Par MRUTZEK RALF. Une collection de chansons traditionnelles de blues et de la musique gospel, ainsi que plusieurs chansons de folk irlandais arrangés pour guitare solo fingerstyle en notation standard et en tablature. Les arrangements comprennent des chansons connues ainsi que quelques qui ont été presque oublié, dont les mélodies sont marquées par une beauté intemporelle qui les a aidés à survivre pendant de nombreuses décennies. Outre la notation standard et tablature, cueillette et grattant les patrons offrent des méthodes supplémentaires de l'accompagnement. Sur le CD, toutes les chansons ont été enregistrées avec un arrangement complet et plusieurs ont même une version vocale ainsi. / Niveau : Débutant à Intermédiaire / Folk - Solos / Tablatures / Guitare Tablatures

Par SAUMELL MANUEL. Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras, Saumell never repeated himself, for within those 8 or 16-bar phrases, he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented in standard notation only with separate pull-out sections for guitar and flute. / Niveau : Intermédiaire à Avancé / Latin American - Duets / Recueil / Guitare et Flûte Traversière

23 easy to intermediate-level pieces for accordion. This collection of characteristic dances from Flanders and Wallonia features a cross-section of the repertoire and demonstrates the diversity of this area's cultural heritage. Belgium consists of Flanders in the north and Wallonia in the south and each region has its own traditional folk music, both displaying similarities as well as differences. The accordionist Marinette Bonnert has collected the most beautiful pieces and Tomasso Huber has adapted them to create authentic, easy to intermediate arrangements for accordion. The notation and chord indications for the left hand comply with international standards. 23 easy to middle-grade characteristic dances from Flanders and Wallonia for standard-bass accordion Notation and left-hand chord symbols are in accordance with the international standard Introductory background information is provided by Marinette Bonnert, who grew up with this music / Date parution : 2015-11-20/ Recueil / Accordéon

Petar Ralchev's book Balkan Accordion extends the instrument's rhythmic, tonal and harmonic spectrum. It contains a diverse range of well-known instrumental pieces, songs and dances with a distinct Eastern European flavour and with catchy melodies and rich ornamentation. For each piece the author has written a short introduction on its background and characteristics. The pieces are intermediate level and the notation is clear and easy to read. / Accordéon

8 Easy To Intermediate Play-Alongs Of Well-Known Pieces From Ireland, Scotland, Wales, Cornwall And Brittany. Par DIVERS AUTEURS (ARR.MARTIN TOURISH). Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic” presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal”, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic” is available in four formats, each with complete recordings and backing tracks on CD: as solo versions for violin, flute or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán. / Niveau : Facile / Recueil / Flûte Traversière et Piano

Arrangeur: Martin Tourish. Martin Tourish is an accordionist, composer and musicologist from Co. Donegal, now based in Dublin. Celtic music is in his blood, for his ancestors were noted collectors of dance music manuscripts dating back to the 19th century. With many recordings to his credit, he now offers his expertise to performers wishing to explore the rich culture of Irish and other Celtic music on a variety of instruments. 'World Music - Celtic? presents material from the Irish, Scottish, Welsh, Cornish and Breton traditions. It makes no great technical demands on the players, but Tourish points out that notation of this music is often 'skeletal?, hence it is important to gain a knowledge of the individual traditions in question and, naturally, he offers plenty of information on performance practice. The collection spans three centuries, from the blind bardic harpists of the 18th century to the international performers of the present day. Tourish accepts that this volume can only scratch the surface of a multi-faceted genre but hopes you will see it as a stepping stone to delve deeper into recordings, festivals and the very communities whence this music comes. 'World Music - Celtic? is available in six formats, each with complete recordings and backing tracks on CD: as solo versions for violin, violoncello, flute, clarinet or saxophone (with piano) and in an ensemble version for two melodic instruments (C, Bb or Eb), piano, guitar, bass and bodhrán./ Recueil / Violoncelle et Piano

Par SETH F.ORTSAO JOSEL. This book, co-written by guitarist Seth F. Josel and composer Ming Tsao, provides a comprehensive survey of contemporary performance techniques on the classical guitar. It was inspired by a new generation of solo guitarists whose extraordinary technical and virtuosic skills have paved the way for a new understanding of instrumental performance practice. Detailed explanations are given for the instrument's technical potential within the historical context of traditional guitar technique. Composers will be interested in the in-depth analyses of contemporary guitar literature, featuring many examples of chamber and ensemble music. Four main chapters describe: - Techniques of the right and left hands - Special harmonies and percussive techniques - The main instruments of the guitar family and their potential - Possible ways of notating contemporary guitar literature The examples discussed in the book are complemented by an enclosed CD and detailed charts on multiphonics, bitones, and percussion techniques. Seth F. Josel is among the leading figures of his generation in modern guitar performance and has taken part in the premieres of more than 100 works as a soloist and ensemble member. A regular guest at Europe's major contemporary music festivals, he has worked with composers of the stature of Mauricio Kagel, Helmut Lachenmann, Tristan Murail and James Tenney and has played with such leading orchestras and ensembles as the New York Philharmonic, the BBC Symphony Orchestra and the Berlin Staatskapelle. From 1991 to 2000 he was a permanent member of the Ensemble musikFabrik. Today he lives in Berlin. Ming Tsao (b. Berkeley, CA, 1966) is professor of composition at Gothenburg University. His compositions have been performed amongst others by the Arditti Quartet, ensemble recherche and the Stuttgart Opera (premiere of 'Die Geisterinsel” in 2011). He is regularly involved in the Donaueschingen Festival, the Witten Days of New Chamber Music, the Darmstadt Contemporary Music Holiday Courses and Wien Modern. His works are published by C.F. Peters (Frankfurt am Main and Leipzig). He, too, lives in Berlin./ Recueil / Guitare

For Flatpicking Gtr Vl.3-This collection of fiddle tunes originally appeared in ?Kaufman?s Collection of American Fiddle Tunes for Flatpicking Guitar? (MB 95748) but the book was so large and heavy that they couldn?t put all the songs on CDs to includewith the package so it was divided into four great melody-packed volumes. This third volume contains delightful American fiddle tunes brilliantly arranged for flatpicked guitar. All of these tunes are written in guitar-friendlykeys in notation and tablature. Intermediate in difficulty the book includes an explanation of the guitar tablature system and the execution and notation of essential techniques such as bends slides hammer-ons and pull-offs.The tunes are thoughtfully printed in alphabetical order and include both standards and lesser-known fiddle melodies. Teachers take note-- this book is a great source of sight-reading material as well as a departure point forimprovisation. Companion audio downloads are available for use with this title.

Dans ce livre sixième de la série les auteurs miser sur l'étage inférieur de la junior et utilisent un format modulaire similaire. Conçu pour étendre l'acquisition de compétences en performance, improviser et composer, écoute et appréciation et hiéroglyphes musique, élèves sont contestées par plus en plus exigeants des matériaux musicales. En même temps, il y a une emphase sur les élèves à acquérir les connaissances et l'expertise des structures profondes d'une variété de musique et une plus grande reconnaissance d'objet musical et le contexte. Attentifs à l'expérience de la gamme de programmes nationaux, les caractéristiques particulières de ce livre sont : la consolidation et l'approfondissement des techniques vocales et instrumentales et performance - une approche intégrée pour improviser et composer, combinant des compétences dans l'écoute et l'appréciation, la connaissance et la compréhension - un module en mettant l'accent sur l'observation de la phonétique, de représentation, d'enregistrement et de notation du son - une approche active, analytique et fréquemment physique d'écoute et d'appréciation - mettant l'accent sur la musique dans i... / Divers

Klezmer music remains popular in Europe thanks to the folk revival of the late 1960s. The accordionist Alan Bern collected and arranged this exceptional edition of traditional Klezmer pieces for intermediate players. In keeping with international standards, the collection has a strong focus on the notation and chord indications of the left hand. / Accordéon

Apprenez à jouer les 10 trous harmonica diatonique dans tous les styles: blues, country, traditionnel et rock. Ce package livre et le CD est chargé avec des airs écrits en simples à lire l'harmonica tablature et la notation musicale, donc la capacité à lire la musique n'est pas nécessaire. Chaque chapitre est autonome, vous permettant de passer à ce qui vous intéresse le plus. 'Plier' Apprendre les notes, la façon de jouer dans de nombreuses tonalités majeures et mineures, de développer un vibrato belle et obtenir le bon son pour chaque style. / Harmonica

Select 'Contradanzas Habaneras' by 19th century Cuban composer Manuel Saumell (1817-1870). Saumell is known as the 'Father of nationalism in Cuban music'. In more than 50 Contradanzas Habaneras Saumell never repeated himself forwithin those 8 or 16-bar phrases he was capable of astounding rhythmic and melodic invention. This group of contradanzas were originally written for the piano and arranged here for flute and guitar by Elias Barreiro. Presented instandard notation only with separate pull-out sections for guitar and flute.

Presents the Contradanzas Habaneras of Manuel Saumell (1817-1870) who has been called a 'Pioneer of the Cuban danza.' Originally written for the piano this collection of contradanzas is a good example of Saumell’sinnate sensitivity to the rhythms characteristic of Cuban Music. Written in standard notation and tablature.