Violon, Alto, Violoncelle. Par TURPIN TOM. Arr. : F. Lucato_J. B. Plays / Niveau : 2ème Cycle / Répertoire / Violon, Alto et Violoncelle

Arrangeur: F. Lucato. Par TURPIN TOM. Arr. : F. Lucato / Niveau : 2ème Cycle / Répertoire / 3 Saxophones

2X Clar. En Sib et Clar. Basse. Par TURPIN TOM. Arr. : F. Lucato / Niveau : 2ème Cycle / Répertoire / 2 Clarinettes en Sib et Clarinette Basse

Arrangeur: B. Nicolas. Par TURPIN TOM. Arr. : B. Nicolas / Niveau : Fin 1er Cycle / Répertoire / 2 Guitares

Par GROSSMAN STEFAN. 20 grands ragtimes arrangés pour guitare par Stefan Grossman tous enregistrés sur le CD inclus. Répertoire issu de traditionnels, mais aussi des morceaux de Scott Joplin, Elizabeth Cotten, du révérend Gary Davis, de Ton Van Bergeyk, Sam MacGee, Mississipi John Hurt, Scott Hayden, Tom Turpin, et bien sûr Stefan Grossman. / Pop & rock / Recueil / Guitare

This compilation of easy-to-play ragtime favourites features 24 rollicking melodies by 'The Big Three' of ragtime - Scott Joplin, James Scott, and Joseph Lamb - plus pieces by Eubie Blake, Tom Turpin, and other artists. Popular tunes include Maple Leaf Rag, The Entertainer, and Tiger Rag. Novices of all ages will delight in these simplified arrangements of carefully selected pieces. The editor provides suggested fingerings and comments on each piece that include background on the composers and tips for performance.

Alabama Dream George D. Barnarda Ragtime Nightmare Tom Turpinchopsticks Euphemia Allencotton Bolls Chas Huntercreole Belles J. Bodewalt Lampeheliotrope Bouquet Louis Chauvin/Scott Joplinjust AskMe Chas Hunterpossum And Taters Chas Hunterqueen Of Love Chas Hunterrag Medley No. 1 John W Boonerag Medley No. 2 John W Boonesure Fire Rag Henry Lodgethe St Louis Rag Tom Turpintickled ToDeath Chas Hunter forewordthe Latter Half Of The Nineteenth Century Was A Period Of Great Development In American Music. Ragtime Became Extremely Popular And It Dominated The Popular Music Of The Early TwentiethCentury. One Tends To Imagine That Scott Joplin Was The Only Ragtime Composer But There Were Many Others. The Recent Revival Of Ragtime Has Led To The Rediscovery Of Many Lost Compositions. The Manner In Which RagtimeDeveloped Is A Matter Of Conjecture. Some Suggest That The Catalyst Was 'Chopsticks' Which Was Written By A 16 - Year - Old English Girl Euphemia Allen. It Was Published In 1877 And Became An 'Overnight Success'. The TechniqueNeeded To Play It Is In Some Ways Similar To That Which Is Needed For Ragtime.ragtime Undoubtedly Has Afro-american Roots. The Great Ethno- Musicologist Trebor Jay Tichenor Has Written That The End Of The Civil War Gave BlackMusicians Much Greater Access To Keyboard Instruments And That This Was A Factor In Ragtime's Development. It Was However Preceded By Dances Known As 'Cakewalks'. They Became All The Rage And Were So Called Because Black CouplesWould Dress Up In Their Finest Clothes And Parade About Town - The Best Dressed Were Said To 'Take The Cake'. Needless To Say As Ragtime Developed Many Prudes Condemned It As The 'Music Of Satan' - One Recalls SimilarReactions To 'Rock And Roll'. Ragtime Achieved A Vitality And Spontaneity Which Transformed Popular Music. It Led To A Great Craze For 'Animal Dances' - The Foxtrot Is A

Cello Part and Piano Accompaniment. This book contains nine pieces from ABRSM?s Grade 4 Cello syllabus from 2024, three pieces chosen from each of Lists A, B and C ? ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information. An edition of this book with audio is also available - it includes downloadable recordings of all nine pieces, plus piano accompaniment tracks.