Chill-out pieces to enjoy between exams-The Fun Club Violin series is a fantastic collection of 'chill-out' pieces to enjoy between exams by established composer Alan Haughton. A variety of styles are included within from classical jazz and ethnic to easylistening and rock these pieces in the Fun Club provide relaxing repertoire and light-relief between exams helping to consolidate what has already been learnt and move on to the next grade. This Student copy forViolin Grade 2-3 includes a CD with two separate versions for each of the eleven pieces here. One version is the full instrumental demonstration and the second is a backing track without Violin so you can take the lead!

Par HARBAR MARY ANN. Une collection de 92 mélodies folkloriques délicieuses de Roumanie, Russie, Ukraine, Pologne, Hongrie, Moldavie, Transylvanie, Tchécoslovaquie, Moldavie, Serbie, Croatie et plus, arrangé pour deux violons en première position avec cordes d'accompagnement. Ce package comprend la compagne d'enregistrement, un CD stéréo de 72 minutes présentant une restitution de performance-tempo de tous les 92 duos du livre. Chaque violon est isolé sur son propre canal, donc en ajustant le solde de votre joueur à la gauche ou la droite, vous pouvez jouer avec la première partie, deuxième partie ou les deux. / Niveau : Débutant à Intermédiaire / Ethnic - Duets / Recueil / 2 Violons

This comprehensive book is a facsimile edition of the original collection published in 1883. It has survived over the years because it is one of the richest and most interesting of the 19th century instrumental collections as wellas a resource for students of American vernacular music. Examining the cultural exchange between minstrel show ethnic music and even classical music influenced some of the genres of what we now call American music. 'Ryan'sMammoth Collection' contains a significant number of reels jigs hornpipes clogs walk-arounds essences strathspeys highland flings and contradances that are still played by both traditional and professional fiddlers. Aspecial section containing historical notes and comments is included.

for Violin, Cello, and Piano Full Score. Par HAILSTORK ADOLPHUS. Trio was commissioned by the Nova Trio of Norfolk, Virginia. The ethnic diversity of the group influenced the writing of the composition. The first movement is a lament commemorating the Jewish holocaust. The theme presented in the violin occurs in every movement. The second movement scherzo leads directly into the finale, a lively dance in an irregular (11/8) meter. Please note: this item will be printed at the time of ordering and will ship as soon as possible, usually within 2-3 weeks. / Date parution : 2022-04-01/ Répertoire / Violon, Violoncelle et Piano

Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano

Showcase your strings with fire and flair in the style of Riverdance and traditional Celtic music! Written by Robert Kerr and arranged for strings by Soon Hee Newbold this air and jig is a dramatic finale to any concert. Dazzling violin solos (both lyrical and technical) and highly rhythmic passages accompanied by drum set really set this work apart. Optional piano and harp add to the ethnic sound of a work destined to bring down the house. The ultimate closer!