Edited by Thurston Dart14 madrigals for SATB by Bateson, Bennet, Dering, Dowland, Farmer, Farnaby, Morley, Philips, Tomkins, Ward, Weelkes and Wilbye.CONTENTSBATESON, Thomas If love be blindBENNET, John Round about in a fair ringDERING, Richard Love shootingDOWLAND, John What poor astronomersFARMER, John Take timeFARNABY, Giles Blind love Construe my meaningMORLEY, Thomas In ev'ry placePHILIPS, Peter Wherefore sit I complainingTOMKINS, Thomas O let me liveWARD, John Satyr onceWEELKES, Thomas Lo country sports!WILBYE, John Change me O heav'ns Thus saith my Cloris bright

Par GREENBERG STEVE. This treasury of part songs and sacred music for one to six voices will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods. Approximately half the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs. Some of the music contained is printed for the first time. Edited by Noah Greenberg / Musique religieuse / Recueil / Chant et Piano

Description English Songs Renaissance To Baroque - High Voice Thirty-four songs from 17 composers, complete with historical information. Songlist As I Walked Forth One Summer Day [Johnson, Robert] Blow, Blow, Thou Winter Wind [Arne, Thomas] Come And Trip It (G.F.Handel) Diaphenia (Francis Pilkington) Fain Would I Change That Note (Tobias Hume) Fair, If You Expect Admiring (Thomas Campian) Flow My Tears [Dowland, John] Hark! The Echoing Air [Purcell, Henry] Have You Seen But A White Lily Grow? Henry Lawes (How Happy Art Thou) Here Amid The Shady Woods (G.F.Handel) I Attempt From Love's Sickness To Fly [Purcell, Henry] If Music Be The Food Of Love [Purcell, Henry] I'll Sail Upon The Dog Star (Henry Purcell) In Sherwood Livde Stout Robin Hood [Jones, Robert] It Was A Lover And His Lass [Morley, Thomas] Jack And Joan (Thomas Campian) Let Me Wander Not Unseen (G.F.Handel) My Lovely Celia (George Munro) My Lovely Celia [Munro, George] Nymphs And Shepherds [Purcell, Henry] O Come, O Come, My Dearest [Arne, Thomas] Pastime With Good Company Rest Sweet Nymphs [Pilkington, Francis] Since First I Saw Your Face (Thomas Ford) Tell Me No More (John Blow) The Silver Swan [Gibbons, Orlando] Thou Soft Flowing Avon (Arne) Weep You No More, Sad Fountains [Dowland, John] What If I Never Speed [Dowland, John] When Daisies Pied [Arne, Thomas] When Laura Smiles (A Book Of Ayres) [Rosseter, Philip] Where E'er You Walk [Handel, George Frideric] Willow Song Wind, Tell My Sweetheart

Madrigals for SSATB and SSATBaBEdited by E H Fellowes. Revised by Thurston DartCONTENTSANONYMOUS How can the tree but waste (SSATB)BYRD, William Though Amaryllis dance in green (SSATB)EAST, Michael Your shining eyes (SSATBaB)FARMER, John Fair nymphs (SSATBaB)MARENZIO, Luca I must depart (Io partiro) (SSATB)MORLEY, Thomas My bonny lass (Questa dolce sirena) (SSATB) O grief e'en on the bud (SSATB)VAUTOR, Thomas Sweet Suffolk owl (SSATB)WEELKES, Thomas In pride of May (SSATB)WILBYE, John Lady your words do spite me (SSATB)

SAM-Klang. Par . Le nom SAM-Klang reprend la premie`re lettre des parties vocales en anglais ¬– soprano, alto et men (« hommes ») - et combine cet acronyme avec le mot «Klang », signifiant «son » en danois et allemands, pour cre´er le mot-valise SAM-Klang : « son-ensemble » ou plus ge´ne´ralement, « harmonie ». La se´rie SAM-Klang propose un re´pertoire choral de base et avance´ arrange´ pour soprano, alto et voix d‘hommes. Contentant de nouvelles pie`ces et des nouveaux arrangements, vous trouverez e´galement l’essentiel du re´pertoire classique allemand, scandinave, franc¸ais et anglais SATB, soigneusement retravaille´es pour SAM. Les arrangements retiennent les caracte´ristiques des mouvements originaux et simule la me^me richesse des timbres vocaux, conservant aux œuvres leurs authenticite´ sonore dans la perception du public. Les re´ductions d’orchestre pour piano de tous les mouvements choraux faciliteront les re´pe´titions.Les arrangements offrent plus- ieurs possibilite´s de de´veloppement pour toutes les sections vocales, apportant une approche novatrice dans le qualite´ de travail des chœurs SAM. SAM-Klang permet aux chœurs de jeunes d‘acce´der a` la litte´rature chorale classique, et garantit aux chœurs mixtes ayant du mal a` trouver assez de voix masculines a` continuer de re´aliser les pie`ces favorites pour chœur. / Date parution : 2022-07-23/ Recueil / SAM a Cappella

During the 1940s I was often involved with musical activities at Morley College where Walter Bergmann was the choir's accompanist. He was a keen recorder player and often asked me (then in my twenties) to write something for him. I must have obliged with this suite, although I have now absolutely no recollection of writing it. Amazingly the manuscript turned up many years later in, of all places, the musical library of Sir Thomas Beecham. Why and how I shall never know! Antony Hopkins (2012) / Flûte A Bec Et Piano

for BeginnersEdited by Malina JánosInstrument: More RecordersSeries: Music for BeginnersGenre: Pedagogical performance piecesLanguage: Hungarian, English, GermanExtent: 24 pagesFirst published: December 19961. Ismeretlen szerz?: Domino fidelium 2. Ismeretlen szerz?: Nato nobis hodie 3. Ismeretlen szerz?: An heavenly song 4. Machaut, Guillaume de: Ballade 5. Landini, Francesco: Vaga fanciulla 6. Binchois, G. de B.: Ut queant laxis 7. Reson, J.: Rondelet 8. Gaffurius, F.: Bicinium 9. Othmayr, C.: Vom Himmel hoch 10. Lasso, Orlando di: Oculus non vidit 11. Morley, Thomas: La Girandola 12. Locke, Matthew: Saraband 13. Naudot, Jacques-Christophe: Sarabande 14. Naudot, Jacques-Christophe: Fanfare 15. Telemann, Georg Philipp: Largo 16. Telemann, Georg Philipp: Affettuoso 17. Telemann, Georg Philipp: Allegro 18. Gebauer, Michel-Joseph: Petite pi?ce 19. Gárdonyi Zoltán: Bantering 20. Gárdonyi Zoltán: March 21. Papp Lajos: Angel from Heaven 22. Bloch, Tamar: Valsette

Vocal score. Par LEDGER PHILIP. Ce livre présente 60 des meilleurs madrigaux pour SATB, choisi parmi les centaines de candidats possibles. Les grands compositeurs du genre sont représentés chacun par plusieurs madrigaux et les moindres chiffres par un ou plusieurs. / Date parution : 2013-07-20/ Recueil / Choeur Mixte (SATB)

Cette partition Florilège - Voix égales de 160 pages est éditée par les éditions A Coeur Joie sous le numéro ACJ 53 0029. Cette partition de musique est idéale pour les amateurs de Chant Choral et plus précisément de . / Choeur Voix Egales / 160 pages / Partition

Carefully arranged and fun to sing this easy enjoyable introduction to the English madrigal is a perfect addition to any concert. Available: 3-Part Mixed.

Here is all the fa-la-la fun you could ever want as well as an excellent introduction to madrigal style in this accessible accompanied setting for treble and tenor bass.