Arnold Schönberg is the central figure in the musical world of this century. His musical significance was already apparent during his life-time, but his posthumous influence has increased immensely. His work paved the way for ground-breaking changes in musical perception. This complete edition aspires to be equally indispensable for research as well as for performance. The edition is published in two series: series A in folio format contains all completed works, all piano scores prepared by the composer himself and all unfinished works suitable for performance - also fragments (large scores) which are better suited to be printed in such a format. Series B, in quarto format, contains early versions, sketches, ideas and fragments as well as genesis and a Critical Commentary. / Scores

Le célèbre noisette arrangé pour un ensemble enregistreur avec Piano et facultatif Percussion par Albrecht Rosenstengel. / Scores

This authentic arrangement of ten movements from the Water Music suites dates from Handel's lifetime, but is published here for the first time, edited by the distinguished Handel scholar Donald Burrows. Its simple, light scoring makes it excellently suited to use by schools and small instrumental groups. It can be performed in many different combinations from the original two violins, bassoon and continuo to string quartet or wind-based group. / Scores

Orchester-Suite-J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.

J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.

J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suitesnow presents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ?Violino concertato? is included.- Full scores study scores and performance material available for sale.

J.S. Bach’s four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suitesnow presents the Urtext as found in the “New Bach Edition” i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. Urtext editions of these important works. Newly engraved parts and fully realized continuo. For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. Full scores study scores & performance material available for sale

Arranged For Guitar. Par BACH JOHANN SEBASTIAN. Bien que Johann Sebastian Bach n'a pas écrit toute musique pour guitare, transcriptions de sa chaîne non accompagnés de musique et de la musique pour luth ont longtemps été une partie du répertoire de la guitare. Malgré le respect que les commandes de cette musique entre les musiciens et débat public existe toujours sur ce qui constitue un moyen approprié de transcription, d'interpréter et de faire de cette musique à la guitare. C'est ce débat qui a poussé cette édition tant attendue des suites pour violoncelles non accompagnés de Bach par érudit et concert guitaristes Stanley Yates. Ce travail définitif comprend les scores de rendement, les scores de comparaison un un guide inestimable de 40 pages intitulé arrangeant, interprétation et l'exécution de la musique de J.S. Bach. En outre, l'auteur offre des commentaires sur son processus d'arrangeur et suggestions sur l'utilisation de cette édition, y compris : l'ornementation, insultes, doigtés, notation et mise en oeuvre des résultats des comparaison. Ecrit en notation standard dans les clés de guitare facile. / Niveau : Intermédiaire / Classic - Solos / Répertoire / Guitare Classique

Par BACH JOHANN SEBASTIAN. J. S. Bach ’s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach ’s extremely productive time in Cöthen which ended in 1721. Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the “New Bach Edition”. At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter’s new edition of Bach’s great four suites nowpresents the Urtext as found in the “New Bach Edition” i. e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a “Violino concertato” part. - Urtext editions of these important works. - Newly engraved parts and fully realized continuo. - For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with “ Violino concertato ” is included. - Full scores, study scores and performance material available for sale./ Répertoire / Partition de Poche

Suite Parisienne was composed in 1979 by Bryan Kelly. It is scored for Brass Quintet and is written in five movements.Kelly (b. 1934) is a prolific contemporary British composer and pedagogue. He studied under Gordon Jacob and Herbert Howells at the Royal College of Music and later with Nadia Boulanger in Paris. He held positions at the Royal Scottish Academy of Music the RCM and several other institutions in Europe America and the Middle East. Much of his music is for choir both secular and sacred but a large portion is also for chamber groups with works for almost every woodwind and brass instrument.

J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suites nowpresents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.

J.S. Bach?s Four Orchestral Suites belong to that select group of works one could truly call classical hits! They stem from Bach?s extremely productive time in Cöthen which ended in 1721.Unfortunately the only sources that have come down to us are copyist parts from Leipzig. These originally formed the basis for the critical complete edition volume which was published in 1967 as part of the ?New Bach Edition?.At that time Bärenreiter also issued separate scores and parts which however were prepared with additional articulation and performance suggestions. Bärenreiter?s new edition of Bach?s great four suites nowpresents the Urtext as found in the ?New Bach Edition? i.e. without emendations and performance suggestions. The orchestral parts have been re-engraved and the material includes an alternative version of the Overture and Air to the D major suite BWV 1068 including a ?Violino concertato? part.- Urtext editions of these important works.- Newly engraved parts and fully realized continuo.- For the first time an alternative version of the Overture and Air to the D major suite BWV 1068 with ? Violino concertato ? is included.- Full scores study scores and performance material available for sale.

From early in the 17th century until the form engaged the interest of Johann Sebastian Bach various notable German composers - including Rosenmüller Fischer Fasch and Telemann - had contributed to the development of the orchestral suite or 'Ouverture' whose name betrays its French theatrical origins. From Bach himself only four such suites have survived thanks to the diligence of C.F.Penzel a student at the Thomasschule from 1751 who made copies of Bach's MSS which he found there. Thus neither the dates nor the order of composition of the suites can be established with any certainty. As to the present suite in D major recent criticism suggests that it mayoriginally have been written for strings only and dates in its final form from around 1731. Penzel's copy of the suite includes significant variants to be played by a solo violin (marked Violino Concertato) which are included here in the Appendices.The score is newly-edited from the extant sources consisting of sets of parts (some in Bach's autograph) and copyist's scores are preserved in the Staastbibliothek zu Berlin - Preußischer Kulturbestitz Musikabteilung mit Mendelssohn-Archiv. This edition replaces the former Eulenburg miniature score edited by Wilhelm Altmann.

This compilation, based on authoritative editions, offers full scores of 2 suites from Bizet's supreme achievement: Suite No. 1, featuring the Prélude, Aragonaise, Intermezzo, Séguedille, Les Dragons d'Alcala, and Les Toréadors. and Suite No. 2, including the Marche des Contrebandiers, Habanera, Nocturne, Chanson du Toréador, La Garde Montante, and Danse Bohême. Instrumentation.

'Carmen' is one of the most popular and most frequently performed operas across the globe. Its world premiere was a flop. Nevertheless the opera very quickly gained acceptance at all major theatres bringing in its wake countless arrangements of some particularly beautiful music numbers among them the Carmen Fantasia for violin and orchestra by the Spanish violin virtuoso Pablo de Sarasate.It was in all probability Bizet's close friend and fellow student Ernest Guiraud who brought 12 numbers of the opera together to form two orchestral suites. The missing singing voices were replaced by instruments as was common practice in such cases. In addition to the two pocketscores full score and orchestral parts are available as hire material.