Guitare (PVG)(Avec Grilles D'Accords)