Par PURCELL HENRY. L'édition fait partie du programme ABRSM (grade 3)/ Répertoire / Flûte à Bec Soprano et Piano

Arranged For Fingerstyle Guitar-Books have been written about Bix Beiderbecke movies have been made. His incandescent talent meteoric rise and tragic death at 28: this is the stuff of myth and legend. We are fortunate that we have quite a few incomparable recordings. Although it is said that they only capture a shadow of Bix???s sound you can hear right away what the fuss was all about. As Ernie Hawkins attempted to do with some Louis Armstrong songs in an earlier DVD set (Louis and Bix it is said had opportunities toplay together and greatly admired each other) here he is playing and teaching some favorite Bix songs on guitar. Once again the extraordinary fingerpicking style developed by Rev Gary Davis shines through making this approach to the jazz of the 1920???s possible. These songs may be challenging but they are fun and rewarding to learn and play. Hopefully learning this style via these songs will open the student to new possibilities.This lesson is over 2 hours. The arrangements are for the intermediate to advance players. They are multi-section compositions with lots of fingerpicking challenges. But all your hard work will be very worthwhile as these tunes are some of the greatest in the early jazz repertoire. Ernie teaches phrase by phrase and then uses the split-screen so you can carefully study what each hand is doing. A detailed tab/music booklet is included as a PDF file on the DVD.

Commissioned by 'Antwerpen 1993' for the ensembles Accroche-Note and Champ d'Action / Voix Et Instruments Divers

L'édition fait partie du programme ABRSM (grade 1, 2) / Flûte A Bec Soprano Et Piano

Leichte Kavallerie. Par VON SUPPE FRANZ. Although he was born in Split, Croatia, of Belgian descent, Franz von Suppé’s nationality is defined less by his actual descendents than by the country and city where he lived and worked and had the great majority of his success, the Austrian capital, Vienna. It was here where, with assistance from the Johan Strausses and Franz Lehar, he helped to assure Vienna’s reputation as the operetta capital of the world. He achieved this by pioneering operetta as a major medium for the theatre. The overture to Light Cavalry is one of his two most famous works, the other being the Poet and Peasant Overture written as incidental music for a play of the same name. / Niveau : 4 / Répertoire / Concert Band ou Harmonie

Par PURCELL HENRY. From 'The Indian Queen'/ Répertoire / Flûte à Bec Soprano et Piano

This effective, demanding work for piano solo captivates through its changes between twirling cascades and oases of tranquillity whereby the irridescent development focuses on central reference tones. Occasionally the strings inside the instrument have to be plucked. Matthias Pintscher wishes to achieve the greatest possible sound refinement, leading the performer as well as the audience to magical, luminous moments. / Piano

Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass Karl Kohaut (1726 - 1784) was an Austrian lutenist and composer of Czech descent considered to be one of the last important composers of music for Baroque lute. Although also a violinist active in the Viennese music scene he was most well-known as a lutenist. He composed a total of seven lute concertos during his lifetime including this Concerto in F Major No. 2 (not to be confused with his Concerto in F Major No. 1 which is considered the most popular) in three movements: Allegro moderato Andante molto and Tempo di Minuetto. This edition includes the full orchestral score orchestral parts as well as guitar and lute parts. Victor Van Puijenbroeck has adapted theoriginal solo part and included in the set are parts for both lute (the part has been adapted from lute tablature to modern notation) and guitar (capotasto). Instrumentation: Full Score Guitar (or Lute) - separate parts included for each instrument Violin I Violin II Cembalo/Cello/Contrabass

String Quartet-Tower's third string quartet contains a 'white heat' from which ideas unfold develop interact and gradually change their 'temperatures'.

Ursula Mamlok was born in Berlin in 1923, but was forced to emigrate via Ecuador to New York in 1939 because of her Jewish descent. In 2006 she returned to the city where she was born.In about three minutes, the small and charming two-part piece Kontraste [Contrasts] for oboe and harp captivates with clarity and limitation to the essentials. The name says it all: A lively humoresque is followed by a rather delicate, even almost melancholy second movement which is headed 'largo e mesto'. The composition was written in 2009/10 as a birthday present for the Swiss oboist - and this work's dedicatee - Heinz Holliger (and his wife, the harpist Ursula Holliger). / Hautbois Et Piano

Moto Perpetuo is a single movement work for solo Violin with Piano accompaniment. It was written by the British composer Edward German and first published in 1890 while he was musical director of the Globe Theatre in London.Edward German was an English musician and composer of Welsh descent best remembered for his extensive output of incidental music for the stage and as a successor to Arthur Sullivan in the field of English comic opera. While French influences are clearly apparent in his music German was said to be a ‘stylistic cosmopolitan who wrote music that is quintessentially English’ (David Russell Hulme).

This energetic tarantella is a showpiece for every recital. Intermediate students will be captivated by the driving rhythm and wide use of the keyboard. Few chords but lots of chromatic descents in the left-hand that gives this piece its character. Written in 6/8 time there’s plenty of alternating interplay between the hands. Give this one a whirl!