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The Lost Birds
48.40
The Lost Birds
Chorale SATB
Boosey and Hawkes
An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial t...
(+)
An Extinction Elegy. Par TIN CHRISTOPHER. The Lost Birds is a musical memorial to bird species driven to extinction by humankind. Sweeping and elegaic, it's a haunting tribute to those soaring flocks that once filled our skies, but whose songs have since been silenced. It's a celebration of their feathered beauty: their symbolism as messengers of hope, peace, and renewal. But it's also a warning about our own tenuous existence on the planet: that the fate that befell those once soaring flocks foreshadows our own extinction. / Niveau : moyen - avancé / Date parution : 2024-02-16/ Répertoire / Ch?ur Mixte et Piano
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A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exc...
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A New Edition Revised and Edited by the Composer. Par VILLA-LOBOS HEITOR. An exciting assortment of Piano works that are musically and technically rewarding as study pieces, and appealing in recital. The music is on a level with that of the 18th and 19th century masters. This edition has been edited by the composer. Contents: ALMA BRASILEIRA - CHOROS NO.5 BACHIANAS BRASILEIRAS NO.4 - Suite 1. Preludio - Introdução - (Prelude) 2. Coral - Canto Do Sertão (Song of the Jungle) 3. Aria - Cantiga (Song) 4. Dansa - Miudinho (Dance) CAIXINHA DE MUSICA QUEBRADA (The Broken Little Music Box) CARNAVAL DAS CRIANCAS BRASILEIRAS - Suite 1. A Manhã Da Pierrete (Pierrette's Hands) 2. O Chicote Do Diabinho (The Devil's Whip) CICLO BRASILEIRO - Suite 1. Plantio Do Caboclo (Native Planting Songs) 2. Impressões Seresteiras (Mistrel Impressions) 3. Festa No Sertão (Jungle Festival) 4. Dansa Do Indio Branco (Dance of the White Indian) GUIA PRATICO - Album 1 - Five Pieces 1. Acordei De Madrugada (Dawn) 2. A Maré Encheu (Full Tide) 3. A Roseira (The Rose-Bush) 4. Manquinha (Little Lame Girl) 5. Na Corda Da Vióla (On the Strings of a Viola) GUIA PRATICO - Album 8 - Seven Pieces 1. O Limão (Oh, Lemon) 2. Carambola (Goodness!) 3. Pobre Céga (Poor Blind Woman) 4. Pai Francisco (Father Francisco) 5. Xô Passarinho! (Fly! Little Bird) 6. Sinh' Aninha (Farmers' Daughters) 7. Vestidinho Branco (Little White Dress) GUIA PRATICO - Album 9 - Six Pieces 1. Laranjeira Pequenina (The Little Orange Tree) 2. Pombinha, Rolinha (Little Dove, Tiny Dove) 3. O Ciranda, O Cirandinha (Circle Dance) 4. A Velha Que Tinha Nove Filhas (The Old Woman That Had Nine Daughters) 5. Constante (Constant) 6. O Castelo (The Castle) POEMA SINGELO (Simple Song) PROLE DO BEBE - #1 - Suite 1. Moreninha (The Little Paper Doll) 2. Mulatinha (The Little Rubber Doll) 3. O Polichinelo (Clown) SIMPLES COLETANEA - Three Pieces 1. Valsa Mistica (Valse Mystique) 2. Em Um Berço Encantado (Dans Un Berçeau Féerique) 3. Rhodante (Circle Dance) SUITE FLORAL - Op.97 - Three Pieces 1. Idilio Na Rede (Summer Idyll) 2. Uma Camponeza Cantadeira (A Singing Country Girl) 3. Alegria Na Horta (Joy In The Garden) / Niveau : Intermédiaire à Avancé / Répertoire / Piano
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Otto M. Schwarz: That's Brass: Brass Ensemble: Score and Parts
21.99
Otto M. Schwarz: That's Brass: Brass Ensemble: Score and Parts
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
Symphonic Dimensions Publishing
That's Brass. This work is dedicated to the Blechreiz brass quintet on their 10t...
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That's Brass. This work is dedicated to the Blechreiz brass quintet on their 10th anniversary. Each musician is pushed to the limits in this very challenging composition. Rhythmically exposed passages that mesh together in a continuous sixteenth-note groove, alternate with solo passages and a catchy chorus. In the middle of the composition a waltz suddenly sounds?but the ensemble is brought to its senses by the tube player?s evident disapproval and the music soon returns to the original style. Demanding, tongue-in-cheek and witty passages with a funky groove are the ingredients of this new work by Otto M. Schwarz for brass quintet.
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George Gershwin: Tribute To Piano Solo (Coates): Piano: Mixed Songbook
17.50
George Gershwin: Tribute To Piano Solo (Coates): Piano: Mixed Songbook
Piano seul
-
Intermédiaire
Alfred Music - Digital Sheet Music
Tribute To Piano Solo (Coates). This book includes 31 songs from the famous 'Por...
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Tribute To Piano Solo (Coates). This book includes 31 songs from the famous 'Porgy and Bess' opera american composers, George and Ira Gershwin. Already songwriters in high school, it's in the 20s that Ira and George make a name for themselves on Broadway, but separatly. It's only few years later that the brothers decide to write together. They wrote several musical scores including Porgy and Bess, An American in Paris, The Country Girl and The North Star.
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Juliana Hodkinson: All That We Cannot Say: Chamber Ensemble: Score
9.99
Juliana Hodkinson: All That We Cannot Say: Chamber Ensemble: Score
Hautbois, Violoncelle
Wilhelm Hansen
For Oboe and Cello with two assistants-All That We Cannot Say (2001) for Oboe a...
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For Oboe and Cello with two assistants-All That We Cannot Say (2001) for Oboe and Cello (with two assistants).
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TON-THAT TIET - MEMOIRE DES SONS - VIOLONCELLE
11.30
TON-THAT TIET - MEMOIRE DES SONS - VIOLONCELLE
En Français
Violoncelle
Jobert
TON-THAT TIET - MEMOIRE DES SONS - VIOLONCELLE / Alto / Jobert
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A Century Of Piano Music: Grades 1-4 Selected And Edited By Richard Deering
31.50
A Century Of Piano Music: Grades 1-4 Selected And Edited By Richard Deering
Piano seul
Bosworth
A Century Of Piano Music contains pieces graded accordingly to difficulty, origi...
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A Century Of Piano Music contains pieces graded accordingly to difficulty, originally written variously for concert hall, class, festival or home: miniatures and more extended pieces that show off each composer at their best. Every major artistic movement can be discerned in this collection of easy and accessible piano works by some of the biggest names in British music of the twentieth century. As an aid to preparation and interpretation, there is a short explanatory paragraph on each piece. Generally, fingering has been added, though not in pieces where several alternatives would be viable. / Piano
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Gcse Performance Pieces
23.90
Gcse Performance Pieces
Saxophone Alto
[Partition + CD]
Rhinegold Publishing Ltd.
Passionnant répertoire contemporain nivelé spécifiquement pour des performanc...
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Passionnant répertoire contemporain nivelé spécifiquement pour des performances GCSE!Accompagné par des commentaires d'experts pour aider vos élèves à se préparer, cette série permettra aux artistes GCSE à réaliser leur potentiel avec le matériel qu'ils veulent vraiment jouer:Couvrant une gamme d'instruments populaires, la série a été compilé par des enseignants instrumentale et pour les instruments rock par les examinateurs de pas de l'Europe. 1 planche d'examen rock, Rockschool, et tous ont été approuvés par notre éditeur de la série, une personne âgée GCSE examinateur.Convient pour tous les conseils d'examen, chaque livre contient dix chansons et couvre une gamme de difficulté approprié pour le niveau du GCSE.Chaque livre est accompagné d'un CD de morceaux d'accompagnement professionnels, et les chansons ont été soigneusement choisis pour fournir aux étudiants la meilleure occasion de montrer leur instrument et de compétences, avec un large éventail d'artistes et de styles allant des charts actuels comme Take That , Coldplay, Cee-Lo Green et Adele aux grands classiques comme les Beatles, Bon Jovi, Oasis et Led Zeppelin. / Saxophone Alto
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Sondheim For Singers
38.00
Sondheim For Singers
Voix Mezzo-Soprano, Piano
Hal Leonard
The Sondheim For Singers series is the most comprehensive multi-volume collectio...
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The Sondheim For Singers series is the most comprehensive multi-volume collection of Sondheim songs ever published.Each volume has a different contents list and includes songs in original keys, as well as appropriate transpositions. An extensive introductory section, featuring plot synopses and comments from Sondheim about his music and shows, is also included.This volume is for Belter/Mezzo-Soprano singers and contains 45 songs, including Can That Boy Foxtrot!, Sooner Or Later (I Always Get My Man), Do I Hear A Waltz? and Anyone Can Whistle. / Mezzo-Soprano Et Piano
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Ton That Tiet - Lang Dzu - Clarinette, Alto, Violoncelle
37.70
Ton That Tiet - Lang Dzu - Clarinette, Alto, Violoncelle
Clarinette, Alto et Violoncelle
Jobert
Compositeur/Auteur : TON THAT Tiêt
Discipline/Instrument : clarinette, alt...
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Compositeur/Auteur : TON THAT Tiêt
Discipline/Instrument : clarinette, alto et violoncelle Support : Partition
Style/Genre : contemporain
Date de parution : janv.-96 Nombre de pages : 90
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Ferdinand Hiller: He In Tears That Soweth: SSA: Vocal Score
2.25
Ferdinand Hiller: He In Tears That Soweth: SSA: Vocal Score
Chorale 3 parties
SSA
[Partition]
Novello & Co Ltd.
He In Tears That Soweth
2.25 GBP - vendu par Musicroom GB
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Thea Musgrave: Make Ye Merry For Him That Is To Come (Organ Part): Organ: Part
3.99
Thea Musgrave: Make Ye Merry For Him That Is To Come (Organ Part): Organ: Part
Orgue
[Partition]
Chester
Make Ye Merry For Him That Is To Come (Organ Part)
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Cecilia McDowall: I Know That My Redeemer Liveth: Mixed Choir: Vocal Score
2.95
Cecilia McDowall: I Know That My Redeemer Liveth: Mixed Choir: Vocal Score
Chorale SSATB
SSATB A Cappella
[Vocal Score]
-
Facile
Oxford University Press
Cecilia McDowall's I Know That My Redeemer Liveth for SSA(A)TB unaccompanied. Th...
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Cecilia McDowall's I Know That My Redeemer Liveth for SSA(A)TB unaccompanied. This attractive motet was written for performance alongside Brahms's Requiem following the precedent of Handel's famous setting of the same text being sung at the premiere of the Brahms in 1868. The gracefully sculpted music clothes the text with touching melodies expressive harmonies and varied sonorities.
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Cheryl Frances-Hoad: Bouleumata: Clarinet: Instrumental Work
Clarinette
Cadenza Music
Cheryl Frances-Hoad's Bouleumata for solo Clarinet. 'Shortly before writing this...
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Cheryl Frances-Hoad's Bouleumata for solo Clarinet. 'Shortly before writing this piece I reached the final of a competition to compose the music for the Cambridge Greek Play which happened to be Medea that year. Although I didn’t end up winning Euripides’ play stunned me with its depiction of Medea a woman who kills her two children to spite her husband Jason (who has just left her for a Corinthian princess). This piece was inspired by the wildly contrasting emotions that Medea experiences during a monologue immediately preceding the double-murder: that she can’tpossibly go through with it but thatshe must in order to punish her enemies. In one passage she says “I understand that what I am about to do is wrong but my thumos (emotion) has vanquished my bouleumata (ability to deliberate)'.' - Cheryl Frances-Hoad
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Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
24.99
Kevin Volans: String Quartet No.9 - Shiva Dances (Parts): String Quartet: Parts
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
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Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
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Kevin Volans: String Quartet No.9 - Shiva Dances: String Quartet: Score
16.99
Kevin Volans: String Quartet No.9 - Shiva Dances: String Quartet: Score
Quatuor à cordes: 2 violons, alto, violoncelle
[Partition]
Chester
Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3...
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Kevin Volans' String Quartet No. 9: Shiva Dances was commissioned by BBC Radio 3 and first performed by the Smith Quartet at the 2004 Huddersfield Contemporary Music Festival.Kevin Volans (the composer) notes on the piece:In the past I have been interested in trying to go beyond historicism (1970s) beyond style(1980s) and beyond form (1990s) in my work. Looking back over the music of the twentiethcentury I was struck by the fact the nearlyall of it is extremely 'busy' almost cluttered. Italmost seemed that composers felt compelled to look industrious. In the new millennium Ithought it would be interesting to try and eliminate content. I also aspired to movingfrommusic (sound as art) to art (art as sound). This of course has already been done by a numberof composers (many from New York Phil Niblock and La Monte Young to name but two) butit was something I had never tried.AlthoughI found it annoying that the label 'minimalist' was given to my African-based work and fearing this would make the label stick I set out to write a piece which reflected my loveof minimal painting and architecture. The Japanesehave a term 'wabi' meaning 'voluntarypoverty' or 'emptiness' to describe their restrained minimal aesthetic an aesthetic which however pays greatest attention to the quality of material and fine detail. I like to think thatthelack of excessive pitch material in this piece reflects a kind of voluntary poverty.When Shiva is portrayed dancing (as Nataraj) He is depicted in a circle of flames crushing asmall figure the ego underfoot.You get theimpression He dances on the spot not movingaround at all. I like that.The piece is dedicated to Pablo Pascual Cilleruelo.
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Thea Musgrave: Journey Into Light (Full Score): Soprano: Score
19.99
Thea Musgrave: Journey Into Light (Full Score): Soprano: Score
Voix Soprano, Orchestre
[Partition]
Novello & Co Ltd.
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProg...
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A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and
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Thea Musgrave: Journey Into Light: Soprano: Vocal Score
4.50
Thea Musgrave: Journey Into Light: Soprano: Vocal Score
Voix Soprano
[Partition]
Novello & Co Ltd.
A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProg...
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A work for Soprano Woodwind 2 Horns and Strings.Duration: circa 15 minutesProgramme Note: 'This work was commissioned as a possible companion piece to Mozart?s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460? 1513?] describe the promise of salvation after life?s dark passage. Each of the three poems echo this thought: ?In celum ther is joy with Thee? ?A short torment for infinite gladness? and ?Since erdly joy abides never Work for the joy thatlastès ever?. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ?dark? moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain ?Terribilis mors conturbat me? in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song ?A free choice given to Paradise or Hell?. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and
4.50 GBP - vendu par Musicroom GB
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Tenting on the Old Camp Ground: SATB: Instrumental Work
11.25
Tenting on the Old Camp Ground: SATB: Instrumental Work
Chorale SATB
SATB, Guitare
[Partition]
-
Intermédiaire
Schirmer
Dale Warland Choral Series-Most of us think that ?going viral? is a 21st century...
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Dale Warland Choral Series-Most of us think that ?going viral? is a 21st century phenomenon made possible by the immediacy and ubiquity of the Internet. But Tenting on the Old Camp Ground Walter Kittredge's haunting Civil War song of1863 went viral in the age of the telegraph and remains an enduring expression of the yearning for peace. Dale Warland sets this powerful text with a delicate touch including guitar accompaniment thatcalls for fingernail tapping on the body of the guitar.
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