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Trio (HAILSTORK ADOLPHUS)
34.50
Trio (HAILSTORK ADOLPHUS)
Piano Trio: piano, violon, violoncelle
[Partition]
Hal Leonard
for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commis...
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for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commissioned by the Nova Trio of Norfolk, Virginia. The ethnic diversity of the group influenced the writing of the composition. The first movement is a lament commemorating the Jewish holocaust. The theme presented in the violin occurs in every movement. The second movement scherzo leads directly into the finale, a lively dance in an irregular (11/8) meter. Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-04-01/ Répertoire / Violon, Violoncelle et Piano
34.50 EUR - vendu par LMI-partitions
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RSL Classical Piano Debut (2021)
24.16
RSL Classical Piano Debut (2021)
Piano seul
[Partition + Accès audio]
Rock School Limited (RSL)
The new RSL Classical Piano syllabus aims to reflect the widening tastes of youn...
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The new RSL Classical Piano syllabus aims to reflect the widening tastes of young people, positioning itself at the forefront of the vast array of music available to pianists, encompassing the rich heritage of music from the Baroque right through to the modern day and emerging composers. The repertoire strikes a balance between a radical redesign and maintaining a recognisable structure, and sticks to four key principles: championing ethnically diverse composers, representing genders, acknowledging the history and tradition of piano learning, and enabling students to feel comfortable studying music in a popular and classical environment. The syllabus books are all beautifully presented, and to the high standard for which RSL books have become renowned. Each contains 10 pieces from a diverse range of composers and include everything students need to take their exams, including technical exercises and supporting texts for sight-reading, ear tests and general musicianship questions./ Recueil / Piano
24.16 EUR - vendu par LMI-partitions
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Full Spectrum (HOSAY JAMES L)
147.89
Full Spectrum (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
Par HOSAY JAMES L.. Full Spectrum attempts to capture the beautiful spirit and d...
(+)
Par HOSAY JAMES L.. Full Spectrum attempts to capture the beautiful spirit and diversity of Washington, D. C. Varying meter, complex and countering rhythms, percussion instruments of various ethnic origins, and authentic international rhythmic groovcs are all combined by James Hosay to portray the vast diversity of one of the world’s great cities / Niveau : 4 / Pièce de concert / Répertoire / Concert Band
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Open The Gate. Choral Repertoire From Israel For Equal Voices (Carmina Mundi)
21.50
Open The Gate. Choral Repertoire From Israel For Equal Voices (Carmina Mundi)
Chorale 3 parties
SSA
[Partition]
Carus Verlag
Carmina Mundi. 10 original compositions for female choir. Unlike many countries ...
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Carmina Mundi. 10 original compositions for female choir. Unlike many countries in which music was passed on by word of mouth over generations, Israel possesses no such tradition. Nevertheless the various ethnic groups which have emigrated to Israel have taken their musical traditions there with them. 'Open the Gates' offers - along with two pieces from Morocco and the Yemen - arrangements of classical Israeli songs for female choir./ Répertoire / SSA
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James L. Hosay: Full Spectrum: Concert Band: Score & Parts
116.99
James L. Hosay: Full Spectrum: Concert Band: Score & Parts
Orchestre d'harmonie
Curnow Music
Full Spectrum attempts to capture the beautiful spirit and diversity of Washingt...
(+)
Full Spectrum attempts to capture the beautiful spirit and diversity of Washington D.C. Varying meter complex and countering rhythms percussion instruments of various ethnic origins and authentic international rhythmic groovcs are all combined by James Hosay to portray the vast diversity of one of the world’s great cities
116.99 GBP - vendu par Musicroom GB
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Full Spectrum (HOSAY JAMES L)
147.89
Full Spectrum (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Curnow Music
Par HOSAY JAMES L.. Full Spectrum attempts to capture the beautiful spirit and d...
(+)
Par HOSAY JAMES L.. Full Spectrum attempts to capture the beautiful spirit and diversity of Washington, D. C. Varying meter, complex and countering rhythms, percussion instruments of various ethnic origins, and authentic international rhythmic groovcs are all combined by James Hosay to portray the vast diversity of one of the world’s great cities. / Niveau : 4 / Répertoire / Concert Band ou Harmonie
147.89 EUR - vendu par LMI-partitions
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Full Spectrum (HOSAY JAMES L)
28.58
Full Spectrum (HOSAY JAMES L)
Orchestre d'harmonie
[Conducteur]
-
Intermédiaire/avancé
Curnow Music
Par HOSAY JAMES L.. Full Spectrum attempts to capture the beautiful spirit and d...
(+)
Par HOSAY JAMES L.. Full Spectrum attempts to capture the beautiful spirit and diversity of Washington, D. C. Varying meter, complex and countering rhythms, percussion instruments of various ethnic origins, and authentic international rhythmic groovcs are all combined by James Hosay to portray the vast diversity of one of the world’s great cities. / Niveau : 4 / Pièce de concert / Répertoire / Concert Band ou Harmonie
28.58 EUR - vendu par LMI-partitions
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Beethoven Around The World (BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB)
17.98
Beethoven Around The World (BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB)
Piano seul
Barenreiter
9 Popular Arrangements for Piano solo. Par BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB...
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9 Popular Arrangements for Piano solo. Par BEETHOVEN LUDWIG VAN / ARR JEAN KLEEB. Beethoven often incorporated musical influences from other countries in his works. Jean Kleeb has picked up on this idea and developed it further in these arrangements for piano solo. In his tributes to Beethoven he emphasizes ethnic attributes such as 'alla turca” or he coaxes exotic rhythms out of certain works with playful exaggeration. At other times, he simply enjoys demonstrating the stark differences between the 'classical” piano piece and world music. Enjoy pieces in samba style, with Cuban rhythms or jazzy-Arabic-like scales. These pieces are fun to play, making Jean Kleeb's 'Beethoven Around the World” a true musical pleasure. About the composer: When it comes to music, Jean Kleeb is a globetrotter. A Brazilian of Swiss descent, he has been living in Germany for many years. Travelling the world with his music, he is always seeking new sources of musical inspiration. As a composer, pianist, choral conductor and lecturer, he regularly amazes and entertains his audiences with his boundless musicality and compositional ease. / Date parution : 2019-06-14/ Répertoire / Piano
17.98 EUR - vendu par LMI-partitions
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Franklin Odo: Voices from the Canefields: History
37.99
Franklin Odo: Voices from the Canefields: History
Oxford University Press
Folksongs from Japanese Immigrant Workers in Hawai'i-Voices From The Canefields ...
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Folksongs from Japanese Immigrant Workers in Hawai'i-Voices From The Canefields is a collection of folk songs from Japanese immigrant workers in Hawai'i. Folk songs are short stories from the souls of common people. Some like Mexican corridos or Scottish ballads reworked in the Appalachias are stories of tragic or heroic episodes. Others like the African American blues reach from a difficult present back into slavery and forward into a troubled future. Japanese workers in Hawaii's plantations created their own versions in form more akin to their traditional tanka or haiku poetry. These holehole bushi describe the experiences of one particular group caught in the global movements of capital empire and labor during the late nineteenth and early twentieth centuries. In Voices From The Canefields author Franklin Odo situates over two hundred of these songs in translation in a hitherto largely unexplored historical context. Japanese laborers quickly comprised the majority of Hawaiian sugar plantation workers after their large-scale importation as contract workers in 1885. Their folk songs provide good examples of the intersection between local work/life and the global connection which the workers clearly perceived after arriving. While many are songs of lamentation others reflect a rapid adaptation to a new society in which other ethnic groups were arranged in untidy hierarchical order - the origins of a unique multicultural social order dominated by an oligarchy of white planters. Odo also recognizes the influence of the immigrants' rapidly modernizing homeland societies through his exploration of the 'cultural baggage' brought by immigrants and some of their dangerous notions of cultural superiority. Japanese immigrants were thus simultaneously the targets of intense racial and class vitriol even as they took comfort in the expanding Japanese empire. Engagingly written and drawing on a multitude of sources including family histories newspapers oral histories the expressed
37.99 GBP - vendu par Musicroom GB
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Symfoni Nr. 2 - Snapshot Symphony: Orchestra: Score
Orchestre
Wilhelm Hansen
Niels Marthinsen's Symphony No. 2 - Snapshot Symphony (2009). 1st movement Fiest...
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Niels Marthinsen's Symphony No. 2 - Snapshot Symphony (2009). 1st movement Fiesta Mexicana: fortissimo accelerando (ca. 6 minutes) 2nd movement Arabian Nights: adagio intensivo e furioso (ca. 11 minutes) 3rd movement Great Fireworks in China: giocoso esplosivo e marcatissimo (ca. 8 minutes) Programme note I’ve never been to Mexico and Arabia or to China. But I love the way those countries sound in Hollywood movies and inpop culture generally: When Clint Eastwood rides south of the border when Disney’s Alladin or Mulan takes me far east when arabic pop music roars past me out of the open windows of a car... and bull fighter music and the sound of acrobatic beat-em-up’s in John Woo’s Hong Kong karate movies – and so on: powerful images splashed all over my eye balls and ear drums. My recollections of this ethnic-pop-film-music has turned itself into a symphony. And I don’t even have to just remember what I have heard: A few internet clicks gives me access to incredible sound libraries containing live-and-kicking ethnic music from my three favorite countries just waiting to be put together in new combinations and energize my personal imagery. The symphony is like a huge slide show – musical snapshots from my travels in the western pop culture versions of three exotic locations: Mexico Arabia and China – original and popular melodies welded together by my personal musical language and associations. I use all the effects of modern pling-plong-music plus a few of my own inventions to create a spectacular contemporary orchestral sound sporting a bee hive of melodies from either East or West played simultaneously in different keys and differents tempos at once while kept firmly in place by
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The Hal Leonard Pocket Music Dictionary: Reference Books: Reference
5.50
The Hal Leonard Pocket Music Dictionary: Reference Books: Reference
[Livre]
Hal Leonard
The most contemporary music dictionary on the market comprising: Notation and t...
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The most contemporary music dictionary on the market comprising: Notation and theory terms Instruments including folk and ethnic Pop music electronic music and music business terms. More than 450 capsule biographies of composers and musicians noting dates of birth and death nationality historical period areas of composition and major works. Also includes Instant at-a-glance summaries of the essentials of music: Notation signs and symbols Scales modes and keysignatures.
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
63.30
Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voix
[Partition]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
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Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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Hillbilly Fingerstyle Blues Guitar
26.45
Hillbilly Fingerstyle Blues Guitar
Guitare notes et tablatures
[Partition + Accès audio]
Grossman's Guitar Workshop
Par . The musical appeal of the Blues, as they began to be heard in the early tw...
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Par . The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio. / Date parution : 2021-11-03/ Recueil / Guitare
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JOHN MILLER - HILLBILLY FINGERSTYLE BLUES GUITAR
22.20
JOHN MILLER - HILLBILLY FINGERSTYLE BLUES GUITAR
Guitare notes et tablatures
Mel Bay
The musical appeal of the Blues, as they began to be heard in the early twentiet...
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The musical appeal of the Blues, as they began to be heard in the early twentieth century, was so infectious that musicians with open minds and ears were drawn to it as soon as they heard it. And that appeal crossed the racial and ethnic divides that characterized American society. So it was, that even before African American guitarists were recorded playing fingerstyle blues guitar, their white neighbors had already begun learning the music?listening to, watching, and imitating the musicians whose music they so admired. And what these white musicians ended up expressing in their own playing and singing was not simply imitation, but their own reconfiguration of what their models did, played in accordance with their own senses of rhythm, phrasing and how to sing the music.In Hillbilly Fingerstyle Blues Guitar, author John Miller offers transcriptions, in tablature and standard notation, of twenty-eight pieces by these white fingerstyle blues players, taken from recordings made in the period 1926?1970. Some of the featured musicians in the book, like Sam McGee, Frank Hutchison, Maybelle Carter, Hobart Smith, and Roscoe Holcomb are pretty well known, but the tunes by more obscure players like Debs Mays, Lake Howard, or Lester McFarland certainly don?t suffer by comparison, and in many instances are spectacular. The pieces have been chosen for variety, too?you?ll encounter pieces played in C, E, and A in standard tuning, as well as songs in Open G, Open D tunings and an exotic offshoot of Open G tuning. Downloadable links to all of the original performances from which the transcriptions were made come with the book, so you can get the sound of the tunes in your head. The musicians in Hillbilly Fingerstyle Blues Guitar gravitated towards the Blues because the music spoke to them so strongly that they felt compelled to make it part of their own musical language. And they did just that. These performances are strong and worthwhile in their own right, but they?ll also show you how you can honor those who have inspired you by singing and playing in your own voice. And that?s an important lesson to learn. Includes access to online audio.
1. Hillbilly Fingerstyle Blues Guitar ? An Introduction
2. Learning the Songs
3. Understanding the Tablature
4. The Songs
5. 1) Knoxville Blues?Sam McGee
6. 2) Easy Rider?Sam McGee
7. 3) Railroad Blues?Sam McGee
8. 4) Sally Long?Sam McGee
9. 5) Fuzzy Rag?Riley Puckett
10. 6) Worried Blues?Frank Hutchison
11. 7) Train That Carried The Girl From Town?Frank Hutchison
12. 8) The Miner?s Blues?Frank Hutchison
13. 9) K. C. Whistle?Lester McFarland
14. 10) John Hardy Was A Desperate Little Man?The Carter Family
15. 11) Johnson City Blues?Clarence Greene
16. 12) Brown Skin Blues?Dick Justice
17. 13) Cocaine?Dick Justice
18. 14) She Lied To Me?Emry Arthur
19. 15) Everyday Dirt?David McCarn
20. 16) Take Them For A Ride?David McCarn
21. 17) Jailhouse Rag?David Miller
22. 18) Match Box Blues?Larry Hensley
23. 19) New Chattanooga Mama?Lake Howard
24. 20) Soap Box Blues?Debs Mays
25. 21) Rabbit Blues?Debs Mays
26. 22) Graveyard Blues?Hobart Smith
27. 23) Railroad Bill?Hobart Smith
28. 24) K. C. Moan?Hobart Smith
29. 25) Mississippi Heavy Water Blues?Roscoe Holcomb
30. 26) Riley And Spencer?Fields Ward
31. 27) Raggin? The Wires?E. C. Ball
32. 28) Ain?t No Grave Can Hold My Body Down?E. C. Ball
33. Appendix?Default Chord Positions
34. ABOUT THE AUTHOR
35. Afterword
36. ACKNOWLEDGEMENTS
/ Partitions variété - pop - rock / Variété internationale / Guitare tablatures / MEL BAY
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Flamenco Improvisation Volume 3 (VARGAS ENRIQUE)
56.15
Flamenco Improvisation Volume 3 (VARGAS ENRIQUE)
Guitare
[Partition]
Sher Music Company
Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmon...
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Par VARGAS ENRIQUE. The definitive, comprehensive explanation of both the harmonic and melodic aspects of flamenco! Flamenco Improvisation - Modal Improvisation and Melodic Construction in the Flamenco Environment by famed guitarist Enrique Vargas. This volume deals with new scales in the flamenco modal language. Some of these scales, such as the diminished, wholetone, overtone or hexatonic symmetrical, come from modern classical or jazz. Others come from ethnic modalities which are external to flamenco. The harmonic implications of these scales is analysed and their application in the flamenco environment is explained and illustrated by numerous melodic examples, both original and by renowned flamenco artists. The concept of modal substitutions is introduced and modal polytonality is explained and the notion of replicating dominant scales by minor thirds and tritones is introduced and various ways to resolve a tritone are explained. Appendix I contains a collection of 110 licks in modern penta-, hexa-, hepta- and octatonic scales. Each lick is harmonized and comes with detailed guitar fingerings. Appendix II is a complete thesaurus of vertical and horizontal guitar fingerings for every modern penta-, hexa-, hepta- and octatonic scales in flamenco, in every flamenco tonality. Each lick is recorded with harmonic accompaniment and bass. / Methods & Tutors / Etude / Guitare
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Heritage (OKPEBHOLO SHAWN E)
27.38
Heritage (OKPEBHOLO SHAWN E)
Orchestre d'harmonie
[Conducteur]
Peters
Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concer...
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Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band
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Bruce Bollerud: International Accordion Favorites: Accordion: Instrumental Album
16.99
Bruce Bollerud: International Accordion Favorites: Accordion: Instrumental Album
Accordéon
[Partition + Accès audio]
Mel Bay
This collection by Bruce Bollerud welcomes you to the international world of Acc...
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This collection by Bruce Bollerud welcomes you to the international world of Accordion music. The book contains samples of ethnic folk music from Europe and the Americas and forms the foundation of a basic folkAccordion repertoire. Access to online audio is also included.These songs are from many nations. They are crowd pleasers and they are fun to play. I have played most of these songs in the various bands Ihave played with over the years. These melodies have stood the test of time so what are you waiting for' Open the book get your accordion out and let's play some music!One word about these songs: I generallylearn a song and then play it by heart-by memory as opposed to playing it by reading from a sheet of music. I believe this allows for more personal expression and interpretation which can be affected by audience response or theway I feel at the time. You'll notice that on most of the performances on the audio download available online I didn't play repeats. Because of the limited time available on a disc we found we couldn't fit all the tunes if weplayed them as written. - Bruce Bollerud
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Heritage (OKPEBHOLO SHAWN E)
142.43
Heritage (OKPEBHOLO SHAWN E)
Orchestre d'harmonie
Peters
Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concer...
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Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band
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Old-Time Fiddling Across America: Violin: Instrumental Album
Violon
[Partition + Accès audio]
Mel Bay
A unique collection of 66 fiddle tunes illustrating the major regional styles fo...
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A unique collection of 66 fiddle tunes illustrating the major regional styles found across America and Canada. This book contains rare vintage photographs player's biographical profiles historical and performance notes bowingindications and information on cross-tunings and the American institution of fiddle contests. The authors have collaborated brilliantly on this labor of love to produce a definitive volume of tunes transcribed from recordings bymany of the best fiddlers in North America. Exemplary tunes are included from the Northeast Southeast and Western regions plus various widespread ethnic styles including Cajun Irish Scandinavian Klezmer and Eastern Europeanstyles. Includes access to online audio.
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