Conga Technique As Taught In Cuba. Par CRUZ TOMAS. Dans le Volume I, Tomasito révèle la méthode conga time­-tested qu'il a lui-même a étudié avec ' Changuito ' et autres congueros maître du Conservatoire ENA à la Havane. Volume I commence au début absolu et est conçu pour la personne qui n'a jamais touché les congas, mais est aussi une grande valeur au joueur avancé qui veut comprendre la Fondation et les rudiments de l'approche qui a permis à l'ENA et aux autres conservatoires de la Havane à éteindre toujours autant de monde classe congueros chaque année. Volume I commence avec des exercices simples de développer technique et travaille systématiquement son chemin à travers des rudiments et ' recursos 'pour utilisation dans les solos et les remplissages et les modèles de base rythmique tels que la Salsa, Cha-Cha et Boléro. Celles-ci sont présentées à l'aide de la méthode unique des DVD étape par étape, qui permet à l'étudiant les patrons d'apprendre en regardant le DVD et imitant Tomasito comme il construit les patrons accident vasculaire cérébral par accident vasculaire cérébral. Ceci, combiné avec un type spécial de notation conçu pour être simple fo... / Niveau : Débutant / Latin American - Methods / Méthode / Conga

In Volume I Tomasito reveals the time-tested Conga method which he himself studied with ?Changuito' and other master congueros at the ENA conservatory in Havana. Volume I starts at the absolutebeginning and is designed for the person who has never touched the Congas but is also of great value to the advanced player who wishes to understand the foundation and rudiments of the approach that has allowed the ENA and theother Havana conservatories to consistently turn out so many world class congueros each year.Volume I begins with simple exercises to develop technique and systematically works its way through rudiments and'recursos' for use in solos and fills and basic rhythm patterns such as Salsa Cha-Cha and Bolero. These are presented using the unique Step by Step online video Method which enables the student to learn the patterns by watchingthe video and imitating Tomasito as he builds the patterns stroke by stroke. This combined with a special type of notation designed to be simple for those who don't read music results in a Conga course that reallyworks rather than just another reference book to add to the bookshelf!

Timba: Modern Cuban Conga Rhythms. Par CRUZ TOMAS. Volume III is the first educational product to tackle the complex subject of Timba, the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap for all the instruments of the rhythm section and especially the congas. The recordings of Tomás Cruz are considered the most advanced examples of Timba conga-playing and so fascinated the three coauthors that they sought out Tomás Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research, this 'labor of love' eventually reached fruition as Volume III. Volumes II and I were then written to trace the roots of the style and to understand the path Tomás took to arrive at his phenomenal level of technical mastery and rhythmic creativity. Much more than a collection of patterns or exercises, Volume III analyzes Timba arrangements from beginning to end, explaining the role of the congas in each section, the relationship to the 'clave', and Tomasito's creative process, including an exercise which teaches the reader to invent his own Timba conga parts. It was the intricacies of the material of Volume III which inspired the creation of the Step by Step DVD Method, which enables the reader to learn these exciting new rhythms in a fraction of the time it would take working with only written music and audio recordings. / Niveau : Avancé / Latin American - Methods / Méthode / Conga

Fassung Für Gemischten Chor (Satb) und Klavier. Par VASKS PETERIS. Der wirkungsvolle Chorsatz basiert auf Texten der lettischen Nationaldichterin Velta Toma, deren Schaffen durch einen jahrzehntelangen Aufenthalt im kanadischen Exil geprägt ist. Liebessehnsucht, Familienverbundenheit und ein gewisser melancholischer Patriotismus stehen auch bei ihrem lettischen Gebet im Mittelpunkt. Der sinfonische, volle Klang des eingängigen Chorwerks ist auch der Teilung in acht Stimmgruppen geschuldet./ Répertoire / Choeur Mixte SATB et Piano

Révision: Tesson Compositeur/Auteur : ALBINONI Tomaso Discipline/Instrument : violon et piano Support : Partition Style/Genre : classique Date de parution : mai-60 Niveau de difficulté : 3 Nombre de pages : 7 2

With Online Video-The Tomas Cruz Conga Method: Volume 3 is the first educational product to tackle the complex subject of Timba the new musical genre which has been played in Cuba since 1989. Timba represents a quantum leap forall the instruments of the rhythm section and especially the congas.The recordings of Tomas Cruz are considered the most advanced examples of Timba conga- playing and so fascinated were the three co-authors thatthey sought out Tomas Cruz and spent a year and a half studying his style and meticulously documenting it before even considering the idea of publishing it. After many hundreds of hours of passionate research this laborof love eventually reached fruition as Volume III. Volumes II & I were then written to trace the roots of the style and to understand the path Cruz' took to arrive at his phenomenal level of technical mastery and rhythmiccreativity.Much more than a collection of patterns or exercises Volume III analyzes Timba arrangements from beginning to end explaining the role of the congas in each section the relationship to the clav.

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Fanfares Liturgiques in 1952. As with his other wind compositions, Fanfares Liturgiques was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Composed for an unusual instrumentation of Brass Ensemble, Timpani and Drums, Fanfares Liturgiques comprises four movements; 1) Annunciation, 2) Gospel, 3) Apocalypse, and 4) Good Friday Procession. This Tomasi piece is suitable to advanced players and provides an exciting, alternative addition to the ensemble repertoire./ Répertoire / Cuivres Timbales Batterie

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Variations Gregoriennes Sur Un Salve Regina 1964. As with his other wind compositions, Gregorian Variations for Trumpet and String Orchestra and Organ reduction was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in1921, he began his studies at the Paris Conservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Variations Gregoriennes Sur Un Salve Regina is a highly unusual and modern work based on an old Marian Hymn (a song for the Virgin Mary). The variations exploit tonality, rhythm and structure amongst other aspects. This Tomasi piece is suitable for advanced trumpeters, providing an exciting, alternative addition to the instrument's repertoire./ Répertoire / Trompette et Orgue

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) composed Le Petit Chevrier Corse in 1952. As with his other woodwind compositions, Le Petit Chevrier Corse was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoireand went on to become a high profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learnt during the summers with his Grandmother. This is apparent in Le Petit Chevrier Corse for Flute and Piano or Harp accompaniment. This Tomasi piece is suitable to intermediate level flautists and its popularity has been proven by its inclusion in the ABRSM grade 5 syllabus since 2005./ Répertoire / Flûte Traversière et Piano ou Harpe

Par TOMASI HENRI. French composer and conductor, Henri Tomasi (1901-1971) published Trois Pastorales for Flute Trio in 1964. As with his other wind compositions, Trois Pastorales was well-received by audiences. Tomasi was born in Marseille, but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents, Tomasi dreamed of becoming a sailor, and during the summer, he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However, in 1921, he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes, often incorporating themes of the songs he had learned during the summers with his Grandmother in to his compositions. The Trois Pastorales are named; 1) Bolivian, 2) Cretan, and 3) Sicilienne. This Tomasi piece is suitable to an advanced Flute Trio, providing an exciting alternative addition to the ensemble repertoire./ Répertoire / 3 Flûtes Traversières

Par TOMASI HENRI. Finished in 1948, the Concerto for Trumpet and Orchestra was composed by Henri Tomasi (1901-1971) and lasts approximately 15 minutes. Dedicated to the Trumpeter Ludovic Vaillant, soloist at the National Orchestra, the Concerto for Trumpet and Orchestra was premiered in Paris in 1949. The first part, which lasts 7 minutes, Allegro and Cadenza, begins with a Trumpet cadenza and a quiet Snare Drum background. The Nocturne follows as the second part of this Concerto by Tomasi and the Finale, the shortest part of the concerto, ends up with a cheerful cartoon-music theme. This book is thepocket version. Henri Tomasi was a French composer, conductor and winner of the Grand Prix de Rome in 1927. He also composed a variety of concerti for Alto Saxophone and for Trombone, as well as some ballades./ Répertoire / Partition D'Orchestre In 16 Poche

Par TOMASI HENRI. Adaptation par Adrian Vioque Lorenzo Un jour, une rencontre au hasard d'un couloir de la Maison de la Radio à Paris - le regard d'un enfant méditerranéen croise celui d'Henri Tomasi, musicien admiré, au soir de sa vie. Il semble alors se nouer une alliance silencieuse... Des années plus tard, le travail d'Adrian Vioque Lorenzo rend hommage au compositeur disparu. Henri Tomasi, dans les 12 chants de l'île de Corse, déploie généreusement ce qui sera son chant du cygne, au service de la diversité de la culture corse. Il porte ainsi témoignage du génie d'un peuple et de sa langue une et multiple. L'apport du piano par AVL à ces voix populaires, d'une écriture originale et distincte, suggère une mise en scène sonore d'une grande sobriété, mue par l'idée que l'influence d'une culture locale enrichit tout un patrimoine. / classique / Répertoire / Choeur de Femmes et Piano

Par TOMASI HENRI. Composed in 1949 by Henri Tomasi, Complainte Du Jeune Indien is a piece for Clarinet and Piano accompaniment. This piece voices the lament of a young Indian, expressing nostalgia. It is quite sad with an Andante tempo and the harmonic motion is quite slow. Two cadenzas feature in this work, with the possibility to cut them out to make rehearsals easier. The piece finishes sadly on the main theme which is played on last time. Written for intermediate, Complainte Du Jeune Indien player can be used as a contest piece or for a recital. Henri Tomasi also composed'Corsica Songs' and 'Five Profaning and Holy Songs' for Clarinet and Piano./ Répertoire / Clarinette en Sib et Piano