Par BACH JOHANN SEBASTIAN. All of Bach ’s six authenticated motets were written between 1723 and 1727 for St Thomas’ Church, Leipzig, where Bach was appointed as director of music in 1723. During this period, Bach composed most of his cantatas, and it seems likely that for ordinary Sunday services he used existing motets from the seventeenth century tradition, reserving his own motet compositions for special occasions. Four of his six motets were written for the funeral services of prominent members of the St Thomas’ congregation. Jesu, Meine Freude (BWV 227), the longest, most musically complex and earliest of the six, was written in 1723 for the funeralof Johanna Maria Käsin, the wife of Leipzig’s postmaster. Jesu, Meine Freude BWV 227 is a beautifully constructed motet for five-part mixed choir, by J. S. Bach. This Urtext edition provides you with a clear and accurate realisation of the composer’s original intentions and includes thoroughly detailed editorial markings and suggestions, as edited by Konrad Ameln. Urtext of the New Bach Edition Performance material and choral score (BA5132) available for sale Complete edition of the 6 Motets Vocal score with Piano reduction (BA5193-90), choral score (BA5193) / Mottet / Répertoire / Choeur Mixte (SSATB) et Instruments Ad Libitum

for Violin and Orchestra. Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. The piano reduction of Mozart’s D major violin concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, 'Eingänge' and fermata embellishments. This collection offers players a spectrum of styles available in no other publication. Urtext of the New Mozart Edition Full score and parts (BA4866), violin & piano reduction (BA4866-90) and study score format 22. 5 x 16. 5cm (TP273) available for sale/ Répertoire / Violon et Orchestre

Détails du produit d'occasion : Petite trace de café dans un des coins. Le produit n'est pas abimé, les partitions sont lisibles.1 seul produit disponibleDescriptif valable uniquement pour le modèle vendu neuf.In the last few years several publications have been devoted to advanced playing techniques for wind instruments in contemporary music. Despite this, players have continued to request a more comprehensive resource with a better systematic approach, using practical examples from the repertoire.Following the enormous success of books on oboe and flute techniques, which have quickly become standard reference works, two renowned authors have written a further volume in the series, now for saxophone. The book is intended for both performers and composers and therefore it was natural that two experts came together to work on it ? the saxophonist Marcus Weiss and the composer Giorgio Netti . The most important playing, fingering and technical possibilities in sound for soprano, alto, tenor and baritone saxophone are systematically explained. These techniques are illustrated with the help of appropriate examples and practice instructions, and at the same time any special notational features are explained. Links to sound clips on the internet specially compiled for this book enable players to compare their own results with Marcus Weiss?s recording.The book is an essential, practical performing tool for interpreters, teachers and composers.- Comprehensive, systematic description of all important playing techniques for contemporary music on the saxophone- Clear explanation of special tonal effects and practice tips to try out- With internet links to all important sound excerpts- Tried and tested on all common makes of soprano, alto, tenor and baritone saxophones- Text in two languages (Ger/Eng) / Saxophone / Barenreiter

Cantata for the 15th Sunday after Trinity - BWV 51 - C major. Par BACH JOHANN SEBASTIAN. The original occasion for the composition of Cantata BWV 51 is not known. The unusual festive scoring with trumpet and solo soprano, and the virtuoso demands of these parts seem to indicate a special occasion, such as New Year, a town council election or the birthday of a prominent person. Bach only added the liturgical designation of the 15th Sunday after Trinity to the titlepage of his score later. The text is directed to the praise of God and thanks for the goodness he has shown, combined with a plea for support in the future. The chorale verse “Sei Lob und Preis mit Ehren” is not a typically straightforward four-part setting, but is incorporated into an instrumental trio movement. Together with the following “Alleluja”, it forms a brilliant concertante conclusion to the work.New, revised edition. / Date parution : 2023-06-01/ Répertoire / Soprano et Ensemble de Chambre

A simple and reflective song And So It Goes is one of Billy Joel's signature songs from his legendary career. This new treatment for strings gives moving flowing and melodic lines for each section. A terrific number for most any program or special occasion.

The highly inspirational poem is about hope faith and life after death. The sensitive setting of this well known 19th Century song embraces the loss of young lives. Suitable for the spring concert or special occasion of remembrance. Duration: ca. 3:20.

A superb collection of fifty anthems for a cappella SATB and mixed voices. These Hymns and Anthems have all been chosen with the average choir in mind but the collection is also ideal for use uin Cathedralsm collegiate churches and for parish churches supprting cathedral-type choirs. There are several sets of practical Indexes which help you find that particular Anthem for that special occasion

Originally featured in a tribute to Dr. Martin Luther King Jr. this moving setting provides a moment of reflection and commitment for any special occasion. Performance Time: Approx. 2:40

This setting of the famous Psalm 121 text is gentle thoughtful and tuneful and is a beautiful anthem at a service a concert or for a special occasion. Rich sonorities and lovely arched phrases make it a joy to sing!

Michael Nyman is a composer pianist librettist writer musicologist photographer and film-maker whose work encompasses opera concert music and film soundtracks of which The Draughtsman's Contract and The Piano arethe best-known. Since founding the Michael Nyman Band in 1977 which tours the world he has worked with leading film directors and has collaborated with artists such as Mary Kelly Damon Albarn Carsten Nicolai and the recentOscar winning Man on Wire star Phillippe Petit.Songs For Tony for String Quartet was composed in 1993 in memory of Tony Simmons.'I began writing a saxophone quartet on New Year's Eve 1992. Inthe early afternoon of 5th January 1993 I was informed that my friend and business manager Tony Simmons had died after a long and heroic fight against cancer. I immediately sat down and wrote the music which became the fourthsong in what became a 'memorial' quartet. The previously composed music was scrapped as I decided to give each player in turn an 'aria' of his own.The first song is a transcription of an actual song - 'Mozart onMortality' - which I wrote for the Composers Ensemble in the spring of 1992. The text by Mozart himself is all too appropriate: 'I may not see another day'. The second song is adapted from the music for the scene in JaneCampion's film The Piano where the mute Ada (Holly Hunter) pushes her chief means of communication her piano overboard. This film was the last major deal that Tony negotiated on my behalf. The third song a soprano sax solo isbased on a tune I composed some years ago but was saving for a special occasion.' - Michael Nyman