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Introducing Saxophone Quartets (RAE JAMES)
32.20
Introducing Saxophone Quartets (RAE JAMES)
Quatuor de Saxophones: 4 saxophones
[Conducteur et Parties séparées]
Universal Edition
Par RAE JAMES. James Rae's eminently successful tutor Introducing the Saxophone ...
(+)
Par RAE JAMES. James Rae's eminently successful tutor Introducing the Saxophone was the first of its kind providing the complete beginner with material in popular styles yet allowing for a sound musical development along traditional lines. Now, complementing the tutor, James Rae has produced these three volumes to introduce the beginner to ensemble playing. The parts are of the same technical level and are written, with hints and tips along the way, to familiarize the beginner with a new set of considerations and become a good team player. easy pieces introducing the various aspects of music making with others all parts are of equal difficulty compatible with Introducing Duets, Trios and Quartets for clarinet especially suited to group teaching ideal material for concerts and examinations/ Recueil / 4 Saxophones
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Christmas Strings (MILLER DONALD)
25.79
Christmas Strings (MILLER DONALD)
Violon et Piano
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be perf...
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With Piano Accompaniment. Par MILLER DONALD. These books are arranged to be performed with various combinations of instruments. This volume presents some of the most beloved repertoire for the Christmas season. Some works are well known, others will sound fresh and new to most players. The pieces may be performed as a solo for each instrument (Violin 1, Violin 2, Viola or Cello) with piano accompaniment, or as duets or trios, as well as full orchestra. If performed with full orchestra, the piano accompaniment is not necessary. The string ensemble series meets all standards for ASTA (American String Teachers Association) and Suzuki Association of the Americas, Inc. If performed with full orchestra, no solo parts should be played except the 1st violin part. Note also, if you wish to perform these works with full orchestra and you are short certain instruments, you still have some flexibility with the score. For example, if there are not enough violas for balance, the viola (harmony part) and 3rd violin part are identical. The part may be played with all 3rd violins or equally divided between 3rd violins and violas. / Niveau : Débutant / Christmas - Ensemble / Recueil / Violon 1 et 2 et Accompagnement Piano
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Character Pieces In Romantic Style, Book 2 (MIER MARTHA)
13.30
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Alfred Publishing
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12 Short Piano Solos. Par MIER MARTHA. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the intermediate to late intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: Beneath the Stars - A Brief Interlude - Elegant Dance - A Faded Memory - Hummingbirds at Play - Majestic Iceberg - My Heart's Secret - The Old Diary - The Promise - Reverie - Summer Love - Tranquility. Composers first began writing character pieces in the Romantic period as a personal, inward-looking form of musical expression, on a smaller scale than sonatas of the Classical period. These new character pieces emulate this important art form and are carefully graded for students at the late elementary to late intermediate level. Some are bold in character, while others are lyrical and introspective. These moods are suggested by each title. Titles: Beneath the Stars * A Brief Interlude * Elegant Dance * A Faded Memory * Hummingbirds at Play * Majestic Iceberg * My Heart's Secret * The Old Diary * The Promise * Reverie * Summer Love * Tranquility/ Recueil / Piano
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Character Pieces In Romantic Style, Book 1 (MIER MARTHA)
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12 Short Piano Solos. Par MIER MARTHA. Composers first began writing character p...
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Corey Christiansen: Essential Jazz Lines: Tenor Sax: Tenor Saxophone:
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(+)
Style Of John Coltrane-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow.This book willfocus on the first period of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss the use ofguide tones bebop scales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. Theaccompanying play-along audio provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys.By combining variouslines musicians will be able to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and youwill be able to create your own lines in the style of John Coltrane. Includes access to online audio.
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
443.60
Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestre
[Partition]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition” (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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O Emmanuel: SATB: Vocal Score
Chorale SATB
[Vocal Score]
Schott
Andrej Makor currently a master student of composition at the Conservatorio Ces...
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Andrej Makor currently a master student of composition at the Conservatorio Cesare Pollini in Padua has already won numerous international composition prizes. The highly respected works by the artist born in Slovenia in 1987 are performed by renowned choirs ensembles and soloists at prestigious competitions and festivals among others. His composition O Emmanuel for which he was awarded the 2nd prize of the International Composition Competition 'Musica Sacra Nova' 2016 is based on the original Gregorian chant of the last of a total of seven so-called O antiphons which are sung at the seven Advent days with the Magnificat at Vespers in anticipation of Christmas Eve.Makor's score which follows the traditional motet form but is structured in a more modern form begins with the original Gregorian chorale. Its melody runs through various voice groupings in the course of the piece. In the concluding 'Domine Deus noster' whose pressing character becomes obvious in the constantly recurring triplet figurations of the middle parts the work imbued with the idea of eternity reaches its extremely impressive climax.
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Double-Symmetrical Augmented Scale (ORO XABIER)
34.70
Double-Symmetrical Augmented Scale (ORO XABIER)
Guitare
[Partition + Accès audio]
Mel Bay
for Jazz Improvisation. Par ORO XABIER. With content ranging from theory and his...
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for Jazz Improvisation. Par ORO XABIER. With content ranging from theory and history to practical exercises, examples, études, and play-along tracks, this book offers the most comprehensive guide ever written for this esoteric and traditionally obscure scale. Simply put, it reveals the last big secret of jazz fusion?s avant-garde.According to which music theorist believes he first discovered it, this scale has been known variously as Messiaen?s mode 3, Slonimsky?s Tcherepnin Scale (honoring his colleague), and Tcherepnin?s own name for it? the 9-note augmented or nonatonic scale.The nine notes of the double-symmetrical augmented scale have fascinated and crucially influenced legendary musicians like John Coltrane, Allan Holdsworth, Mark Turner, Kurt Rosenwinkel, Nelson Veras, Tim Miller, Gary Thomas, and Jerry Bergonzi, among many others.Coltrane?s historic composition, ?Giant Steps,? can be directly attributed to his familiarity with the nonatonic scale. With this book by Berklee College of Music honors graduate, Xabier Oró, you?ll know the secret too.Includes access to online audio. / Date parution : 2022-10-12/ Etude / Guitare
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M. Goddard: Songs without words: Trumpet: Instrumental Album
6.95
M. Goddard: Songs without words: Trumpet: Instrumental Album
PF/PFA::Piano, Piano Accompaniment
[Partition]
-
Intermédiaire/avancé
Spartan Press
Songs Without Words is a set of three short pieces each inspired by a classic t...
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Songs Without Words is a set of three short pieces each inspired by a classic twentieth century poem. There is an underlying theme of 'School'.1. School BellThe music urgently moves forward within an anxiously breathless waltz lest we be late for school. Originally inspired by Eleanor Farjeon's famous poem 'Nine O'clock Bell' where pupils hustle and bustle to school in the morning: Some of them scurrying others not worrying Carelessly trudging or anxiously hurrying.2. A Blitz of a BoyWith an affectionate nod to Charles Causley's sad tale about 'Timothy Winters' who 'hasn't heard of the welfare state'. He sleeps ona sack on the kitchen floor and they say there aren't boys like him anymore.Although the music is laden with pathos there is insuppressible energy too portraying that lovable 'Blitz of a Boy'! 3. A Lesson You'll Never Forget!Roger McGough's black poem 'The Lesson' was the catalyst for this piece. The teacher (and later even the headmaster) set upon a notoriously rowdy class with various lethal weapons systematically murdering all the pupils! He picked on a boy who was shouting and throttled him then and there then garrotted the girl behind him (the one with grotty hair). The baroque style recitative passages represent the school 'establishment' and are contrasted ludicrously with savage harmonic 'stabs' and terrifyingly anxious 'chase scenes' around the class room; this poem is not for the squeamish!
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Corey Christiansen Kim Bock: Essential Jazz Lines in the Style of John Coltrane:
14.99
Corey Christiansen Kim Bock: Essential Jazz Lines in the Style of John Coltrane:
Violon
[Partition + CD]
Mel Bay
Violin Edition-Saxophonist John Coltrane was one of the most innovative creativ...
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Violin Edition-Saxophonist John Coltrane was one of the most innovative creative and influential jazz artists of the 20th Century. Both stylistically and harmonically he opened doors for others to follow. This book will focus on the firstperiod of Coltrane's career when he was with Miles Davis and the jazz vocabulary he used. First to help the student better understand Coltrane's bebop style of improvising the authors discuss the use of guide tones bebopscales three to flat nine targeting and other techniques. Then the text presents numerous one- two- and three-measure jazz lines in Coltrane's style grouped by the harmony over which they can be used. The accompanyingplay-along CD provides the rhythm parts for each section including a track for each section that modulates through the cycle of fourths helping you master the phrases in all keys. By combining various lines musicians will beable to mix and match numerous combinations of these lines to play over ii-V-I progressions turnarounds and other harmonic situations. Incorporate these essential jazz lines into your vocabulary and you will be able to createyour own lines in the style of John Coltrane
14.99 GBP - vendu par Musicroom GB
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Jazz Guitar Soloing : The Cellular Approach
33.60
Jazz Guitar Soloing : The Cellular Approach
Guitare
[Partition]
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Avancé
Sher Music Company
Learn how to solo like the masters! The ultimate practice book for serious jazz ...
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Learn how to solo like the masters! The ultimate practice book for serious jazz guitarists! The Cellular Approach is a practical method for developing the ability to create convincing jazz solos in a wide variety of playing situations. It takes actual jazz lines recorded by master players and then slices them up into small 'cells? that can be re-combined into longer lines to fit almost any harmonic situation. This enables the player to improvise his or her own lines that sound just as interesting and melodic as the masters without resorting to simply copying others. Fingerings and string choices are often given too, making it particularly valuable to guitarists who want to actually master their instrument.There is a complete discussion of how to break out of diatonic-derived lines by using the cellular approach to create 'side-slipping? and other intervallic lines - creating ultra-hip solo phrases in the style of modern masters such as Pat Metheny, Michael Brecker and Herbie Hancock. Finally, the cell concept gets transcended as twelve tone rows in the style of Mike Stern and others are explored, as well as lines derived from '23rd chords? - for the adventurous that are interested in paving a way into the future. / Guitare
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Complete Method (BAY MEL)
22.70
Complete Method (BAY MEL)
Guitare
Mel Bay
Par BAY MEL. Mel Bay's own method for the classic guitar, featuring a thorough g...
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Par BAY MEL. Mel Bay's own method for the classic guitar, featuring a thorough grounding in the fundamentals of music and reading guitar notation, plus graded studies and pieces. This book presents classic guitar technique in a manner that anyone can easily follow. Musical and technical concepts are introduced gradually as needed throughout the text and driven home with ample musical illustrations. Information is provided on: basic right and left-hand techniques, reading standard notation, harmonics, and playing in various keys and positions. In addition to the many classical etudes included here by Aguado, Bach, Carcassi, Carulli, Diabelli, Giuliani, Sor, and others, Mel Bay has made a significant contribution to the student guitar repertoire by transcribing works by Bach, Brahms, Chopin, Mozart, Pleyel, Rubenstein, and others in the classical style. The pieces and exercises are arranged to progress systematically through various keys and playing positions. Written entirely in standard notation only. / Niveau : Tous Niveaux / Classic - Methods / Méthode / Guitare Classique
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Mel Bay: Complete Method For Classic Guitar: Guitar: Instrumental Tutor
16.99
Mel Bay: Complete Method For Classic Guitar: Guitar: Instrumental Tutor
Guitare notes et tablatures
[Partition + Accès audio]
Mel Bay
Mel Bay's own method for the Classic Guitar featuring a thorough grounding in t...
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Mel Bay's own method for the Classic Guitar featuring a thorough grounding in the fundamentals of music and reading Guitar notation plus graded studies and pieces. This book presents Classic Guitar techniquein a manner that anyone can easily follow. Musical and technical concepts are introduced gradually as needed throughout the text and driven home with ample musical illustrations. Information is provided on: basic right andleft-hand techniques reading standard notation harmonics and playing in various keys and positions. In addition to the many classical etudes included here by Aguado Bach Carcassi Carulli Diabelli Giuliani Sor and others Mel Bay has made a significant contribution to the student Guitar repertoire by transcribing works by Bach Brahms Chopin Mozart Pleyel Rubenstein and others in the classical style. The pieces and exercises are arranged toprogress systematically through various keys and playing positions. Written entirely in standard notation only. Includes access to online audio.
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The Hovingham Sketches: Organ: Instrumental Work
7.50
The Hovingham Sketches: Organ: Instrumental Work
Orgue
Banks Music Publications
A collection of works written for Organ by various composers including Francis J...
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A collection of works written for Organ by various composers including Francis Jackson George Thalben-Ball and others. Contents include: 'An Interlude' (Harold Darke) 'A Scherzetto For The Flutes' (Eric Thiman) 'Edwardia' (George Thalben-Ball) 'The Sweet Rivelet' (Francis Jackson) 'Trio' (W S Lloyd Webber) 'Canzonetta' (Arthur J Pritchard) 'Chimes' (Bernard Rose) and 'Epilogue' (Herbert Howells).
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Schubert, Franz : Late Piano Pieces
12.50
Schubert, Franz : Late Piano Pieces
Piano seul
[Partition]
-
Intermédiaire
Barenreiter
Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9...
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Following the newly engraved publications of Schubert?s ?Moments Musicaux? (BA 9647) and ?Impromptus? (BA 9648), the composer?s late piano works are now to be published in a scholarly-critical Urtext edition that will meet the demands of today?s performers. Schubert?s popular ?Ungarische Melodie? D 817, inspired by gypsy melodies, was composed in 1824; his ?Allegretto in C minor? D 915 was written in the spring of 1827; a little later, at the latest in 1828, he also wrote his ?Drei Klavierstücke? D 94, which are closely related in form to his ?Moments Musicaux?.'
'
Suggestions on performance practice, optimum page turns and fingering which takes into consideration essential aspects of performance practice of Schubert?s time as well as the performance on modern concert pianos are all included in this edition.'
'
- Based on the Urtext of the ?New Schubert Edition?'
- Newly engraved Urtext edition with optimum page turns'
- With fingering and information on performance practice (Ger/Eng)'
- In-depth foreword (Ger/Eng) and critical commentary (Eng)'
'
Contents'
Ungarische Melodie D 817'
Allegretto in c D 915'
Drei Klavierstücke D 946'
'
Mario Aschauer'
studied piano, historical keyboard instruments, conducting and musicology in Linz, Salzburg and Vienna. He performs as a soloist and chamber musician with, among others, the Austrian ?Calamus-Consort?, and has developed a wide-ranging repertoire on the fortepiano, cembalo and organ. Mario Aschauer has been a collaborator for the ?New Schubert Edition? since 2008 and is a teacher at the University of Vienna. In his research, he concentrates on the historicalperformance practice of European art music of the 17th?19th centuries. / [Pièces Tardives] / Classique / Partition / Agrafé /
12.50 EUR - vendu par Note4Piano
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Martin Pedreira: Guitar Ergonomics: Guitar Solo: Instrumental Tutor
22.99
Martin Pedreira: Guitar Ergonomics: Guitar Solo: Instrumental Tutor
Guitare
Mel Bay
A Wholistic Perspective of Technique Through Repertoire. As the title of his boo...
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A Wholistic Perspective of Technique Through Repertoire. As the title of his book attests, guitarist and musicologist Martín Pedreira presents a methodical treatment addressing the most highly refined guitar techniques. In my opinion, we should not confuse the methodical with the routine, because the latter does not facilitate the completion of any task. We applaud Pedreira for his rigorous vision of instrumental practice and his meticulous attention to the physical-motor aspects of the instrumentalist. This reference book is worthy of frequent consultation for its valuable suggestions. Leo Brouwer This comprehensive reference book integrates the historical, structural, technical, and ergonomic aspects of classic guitar performance with the individual player?s cultural, intellectual, creative, and emotional facets in what the author calls a psychophysiological approach to interpretation. In addition to its emphasis on ergonomic posture and technique, the book includes over 200 short musical excerpts by Sor, Giuliani, Coste, Tárrega, Barrios, Montoya, Ponce, Pujol, Villa-Lobos, Rodrigo, Brouwer and others? illustrating practically every aspect of classic and flamenco guitar technique. This unique Wholistic Perspective of Technique Through Repertoire will be useful to teachers, aspiring composers, and to students and professionals forming recital and concert programs. Given the author?s extensive survey of technique and repertoire from an ergonomic point of view, it is likely that even seasoned concert artists and teachers will find something new of intense interest to share with their audiences and students. No classic guitarist?s library would be complete without this landmark book! The author?s goal in presenting this multifaceted approach is to provide theoretical and practical coordinates for improving guitar interpretation while acknowledging the player?s intellectual and emotional contributions. While there is no companion recording for this book, many of its examples can be heard in their entirety on YouTube. The inclusion of numerous quotes from renowned guitar virtuosos and other instrumentalists, plus statements by non-musician artists, scientists, and psychophysical experts from the Renaissance to the present day ? emphasize the wholistic nature of this book. Readers
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Chopin Frederic - Waltzes For Piano + Cd - Piano Solo
21.70
Chopin Frederic - Waltzes For Piano + Cd - Piano Solo
Piano seul
G. Henle
The 17 waltzes comprising this volume are among Chopin's most popular compositio...
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The 17 waltzes comprising this volume are among Chopin's most popular compositions. Composed over a period of 20 years (from 1827 to 1847), only eight waltzes were published during Chopin's lifetime. Many of the others were written as gifts for women with whom he was acquainted. This Practical Performing Edition is clearly spaced for ease in reading and contains a thematic index. Also included is an outstanding CD recording from the Naxos label by internationally renowned artist Idil Biret. She has made more than 70 recordings and has received numerous awards including: Lily Boulanger Memorial, Boston; Harriet Cohen - Dinu Lipatti gold medal, London; Chevalier de l'Ordre du Merite, France; State Artist, Turkey and many others.
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Preludes 1
1 Piano, 4 mains
[Partition]
Alfred Publishing
Gregory Stone has transcribed these three selected preludes for one piano-four h...
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Gregory Stone has transcribed these three selected preludes for one piano-four hands.For much of his life George Gershwin sought to integrate the worlds of jazz and classical music. These pieces are not jazz improvisations but they do show something of the style of his own playing. Gershwin had intended to compose a set of twelve, a sort of jazz Wohltemperierte Clavier, but his unexpected death from a brain tumour at the age of 38 prevented this. At least seven survive (others may have ended up as songs), and this set of three, as published, form a satisfying unit.The first opens with a blue-note riff which forms the basis of the first theme. Contrasting material follows, making use of a distinctive repeated note figure, then the first idea reappears in a quasi-orchestral climax. The second prelude shows a curious kinship with Chopin's A minor Prelude, with its eerie accompaniment and hypnotic melody. The third exploits a similar major/minor ambivalence, but dextrous syncopation gives it driving rhythmic energy. / Piano 4 Mains
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Conducting Music Today: Reference Books: Theory
23.99
Conducting Music Today: Reference Books: Theory
Berklee
Learn the essential practices of contemporary conducting. This book will teach y...
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Learn the essential practices of contemporary conducting. This book will teach you to use the motions cues patterns and practices used to lead ensembles whether for orchestra band musical theater opera film orchestra or other type of ensemble. You will learn techniques for keeping time signaling musicians and crafting your unique interpretation of the score as well as how to command the stage presence necessary to lead a large ensemble - whether for concert performances or synching live performers to other media such as film recordings musical theater and dance. Video demonstrations and annotated scores of orchestral excerpts from Beethoven Mozart Tchaikovsky and others illustrate and let you practice various conducting challenges such as cadenzas rubato and quickly changing time signatures. Also included are interviews with some of the most accomplished conductors of your time such as John Wiliams Lalo Schifrin JoAnn Falletta John Morris Russell and others providing perspective from the concert hall podium to the Broadway pit to the Hollywood sound stage.
23.99 GBP - vendu par Musicroom GB
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Eric Bibb: The Guitar Artistry of Eric Bibb: Guitar: Recorded Performance
19.95
Eric Bibb: The Guitar Artistry of Eric Bibb: Guitar: Recorded Performance
Guitare
[DVD]
Grossman's Guitar Workshop
Don't Ever Let Nobody Drag Your Spirit Down-Eric Bibb was raised in the folk tra...
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Don't Ever Let Nobody Drag Your Spirit Down-Eric Bibb was raised in the folk tradition the son of the folk singer Leon Bibb. Bibb?s uncle was the world-famous jazz pianist and composer John Lewis part of the Modern Jazz Quartet. Bibb was raised in a music-filled household as family friends in the 1950s and 1960s included Pete Seeger Odetta Bob Dylan and the late Paul Robeson who was named Eric?s godfather. Bibb got his first steel guitar at age seven and he got some advice from Dylan that he never forgot to ?keep it simple forget all that fancy stuff.? When he was 16 his father asked him to play guitar in the house band for his TV talent show Someone New.In 1970 Eric left New York City forParis where he met with guitarist Mickey Baker. There he began to focus on blues guitar and after moving to Stockholm he became enamored with prewar blues. A breakout performance at the 1996 London Blues Festival catapulted Eric to a higher level of visibility. Since then he has toured the world performing at concert halls and major festivals. He has toured with Robert Cray Keb Mo Corey Harris and even opened shows for Ray Charles.Eric earned a Grammy nomination for his collaboration (with Taj Mahal and others) on the children?s record SHAKIN? A TAILFEATHER. His album PAINTING SIGNS was recognized by New Age Voice as a Finalist for Best Folk Album of 2001. He joined Maria Muldaur and Rory Block to record the gospelflavored SISTERS & BROTHERS and then released FRIENDS a collection of duets with Taj Mahal Odetta and others. He has been nominated for many W.C. Handy Awards in a variety of categories. Eric?s rich and sensitive vocals and lyrics provide a perfect balance to his fine fingerpicking technique. Purveying a beautifully realized and deftly accomplished soulful folk-blues Eric has no problem blending various genres effortlessly melding a traditional rootsy American style with a subtle contemporary sensibility.
19.95 GBP - vendu par Musicroom GB
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The Complete Keyboard Player : Book 2
15.10
The Complete Keyboard Player : Book 2
Clavier
[Partition + CD]
-
Facile
Music Sales
Based on popular songs and with easy-to-follow text and diagrams, this excellent...
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Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. Book 2 includes 'Love Me Tender', 'Sailing', 'Take Me Home Country Roads', 'For Once In My Life' plus instrumental effects - electric guitar, big band sounds, strings and many others. / Clavier (Avec Grilles D'Accords)
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The Complete Keyboard Player : Book 3
12.10
The Complete Keyboard Player : Book 3
Clavier
Music Sales
Based on popular songs and with easy-to-follow text and diagrams, this excellent...
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Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. You play 20 famous songs including 'Bright Eyes', 'Don't Cry For Me Argentina' , 'I Left My Heart In San Francisco' and 'When I'm 64'. Instrumental effects include violins, jazz organ, trumpet and many others. / Clavier (Avec Grilles D'Accords)
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The Cruel Mother: Chamber Ensemble: Score
7.95
The Cruel Mother: Chamber Ensemble: Score
University Of York Music Press
The Cruel Mother for Voice Flute Clarinet Violin and Cello. Composed 2014 pu...
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The Cruel Mother for Voice Flute Clarinet Violin and Cello. Composed 2014 published 2016. Score included in UYMP's Firewheel Anthology (ISMN M-57036-615-6) recorded by Dark Inventions. Duration: 6-7 minutes. The murderous tale of infanticide that is told in The Cruel Mother ballad is widely known in a number of forms. It has been performed and recorded by folk singers such as Martin Carthy Maddy Prior and Bella Hardy amongst many others and inspired Down by the Greenwood Side by Harrison Birtwistle. The particular melody used in this arrangement was collected by H.E.D. Hammond in Dorset in 1907. Thematter-of-fact representation of the terrible tale that characterizes the tune is augmented by the quintuple metre and cheerful instrumental refrain. Commissioned by Dark Inventions and first performed by them on 8th May 2014 at The Engine House Manchester.
7.95 GBP - vendu par Musicroom GB
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The Complete Keyboard Player : Book 1 - Classic Edition
15.10
The Complete Keyboard Player : Book 1 - Classic Edition
Clavier
[Partition + CD]
-
Débutant
Music Sales
Based on popular songs and with easy-to-follow text and diagrams, this excellent...
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Based on popular songs and with easy-to-follow text and diagrams, this excellent course assumes no prior knowledge of keyboards or music yet right from the beginning, you will be playing arrangements which include a complete rhythm section with full sounding chords, bass and drums. Book 1 contains 15 famous songs including 'Let It Be', 'Super Trouper', 'Oh Lonesome Me' and 'Blowin' In The Wind'. Instrumental effects include piano, guitar, vibes and many others. / Clavier (Avec Grilles D'Accords)
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Clawhammer Banjo From Scratch (LEVENSON DAN)
25.70
Clawhammer Banjo From Scratch (LEVENSON DAN)
Banjo
-
Débutant
Mel Bay
A Guide For The Claw-Less!. Par LEVENSON DAN. Southern Appalachian native Dan Le...
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A Guide For The Claw-Less!. Par LEVENSON DAN. Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches clawhammer banjo the way we play, not the way others say. It really begins as though you really have NO knowledge of how to play the five string banjo clawhammer style. Based on Dan's innovative Meet the Banjo™ program (where Dan brings 15 banjos and teaches players who may have never held a banjo), this book assumes no prior experience. Beginning at the beginning, Dan presents a brief history of the 5-string banjo then goes over the parts of the banjo, holding the banjo, right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords, the scale and then the individual notes of each of 12 jam session favorite tunes from scratch. Includes 2 reference CD's with all exercises, tunes (slow and up to speed), and a fiddle version of each tune. / Niveau : Débutant / Clawhammer/Frailing - Methods / Méthode / Banjo à 5 Cordes
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Dan Levenson: Clawhammer Banjo From Scratch: Banjo: Instrumental Work
18.99
Dan Levenson: Clawhammer Banjo From Scratch: Banjo: Instrumental Work
Banjo
[Partition + Accès audio]
-
Facile
Mel Bay
Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawha...
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Southern Appalachian native Dan Levenson and Mel Bay Publications present Clawhammer Banjo from Scratch - A Guide for the Claw-less! This book teaches Clawhammer Banjo the way we play not theway others say. It really begins as though you really have NO knowledge of how to play the five string Banjo clawhammer style. Based on Dan's innovative Meet the Banjo program (where Dan brings 15 Banjos andteaches players who may have never held a Banjo) this book assumes no prior experience.Beginning at the beginning Dan presents a brief history of the 5-string Banjo then goes over the parts of the Banjo holdingthe Banjo right and left hand positions and his basic clawhammer strum. Even the strum is broken down into the steps of the finger and thumb. You are guided through the chords the scale and then the individual notes of each of12 jam session favourite tunes from scratch. Includes audio recordings available for download online with all exercises tunes (slow and up to speed) and a Fiddle version of each tune.
18.99 GBP - vendu par Musicroom GB
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