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Arie D'Opera - Airs D'Opera
27.10
Arie D'Opera - Airs D'Opera
Voix Mezzo-Soprano, Piano
Ricordi
Four comprehensive anthologies of Mozarts opera arias. Includes Mozart's complet...
(+)
Four comprehensive anthologies of Mozarts opera arias. Includes Mozart's complete vocal repertoire from the first opera to the final masterpieces plus historical notes and plot information. The song texts are in their original languages, as well as Italian, French and German. / Mezzo-Soprano Et Piano
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Maria Callas Forever
25.00
Maria Callas Forever
Piano, Voix
[Partition]
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15 arie con schede tecnico-interpretative | 15 arias with technical and performi...
(+)
15 arie con schede tecnico-interpretative | 15 arias with technical and performing notes. Par . Dans cette édition anniversaire, Maria Callas Forever reconstitue les rôles les plus marquants de Callas et ses interprétations personnelles sur la base des enregistrements disponibles et de l'accès à des archives personnelles. Chaque aria est accompagnée d'une série de commentaires se rapportant à un enregistrement spécifique, qu'il ait été réalisé dans un studio d'enregistrement, lors d'une représentation d'opéra ou dans une salle de concert. Les indications concernant les tempi, les dynamiques, les articulations, le phrasé, les portamenti et les marques de respiration se réfèrent toutes à des enregistrements et à des interprétations spécifiques de Maria Callas, mais ne figurent pas nécessairement dans la partition originale. Collection indispensable pour les fans de Callas, les pédagogues du chant et les musiciens professionnels, Maria Callas Forever est une historiographie de 'La Divina' autant qu'une histoire du bel canto. / Date parution : 2024-01-06/ Recueil / Chant et Piano
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Grande Sestetto Concertante Für Streichsextett (1808)
36.50
Grande Sestetto Concertante Für Streichsextett (1808)
Violon 1, Violon 2, Alto, Violoncelle, Violoncelle
[Partition]
Barenreiter
for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2...
(+)
for String Sextett. Par MOZART WOLFGANG AMADEUS. For String Sextet (2 Violins, 2 Violas, 2 Cellos, Bass) set of parts. Mozart ’s Sinfonia Concertante for Violin and Viola, K. 364 (320d), is his only complete surviving work in this genre. He wrote it in 1779 after returning from Paris and Mannheim. For two decades it was known only in a few copyists’ manuscripts. The first edition did not appear until 1802. The work achieved great popularity that same year, particularly the arrangements for Piano four-hands and Piano trio. This arrangement for String Sextet, dating from 1808, is interesting not only for its unusual scoring but also for the way the two concertante instrumentsinteract with the other strings. This edition revives this arrangement after almost two centuries, drawing primarily on the sole surviving source: the first edition in parts, published by the Vienna Stamperia Chimica in 1808. The editor, Christopher Hogwood, recounts the history of the work and the particulars of the arrangement in a trilingual preface (Eng . / Ger. / Cz . ) and a critical report. Barenreiter's new edition takes into account both the original print and the text from the “New Mozart Edition”. New edition of a historical transcription for String Sextet (1808) Available in print again after almost two centuries Also suitable for Chamber Orchestra Detailed preface and critical report (Eng. /Ger. / Cz . ) Includes facsimiles / Classique / Répertoire / Violon 1, Violon 2, Alto, Violoncelle, Violoncelle
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Duos And Trios For Flûte
24.20
Duos And Trios For Flûte
2 Flûtes traversières (duo)
[Partition + CD]
-
Intermédiaire
Boosey and Hawkes
The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements o...
(+)
The Boosey and Hawkes Bartók Edition showcases brand new stylish arrangements of highlights from the leading twentieth century composer for developing musicians standard to learn and enjoy. Duos and Trios for Flute features selected highlights from For Children, Mikrokosmos, Romanian Folk Dances, Romanian Christmas Carols and other works, imaginatively arranged for two or three flutes by Hywel Davies. The collection provides ideal flexible small ensemble material for teaching and performance. An accompanying audio CD features demonstration and minus-one tracks. / 2 Ou 3 Flûtes Traversières
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Operaria Baritone
39.90
Operaria Baritone
Baryton
[Partition + CD]
Breitkopf & Härtel
Vol. 3: Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edite...
(+)
Vol. 3: Dramatic. OperAria is the ideal 'vocal coach' for all voice types. Edited by Peter Anton Ling, the books address all singers and are conceived above all for training and auditions. In addition, through their careful selection, they offer valuable inspiration for opera recitals. OperAria offers in every book - a well-founded repertoire collection of common audition arias and rarities, which also include pieces from the 20th century - reliable aria texts in performable versions with revised or newly elaborated piano-vocal scores - meticulous comments on every aria (with contents and an evaluation from the singer's viewpoint) - a CD as 'Text and Phonetics Assistant' with the aria texts as audio file in their original language as well as the aria texts in German and English translation The three books for baritone '1:lyrical,' '2: lyrical-dramatic' and '3: dramatic' are placed at the beginning of the project. Altogether 16 volumes are planned- the first books for soprano are currently being prepared for 2016. 'It is my aim to give students a modern, systematically structured, well-informed vocal coach that meets the demands of present-day stage practice. And, of course, a cohesive repertoire and logical presentation of audition arias for every vocal genre.' (Peter Anton Ling)/ Recueil / Baryton
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The European Real Book - C Version: C Instruments: Instrumental Album
34.99
The European Real Book - C Version: C Instruments: Instrumental Album
Instruments en Do
[Fake Book]
Sher Music Company
182 of the best European jazz tunes make The European Real Book a must have for ...
(+)
182 of the best European jazz tunes make The European Real Book a must have for any jazz player. This volume contains pieces by Michel Petrucciani, Florian Ross, George Shearing, Nguyen Le, Toots Thielemans, Philip Catherine, Bill Bruford, Tommy Smith, Enrico Rava, Django Reinhardt and almost 100 others. As with all Sher Real books this book features: 100% accurate composer-approved charts easy-to-read manuscript A great selection of tunes Many extra features like sample Bass lines, chord voicing, Rhythm section hits, harmony parts and an extensive Drum appendix. An exclusive and exciting feature of The European Real Book is that streaming MP3 files of over 100 tunes in the book are available free of charge from Sher Music.
34.99 GBP - vendu par Musicroom GB
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100 Hits 80-90
41.20
100 Hits 80-90
Instruments en Do
[Partition]
Carisch
100 hits from between 1980-1990, arranged for C instruments with melody line and...
(+)
100 hits from between 1980-1990, arranged for C instruments with melody line and chords. Italian language edition. / Pop & rock / Recueil / Instruments en Do
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Ogni Anno Punto E Da Capo (ROTA NINO)
31.50
Ogni Anno Punto E Da Capo (ROTA NINO)
Piano seul
-
Intermédiaire
Schott
Suite Per Pianoforte. Par ROTA NINO. Ogni anno punto e da capo (Every Year Again...
(+)
Suite Per Pianoforte. Par ROTA NINO. Ogni anno punto e da capo (Every Year Again) is a one-act comedy by Eduardo De Filippo, which premiered in 1931 at the Teatro Nuovo in Naples. On the occasion of the revival at the Piccolo Teatro in Milan in 1971, De Filippo asked Nino Rota to edit some songs of the Italian Rivista tradition from the thirties and provide them with additional music. Of the music arranged and composed by Rota, only the piano score published here remained, which probably served as a basis for the instrumental version. / Niveau : Intermédiaire / Répertoire / Piano
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Argentina's Tango - The Best Ever Collection
51.51
Argentina's Tango - The Best Ever Collection
Piano seul
Ricordi
The Best Ever Collection. Capture the power, passion, rhythms and magic of the T...
(+)
The Best Ever Collection. Capture the power, passion, rhythms and magic of the The Tango with this special collection of the very best from Argentina. With its roots in the Cuban Habanera, the Tango developed in Latin America as a potent symbol ofsexuality and close-contact. This authoritative collection boasts a 15-page history and overview of the Tango and its origins, as well as containing almost 100 superb concert Dances for solo Piano. / Musique latine / Date parution : 1905-06-25/ Recueil / Piano
51.51 EUR - vendu par LMI-partitions
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Das Arienbuch / The Aria Book. Tenore (BACH JOHANN SEBASTIAN)
27.10
Das Arienbuch / The Aria Book. Tenore (BACH JOHANN SEBASTIAN)
Voix Tenor, Piano
[Partition]
Barenreiter
Volume with detailed booklet in English. Par BACH JOHANN SEBASTIAN. About The Ar...
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Volume with detailed booklet in English. Par BACH JOHANN SEBASTIAN. About The Aria Book - TenorBy Johann Sebastian Bach (1685-1750), edited by Charlotte Lehmann. Collection (with pull-out supplement) for tenor voice and piano accompaniment. Urtext of the New Bach Edition. Text language German/English. 76 pages. Published by Baerenreiter-Ausgaben (German import). (BA. BA5213-04) ISBN M006503841. With vocal melody, lyrics, piano accompaniment, performance notes, suggestions for practice and introductory text. Baroque. 9x12 inches. Contents:Unser Mund Und Ton Der Saiten BWV 1, No. 5, F Major, from 'Unser Mund Und Ton Der Saiten'. Was Willst Du Dich, Mein Geist, Entsetzen BWV 8, No. 2, C# Minor, from 'Liebster Gott, Wenn Werd IchSterben'. Was Ist Der Schnode Mensch - Bleibt, Ihr Engel, Bleib Bei Mir BWV 19, No. 4, 5, E Minor, from 'Es Erhub Sich Ein Streit'. Kein Ungluck Ist In Aller Welt - Ewigkeit, Du Machst Mir Bange BWV 20, No. 2, 3, C Minor, from 'O Ewigkeit, Du Donnerwort'. Bache Von Gesalznen Zahren BWV 21, No. 5, C Minor, from 'Ich Hatte Viel Bekummernis'. So Schnell Ein Rauschend Wasser Schiesst BWV 26, No. 2, C Major, from 'Ach Wie Fluchtig, Ach Wie Nichtig'. Ich Will Leiden, Ich Will Schweigen BWV 87, No. 6, Bb Major, from 'Bisher Habt Ihr Nichts Gebeten In Meinem Namen'. Erholet Euch, Betrubte Sinnen BWV 103, No. 5, D Major, from 'Ihr Werdet Weinen Und Heulen'. Ihr Menschen, Ruhmet Gottes Liebe BWV 167, No. 1, G Major, from 'Ihr Menschen, Ruhmet Gottes Liebe'. Auf Meinen Flugeln Sollst Du Schweben BWV 213, No. 7, E Minor, from 'Lasst Uns Sorgen, Lasst Uns Wachen'./ Répertoire / Tenor et Piano
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Mozart W.a. - Great Mozart Arias For Soprano And Piano
24.50
Mozart W.a. - Great Mozart Arias For Soprano And Piano
Voix Soprano, Orgue
Dover Publications
From the youthful exuberance of Abduction from the Seraglio to the spectacular r...
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From the youthful exuberance of Abduction from the Seraglio to the spectacular romanticism of The Magic Flute, Mozart's operas have enchanted audiences for more than 200 years. This handsome and inexpensive compilation encompasses 36 arias from such all-time favorites as The Marriage of Figaro, Così fan tutte, The Magic Flute, and Don Giovanni. Content :
IDOMENEO, RÈ DI CRETA / IDOMENEO, KING OF CRETE K366
Ilia's recitative and aria, Act I
[1] Quando avran fine omai'Padre, germani, addio!
Elettra's aria, Act I
[2] Tutte nel cor vi sento
Ilia's aria, Act II
[3] Se il padre perdei
Elettra's aria and marcia, Act II
[4] Idol mio, se ritroso altro amante'Odo da lunge armonioso suono
Ilia's aria, Act III
[5] Zeffiretti lusinghieri
Elettra's aria, Act III
[6] D'Oreste, d'Ajace
DIE ENTFÜHRUNG AUS DEM SERAIL / THE ABDUCTION FROM THE SERAGLIO K384
Konstanze's aria, Act I
[7] ach ich liebte
Blonde's aria, Act II
[8] Durch Zärtlichkeit und Schmeicheln
Konstanze's recitative and aria, Act II
[9] Welcher Wechsel herrscht in meiner Seele'Traurigkeit
Konstanze's aria, Act II
[10] Martern aller Arten
Blonde's rondo, Act II
[11] Welche Wonne, welche Lust
LE NOZZE DI FIGARO / THE MARRIAGE OF FIGARO K492
Cherubino's aria, Act I
[12] Non sò più cosa son, cosa faccio
Countess Almaviva's aria, Act II
[13] Porgi, amor
Cherubino's arietta, Act II
[14] Voi che sapete
Susanna's aria, Act II
[15] Venite, inginocchiatevi!
Countess Almaviva's recitative and aria, Act III
[16] E Susanna non vien''Dove sono'Ah! Se almen la mia costanza
Barbarina's cavatina, Act IV
[17] L'ho perduta! Me mechina!
Susanna's recitative and aria, Act IV
[18] Giunse al fin il momento'Deh vieni, non tardar
DON GIOVANNI K527
Donna Elvira's aria, Act I
[19] Ah! Fuggi il traditor!
Donna Anna's aria, Act I
[20] Or sai chi l'onore
Zerlina's aria, Act I
[21] Batti, batti
Zerlina's aria, Act II
[22] Vedrai, carino
Donna Elvira's recitative and aria, Act II
[23] In quali eccessi Mi tradì
Donna Anna's recitative and aria (rondò), Act II
[24] Crudele''Troppo mi spiace'Non mi dir
COSÌ FAN TUTTE K588
Dorabella's recitative and aria, Act I / Scene 3
[25] Ah scostati'Smanie implacabili
Despina's aria, Act I / Scene 3
[26] In uomini, in soldati
Fiordiligi's recitative and aria, Act I / Scene 3
[27] Temerari, sortite'Come scoglio'Rispettate, anime ingrate
Despina's aria, At II / Scene 1
[28] Una donna a quindici anni'Dee in un momento
Fiordiligi's rondò, Act II / Sce
[29] Per pietà, ben mio, perdona'A chi mai mancò
Dorabella's aria, Act II / Scene 3
[30] È amore un ladroncello
DIE ZAUBERFLÖTE / THE MAGIC FLUTE K620
The Queen of the Night's recitative and aria, Act I
[31] O zitt're nicht, mein lieber Sohn!'Zum Leiden bin ich auserkoren
The Queen of the Night's aria
[32] Der Hölle Rache
Pamina's aria, Act II
[33] Ach, ich fühl's
LA CLEMENZA DI TITO K621
Vitellia's aria, Act I
[34] Deh se piacer mi vuoi'Che ceicamente crede
Servilia's aria-minuet, Act II
[35] S'altro che lagrime
Vitellia's recitative obbligato and rondò, Act II
[36] Ecco il punto, O Vitellia'Non più di fiori vaghe catene
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G. Sheen: Mr Sheen'S Miscellany For Bassoon: Bassoon: Instrumental Album
5.50
G. Sheen: Mr Sheen'S Miscellany For Bassoon: Bassoon: Instrumental Album
Spartan Press
Grade 2-This collection of pieces was written for the Trinity Guildhall Examinat...
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Grade 2-This collection of pieces was written for the Trinity Guildhall Examination Board syllabus. It is aimed principally at students of grades 1 to 5 and intended to combine technical challenges with that most vital musical ingredient: fun. Three pieces for bassoon and piano by Graham Sheen. Bodhán.The melody here is very broken up so breathe and be ready for the next entry in good time. Don't drag behind the 'drum' in the piano part. Notice that only some of the notes are marked staccato. la Modal.Modes are scales based on the white notes of the piano say so you won't find a single accidental in this piece. It showsthat expression in music depends on more than just the dynamics that is how loudly and softly you play. We also need to observe the articulation markings such as staccato tenuto and the accents on both long and short notes. Schubert's Ghost.Schubert is one of my favourite composers. I hope you enjoy the swing of the dotted rhythms and accents in this little Viennese impression. There are three musical quotations: one from Schubert himself one from a later Viennese composer Gustav Mahler and near the end the Dies Irae tune which has been used by many composers.
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Edward Gregson: An Album for my Friends: Piano: Instrumental Album
15.99
Edward Gregson: An Album for my Friends: Piano: Instrumental Album
Piano seul
[Partition]
Novello & Co Ltd.
'The idea for this set of pieces initially came from writing one as a sixtieth b...
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'The idea for this set of pieces initially came from writing one as a sixtieth birthday present (I shall not mention which one!). Having written one Baroque-titled piece I gradually added more until a whole suite of Baroque dances was completed.The stimulus of writing a modern set of piano pieces based on Baroque models (in my case a mixture of the English and French Suites of Bach) is nothing new of course. Many twentieth-century composers were inspired by the rigours of devising new ways of looking at Baroque dances and in the process brought new life to the forms (in the case of Schoenberg?s Piano Suite of 1925 actually liberating his new method of 12- notecomposition from theory into practice).For my part the challenge was to write a set of pieces for the piano which would be technically suitable for both young and mature pianists whilst still responding to the compositional demands of creating interesting material mainly organised through contrapuntal means (often just two-part counterpoint as in Bourr?e 1 or the Gigue) but sometimes through harmonic means (as in the Sarabande or Gavotte).In addition the more personal nature of the genesis of the album resulted in each piece or dance being dedicated to a particular friend. Whilst their pianistic skills might vary quite considerably they all share a great love of music - something which unites us all.'???????????? - Edward Gregson1. Paul?s Prelude2. Adam?s Allemande3. Clare?s Courante4. Stefan?s Sarabande5. Gaynor?s Gavotte6. Brian?s Bourr?e (Bour?e 1)7. Bethan?s Bour?e (Bour?e 2)8. Maggie?s Minuet9. Gavin?s Gigue10. Phil?s Postlude
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SUZUKI VIOLIN SCHOOL VOL.6 + CD
35.80
SUZUKI VIOLIN SCHOOL VOL.6 + CD
Alfred Publishing
Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talen...
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Teach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Suzuki Book & CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 6 features: * New editing of pieces, including bowings and fingerings * Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers * Text in English, French, German, and Spanish * New Musical Terms * Composers * CD features new recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes. Titles: La Folia (Corelli/Suzuki) * Sonata No. 3 in F Major, HWV 370 (Handel) * Allegro (Fiocco) * Gavotte (Rameau) * Sonata No. 4 in D Major, HWV 371 (Handel). *Piano accompaniment tracks #14, #16, and #22 are performed without the second repeats. For complete versions of these movements, please visit www.alfred.com/suzukiaudio. / Violon / Alfred Publishing
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Bob Chilcott: The King Shall Rejoice: Mixed Choir: Vocal Score
3.75
Bob Chilcott: The King Shall Rejoice: Mixed Choir: Vocal Score
[Vocal Score]
Oxford University Press
The King Shall Rejoice was commissioned by the Dean and Chapter of Westminster t...
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The King Shall Rejoice was commissioned by the Dean and Chapter of Westminster to mark the sixtieth anniversary of Her Majesty The Queen's coronation.Setting powerful and optimistic words from Psalm 21 Chilcott establishes a celebratory mood from the outset with dancing 6/8 rhythms and jubilant ringing chords. The voices soon divide into two choirs creating a striking antiphonal effect and the music moves through sections of slower more sustained writing in 4/4.The second half of the work sets an adapted version of the psalm text famously used by William Byrd - 'O Lord make thy servant Elizabeth our Queen rejoice in thy strength' - beforecoming to a buoyant and triumphant close with the final 'amen'.
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Gabriel Fauré: Nocturnes For Piano Nos.1-8: Piano: Instrumental Album
Piano seul
Hamelle
Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Arièg...
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Gabriel Fauré's Nocturnes nos. 1-8. Gabriel Fauré was born in Pamiers (Ariège) on 12 May 1845. Owing to his precocious musical gifts he was able at the age of nine to enter the celebrated Niedermeyer School founded in Paris to train organists and choirmasters. For about ten years he received instruction of great quality centred mainly on the study of sacred music and the great classic masterpieces into which he was initiated notably by Camille Saint-Saëns his Piano teacher. As soon as he left the school Fauré began a brilliant career as an organist. In 1896 he succeededThéodore Dubois as an organist at the Church of the Madeleine in Paris and was appointed professor of composition at the Conservatory where his pupils included Ravel Koechlin Enesco and Schmitt. Meanwhile he had met Liszt in Weimar and had been initiated into Wagner’s art which however never really influenced him. Appointed director of the Conservatory in 1905 after Théodore Dubois’ resignation a member of the French Institute and music critic Fauré spent his last years in solitude suffering from an irreversible deafness that obliged him to resign from the Conservatory in 1920. He died in Paris on 4 th November 1924. The music of this sometimes misunderstood composer who wrote in nearly all genres (except Organ music) is of great refinement. An enemy of bombast Fauré put his elegant counterpoint a highly individual harmonic style unpredictable turns of phrase and the secret of an unusual musical sensitivity at the service of music that is both varied and of very high quality.
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Phil Collins: Phil Collins Anthology: Piano Vocal and Guitar: Vocal Album
25.99
Phil Collins: Phil Collins Anthology: Piano Vocal and Guitar: Vocal Album
Piano, Voix et Guitare
[Partition]
Hal Leonard
A must-own for any Phil Collins fan this anthology features 27 top hits from th...
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A must-own for any Phil Collins fan this anthology features 27 top hits from the pop icon's highly successful solo career including: 'Against All Odds (Take a Look at Me Now)' 'Another Day in Paradise' 'Do You Remember' 'Easy Lover' 'I Don't Care Anymore' 'I Missed Again' 'In the Air Tonight' 'One More Night' 'Separate Lives' 'Sussudio' 'Take Me Home' 'Two Worlds' 'We Wait and We Wonder' 'You Can't Hurry Love' 'You'll Be in My Heart' and more.
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Ciaccona - In Memoriam Giovanni Paolo II (PENDERECKI KRZYSZTOF)
36.30
Ciaccona - In Memoriam Giovanni Paolo II (PENDERECKI KRZYSZTOF)
2 Violons, 2 Altos et 2 Violoncelles
[Conducteur et Parties séparées]
-
Intermédiaire/avancé
Schott
Trascrizione Per Sestetto D'Archi Di Claus-D. Ludwig (2018). Par PENDERECKI KRZY...
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Trascrizione Per Sestetto D'Archi Di Claus-D. Ludwig (2018). Par PENDERECKI KRZYSZTOF. The original work providing the basis of this arrangement is the Ciaccona for string orchestra dating from 2005 written on the occasion of the death of Pope Johannes Paul II. The composer incorporated the piece into his large-scale oratorio work Polish Requiem as an instrumental interlude. During the following years, arrangements were made for violin and viola, for piano, for two pianos, for three accordions and for six cellos. / Niveau : 5 / Répertoire / 2 Violons, 2 Altos et 2 Violoncelles
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Judith Weir: Madrigal: Men's Voices: Vocal Score
3.25
Judith Weir: Madrigal: Men's Voices: Vocal Score
Chorale TTBB
TTBB
Chester
Judith Weir's Madrigal for TTBB choir unaccompanied. This work was commissioned ...
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Judith Weir's Madrigal for TTBB choir unaccompanied. This work was commissioned by the BBC Singers in celebration of the sixtieth birthday of Stephen Cleobury. The lyrics are from aSardinian folk tale.
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John Joubert: String Quartet No.3 Op.112 (Parts): String Quartet: Instrumental
42.50
John Joubert: String Quartet No.3 Op.112 (Parts): String Quartet: Instrumental
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Composed during the summer of 1986 Joubert's third quartet is the second in ord...
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Composed during the summer of 1986 Joubert's third quartet is the second in order of composition of three works composed specially for performance this month as part of the celebrations connected with his sixtieth birthday.The quartet is dedicated to Howard Ferguson who was my composition teacher at the Royal Academy of Music from 1947 to 1950.
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Phil Collins: Phil Collins - Hits: Easy Piano: Instrumental Album
19.99
Phil Collins: Phil Collins - Hits: Easy Piano: Instrumental Album
Piano Facile
[Partition]
-
Facile
Hal Leonard
Easy arrangements of 16 super hits from Phil Collins' solo career. Includes: Aga...
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Easy arrangements of 16 super hits from Phil Collins' solo career. Includes: Against All Odds · Another Day in Paradise · Both Sides of the Story · Easy Lover · A Groovy Kind of Love · In the Air Tonight · One More Night · Separate Lives · Something Happened on the Way to Heaven · Sussudio · Take Me Home · True Colors · Two Hearts · You Can't Hurry Love · and more.
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John Joubert: String Quartet No.3: String Quartet: Score
28.99
John Joubert: String Quartet No.3: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Novello & Co Ltd.
Composed during the summer of 1986 Joubert's third quartet is the second in ord...
(+)
Composed during the summer of 1986 Joubert's third quartet is the second in order of composition of three works composed specially for performance this month as part of the celebrations connected with his sixtieth birthday.The quartet is dedicated to Howard Ferguson who was my composition teacher at the Royal Academy of Music from 1947 to 1950.
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PHIL COLLINS - ANTHOLOGY - PVG
33.50
PHIL COLLINS - ANTHOLOGY - PVG
Piano, Voix et Guitare
Hal Leonard
Features 27 top hits from this pop icon's highly successful solo career, includi...
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Features 27 top hits from this pop icon's highly successful solo career, including: 1. Against All Odds (Take a Look At Me Now) 2. I Wish It Would Rain 3. Two Hearts 4. Two Worlds 5. Son Of Man 6. You'll Be In My Heart (Pop Version) 7. Both Sides Of The Story 8. Everyday 9. Hang In Long Enough 10. The Roof Is Leaking 11. We Wait And We Wonder 12. Who Said I Would 13. Another Day In Paradise 14. Take Me Home 15. Do You Remember 16. Don't Lose My Number 17. Easy Lover 18. One More Night 19. A Groovy Kind Of Love 20. I Cannot Believe It's True 21. I Don't Care Anymore 22. I Missed Again 23. In the Air Tonight 24. Separate Lives 25. Something Happened On The Way To Heaven 26. Sussudio 27. You Can't Hurry Love / Piano voix guitare / Hal Leonard
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Sérénade In Es (MOZART WOLFGANG AMADEUS)
19.60
Sérénade In Es (MOZART WOLFGANG AMADEUS)
Partition de Poche
[Partition]
Barenreiter
a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists ...
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a 6 et a 8. Par MOZART WOLFGANG AMADEUS. The Serenade in E-flat, K. 375, exists in two versions, one for two clarinets, two horns and two bassoons, and another for the same forces plus two oboes, forming an octet. From Mozart himself we know a fair amount about the occasion that led to the first, six-instrument version of this work and about its early performances. Written for the sister-in-law of the court painter Hickl, it probably originated toward the end of September or the beginning of October in 1781 and was first performed on 15 October, the name-day of St. Theresa. The octet version probably arose in the summer of the following year. It is far more than a mechanical expansion of the sextetwith the oboes merely reinforcing the clarinets colla parte. Not only did Mozart take advantage of the occasion to make changes in the articulation and the dynamics, he also altered the work's melodic substance and formal design. The two additional high-register instruments allowed him to achieve more subtle distinctions and gradations of timbre, thereby enabling him, for example, to vary the timbral homogeneity of the two clarinets. The opportunity arose to divide melodic phrases among the clarinets and oboes or to make them more brilliant and incisive by doubling them at the unison or octave. - Urtext of the New Mozart Edition - Parts sextet version (BA5333), octet version (BA5334) and study score both versions format 22. 5 x 16. 5cm (TP315) available for sale/ Répertoire / Partition de Poche
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