Faure's Requiem, op. 48, is his only large-scale sacred composition and certainly his most important essay in the genre. Already popular with audiences during his lifetime, its success continues to this day. For this new edition, Yves Castagnet, titular organist of the choir organ at Notre Dame in Paris and deeply rooted in the French tradition of organ-playing, has transposed the orchestral setting to his instrument. In doing so, he has retained the transparent structure and rich color of the orchestral score – not least thanks to varied and stimulating suggestions for registration. This wonderful Requiem setting is now available in a modern version for choir and organ, just in time for the Fauré commemorative year in 2024! The vocal scores and choral scores of the original symphonic version (Carus 27.312) can be used together with this organ setting. / Choeur et ensemble vocal / Carus

Love me sweet was composed for the occasion of the composer's wedding in July 2010. The text consists of four verses taken from Elizabeth Barrett Browning's ironic poem A Man's Requirements which ends with the couplet, 'I will love thee - half a year - As a man is able.' This setting responds to the purer sentiments of the earlier verses, employing a lilting metre, a harmonic idiom and a piquant sprinkling of dissonance. An inspiring selection of new works from a range of contemporary composers, the Novello New Choral Series offers pieces for all types of choirs, including sacred and secular works from simple, four-part settings to more expansive, yet accessible, repertoire in an exciting variety of styles. Tom Wiggall is a London-based composer writing mainly for voice, stage and screen. In recent years Tom's work has taken in large-scale community opera projects, numerous anthems and songs, and music for film and television including Melvyn Bragg's ITV1 series Faith in the Frame and Channel 4's The Art Show. Tom is also Director of Music at Highgate School. / Choeur SATB

The world lost one of the great pioneers in sacred music when John W. Peterson passed away. Tom Fettke has provided a loving tribute to this music legend that inspired a generation of church musicians with his songs and cantatas.Combining two of his most recognizable songs – “I Believe in Miracles” and “It Took a Miracle” – in an anthem of soaring inspiration this piece will bring back treasured memories and remind usall of God's glory and grace.

Cantolopera is a publishing project devoted to students, professionals and enthusiasts who wish to approch the great vocal repertoire for practicing, performing or simply singing opera arias, sacred pieces, songs, standards. The editions include a vocal score and one or more CD containing orchestral accompaniment performed by Compagnia d'Opera Italiana, with its orchestra of over 130 instrumentalists. Each volume also contains the texts to be sung, in both Italian and English, accompanied by a note on their context. / Mezzo-Soprano Et Piano

Tonalité : A-Dur -. Par HASSE JOHANN ADOLF. This setting of the famous Marian antiphon was composed in 1736 for the Ospedale degl'Incurabili. It is the only sacred work by Hasse which was published during his lifetime [London, 1740]. / Hymnes et chorals / Répertoire / Solo à (Ms), 2 Violons, Alto et Basse Continue

Herbert Howells’ Magnificat and Nunc Dimittis (Collegium Regale) for SATB and Organ accompaniment is a vibrant sacred work with beautiful voicings and a wonderful effervescence. This is rich and colourful church music with integrity he has successfully brought together Tudor church music and merged it with modern harmony and counterpoint. It is this best-of-both-world’s feature that makes Howell’s version of the Magnificat and Nunc Dimittis a pleasing one and it is dedicated to King's College Cambridge.

For SSATB (with divisions) unaccompanied. This setting of a poem by William Blake is evocative and appealing. Jackson ingeniously offsets simple pure harmonies against moments of chromaticism to create beautiful fresh music which perfectly captures the essence of the words.New Horizons showcases the wealth of exciting innovative and occasionally challenging choral music being written today. It encompasses the whole gamut of small-scale choral genres both secular and sacred and includes pieces for upper-voice and mixed choirs. With titles by some of the most accomplished choral composers active in Great Britain and abroad the series introduces new repertoireand fresh talent to a broad spectrum of choirs.New Horizons features composers with growing reputations for quality composition reflecting a strong individual voice. The series is continually expanding and should be the first place to look for attractive and performable contemporary choral music.

Lead Kindly Light is taken from Howard Goodall's Eternal Light: A Requiem. Whereas Mozart Verdi and Fauré interpreted the sacred Requiem text literally Goodall's Requiem by contrast is distinguished by the inclusion of English poetry mixed with fragments of Latin sung simultaneously or antiphonally between the soloists and the choir.

Sacred Music from the Baroque and Classical-Seven popular choruses from the Baroque and Classical periods are gathered together in this collection that offers quality and value. Excellent for contest and festival! Includes: Achieved Is Thy Glorious Work (Haydn) BreakForth O Beauteous Heavenly Light (Bach) Gloria (from Heiligmesse/Haydn) Jubilate (Mozart) Let The Whole Earth Stand In Awe (Handel) Sicut Locutus Est (Bach) Swell The Full Chorus (Handel). Available separately: SATB.

Arrangé Pour Sextour À Vents Par Nicolas Prost 2016. Par BERLIOZ HECTOR. This arrangement written by Nicolas Prost in 2016 is a free reconstitution of the lost work Hymne sacré pour les instruments de Sax (Sacred song for the instruments of Sax), which was first performed at the Hertz concert hall in Paris on 3 February 1844. Adolphe Sax himself played the saxophone part. It was the first time that this instrument was played in a concert. The piece performed was an arrangement of Chant sacré for six voices and piano composed by Berlioz in December 1843. / Niveau : 3 / Répertoire / Ensemble d'Instruments à Vent

The four volumes in this series are designed to contribute to musical and vocal development at the next progressive level of study following The First Book of Solos series. Singers using this set will be exposed to songs withwider ranges that require more vocal flexibility and vocal control. The songs in this collection represent various periods of music history as well as selected sacred solos. Compiled by Joan Frey Boytim.

There is a driving confidence in both the message and the music of this new invitation to faith. After a short slower quote from the traditional hymn Lead Me Lord the song energizes into a contemporary sound that will energizethe gathered faithful. This anthem is an excellent example of blended approach to stylistic inclusivity. Youth and adults alike will resonate with the festive spirit of this sacred choral. A winner! Included on LiteTraxAccompaniment CD. Supports: Proverbs 3:5-6 Psalms 5:8 4:8 Jeremiah 20:7-13 Genesis 21:8-21

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

Uses: Advent Epiphany GeneralScripture: John 10:3This anthem is a sacred tone poem shining with the light of hope. Illuminated with the warmth of a rich harmonic syntax this singular choral isrefreshing to the ears and spiritually encouraging to the heart. The lush and colorful orchestration creates a soundtrack to this message of divine faithfulness. Available separately: SATB Studiotrax CD Orchestration (Score andparts for Piccolo flute oboe Bb Clarinet Bass Clarinet Bassoon Horns 1&2 Glock Perc Timp Harp Piano Violin 1&2 Viola Cello Double Bass). Duration: ca. 2:49.

Tonalité : C-Moll - Op.: 149 -. Par RHEINBERGER JOSEF GABRIEL. The field of sacred chamber music, apart from vocal music and the solo-organ repertoire, often lives in the shadows. Thus the reprint of this valuable trio is all the more welcome. The organ has the same role here as the piano in a piano trio! [Württembergische Blätter für Kirchenmusik May 1993, p. 192]/ Répertoire / Violon Solo, Violoncelle Solo, 2 Violons, Alto, Vi