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Adventures Of Egbert (Teacher's Book) (COHEN MARY)
8.90
Adventures Of Egbert (Teacher's Book) (COHEN MARY)
Violon et Piano
[Partition]
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Facile
Faber Music Limited
Par COHEN MARY. The Adventures of Egbert is an exciting new concept in Violin te...
(+)
Par COHEN MARY. The Adventures of Egbert is an exciting new concept in Violin teaching - a story which has all the right ingredients to appeal to primary and early secondary school age pupils, incorporating valuable technical exercises and well-known tunes for the beginner violinist. Egbert can be used in a one-to-one teaching context, or else with a Violin group of varying ability, while for non-specialist teachers, there are plenty of opportunities to involve the whole class (not just the violinists) in a mini dramatic production. / Niveau : Facile / Recueil / Violon
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Violin Concerto in D Major, Op. 35 (KORNGOLD ERICH WOLFGANG)
36.98
Violin Concerto in D Major, Op. 35 (KORNGOLD ERICH WOLFGANG)
Violon
[Partition]
Hal Leonard
Critical Edition Violin Solo Part. Par KORNGOLD ERICH WOLFGANG. This new edition...
(+)
Critical Edition Violin Solo Part. Par KORNGOLD ERICH WOLFGANG. This new edition of the violin solo part to the Korngold Violin Concerto in D Major is the first-ever to include Jascha Heifetz's performance notations, edited by Endre Granat, one of his star proteges. Born in Austria, Korngold was forced into US exile by the annexation of Austria by the Nazis. He vowed to give up composing anything other than film music until Hitler was defeated. With the end of World War II, he retired from films to concentrate on music for the concert hall. The violin concerto was the first such work that Korngold wrote following some initial persuasion from violinist and fellow émigré Bronislaw Huberman. Korngold was hurt by the assumption that he had sold his integrity to Hollywood. He was thus determined to prove himself with a work that combined vitality and superb craftsmanship. Korngold composed his Violin Concerto in D major, Op.35, in 1945, dedicating it to Alma Mahler, the widow of his childhood mentor, Gustav Mahler. The work was premiered on February, 15 1947 by Jascha Heifetz and the St. Louis Symphony under conductor Vladimir Golschmann. It received the most enthusiastic ovation in St. Louis concert history at the time. On March 30, 1947, Heifetz played the concerto in Carnegie Hall with the New York Philharmonic conducted by Efrem Kurtz: the broadcast performance was recorded on transcription discs. Heifetz's performance launched the work into the standard repertoire, and it quickly became Korngold's most popular piece. Concerning Heifetz's performance of the work, the composer wrote, In spite of the demand for virtuosity in the finale, the work with its many melodic and lyric episodes was contemplated more for a Caruso than for a Paganini. It is needless to say how delighted I am to have my concerto performed by Caruso and Paganini in one person: Jascha Heifetz./ Répertoire / Violon
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Violin Concerto (WALTON WILLIAM)
66.31
Violin Concerto (WALTON WILLIAM)
Violon et Piano
[Partition]
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Avancé
Oxford University Press
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concert...
(+)
Par WALTON WILLIAM. Reduction for solo instrument and piano of a central concerto from the repertoire Derived from the new Walton Edition volume and fully consistent with that and the new hire material Violin and piano reduction of Walton's Violin Concerto, based on the edition published in the Walton Edition Violin and Cello Concertos volume. Commissioned by Jascha Heifetz, the work was completed in 1939 and premiered by Heifetz later that year. Walton revised the concerto in 1943 and it is this version which is presented in the current edition. Orchestral material is available on hire. / Niveau : Avancé / Répertoire / Violon et Piano
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Violin Play Along : Great Themes
17.73
Violin Play Along : Great Themes
Violon
[Partition + CD]
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Facile
Hal Leonard
Tous les préférés de vos thèmes instrumentaux sont dans cette superbe collec...
(+)
Tous les préférés de vos thèmes instrumentaux sont dans cette superbe collection pour les solistes! Les 15 thèmes comprennent succès de Hollywood comme 'Axel F' de Beverly Hills Cop et 'Berceuse de Bella' de Twilight, sports d'inspiration hymnes tels que 'Clairon de rêve' (Fanfare olympique) et 'Les Chariots de feu', ainsi que chansons populaires de télévision montrent le même thème à partir de Hawaii Five-O et I Love Lucy. Comprend un accompagnement plein play-along CD avec le logiciel le réglage du tempo. / Violon
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Best Of Grade 1 Violin, The (Book/Cd)
14.80
Best Of Grade 1 Violin, The (Book/Cd)
Violon et Piano
[Partition + CD]
-
Facile
Faber Music Limited
Jessica O'Leary (Editor). Over the years, many examination pieces have captured ...
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Jessica O'Leary (Editor). Over the years, many examination pieces have captured the imagination of teachers and students, but the stars of past syllabuses are often forgotten. This collection brings together best-loved grade 1 Violin pieces, including Land of the Silver Birch , Dvorák's Largo from the New World Symphony and Gershwin's Oh, Lady, Be Good . Containing fresh editions of folk and classical masterpieces alongside contemporary favourites, all pieces have been rigorously researched by violin expert Jessica O'Leary. A CD of performance and accompaniment tracks is included, as are useful practice tips. This book includes pieces from current and past Trinity and ABRSM syllabuses. Jessica O'Leary has a successful career as a teacher, professional violinist, ABRSM examiner and seminar presenter. She has toured and recorded extensively as a member of the Academy of St Martin in the Fields, and has performed with Madonna, Led Zeppelin, the London Symphony Orchestra and the Royal Opera House. She teaches violin and viola and directs string ensembles at St Paul's Girls' School, Eltham College and Junior Guildhall London. / Niveau : Facile / Recueil / Violon
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Early Start On The Violin, Vol.1
18.50
Early Start On The Violin, Vol.1
Violon
-
Débutant
Barenreiter
Edition anglaise / supplément française. Remarque lecture est introduit dès l...
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Edition anglaise / supplément française. Remarque lecture est introduit dès le début, et les altérations sont expliqués dans le plus simple dans le premier volume. À la fin du premier livre, beaucoup de chansons enfants en anglais en utilisant tous les doigts ont été jouées et les valeurs de notes de l'ensemble de croches ont été introduites. Même les plus faciles exercices sont équilibrées avec le texte de sorte que les mélodies peuvent être perçus comme un ensemble.Les auteurs La méthode de violon d'origine allemande a d'abord été publié en 1976. L'auteur Egon Sassmannshaus est l'un des pédagogues les plus expérimentés et violon de renommée en Allemagne.Pour la nouvelle édition anglaise de son fils Kurt Sassmannshaus travaillé en tant que co-auteur et méthode adaptée avec succès de son père pour les enfants anglophones.La combinaison de connaissances et l'expérience du père et le fils les quatre volumes de la Tradition Sassmannshaus la plus étudiés et de la pensée-à travers la méthode de violon débutant dans le monde.'... Il s'agit d'un ensemble d'imagination, et bien à acquérir.'(ARCO - Royaume-Uni ESTA, printemps 2009)La Méthode d'initiation aux instruments à cordes d'Egon Saßmannshaus publiée par Bärenreiter HNE réputée Longtemps DEPUIS DANS les paie germanophones et anglophones et Përmet une initiation Précoce solide TOUT EN etant ludique.Un cahier additional en français reprenant les premiers ministres Deux volumes de La Méthode 'Early Start sur le violon' HNE Desormais available safe place de rendre l'Accès aux francophones, plus facile. Ce cahier may être de Commande séparément ous with non des Deux premiers ministres des volumes de la Méthode pour violon, sans supplément de prix. Il may also être de Télécharge ci-Dessous.Le premier ministre du volume de 'Early Start sur le violon' Presente notes L'Apprendre le La conférence Des, Valeurs Chaleurs et les Altérations de Manière Adaptée aux Enfants Jeunes. Différents coups D'Archet AINSI Qué L'Usage de la main gauches introduits sont fr s'appuyant Sur Des chansons connues. Enfantines L'utilisation de Drogues illicites structures de la Main gauche HNE Dé aspects Des Les Plus Importants du second volume. Technique de pose de This Manière convaincante les bases simplified money purchase 'une ligne virtuosité Précoce. / Violon
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Wedding Music For Violin And Viola
26.13
Wedding Music For Violin And Viola
Violon, Alto (duo)
-
Intermédiaire/avancé
Mel Bay
Wedding Music for Violin and Viola includes 14 favorites for weddings, recitals,...
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Wedding Music for Violin and Viola includes 14 favorites for weddings, recitals, parties and receptions. New adaptations of these arrangements allow each musician to share melodic, harmonic and accompanying elements. These duets are well suited for intermediate to advanced musicians and include bowings, fingerings, articulations and dynamics. Includes two separate 28-page pull-out parts for violin and viola. / Niveau : Intermédiaire à Avancé / Classique / Date parution : 2019-05-27/ Recueil / Violon et Alto
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DISNEY SONGS FOR SOLO VIOLIN andamp; PIANO
36.98
DISNEY SONGS FOR SOLO VIOLIN andamp; PIANO
Violon et Piano
[Partition]
Hal Leonard
Par . 11 arrangements of Disney favorites for violin with piano accompaniment. S...
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Par . 11 arrangements of Disney favorites for violin with piano accompaniment. Songs include: Baby Mine · Beauty and the Beast · Can You Feel the Love Tonight · Colors of the Wind · A Dream Is a Wish Your Heart Makes · God Help the Outcasts · Mary Poppins Fantasia medley · Once upon a Dream · Part of Your World · When You Wish upon a Star · A Whole New World. Includes separate violin part. / Date parution : 2022-11-10/ Recueil / Violon et Piano
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Violin Playtime 2 (Violin And Piano) (KEYSER PAUL DE)
12.40
Violin Playtime 2 (Violin And Piano) (KEYSER PAUL DE)
Violon et Piano
[Partition]
-
Facile
Faber Music Limited
Par KEYSER PAUL DE. A selection of very first pieces for the beginner Violinist ...
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Par KEYSER PAUL DE. A selection of very first pieces for the beginner Violinist with Piano accompaniment. With this fantastic book, even the newest beginner can make music from the very first lessons. The underlying approach is 'learn as you play' and a carefully devised groundplan of technical development makes it a manual in disguise, a tutor without text! / Niveau : Facile / Recueil / Violon et Piano
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Brahms, Johannes : Trio for Violin, Violoncello and Piano op. 87
27.50
Brahms, Johannes : Trio for Violin, Violoncello and Piano op. 87
Piano Trio: piano, violon, violoncelle
[Partition]
-
Avancé
Barenreiter
Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Ho...
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Bärenreiter?s new scholarly-critical edition of op. 87 edited by Christopher Hogwood is based on the score and parts from the first edition; where necessary he also consulted the autograph.
The first edition parts were engraved after the manuscript parts and not after the score. Here the readings of the legato phrasing and the dynamics more accurately reflect the composer?s intentions than in the first edition score.
? Informative introduction (Ger/Eng) with a valuable insight into the genesis and performance history of this work
? In a larger format 25.5 x 32.5 cm
? Includes a critical commentary (Eng) with facsimile pages / [Trio pour Violon, Violoncelle et Piano Opus 87 (avec parties séparées)] / Classique / Partition /
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
28.94
Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Violon et Piano
[Partition]
Barenreiter
Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY F...
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Piano Reduction Of The Well-Known Late 1845 Version. Par MENDELSSOHN-BARTHOLDY FELIX. (replaces BA 9050-90) Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
33.06
Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Violon et Piano
[Partition]
Barenreiter
Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mend...
(+)
Piano Reduction Of The Early 1844 Version. Par MENDELSSOHN-BARTHOLDY FELIX. Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Piano
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Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
73.08
Concerto For Violin And Orchestra E Minor Op. 64 (MENDELSSOHN-BARTHOLDY FELIX)
Orchestre, Violon
[Partition]
Barenreiter
Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX....
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Early Version Of 1844 And Late Version Of 1845. Par MENDELSSOHN-BARTHOLDY FELIX. Replaces BA 9050- The orchestral parts are unchanged and continue to be available as BA 9050-65/-74/-75/-79/-82/-85 Mendelssohn' s Violin Concerto op. 64, is a key work of the 19th century, adhering to the classical style of Beethoven while pointing the way to the romantic ethos of Brahms. It has long been known that Mendelssohn performed the work with three soloists in succession: Ferdinand David, who worked closely with the composer during its composition and played it at the première- the 'child prodigy' Joseph Joachim- and Hubert Léonard, a young Belgian virtuoso about whom little is known. As proof sheets for the Violin Concerto in E minor were long considered lost, it could be described as somewhat of a sensation when proofs for the solo violin part resurfaced together with a letter from Mendelssohn to Léonard. The letter informs us that the composer invited Léonard to his home in Frankfurt in order to make his acquaintance. It was already known that Mendelssohn had given proof sheets to David- now we know that he also gave some to Léonard. The recently discovered proofs reveal how Léonard played the concerto with Mendelssohn on that memorable evening in February 1845. Besides containing bowing marks and fingering, they also show how Léonard executed shifts of position and where he employed open strings. Furthermore modifications made to dynamic markings and additional legato bowing are shown. It is safe to assume that all of this was done with Mendelssohn' s approval. That the young violinist made a positive impression on the composer is confirmed in the latter' s correspondence following their joint performance. Mendelssohn is full of praise for Léonard' s playing and offers to lend his support in finding employment in Germany. This revised edition of the Mendelssohn Violin Concerto (only the orchestral parts remain unchanged) includes a separate booklet on performance practice. The editor, Clive Brown, is an acknowledged expert on Romantic performance practice. - New source situation owing to recently rediscovered proofs - Revised Urtext edition - With a separate booklet on performance practice (Eng/Ger)/ Répertoire / Violon et Orchestre
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Violinkonzert (MOZART WOLFGANG AMADEUS)
13.40
Violinkonzert (MOZART WOLFGANG AMADEUS)
Orchestre, Violon
[Partition]
Barenreiter
Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo ...
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Par MOZART WOLFGANG AMADEUS. Mozart composed the majority of his works for solo String Instruments and Orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775, which witnessed the creation of the five concertos for Violin and Orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart, who still occupied the post of concertmaster to the Prince-Archbishop, was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773. The Piano reduction of Mozart ’s G Major Violin Concerto is easier to play, uncluttered and practical with page turns where you need them and where necessary fold-out pages. The solo part gives players the critical Urtext of the New Mozart Edition. The tutti passages are all presented in normal size print for players wanting to perform these sections with the first Violins. An ossia has been included in small print for the last four measures before the first solo passage to allow for the transition to the solo section. A prepared performance part is also included with bowings, fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas, ”Eingänge” and fermata embellishments by Eugène Ysaÿe, Leopold Auer, Sam Franko and Martin Wulfhorst. This collection offers players a spectrum of styles available in no other publication. Urtext of the New Mozart Edition Full score and parts (BA4865), Violin and Piano reduction (BA4865-90) and study score format 22. 5 x 16. 5cm (TP272) available for sale./ Répertoire / Violon et Orchestre
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Violin Mix, Book 1, Grades Initial to 1 (BLACKWELL KATHY)
17.34
Violin Mix, Book 1, Grades Initial to 1 (BLACKWELL KATHY)
Violon
[Partition]
-
Débutant
ABRSM Publishing
Par BLACKWELL KATHY. Violin Mix is an original series of new arrangements for vi...
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Par BLACKWELL KATHY. Violin Mix is an original series of new arrangements for violin. Book 1 offers attractive repertoire at Grades Initial to 1 in a wide variety of styles. / Date parution : 2023-06-01/ Recueil / Violon
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