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Chansons de Verlaine (CASKEN JOHN)
27.30
Chansons de Verlaine (CASKEN JOHN)
Voix Soprano, Piano
Schott
for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2...
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for soprano and piano. Par CASKEN JOHN. Chansons de Verlaine were completed in 2006. The third song, Colloque sentimental, was written in 2003 for Alison Smart and Katharine Durran’s New French Song project. It was as a result of having written one short song to words by Verlaine that I subsequently decided to set two further poems to make a group of three. All three were also set by Debussy: L’ombre des arbres and Chevaux de bois appear in Ariettes Oubliées, while Colloque sentimental belongs to Debussy’s second set of Fêtes Galantes. The poems I have grouped together are linked by the idea of three different landscapes. In the first, Verlaine precedes the words of his own sad, pale landscape with words from Cyrano de Bergerac about a nightingale who fears himself about to fall into a river and drown. In the second poem the landscape has been occupied by a fairground where men, women and children watch as the hobby-horses go round and round before night falls and the church tolls a passing-bell. The third poem takes us into an old park where two ghosts recall their past. The one wonders if the other remembers the happy days of their past lives, but the other doesn’t want to remember, barely acknowledging the closeness they once shared, seeing only that ‘hope has fled, defeated, towards the dark sky.’ I am very grateful to Roger Nichols and Dominique Mols for their advice with the setting of the French texts and with the translations. John Casken Colloque sentimental was first performed by Alison Smart and Katherine Durran at the Purcell Room in London on 13 July 2004/ Répertoire / Soprano et Piano
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In Czechoslovakia there is a strange walled-in fortress called Terezin. During ...
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In Czechoslovakia there is a strange walled-in fortress called Terezin. During World War II it was used as a concentration camp for Jews from all over Europe. Fifteen thousand of these children passed through the Terezin camp between 1942 and 1944; of these only about 100 lived to tell about it.The poems selected for this suite are representative of the poetry written by the children during their stay in Terezin. They reveal the children's horror and disbelief at living conditions in the ghetto their longing to leave their childish humour beauty not seen by adults and conviction of survival.I. At Terezin (poem by Teddy)II. I'd Like to Go Alone (poemby Alena Synkova)III. The Little Mouse (poem by Miroslav Kosek Hanus Lowy and Bachner)IV. The Garden (poem by Franta Bass)V. The Butterfly (poem by Pavel Friedmann)Translated into English by Jeanne Nemcova.
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René Clausen Series-This unique setting of e.e. cummings' celebrated poem “i thank You God” is a challenge but the overall effect is stunning. Dissonance tone color and texture are ever-changing in this a cappella gem where chordcluster follows chord cluster. Changing meter and tempo further accentuate the unbridled happiness expressed in the text. Cummings' vividly painted words are well-suited to Ren? Clausen's inimitable gift of melody. If youand your choir are up to a challenge this stellar anthem of thanksgiving is for you.
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The poem I Sing Of A Maiden is one of the best known of the anonymous medieval hymns deceptive in its simplicity and full of grace and faith. The setting by Lennox Berkeley also has a deceptivesimplicity but reveals on repeated listenings or performances a harmonic integrity and subtlely that has made it a work that will continue to be performed and enjoyed for a long time to come. Lennox Berkeley wascomposing and having his works performed before he finished school then upon meeting Ravel was introduced to legendary teacher Nadia Boulanger in Paris with whom he studied. He mixed with the great artistic and musicalnames of prewar Paris before returning to Britain where he later met and lived with Benjamin Britten before the arrival of Peter Pears in Britten’s life. Berkeley was professor of composition at the Royal Academy of Musicand himself composed more than two hundred works of music many of them of enduring value.
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Le Real Book est une alternative à la pléthore de mal conçus, les volumes ill...
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Le Real Book est une alternative à la pléthore de mal conçus, les volumes illisibles, inexactes et mal édités qui abondent sur ??le marché aujourd'hui. Claire et précise, la série Real Book vise à fournir une sélection de musique qui est à la fois facile à lire et agréable à réaliser. Arrangé pour instruments bémol, ce mini édition (5.25 'x 8.5') de The Real Book: volume I contient 400 chansons, dont Hier, Somebody Loves Me, 'Round Midnight, avez You Met Miss Jones? et beaucoup plus des airs bien connus. / Instruments En Sib/Bb
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Alexander Scriabin: Two Poems Op.32 Arranged For Cello And Piano: Cello: Score
10.00
Alexander Scriabin: Two Poems Op.32 Arranged For Cello And Piano: Cello: Score
CelloLid.com
Transcriber's Note: The poems op.32 were written in 1903. The rst poem remained...
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Transcriber's Note: The poems op.32 were written in 1903. The rst poem remained one of Scriabin's favourite compositions and would appear in most of his piano recitals. The great cellist Gregor Piatigorsky transcribed it for cello and piano a couple of decades later. I owned a copy of the music from age 15 or so but when I eventually decided to learn it I was vexed by the changes Piatigorsky had made to the original score.These include the simpli cation of rhythms dynamics and anything eccentric and typical of Scriabin. During the process of making my own version I soon realised that the middle section did not bene t from beingbroken up into separate lines. While the piano part remains untouched I have borrowed material from the second poem to ll what might otherwise feel like gaps in the cello part (this version can be heard together with pianist Bengt Forsberg on the CD called Smörgåsbord for the Hyperion label). Interestingly the story around the tempestuous second poem had originally been conceived as an aria for a planned opera. As with Brahms and the opening of the E minor sonata op.38 Scriabin uses the word legato rather than indicating this with slurs (see piano part). - Mats Lidström.
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Guitar Poems (DI GIROLAMO GIUSEPPE)
25.00
Guitar Poems (DI GIROLAMO GIUSEPPE)
Guitare
Ricordi
20 Stücke für Gitarre solo - 20 Pieces for Guitar Solo. Par DI GIROLAMO GIUSEP...
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20 Stücke für Gitarre solo - 20 Pieces for Guitar Solo. Par DI GIROLAMO GIUSEPPE. With appealing melodies that would be right at home in catchy pop songs, Giuseppe Di Girolamo's Guitar Poems indulges in the overwhelming beauty of the sound of the acoustic guitar. This publication contains all twelve pieces from Letters for You, supplemented by eight newly-composed titles that complete the collection. The pieces are presented progressively and contain comprehensive fingerings to make them as technically accessible as possible. Guitar Poems also includes first-rate demo recordings of all the pieces, performed especially for this edition by the young concert guitarist and international prize-winner Julia Trintschuk. / Niveau : Facile à Intermédiaire / Répertoire / Guitare
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The Real Book - Vol.I - 6Th Ed.
67.20
The Real Book - Vol.I - 6Th Ed.
Bass Clef Instruments
[Partition]
Hal Leonard
The Real Books are the best-selling jazz books of all time. Since the 1970s, mus...
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The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than all the notorious errors being fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! Includes 400 songs: All Blues · Au Privave · Autumn Leaves · Black Orpheus · Bluesette · Body and Soul · Bright Size Life · Con Alma · Dolphin Dance · Don't Get Around Much Anymore · Easy Living · Epistrophy · Falling in Love with Love · Footprints · Four on Six · Giant Steps · Have You Met Miss Jones? · How High the Moon · I'll Remember April · Impressions · Lullaby of Birdland · Misty · My Funny Valentine · Oleo · Red Clay · Satin Doll · Sidewinder · Stella by Starlight · Take Five · There Is No Greater Love · Wave · and hundreds more! Editions also available in C, B-flat, and E-flat. Looking for a particular song? Check out the Real Book Songfinder here. / Instruments En Clé de Fa
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The Real Book - Vol.I - 6Th Ed. - C Instruments
67.20
The Real Book - Vol.I - 6Th Ed. - C Instruments
Instruments en Do
[Fake Book]
Hal Leonard
The Real Books are the best-selling jazz books of all time. Since the 1970s, mus...
(+)
The Real Books are the best-selling jazz books of all time. Since the 1970s, musicians have trusted these volumes to get them through every gig, night after night. The problem is that the books were illegally produced and distributed, without any regard to copyright law, or royalties paid to the composers who created these musical masterpieces. Hal Leonard is very proud to present the first legitimate and legal editions of these books ever produced. You won't even notice the difference, other than that all of the notorious errors have been fixed: the covers and typeface look the same, the song list is nearly identical, and the price for our edition is even cheaper than the original! Every conscientious musician will appreciate that these books are now produced accurately and ethically, benefitting the songwriters that we owe for some of the greatest tunes of all time! Includes 400 songs: All Blues · Au Privave · Autumn Leaves · Black Orpheus · Bluesette · Body and Soul · Bright Size Life · Con Alma · Dolphin Dance · Don't Get Around Much Anymore · Easy Living · Epistrophy · Falling in Love with Love · Footprints · Four on Six · Giant Steps · Have You Met Miss Jones' · How High the Moon · I'll Remember April · Impressions · Lullaby of Birdland · Misty · My Funny Valentine · Oleo · Red Clay · Satin Doll · Sidewinder · Stella by Starlight · Take Five · There Is No Greater Love · Wave · and hundreds more! Editions also available in B-flat, E-flat, and Bass Clef. Looking for a particular song' / Instruments En C
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Ultima speranza (SCHNEBEL DIETER)
64.20
Ultima speranza (SCHNEBEL DIETER)
Voix de Femmes (Soprano), Saxophone, Piano et Perc
[Conducteur et Parties séparées]
Schott
(Bachmann Poems I). Par SCHNEBEL DIETER. / Répertoire / Voix de Femmes (Soprano...
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(Bachmann Poems I). Par SCHNEBEL DIETER. / Répertoire / Voix de Femmes (Soprano), Saxophone, Piano et Perc
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Lennox Berkeley: I Carry Your Heart With Me: Medium Voice: Vocal Score
7.99
Lennox Berkeley: I Carry Your Heart With Me: Medium Voice: Vocal Score
Voix moyenne, Piano
[Partitions]
Chester
Lennox Berkeley's I Carry Your Heart With Me for medium Voice and Piano.'Sometim...
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Lennox Berkeley's I Carry Your Heart With Me for medium Voice and Piano.'Sometime in 1970 I gave Lennox Berkeley a volume of poems by the American poet E. E. Cummings (1894-1962) since mysister Meriel Dickinson and I were commissioning him towrite a song-cycle for a whole programme of settings of Cummings. At the time he became involved with Chinese poetry and we were delighted with the Chinese Songs Op. 78.However a year or so later in July 1972 Berkeley did set a poem by Cummings. This was ‘i carry your heart with me’ from 95 Poems (1958) and he dedicated the song to the countertenorTay Cheng Jim.The manuscript leavesfew questions. Obviously the pedal sustains the sextuplet and triplet groups at the start and finish. It is possible that all the As in bar 32 of the left hand piano part should be flat although there are clashes like thiselsewhere. A few phrase-marks have been added on existing patterns.' - Peter Dickinson
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Per Nørgård: To H.C. Andersen Poesier: SATB: Vocal Score
5.50
Per Nørgård: To H.C. Andersen Poesier: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Wilhelm Hansen
To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to mus...
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To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to music by Per Nørgård for SATB choir and SSA choir. 1. Lysets færdreland / The Native Land of Light (for mixed chorus SATB)2. Løft mig kun bort / Come lift me up (for mixed chorus SSA*) *) the second movement may be performed by a children’s chorus or by the female voices (SSA) from a mixed chorus Programme note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersenrealized his visions images like: “The Melody of the Heart” “The Poem of Beauty” “A Spiritual Hindustan” “Fly Death over the Sea of Time fly to Eternal Summer”. Along with this “childishness” Hans Christian Andersen’s poetry encompasses enormous – almost Willim Blake-ish – cosmic visions in the interpolations between e.g. “reaching the Heaven” as opposed to “you’ll find it in a Rosebud” or the juxtaposition of “Everyday Life” and “Eternal Poetry” - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace – if you will. Per Nørgård
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The Tower and The Garden (SPEARS GREGORY)
305.00
The Tower and The Garden (SPEARS GREGORY)
Chœur Mixte SATB et Quatuor à Cordes
[Conducteur et Parties séparées]
-
Avancé
Schott Helicon Music Corporation
Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for cho...
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Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the collection “Cables to the Ace,” was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ’s disciples slept on the eve of his crucifixion. Merton compares their slumber to society’s indifference to the destruction of our natural world by potentially dangerous new technologies and war. The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendency for technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain. The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman’s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued by the role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable in his film The Garden, which was shot on location in Dungeness. – Gregory Spears / Niveau : Avancé / Répertoire / Chœur Mixte SATB et Quatuor à Cordes
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The Tower and The Garden (SPEARS GREGORY)
142.80
The Tower and The Garden (SPEARS GREGORY)
Chœur Mixte SATB et Quatuor à Cordes
-
Avancé
Schott Helicon Music Corporation
Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for cho...
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Par SPEARS GREGORY. The Tower and the Garden is a setting of three poems for choir and string quartet. The texts juxtapose the dangers of technological hubris (the tower) and the need for a place of refuge (the garden) in a world threatened by war and ecological disaster. Each text suggest ways in which Catholic thought and imagery might challenge the status quo. The first text, poem 80 from the collection “Cables to the Ace,” was written by Trappist monk and social activist Thomas Merton. It is an eschatological meditation on the garden of Gethsemane, where Christ’s disciples slept on the eve of his crucifixion. Merton compares their slumber to society’s indifference to the destruction of our natural world by potentially dangerous new technologies and war. The second text was written by poet and Catholic activist Denise Levertov. It is a meditation on the Tower of Babel and the tendency for technology in the information and nuclear age to serve only its own growth and to potentially destroy our lives in the bargain. The third poem, written by Keith Garebian, is an homage to queer filmmaker Derek Jarman and his cottage garden at Dungeness on the English coast. Situated precariously between a towering nuclear power plant and the sea, the garden was Jarman’s austere refuge during the final months of his struggle with AIDS. While an atheist and highly critical of the church, Derek Jarman was intrigued by the role religious and hagiographic narratives could play in his filmic indictments of Thatcher-era Britain. This is most notable in his film The Garden, which was shot on location in Dungeness. – Gregory Spears / Niveau : Avancé / Répertoire / Chœur Mixte SATB et Quatuor à Cordes
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Sam Pegg: A Child of The Snows: SATB: Vocal Score
1.95
Sam Pegg: A Child of The Snows: SATB: Vocal Score
Chorale SATB
SATB, Piano
[Vocal Score]
Spartan Press
Sam Pegg's A Child Of The Snows for SATB choir and Piano accompaniment is a sett...
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Sam Pegg's A Child Of The Snows for SATB choir and Piano accompaniment is a setting of a poem by G. K. Chesterton. Chesterton was known as an avid traveller and was a friend to all he met on his wanderings. In his own house he was famed for his warmth and hospitality. For him the inn was almost a spiritual symbol. 'In all of my settings of his poems I have tried to convey the sense of a yearning journey of life coupled with the joy of finding something thought lost forever: we travel to a place that if we are truthful we never really left. In A Child of the Snows I have tried to suggest the wandering wondering journey to the next staging post 'the Inn at the end of the world'. - Sam Pegg There is heard a hymn when the panes are dim And never before or again When the nights are strong with a darkness long And the dark is alive with rain. Never we know but in sleet and in snow The place where the great fires are That the midst of the earth is a raging mirthAnd the heart of the earth a star. And at night we win to the ancient innWhere the child in the frost is furled We follow the feet where all souls meetAt the inn at the end of the world. The gods lie dead where the leaves lie red For the flame of the sun is flown The gods lie cold where the leaves lie gold And a Child comes forth alone.
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Fence Posts And Other Poems
Divers
Schott
Textes de mélodies, de ' Sound enveloppes ', de mouvement et de composition éc...
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Textes de mélodies, de ' Sound enveloppes ', de mouvement et de composition écrite par les enfants, les poètes sélectionnés et l'éditeur. Bienvenue de nouveau matériel de fabrication de la mélodie créatif et improvisation (y compris les jazz). / Divers
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A Fishsummer Night's Dream (IGUDESMAN ALEKSEY)
32.20
A Fishsummer Night's Dream (IGUDESMAN ALEKSEY)
2 Violons (duo)
Universal Edition
Easy Violin Duets. Par IGUDESMAN ALEKSEY. Sir Roger Moore's drawings together wi...
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Easy Violin Duets. Par IGUDESMAN ALEKSEY. Sir Roger Moore's drawings together with Aleksey Igudesman's music and poems make a wonderful package - all about fish. Written for two violins, these easy pieces would be great fun for developing players. The enclosed CD provides inspiring demonstration performances and play-along tracks for each part. The pieces could be performed with or without the relevant poem, either way, they are sure to be appreciated! Proceeds from the sale of each book are donated to UNICEF. • Easy violin duets with humorous poems by Aleksey Igudesman and amusing fish drawings by Sir Roger Moore • Incl. CD recorded live with full performances and play-alongs for the first and second parts • All duets are suitable as performance pieces • Proceeds from the sale of this book are donated to UNICEF/ Recueil / 2 Violons
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I Love All Beauteous Things (WEIR JUDITH)
7.70
I Love All Beauteous Things (WEIR JUDITH)
Chorale SATB
SATB, Orgue
[Partition]
Chester
Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Jud...
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Par WEIR JUDITH. Celebrate HM The Queen's 90th Birthday with your choir Sing Judith Weir's special new choral piece I Love All Beauteous Things Master of the Queen's Music, Judith Weir, has been commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016. The piece is now available from Chester Music, so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include this approachable setting of Robert Bridges' poem. Directed by Andrew Carwood, the St Paul's Cathedral Choir will perform I love all beauteous things as part of the National Service of Thanksgiving which will take place on at 11am on 10 June in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury will give the address and the Prime Minister will read a lesson. The event will be televised live on BBC1. Judith Weir comments: 'It is a particular honour to contribute new music for this great occasion, and a pleasure to write a choral version of Robert Bridges' beautiful verse.' Preview the score here Download the digital sheet music here COMPOSER'S NOTE At the suggestion of Michael Hampel, Precentor of St Paul's Cathedral, I have set words by Robert Bridges, who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer, whose poetry has inspired me before in The Voice of Desire, a song-cycle for mezzo-soprano and piano. This short, fast-tempo setting aims to emulate the swift, fleet-footed rhyme and metre of the two-verse poem, with its unobtrusive but telling reference to 'man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen, generously supported by the Boltini Trust. Performed at the National Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral, London, on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir, Master of the Queen's Music, words by Robert Bridges, Poet Laureate in the year HM The Queen was born. Duration c. 3½ minutes I LOVE ALL BEAUTEOUS THINGS words by Robert Bridges OM (1844-1930) Poet Laureate 1913-30 I love all beauteous things, I seek and adore them - God hath no better praise, And man in his hasty days Is honoured for them. I too will something make And joy in the making - Altho' to-morrow it seem Like the empty words of a dream Remembered on waking. (I love all beauteous things, etc…)/ Feuillet / Choeur Mixte (SATB) et Orgue
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I'll have the Whetstone (FRANCES-HOAD CHERYL)
15.30
I'll have the Whetstone (FRANCES-HOAD CHERYL)
Flûte à Bec
[Partition]
Chester
Anonymous Folk Poem-Soprano, Recorder (Soprano, Treble and Tenor Recorders) 1 pl...
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Anonymous Folk Poem-Soprano, Recorder (Soprano, Treble and Tenor Recorders) 1 player-2 playing score. Par FRANCES-HOAD CHERYL. Commissioned by John Turner for Gordon Crosse's 80th Birthday concert at The Martin Harris Centre, Manchester University, 22nd October 2017. Premiered by Lesley-Jane Rogers (soprano) and John Turner (Soprano, Treble and Tenor recorders). I'll have the Whetstone for soprano and recorder was written especially for Gordon on his 80th Birthday. When trying to find a text to set for the work, John Turner suggested I turn to The Guizer by one of Gordon's longtime friends, Alan Garner. In fact this book, which is a collection of stories about fools (!) was dedicated to Gordon! The anonymous folk poem that I chose immediately appealed to me and I had great fun setting the whimsical lines! / Date parution : 2022-02-03/ Répertoire / Flûte à Bec
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The Sky Stretched Thin (FRANCES-HOAD CHERYL)
9.50
The Sky Stretched Thin (FRANCES-HOAD CHERYL)
Violon
[Partition]
Chester
Par FRANCES-HOAD CHERYL. The Sky Stretched Thin, a four-minute piece for baroque...
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Par FRANCES-HOAD CHERYL. The Sky Stretched Thin, a four-minute piece for baroque or modern violin, takes inspiration from a poem by Simon Armitage written during lockdown with the same title. The week that I read this newly published poem, I also swam in the (very cold!) saltwater of the River Crouch in Essex for the first time in the year. The view from the middle of the river of land, water and sky seemed to stretch for miles, and the waves of high tide were gentle yet powerful: in this short work I sought to convey the sense of peace and connection to nature that I experienced whilst swimming. ?Cheryl Frances-Hoad, 2021 / Date parution : 2022-09-07/ Répertoire / Violon
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Alexander Scriabin: Poem Of Ecstasy And Prometheus: Orchestra: Score
Orchestre
Dover Publications
In the early years of our century when vital new forces were revolutionising th...
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In the early years of our century when vital new forces were revolutionising the arts Russian-born Alexander Scriabin (1872-1915) was one of the visionary pioneers who sought a new musical language. At least a full decade before the advances of Stravinsky and Schoenberg Scriabin had begun the process of a complete break with all musical conventions. By 1905 he was immersed in a search for a way to express in sound the mystical and theosophical ideas obsessed him. Scriabin’s last two orchestral works were the products of a virtual delirium of composing. Simultaneously refining his poem called Poem of Ecstasy andcompleting the symphony that grew out of it (and shared its name) Scriabin never forgot the rapture of composing this work about creation and self-fulfilment: “I gasp for breath but oh what bliss! The very meter kindles the meaning…” Prometheus: Poem of Fire – Scriabin’s last and most revolutionary symphony – portrays Man’s epic journey from the mists of beginning time to a wonderous self-realisation given the gift of fire and light to make creative vision possible. Massively scored Prometheus incorporates a “colour Organ” to bathe the performance space in a vast interplay of coloured lights. For the music professional and every student of composition orchestration and conducting both scores are strikingly original and instructive. Equally fascinating are Scriabin’s approach to composition the extraordinary sonorities of his orchestra and his fanciful often supercharged performance instructions that replace conventional words for tempo mood and expression.
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Judith Weir: Judith Weir: I Love All Beauteous Things: SATB: Vocal Score
4.50
Judith Weir: Judith Weir: I Love All Beauteous Things: SATB: Vocal Score
Chorale SATB
SATB, Orgue
[Vocal Score]
Chester
Master of the Queen’s Music Judith Weir was commissioned by St Paul&rsqu...
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Master of the Queen’s Music Judith Weir was commissioned by St Paul’s Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen’s 90th birthday in 2016.The piece is now available from Chester Music so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include thisapproachable setting of Robert Bridges’ poem.Directed by Andrew Carwood the St Paul’s Cathedral Choir performed I love all beauteous things as part of the National Service of Thanksgiving whichtook place on at 11am on 10 June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury gave the address and the Prime Minister read a lesson. Judith Weircomments:'It is a particular honour to contribute new music for this great occasion and a pleasure to write a choral version of Robert Bridges’ beautiful verse.'COMPOSER’S NOTEAt the suggestion of Michael Hampel Precentor of St Paul’s Cathedral I have set words by Robert Bridges who was Poet Laureate from 1913–1930. Bridges was an outstanding humanitarian and writer whose poetry hasinspired me before in The Voice of Desire a song-cycle for mezzo-soprano and piano. This short fast-tempo setting aims to emulate the swift fleet-footed rhyme and metre of the two-verse poem with its unobtrusive but tellingreference to ‘man in his hasty days’.J.W.Commissioned by the Chapter of St Paul’s Cathedral to mark the 90th birthday of HM The Queen generously supported by the Boltini Trust. Performed at theNational Service of Thanksgiving for HM The Queen’s birthday at St Paul’s Cathedral London on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh.Music by Judith Weir Master of
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Gabriel Jackson: Yes I Am Your Angel: SATB: Vocal Score
2.50
Gabriel Jackson: Yes I Am Your Angel: SATB: Vocal Score
Chorale SATB
SATB A Cappella
[Vocal Score]
Oxford University Press
Yes I Am Your Angel by Gabriel Jackson for SATB unaccompanied.The text for this...
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Yes I Am Your Angel by Gabriel Jackson for SATB unaccompanied.The text for this imaginative and effective piece by Gabriel Jackson is a response to Allen Ginsberg's A Supermarket in California by Latvian poet K rlis V rdi š translated here by Ieva Lešinska. As in Ginsberg's poem the initial setting is a supermarket depicted with vivid imagery such as 'a weary shrivelled apple' before the angel protagonist expounds on their observations about contemporary society. Pleasingly alliterative lines such as 'he'd babble boozily about tanks' are artfully given rhythmic emphasis by Jackson who fullyexploits the dramatic intent of the poem giving space for the text to come through by homophonic setting a pure harmonic language and often sparse textures.
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Ricky Ian Gordon: A Horse with Wings: Vocal Solo: Vocal Album
25.99
Ricky Ian Gordon: A Horse with Wings: Vocal Solo: Vocal Album
Voix moyenne, Piano
Hal Leonard
Medium High Voice-Medium High Voice. Collection of 21 songs including interesti...
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Medium High Voice-Medium High Voice. Collection of 21 songs including interesting notes about each from the composer. Contents: Afternoon on a Hill · Air · An Old Fashioned Song · Coyotes · Fewer Words · A Horse With Wings · I Am Cherry Alive · Janet Underneath the Roses · The Lake Isle Of Innisfree · My Sister's New Red Hat · Once I Was · Poem (Lana Turner Has Collapsed!) · The Red Dress · Souvenir · Sweet Song · Sycamore Trees · The Special Picnic · The Spring and the Fall · What Shall We Remember' · White Haired Woman · Will There Really Be a Morning'
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John Luther Adams: Poem Of The Forgotten: Voice: Vocal Work
6.99
John Luther Adams: Poem Of The Forgotten: Voice: Vocal Work
[Vocal Score]
Taiga Press
John Luther Adams' Poem Of The Forgotten for Voice and Piano. Duration: 5 minute...
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John Luther Adams' Poem Of The Forgotten for Voice and Piano. Duration: 5 minutes. This work sets a text by John Haines and is dedicated to Haines on the occasion of his 80thbirthday. I came to this place a young man green and lonely. Well quit of the world I framed a house of moss and timber called it a home andsat in the warm eveningssinging to myself as a man singswhen he knows there isno one to hear. I made my bed under the shadow of leaves and awokein the first snow of autumnfilled with silence. - John Haines
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Don Freund: End of Summer from Poem Symphonies Set I: Full Score
Lauren Keiser Music Publishing
Can be performed as a part of Poem Symphonies Set I. Inspired by the poetry of S...
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Can be performed as a part of Poem Symphonies Set I. Inspired by the poetry of Stanley Kunitz.
18.99 GBP - vendu par Musicroom GB
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Don Freund: End of Summer from Poem Symphonies Set I: Wind Ensemble: Score
Lauren Keiser Music Publishing
for Wind Ensemble-Can be performed as a part of Poem Symphonies Set I. Inspired ...
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for Wind Ensemble-Can be performed as a part of Poem Symphonies Set I. Inspired by the poetry of Stanley Kunitz.
18.99 GBP - vendu par Musicroom GB
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Couverture
Eric Whitacre: A Boy and a Girl: Orchestra: Score and Parts
67.99
Eric Whitacre: A Boy and a Girl: Orchestra: Score and Parts
Orchestre
Hal Leonard
A Boy and a Girl. A note from the composer: A Boy and a Girl is such a tender, d...
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A Boy and a Girl. A note from the composer: A Boy and a Girl is such a tender, delicate, exquisite poem. I simply tried to quiet myself and find the music hidden within the words. I'm often asked which of my compositions is my favorite. I don't really have one that I love more than the others, but I do feel that the four measures that musically paint the text never kissing may be the truest notes I've ever written. -Eric Whitacre
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