Par ASCH GLENN / REINER DAVID. For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stéphane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works inpractice. This book has two objectives: first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, you'll find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Written for intermediate to advanced violinists. / Niveau : Intermédiaire à Avancé / Jazz / Recueil / Violon

Written for the violinist who longs to leave the confines of the written page Improvising Violin is a comprehensive guide to the art and science of successful string improvisation.With clear step-by-step explanations and instructions acclaimed teacher and performer Lieberman breaks down all of the components necessary to master improvisation in jazz blues swing folk rock and new age styles offering dozens of helpful tips on theory and technique along the way.

12 colourful pieces for the creative violin player-The music in Violin Vibrations will take you to many places and encompasses many different cultures. It is an invitation to travel while playing. One day you are in the wild west for a country-style dance and the next you are listening to the sirens on a desert island. Each of the twelve pieces in this book represents a specific style: country jazz Latin new age... The CDs included make the solos (or duos) exciting and engaging while requiring them to be rhythmically very accurate. The musical background also invites you to create your own music and improvise.

A violin method for children aged four and older with a Spanish text supplement. Par SASSMANNSHAUS EGON. Note reading is introduced from the beginning, and accidentals are explained in the easiest way in the first volume. By the end of the first book, many English children?s songs using all fingers have been played and note values from whole to eighthnotes have been introduced. Even the easiest exercises are underlaid with text so that melodies can be perceived as a whole. The original German violin method was first published in 1976. The author Egon Sassmannshaus is one of the most experienced and renowned violin pedagogues in Germany . For the new English edition his son Kurt Sassmannshaus worked as co-author and adapted his father?s successful method for English-speaking children./ Méthode / Violon

Violin 1-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Par BACH JOHANN SEBASTIAN. Without any doubt J.S. Bach’s cycle of the three Sonatas and Partitas BWV 1001-1006 represents one of the pinnacles of classical European music. According to C.P.E. Bach a contemporary voice stated that there was „nothing more accomplished in order to become a good violinist“ than his father’s works. The cycle reflects the entire harmonic and polyphonic musical universe of Bach’s time, so masterfully composed that it can be rendered within the limited framework of but a single instrument – the violin. The new publication of the Sonatas and Partitas BWV 1001-1006 (BA 5256) constitutes a complete revision of our older edition (BA 5116). The musical text has been edited by Peter Wollny and represents the most up-to-date state of research as published in the New Bach Edition – Revised (NBArev), volume BA 5937-01. The edition is mainly based on Bach’s unusually clear autograph which is considered among the most beautiful manuscripts by the composer. All relevant secondary sources have been taken into consideration in order to clarify ambiguities. These include five contemporary copies, including one by Anna Magdalena Bach, and four manuscripts from the late 18th and early 19th centuries. The musical text has been newly engraved with a clear and generous layout, whereby page turns and pagination have been retained from the previous edition. This allows the straightforward navigation between a copy of the previous and this new edition. The detailed Preface (Ger/Eng) provides information on the genesis of the Sonatas and Partitas, their context and the sources./ Répertoire / Violon

Set Wind Instruments-Dvorák?s Violin Concerto was composed between 1879 and 1882 with the active assistance of Joseph Joachim and was issued by the publisher Fritz Simrock Berlin in 1883. Its premiere took place in October of that same year with Franti?ek Ondr cek as soloist.This new Urtext edition is based on the first edition (score solo Violin part Piano reduction and orchestral parts). It also takes Dvorák?s autograph which served as a master copy for the engraving into consideration. A fresh assessment of Dvorák?s manuscript made it possible to reconstruct several variants ignored in the first and subsequent editions and toclarify ambiguities in the notation and articulation. An important component of our Urtext edition is the original Piano reduction which probably stems from Dvorák himself and in which Joseph Joachim?s fingering is published. First Urtext edition of the original Piano reductionVariants in the solo part rendered as ossia passagesForeword on the work?s genesis (Ger/Cz/Eng) and detailed Critical Commentary (Eng) by the editor

Red Cover-Alan Bullard: Violin Prep Test - ABRSM is a revised version of the Preparatory Test for Violin; new version Violin Prep Test effective from January 2001 which is designed to be taken by violinists who have been playing for a few terms.It contains all that the player will need to take the test apart from the 'own choice piece'.Alan Bullard: Violin Prep Test - ABRSM enables pupils to practise and demonstrate important musical skills such as a sense of pitch and rhythm controlled and even playing accuracy and quality of tone.The book has been written in 'child-friendly' language attractively presented andincludes entertaining illustrations and a fun page.

In 1892 Josef Suk (1874-1935) a mere 18 years of age contributed his piece Melody to a collection of simple works for Violin (for two three or four Violins and for Violin with Piano accompaniment) called The Young Violinist published by the Prague-based firm Jos. R. Vilimek (several books issued per year).This short charming and technically undemanding piece for young violinists which is possibly more familiar to Czech audiences in arrangements for other combinations of instruments (Violin and Piano or solo Piano) was published once again in its original version for two Violins to mark the 70th anniversary of Suk's death(2005).The whereabouts of the autograph of this work is unknown; the editor of the new edition Zdenek Nouza based his revisions on the original carefully prepared edition from 1892. The bowings are Suk's own (he was an excellent violinist) but no fingerings have been added since the piece can be played by violinists of varying technical proficiency; first position alone would suffice however a fuller richer sound would be gained with greater mastery of the instrument.

Red Hot Violin is an exciting new series of graded performance repertoire with a difference featuring sizzling arrangements of contemporary show-stoppers for intermediate violin with piano. With pieces in a wide variety of styles violinists of all ages will enjoy showing off these sparkling takes on popular favourites. They’re perfect for inspiring students as a refreshing change from exam repertoire and would go down a storm at any concert or recital. Arranger and composer Rachel Jennings has been playing the violin since the age of six studying with Susan Sheppard and Jean Harvey and theory with Jonathan Rathbone. She runs a private teachingstudio in Nottingham.The A Team; Canarios; Cotton-Eyed Joe; Dream A Little Dream Of Me; I Wanna Be Like You; If Only I Had A Brain; One Day Like This; Sleigh Ride; Summer Nights.

Selections from the Student Repertoire. Par DIVERS AUTEURS / ARR.BARBARA BARBER. Solos for Young Violinists is a six volume series. Many of the works in this collection have long been recognised as stepping stones to the major violin repertoire, while others are newly published pieces offering further study./ Recueil / Violon et Piano

A cura di Italo Vescovo. Par PAGANINI NICCOLO. Nicolò Paganini?s Minuetto e Trio in F sharp major for violin and viola - the autograph manuscript of which is preserved in the Biblioteca Casanatense in Rome - is, together with his Sonata a violino e viola (M.S. 108), one of the rare pieces the Genoese composer wrote for this particular ensemble. In addition to expanding Paganini?s treasured catalogue, its rediscovery could provide scholars with new insights into the famed virtuoso?s chamber music output. / Date parution : 2022-04-26/ Répertoire / Violon et Alto