Piano-A specially selected anthology of pieces from the masters of the Romantic style all suitable for the intermediate-advanced Piano student. From Brahms and Chopin to Schumann and Tchaikovsky 16 great Piano works of the Romantic era have been chosen and edited by Christine Brown to offer you a satisfying and highly rewarding repertoire that will suit almost every musical occasion. Pieces include a Mazurka a Prelude and a Waltz from the celebrated collections by Chopin Mendelssohn's Venetian Gondola Song and Tchaikovsky's beautifully expressive Song Of The Lark. Unmissable works that all players should have in their library!

A Romantic Sketchbook For Piano explores the wealth of piano music from the Romantic period in five carefully graded albums. Mostly composed between 1830 and 1930 the pieces in these albums have been selected to introduce players to a wide range of music from works by some of the leading Romantic composers (such as Schumann Mendelssohn and Tchaikovsky) to unfamiliar pieces by lesser-known figures.Each volume presents a variety of keys time signatures and textures within a comprehensive range of tempi which will be invaluable to students in the development of their musical skills. Players will also respond imaginatively to the varying styles and moods offeredin these colourful sketchbooks from the lively dances and mood pictures to the tender songs and gentle serenades.The five books in this series are graded in terms of difficulty Book 1 being relatively easy and Book 5 advanced.

50 Easy Pieces from 5 Centuries. Par . For the Easy Concert Pieces series, the experienced piano teacher Monika Twelsiek compiled pleasant, easy piano pieces for beginners and published them in three volumes in progressive order. The three volumes are intended to complement a piano tutorial method and are particularly suitable for performance at auditions at music schools, for examinations and for competitions. They offer varied repertoire in a broad selection of pieces from the Baroque, Classical, Romantic and Modern eras. Volume 1 (ED 22547) can already be used by beginners, containing pieces in the five-note range and easy pieces spanning a single octave. Other criteria for selection are simple rhythms and very easy chords. Crossing the thumb underneath, playing several parts together and pedal use are not yet required. Volume 2 (ED 22548) contains pieces with an extended range of two octaves. Crossing the thumb under, pedal use, simple polyphony and three- or four-part chords all feature here, as do simple ornaments, cantabile playing and differentiating between melody and accompaniment. Volume 3 (ED 22549) is aimed at advanced players who wish to refine their expression and personal interpretation. The pieces demand a great deal of dexterity, a high sense of rhythm, articulation and phrasing, polyphonic playing (polyphony even in one hand) and tonal differentiation of the piano setting. / Niveau : Très facile / Date parution : 2021-12-09/ Recueil / Piano

This essential collection of 100 piano études is divided into 15 units that survey the technical challenges at the early intermediate, intermediate, and late intermediate levels. The early units review technical issues that students experience at the elementary levels, such as five-finger patterns and articulations. The later units introduce more difficult technical challenges that prepare students for advanced repertoire, such as playing ornamentation, octaves, and large chords. Each unit contains between five and ten études written by master composers from the Baroque, Classical, Romantic, and Contemporary periods. Within each unit, the études are arranged in order of difficulty. Each piece appears in its original form - notes have not been added or removed. The composers' original dynamics, tempo marks, phrase indications, and articulations have been preserved. Ornamentation is realized in footnotes. Added measure numbers provide easy reference, and editorial suggestions for fingering and pedaling have been provided. A concise foreword discusses technique at the intermediate levels. Two indexes are included: one by unit and technical skill, and another by level and composer.Unit listing: Five-Finger Patterns * Articulation * Coordination between the Hands * Scales * Triads, Inversions, and Broken Chords * Double Notes * Left-Hand Development * Velocity * Arpeggios * Finger and Hand Independence * Repeated Notes * Accompaniment Patterns * Ornamentation * Octaves * Four- and Five-Note Chords. / Piano

17 Pieces From 6 Centuries. The Easy Concert Pieces series presents 3 volumes with popular pieces for alto saxophone with piano accompaniment in progressive order. These pieces are designed to complement a saxophone tuition method and are particularly suitable for performance at auditions, concerts, competitions and examinations. They offer varied repertoire in a broad selection of pieces from the Renaissance, Baroque, Classical, Romantic and Modern era along with jazz and pop. All the pieces are included on the CD in full and playback versions. Volume 3 (intermediate) uses notes ranging from c#\' to F?\' with a few uncommon time signatures and requiring more advanced melodic and rhythmic phrasing. It includes pieces by Ortiz, Händel, Mozart, Lefèvre, Saint-Saëns, Rubinstein, Grieg, Debussy, Ravel and others. / Niveau : Facile / Recueil / Saxophone Alto et Piano

Piano Collection-Audiences will thrill to the jazz sounds of “Joshua Fit the Battle of Jericho” and the romantic classical quality of “I Need Thee Every Hour.” For the advanced pianist Vol. III in the Well-Tempered Praiseseries is perfect for use in all kinds of worship settings recitals and concerts. It contains a well-chosen mix of hymns spirituals and contemporary Christian songs as well as an original composition by Mark Hayes entitled “Joysong.”

36 Original Piano PiecesInstrument : pianoNombre de Pages : 72The music teacher and pianist Monika Twelsiek adds a new selection of piano works around the subject of Night and Dreams to the Piano Classics series. At any time, the night was a theme in literature, art and music. 'Night' and 'Dream' are emotional images which evoke vastly different emotions in different people. The night is a place of peace and security, of longing and love, of secrets, imagination and dreams. But night also means strangeness, loneliness, fear, danger and crime. The collection 'Night and Dreams' with works from the Romantic piano literature to new contemporary sounds tries to capture all of these nightly emotions. Apart from a plethora of folk-song-like lullabies, numerous fantastic dream pieces and descriptions of dangerous night scenes have been added to the collection. An alluring mixture of imagination and reality, for advanced piano pupils and lovers of piano music.Content : P. Zilcher: Lullaby, op. 93/4 - G. Nevada: A Little Dreamy - A. Gretchaninoff: Lullaby, op. 98 - C. Gurlitt: 4 Reverie, op. 210 - R. Volkmann: Night Song, op. 17 - R. Schumann: Lullaby, op. 124 - J. Senfter: Lullaby - F. Burgmüller: Lullaby, op. 109 - P. Tschaikowsky: Sweet Reverie, op. 39 - R. Fuchs: Lullaby, op. 32 - E. Satie: Lullaby - K.-H. Pick: Sleeping Beauty is Sleeping - H. Regner: Phantasmagoria - B. Heller: Evening Flower - G. Nevada: When Paris Dreams - J. Turina: The Village Sleeps - E. Pütz: Sleep Well Blues - J. Kember: Midnight Blue - G. Nevada: Starry Dome - E. Grieg: Lullaby, op. 38 - A. Gretchaninoff: Bed Time, op. 109 - Nightly Event, op. 115 - K. Slavicky: The Evil Dream - B. Martinu: The Cats' Procession in the Solstice Night - R. Schumann: Reverie, op. 15 - Child Falling Asleep, op. 20 - A. Rubinstein: The Night, op. 44/1 - L. He: Lullaby - E. Pütz: Night of Love - J. Field: Nocturne B major, op. 9/2 - Nocturne E major, op. 72/1 - E. Grieg: Notturno, op. 54 - C. Debussy: Reverie - W. Killmayer: Nocturne III - P. Hindemith: Fantastic Duet of Two Trees at the Window, op. 15

(Sonnet)-Truly a choral art song this setting for women's voices features soaring vocal lines over a lushly romantic piano accompaniment. Ideal for advanced women's choruses from high school and up festivals and honor choirs.

Winner of the Edwin Fissinger Composition Competition this illustrative work has also been selected for the Jo Ann Miller Choral Series. The text by Bliss Carman paints beautiful pictures of the seasons and expresses the joy of love in all. Nicholas Kelly provides a colorful accompaniment and flowing choral lines that surpass the seasons and lift up love. It is a romantic song with a large landscape and a fullfilling message. Good for advanced high school community and college choirs. Medium difficulty.

Romances for Horn and Piano-Camille Saint-Saëns composed his two Romances for Horn for two of the most respected French horn players of the time: Opus 67 in E major from 1866 is dedicated to Henri Chaussier; Opus 36 in F major from 1874 waswritten for Henri Garigue. Despite the illustrious recipients they are not virtuosic showpieces but as the term Romance suggests short ?Songs without words? that fully savour the typical romantic sound of the horn.Alongside the orchestral version Saint-Saëns also prepared a piano accompaniment for chamber music performances. Due to the fact that they are not overly technically demanding the Romances are also suitable for advancedstudents.