Until the launch of the Flying V and Explorer in 1958 electric guitars were supposed to look like...guitars. Suddenly Gibson turned conventional design upside down almost literally by using straight lines and angular body shapes changing the way electrics could look and in the process creating a set of rare future collectables.Flying V Explorer Firebird tells the story of those first peculiar instruments and goes on to describe Gibson's second attempt at nonstandard designs with the Firebird of the early '60s. The book shows how most of these were a commercial failure at first and goes on to detail the influence of the designs on Guitar-makerssuch as Hamer Jackson Dean Ibanez and BC Rich all of whom embraced Gibson's original weird-is-good design ethic. In parallel with the story of the makers is an absorbing account of the players who discovered these odd-shaped instruments including Zakk Wylde (Black Label Society) Edge (U2) and Rick Nielsen (Cheap Trick).Interviews with players and makers illuminate the story of this fascinating assortment of Electric Guitar innovations alongside specially commissioned images of every key model and brand and an enviable collection of Guitar memorabilia plus a gallery of leading guitarists photographed in action with their instruments. If it's weird and has strings it's in Flying V Explorer Firebird.

The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition” then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses” markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière

All the songs from the best-selling compilation album arranged from the actual recordings in the original keys. Each song includes chord symbols, guitar chord boxes and complete lyrics. / Paroles Et Accords