The popular series of chart-favourites for easy guitar reaches its fifth volume! Something for everyone and a lot more! Packed full to the limits with 101 of the hottest guitar anthems and pop classics from the likes of Travis, McFly, Badly Drawn Boy, Franz Ferdinand and Paul Simon , this is one collection simply not to be missed. All the songs are arranged for easy guitar, so you can get your hands around them in no time. Songs include 20th Century Boy , Molly's Chambers , American Pie , Light My Fire and Muscle Museum . / Guitare

Bon Jovi have remained a huge global phenomenon since their leap to stardom in the mid-1980s, combining the feel-good entertainment of rock'n'roll with the dynamics and pyrotechnics of hard rock to create unstoppable stadium anthems. From the early days of Livin' On A Prayer , right up to Have A Nice Day , the masterful guitar work and gigantic smiles have seen the band outlast countless contemporaries and defy the fickle turns of fashion. This collection of accurate tablature transcriptions features Bon Jovi at their very best, packed with hits including Wanted Dead Or Alive and You Give Love A Bad Name . / Guitare Tablatures

Par BON JOVI. Complète de tablatures pour guitare et arrangements pour la notation standard de trois albums classiques: ' Keep The Faith ', ' Cross Road ' et ' These Days ', Incluses les paroles, symboles d'accord et guide de tablature. / Rép International / Recueil / Divers

A great selection of hits from The Beatles, Boyzone, The Corrs, Geri Halliwell, Elton John, Madonna, Ricky Martin, Oasis, Steps, Shania Twain, Westlife, Robbie Williams and many more chart-topping artists. Specially arranged for flute by Jack Long, complete with chord symbols. / Flûte Traversière

At First Light was commissioned by Eric Bruskin a resident of Philadelphia USA in memory of his mother. Eric had a longstanding enthusiasm for my work and I was touched to be the person he approached for a task which is both a privilege and a daunting responsibility. In a sense no music can ever measure up to the weight of love or the hope of consolation vested in it under such circumstances – but in memory I carry the deaths of both my own parents and I was able to draw upon that. Eric’s fondness for my Cello Sonata (itself written in memoriam) led him to ask that I include a solo ‘cello part in the new work – but his attachment also to my polyphonic sacred choral writing meant that he wanted a centrepiece which would be both a showcase of that approach and the celebration of a life well lived. Therefore the seven movements of At First Light arrange themselves as a series of slow meditations surrounding an exuberant 9-minute motet in which the lamenting cello falls temporarily silent. Eric’s Jewish faith meant that approaching an agnostic humanist brought up within the Anglican tradition was hardly free of problems! Gradually though I was able to win his approval for a collated mosaic of texts. This embraces some liturgical Latin (necessary for the motet) as the shared preserve of broad western culture in general but balances it with a secular approach to loss celebration remembrance and the many shades of our mourning those whom we see no longer. Eric was adamant that he did not want the title Requiem; but what has emerged is still a form of semi-secular Requiem in all but name taking its title instead from a phrase in the poem by Thomas Blackburn set as the third movement. This seemed to suggest succinctly how the loss of one very close to us is an awakening into an unfamiliar world where everything is changed. Following the exuberant central movement the texts by the Lebanese-born Kahlil Gibran and the US Kentuckian poet Wendell Berry first address the departed loved one directly then place us within an imaginary funeral cortège where the perennial and universal in human experience become personal without subscribing explicitly to any particular faith (or lack of it). The final text of all is a translation of a Hebraic prayer requested and provided by Eric Bruskin which serves to mirror its Latin counterpart heard at the outset. Throughout the lamenting cello represents a commentary on the experience articulated in the text. It evokes and in a sense tries to embrace and sanctify the individual existential journeys of the bereft as they in turn seek to make their own sense of what the short-lived Second World War poet Alun Lewis called ‘the unbearable beauty of the dead’ (movement 5). In a modern world hostage to ever greater menace displacement bloodshed and anguish I hope fervently that this music not only brings a measure of solace to the person who commissioned it but also makes its own small contribu

A Service of Joy and Reflection-This essential resource for Resurrection Sunday is a festive worship service designed for churches of any size. Beautifully orchestrated and wonderfully crafted to enable quick learning and maximum impact this worship set includes everything you need to fill your Easter service with glorious praise and also provide a time of meaningful reflection on the Cross. Incorporating responsive readings with time-honored hymns and newly composed music this 15-minute choral treasure has something for everyone. A hearty line-up of support products is available to facilitate your learning and presentation. Powerful! Songs include: Why Do You Seek the Living Among the Dead' Alleluia Alleluia Prayer at the Cross Reflections on the Cross Take My Life and Let It Be. Score and parts (fl ob cl hn clo perc - one player per part) available as a Printed Edition. ScorePlay - click to view score with recording.

All the tracks from Bon Jovi's 1994 Best of... album, including Livin' On A Prayer, Keep The Faith, Always, Blaze Of Glory and Someday I'll Be Saturday Night . Each track is arranged for voice, piano and guitar and includes full lyrics and guitar chord boxes. / Piano/Vocal/Guitare (PVG)

A musical expression of the lament of a Queen for her dead husband Aed mac Ainmirech King of Tara died AD 598. For handbells and soprano solo.

100 songs from the past half-century, arranged for Piano, Vocal and Guitar in this Volume One of Fifty Years Of Hits. Featuring some of the greatest songs spanning decades, genres and entire musical eras, this massive will be a mainstay on any musician's music stand.Featuring many of The Beatles' finest tracks, Fifty Years Of Hits also runs through Joni Mitchell's career, and includes songs by Leonard Cohen and Dusty Springfield. Moving from the early years to the 1990s and Britpop, the book features Piano, Vocal and Guitar arrangements of Oasis and Travis, before moving into the current pop world with Taylor Swift, Ed Sheeran, Jessie J, Little Mix and Emeli Sandé, among many many more. / Piano/Vocal/Guitare (PVG)

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Trombone

This series offers a versatile selection of music for flute, clarinet, alto sax, tenor sax, trumpet, horn in F, trombone, violin, viola, and cello. Each book contains carefully edited arrangements appropriate to each instrument, and is well suited for level 2-3 students. The CD includes a fully orchestrated demo track of each song, which features a live instrumental solo performance, followed by a play-along track. Also included are PDFs of piano accompaniments, and Alfred's Tempo Changer Software. / Saxophone Tenor