7 Folk Ballads (7 Folkeviser) for Balalaika (or Recorder or other melody instrument) and Guitar (1983). Contents: I. The Three Ravens EnglandII. Allegro IsraelIII. L’etait une goélette France (It was a Scooner)IV. Dans les Prisons de Nantes France (In the Prisons of Nantes)V. Andante UkraineVI. J’ai descendu dans mon jardin France (I went down into my Garden)VII. Mi fa’r han ga mæ femten får Denmark (My father he gave me fifteen sheep) Encore / Ekstranummer:Moi j’ai cinq sous France

Fifteen of the best reggae songs ever arranged for piano and voice with chord symbols, as sung by the biggest reggae stars! Includes hits by UB40, Yellowman, Musical Youth and many more.

A collection of 140 traditional and contemporary melodies set to lyrics excerpted from the Psalms. Melody line chords Hebrew texts transliterations and translations. Culled from many Tara Publication editions this collection features traditional Hassidic Israeli Sephardic and popular Yeshiva melodies.

Suite of Israeli Folk Songs. Par SPARKE PHILIP. Die lange Geschichte des jüdischen Volksliedes hat einen reichen Schatz an Liedern hervorgebracht. Die Lieder handeln von Religion, Geschichte, Festen und Feiertagen. Die Melodien in Shalom! spiegeln die Themenfülle und verschiedenen Stimmungen wider - von Klagegesängen bis hin zu Jubel. Ein Werk, das die ganze Ausdrucksstärke Ihrer Brass Band unterstreicht! / Niveau : 2.5 / Pièce de concert / Répertoire / Brass Band

This arrangement of the well-known violin sonata is based on the volume of the 'Complete Critical Edition of the Works of Leo? Janácek? (Series E/1-2).The Israeli clarinetist Shirley Brill, who teaches at the Hanns Eisler School of Music Berlin, has arranged the work for her instrument with a sensitive ear for the sound quality of the original composition. Her version displays the specific potential of the clarinet to good advantage - in a few passages it proved necessary to adapt the piano accompaniment. The arrangement was commissioned for the International Janácek Competition 2014 in Brno (Czech republic).- Janácek's masterpiece in a convincing arrangement for clarinet- Foreword by the arranger (Eng/Cz/Ger) / Violon Et Piano

Transcontinental Contemporary A Cappella Series-Across America the Jewish contemporary a cappella phenomenon is ablaze - and it's not just contained within high school and college groups anymore. Transcontinental kicks off its series with a version of this Israeli favorite co-arranged by Daniel Henkin one of the more recognized names in the movement as well as one of its originators. Solo voice and SATB a cappella with rehearsal keyboard.

Cantata for string orchestra and chorus. Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church, Spitalfields on 18th December, 2004 - the work, premièred as Threnody, was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December, 2004. Movements II and III, commissioned by Portsmouth Grammar School with financial support from the PRS Foundation, were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by the Portsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November, 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy's poem of the same name, written at the signing of the Armistice on 11th November, 1918 - a couplet from which is set, in a moment of tranquillity, in the final movement. Relatively new to living in New York, I am much more aware of the independent, vibrant cultural plurality that exists today - it's probably the single most dazzling facet of the City and is largely responsible for the infamous 'edginess' that pervades daily life there. With this in mind, I set to work on Threnody (movement I here) in 2004 - I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City 'edge'. The texts, in English, are excerpted from a variety of sources: William Penn, William Blake, the Psalms of David and Muhammad Rajab Al-Bayoumi, an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations, this movement was the first composition that evolved entirely from my New York perspective. From the moment that the commission for And There Was a Great Calm (movements II and amp - III here) was offered, I knew the piece I was about to embark upon would end up being linked with Threnody in some way. I realized that what I had been aiming for in Threnody served as a template for this new piece, originally composed for a Remembrance Sunday concert. Musical works connected with commemoration or memorials are often suitably pensive and slow - I wanted to start with that concept, but to bring in some of the relentless urban rhythms that had been such a large influence on my life in the preceding two years. The result is that that the second movement is quiet and gentle (a moment of recollection), while the final movement is much faster and vibrant, returning to a more openly elated rendering of the start of Triptych (the texts here dealing with transmigration and the future). and nbsp - I gratefully acknowledge the assistance of Bruce Ruben and Judith Clurman, as well as that of my parents, with the collation of the texts. Tarik O'Regan New York, February 2006 / Soprano, SATB Et Orchestre De Cordes

Cantata for string orchestra and chorus.Triptych represents the concatenation and re-orchestration of two extant works. Movement I was commissioned with funds from The RVW Trust for the inaugural concert of the Choir of London conducted by Jeremy Summerly in Christ Church Spitalfields on 18th December 2004; the work premièred as Threnody was subsequently toured by the Choir to Jerusalem and the West Bank from 19th-26th December 2004. Movements II and III commissioned by Portsmouth Grammar School with financial support from the PRS Foundation were premièred as And There Was a Great Calm in a contiguous version for lower strings and upper voices by thePortsmouth Grammar School Chamber Choir and the London Mozart Players in a concert at Portsmouth Anglican Cathedral on 13th November 2005 conducted by Nicolae Moldoveanu. The title of this latter section is taken from Thomas Hardy’s poem of the same name written at the signing of the Armistice on 11th November 1918; a couplet from which is set in a moment of tranquillity in the final movement.Relatively new to living in New York I am much more aware of the independent vibrant cultural plurality that exists today; it’s probably the single most dazzling facet of the City and is largely responsible for the infamous ‘edginess’ that pervades daily life there. With this in mind I set to work on Threnody (movement I here) in 2004; I wanted to write something that was relevant to the Israeli/Palestinian issue without losing that City ‘edge’. The texts in English are excerpted from a variety of sources: William Penn William Blake the Psalms of David and Muhammad Rajab Al-Bayoumi an Egyptian poet of the early twentieth-century. Fast and rhythmically influenced by the music of North Africa in its syncopations this movement was the first composition that evolved entirely from my New York perspective.From the moment that the commission for And There Was a Great Calm (movements II & III here) was offered I knew the piece I was

The largest most complete Jewish music fake book in print! Features 250 selections compiled edited and arranged by Velvel Pasternak noted Jewish music anthologist. Includes: Klezmer Yiddish Israeli Sephardic Hasidic holidays wedding dances Nigunim and rounds. An essential Jewish music library in one edition!

Multicultural Collection of Songs Dances and Fun Facts-Take an exciting musical journey of folk song and dance traditions to all corners of the globe. Learn how to do an Israeli circle dance the German Schottische the Brazilian Samba folk dances from Austria Russia and Mexico anAfrican welcome dance and even country line dancing from the U.S.A! Read about these rich cultures in engaging student articles written at an age-appropriate level and experience their music through folk songs and easy-to-learndance steps that are kid-friendly. The value-packed Book/CD format features reproducible articles and songsheets with lyric translations exceptional standards-based lesson plans complete with lyric pronunciations assessment andextension activities piano/vocal arrangements with choreography and a performance/accompaniment CD recording. There are even recorded pronunciation guides on the CD. And there's more! A DVD is also available (separately or inthe classroom kit) with visual instruction for each dance as demonstrated by John Jacobson and a group of young students. We've got a lot of miles to cover so let's get started! Available: Book/CD DVD Classroom Kit (Book/CD DVD). Suggested for Grades 3-6.

A New Musical - Vocal Selections. Par YAZBEK DAVID. Winner of the 2018 Tony Awards for Best Musical, Best Original Score, and eight others, The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name and features music and lyrics by David Yazbek. This folio features 11 songs with vocal lines and piano accompaniment. / TV, Film, Comédie musicale / Répertoire / Chant et Piano