Par CHRISTIANSEN MIKE. Ce livre contient les éléments nécessaires pour apprendre à jouer authentiques patrons d'accompagnement bossa nova et samba. Le matériel est présenté dans un format facile à suivre séquentiel. Ainsi que techniques d'accompagnement, le livre contient des articles sur voicings de corde, commune des progressions et jouant de la bossa nova et solos de samba. L'étudiant est enseigné comment appliquer les techniques de partitions de musique et de conduire des feuilles. Tous les exemples sont démontrés sur le CD qui l'accompagne. / Niveau : Débutant à Intermédiaire / Brazilian - Methods / Méthode / Guitare Classique

Den Æltede Grimling (2004 rev. 2017) af Andy Pape. For sopran skuespiller bassethorn cello klaver. Tekst af Liselotte J. Christensen frit efter H. C. Andersens'Den Grimme Ælling'. Tilegnet Lise-Lotte Nielsen. Stemmer / Parts: KP01737A 'Den Æltede Grimling' er i første omgang tænkt som koncertstykke hvor sopransolisten agerer samtlige roller i værket suppleret med skuespillerens rolle som'bondemanden/fortælleren'.Skuespilleren kan også i mange situationer agere 'den æltede grimling'. Det er op til de medvirkende i hvor høj gradstykket skal iscenesættes.Pianisten skal udstyres med to 'båthorn' - et højt og et dybt - som skal betjenes med fødderne.Det er tanken at disse er monteret på et bræt således at de er placeret til hver side af flygelets pedaler. Ud over disse skal pianisten have en lydgiver der siger 'pip' i andet billede. Denne kan betjenes med fødderne eller hænderne alt efter omstændighederne. 'Båt'ene' og 'pip'ene' kanogså overgå til- og udføres af skuespilleren i visse situationer hvor det underbygger

Eine echte Novität: Erstmals gibt es ein Liederbuch, das ausschließlich für die Klassenstufen 5 und 6 konzipiert ist. In der Repertoireauswahl, der Ansprache der Schülerinnen und Schüler und im Zuschnitt der Angebote geht dieses neuartige Liederbuch gezielt auf die Belange genau dieser Altersstufe ein. Es ist dabei weit mehr als eine reine Repertoiresammlung: Zu vielen Titeln gibt es weiterführende Optionen rund um die Themen Klassenmusizieren, Tanz, Choreografie, Stimme und vieles mehr.- 150 Titel aus allen stilistischen Bereichen, Kontinenten und Zeiten - zahlreiche Zusatzangebote zu Klassenmusizieren - Tanz und Bewegungsanleitungen, Begleitsätze und -patterns - Hintergrundwissen / Voix

Media : Book/CD Set Author : arranged by Mike Christiansen and John Zaradin Level : Intermediate-Advanced Date published : 6/16/2004 Style : Brazilian Type : Solos Description : Number ten in the Mel Bay/Warner collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: ?One Note Samba?, ?Meditation?, ?Quiet Nights of Quiet Stars?, ?Chega de Saudade?, ?How Insensitive?, ?The Girl from Ipanema?, ?A Day in the Life of a Fool?, ?The Island?, ?So Nice?, ?Desafinado?, ?A Felicidade?, ?Sabia? and ?Gentle Rain?. Tunes arranged by John Zaradin and Mike Christiansen. All tunes included on companion CD in solo and rhythm styles.

Christiansen Mike (Taught). Par CHRISTIANSEN MIKE. This DVD accompanies the book of the same title. It will take you from basic concepts in blues guitar through performance level blues solos and techniques. / Niveau : Débutant à Intermédiaire / Blues - Methods / Accessoire / Guitare Flatpick et Fingerpick

Gig Savers Complete Edition-Corey Christiansen: Jazz Guitar Essentials combines nine of the author's previous editions into a comprehensive book that explains the key concepts of jazz Guitar in an accessible approach. Each chapterincludes melodic/harmonic examples with fretboard diagrams standard notation and tablature. Part 1 includes lessons on jazz lines with chapters on digital patterns guide tones and targeting. Part 2 presents thebasics of chord construction and voicing techniques. Triads seventh chords and chords with tensions/embellishments are covered including their inversions drop and quartal voicings. Part 3 presents comprehensive warm-upand technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter provides guitarists with tools for constructing their own technical exercises. Part 4 presents accompaniment patternsfor a wide variety of pop styles such as folk rock/blues country/bluegrass jazz and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns are taught with rhythmic notation and stringnumbers. Part 5 presents alternate changes and substitutions for the blues that can be easily transposed. (Chapters 3 4 and 5 also are presented in Rock Guitar Essentials: Gig Savers Complete Edition). Part 6includes lessons on common jazz chord substitutions. Topics include chord embellishment alteration degree substitution (iii for I vi for I ii for V) tritone substitution and many other tricks for spicing up chordprogressions. Part 7 covers jazz Guitar comping an essential role in accompaniment. A number of chord shapes and rhythms are taught in the style of Freddie Green bebop and more modern styles. Blues progressions and anetude are included for practicing your comping. Part 8 presents a wealth of information about playing over the last two measures of jazz tunes. The method breaks down the harmonic structures frequently found at the end of

Short Term Course-The Mastering the Guitar Class Method Short Course has been written for use in Guitar classes which last for nine weeks or less. Students will receive in a condensed form the same high quality sequential material containedin the Mastering the Guitar Class Method.Although designed for a shorter course great care has been taken to provide the students with a solid foundation in technique and the fundamentals of playing Guitar.Contentsinclude: holding position chords strum patterns tuning reading single note solos in tablature and standard notation and ensembles all in a variety of music styles. The book also contains a section on playing the blues andwriting original blues lyrics. This text is ideal for the exploratory course and will provide the perfect springboard for further study. Includes access to online audio and a PDF containing fifty-five lesson plans.

Perfect for the student of Jazz. --Michael Brecker 'I encourage the jazz guitar students at the University of North Texas to emulate tenor saxophonists. Greg Fishman's book, Jazz Guitar Etudes, contains idiomatic bebop lines and will be a great tool for any guitar teacher with aspiring jazz guitarists. Thanks, Greg!' Fred Hamilton, professor of jazz guitar, University of North Texas 'These are great solos and etudes! I'm always telling my guitar students to learn lines and phrasing from horn players, and Greg Fishman's book is perfect for this approach. The book is nicely done and very well laid out.' Corey Christiansen Professor of Guitar, Utah State University, Visiting Professor, Indiana University This book is very well put together and very thorough. It gives guitar students the information necessary to obtain a vocabulary based on the bebop tradition, yet ultimately encourages them to improvise on these structures, creating their own lines and ideas. I commend you on meeting this challenge head-on, and for effectively clarifying these concepts in your liner notes. --Steve Cardenas Professor of Guitar, The New School, New York City, member of the Paul Motian Band and Charlie Haden Liberation Music Orchesra. The lines are great, the rhythm section is terrific, and I really love the fact that the student guitarist working out of this book gets to play along with both the guitarist on the CD and with your tenor. This book is incredibly well thought out. Congratulations on a fantastic book! --Jack Peterson, legendary jazz guitar professor (retired) from Berklee and North Texas State Just Jazz Guitar's rave review of Jazz Guitar Etudes by Greg Fishman: Jazz Guitar Etudes is an excellent resource for all guitarists and teachers. After releasing a very popular etudes book for jazz saxophone, Greg Fishman collaborated with guitarist Mike Allemena to do a guitar version of the book. The book includes standard notation and tablature. The studies in the book are great written improvised solos over familiar chord progressions such as the blues, rhythm changes, and standards. The book comes with a CD that features a guitar version, a saxophone version, and a rhythm section version of each etude. In addition, Fishman begins the book with concepts in developing jazz lines such as proper voice leading and sequences. The melodic lines are very well designed phrases using the the bebop language. Guitarists can gain so much by playing and analyzing these etudes --Just Jazz Guitar Magazine Endorsed by Michael Brecker, Dave Liebman, Phil Woods, James Moody, Plas Johnson, Mark Colby, Bob Sheppard, Jerry Coker, Gary Campbell, Tim Price, Gary Keller, Chip McNeil and many other teachers and players around the world, this series of saxophone etude and duet books will immediately help you take your playing to the next level. Click a cover and hear a sample... New book release for Jazz Guitar: Jazz Guitar Etudes book and CD Play-along set is now in stock and shipping! This book features master jazz guitarist Mike Allemana playing twelve bebop style etudes. Also includes Greg Fishman playing each etude on tenor saxophone. This allows the guitarist the choice of playing with Mike (guitar) or Greg (tenor). Book also features tablature with Mike's own fingerings! 52 pages, 8.5 x 11 format, ISBN 978-0-9766153-7-8

Gig Savers Complete Edition-Corey Christiansen: Rock Guitar Essentials combines the author's five previous pocket-sized editions. This comprehensive Gig Savers book contains everything the beginning guitarist needs to master the rockstyle. Part 1 of this guide gives aspiring rock guitarists a working knowledge of the most basic scales commonly used to improvise rock solos and write rock melodies. A discussion on how each scale can be used over a set ofchords is provided to help guitarists use these scales when performing. Charts provide the names of the notes on the fretboard and a section on sequencing scales makes it possible for guitarists to easily master rock scales.Part 2 teaches the rock guitarist how to play any barre chord providing insight on how to play them with ease and agility. Moveable chord shapes and practice etudes are especially useful for beginners. Part 3 presentscomprehensive warm-up and technical exercises. Studies begin at the most basic level and progress in difficulty. This chapter gives guitarists the information needed to continue constructing their own technical exercises.Part 4 presents accompaniment patterns for a wide variety of pop styles such as folk rock/blues country/bluegrass jazz and some Latin styles including bossa nova and samba. Basic fingerstyle accompaniment patterns aretaught in a simple manner presented with rhythmic notation and string numbers. This chapter pays special attention to the blues covering alternate changes and substitutions in a method that provides easy transposition.

Mastering The Guitar is an innovative comprehensive method for learning the Guitar. Level 2 Book C includes a wealth of challenging and creative Guitar solos duets and studies in the keys of A-flat F-minor G-minor D-flat and B-flat minor.Special concepts presented in this volume include: basic improvisation rhythmic variation barre chords key of A-flat/closed position passing tone studies harmonized scales westernswing fingerstyle performance chord progression studies blues chords common rock and blues licks bass string chords Latin rhythms and comping. Guitar solo material provided in rock jazz bluegrass Latin blues Baroque Renaissance and from a wide variety of historical periods and contemporary musical styles.Mastering the Guitar 2C double CD set is a recording to accompany the volume of the same title. These CDs containmost all of the solo and duet settings found in the book as performed by William Bay Mike Christiansen and John McClellan.