| Sämtliche Sonaten
Für Violoncello Und
Basso Continuo (VIVALDI
ANTONIO) Violoncelle, Basse continue [Conducteur et Parties séparées] Barenreiter
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical editio...(+)
Performance Score and Parts. Par VIVALDI ANTONIO. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc’s 1740 print of Sonatas I to VI – an edition probably made without the composer’s consent – the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi’s direct supervision. The editor has also managed to identify a previously unknown source for Sonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. This scholarly-critical edition is based on all the known sources, whether printed or handwritten, that have come down to us for these frequently played pieces. By closely scrutinizing the source material, the editor has arrived at interesting findings that considerably differ from earlier editions of these works. Rather than taking as her principal source Le Clerc's 1740 print of Sonatas I to VI & an edition probably made without the composer's consent & the editor has examined the Naples and Wiesentheid manuscripts prepared under Vivaldi's direct supervision. The editor has also managed to identify a previously unknown source forSonata RV 44. All departures from the sources in the printed text and all editorial additions are listed in the critical report. Cellists are thus given ready access to every alternative reading, including deleted bars and the many inevitable variants in articulation. A detailed preface provides essential information on sources and their assessment, with a section on performance practice offering valuable suggestions on interpretation. All of Antonio Vivaldi's works for violoncello and continuo in a single edition Scholarly-critical edition for performance purposes Detailed preface on sources and performance practice (German/English) With new findings that considerably differ from earlier editions 'This edition is invaluable for all performers of the Sonatas . ' (Ensemble January 2004) 'This is certainly the definitive edition of these works. '(Strings August/September 2003) / Répertoire d'Examen / Répertoire / Violoncelle et Basse Continue
43.50 EUR - vendu par LMI-partitions Délais: En Stock |
|
| Gioachino Rossini: Duetto
for cello and double
bass: Trombone:
Instrumental Violoncelle, Basse continue Yorke Edition
It was a chance visit to a second hand bookshop in Nottingham that set me on the...(+)
It was a chance visit to a second hand bookshop in Nottingham that set me on the trail of Rossini's now well-known Duetto for cello and double bass. But the story begins earlier than that. In the 1960s I was studying the double bass at the Royal College of Music with Adrian Beers who was at that time principal of the English Chamber Orchestra on the front desk of the Philharmonia Orchestra and a member of the Melos Ensemble of London (then one of the leading ensembles of the world). I was working on the 'Dragonetti Concerto' as most young players do and I wanted to find out a bit about it. My teacher said he thought the autograph manuscript might be in the British Library which was all the encouragement I needed to secure a pass to the Reading Room so I could go and see for myself. There sure enough I found a large collection of Dragonetti's autograph manuscripts together with other bound volumes relating to his life. The papers had been lovingly collated and annotated by Vincent Novello one of Dragonetti's closest friends then deposited in the library before his departure to Italy in 1848 two years after Dragonetti's death. One of the volumes included a lot of letters about various engagements and music festivals copies of orders for strings Dragonetti wanted from Italy details about paintings he wanted to buy and numerous invitations to private functions. The manuscript of the 'Dragonetti Concerto' of course wasn't among the papers we now know it to have been written by Edouard Nanny a century or so later. One name that came up regularly in the documents was that of Sir George Smart. Smart had been a violinist in Salomon's orchestra and had played for Haydn at his London concerts in the 1790s. As a child he had learnt much about music from his father who had in turn been present at many of Handel's rehearsals when he was preparing some of his major works for the first time. Smart was also a fine keyboard player becoming organist of the Chapel Royal in 1822. As a conductor
9.50 GBP - vendu par Musicroom GB |
|
| Leo Leonardo - Concerto
D Major - Cello, Strings
And Basso Continuo Violoncelle [Conducteur d'étude / Miniature] EULENBURG
Edition : study score Instrumentation : cello, strings and basso continuo...(+)
Edition : study score Instrumentation : cello, strings and basso continuo Date of Publications : 24/06/1985 Number of Pages : 44 Arranger : Schroeder, Felix Series : Eulenburg Miniature Scores
13.80 EUR - vendu par Woodbrass Délais: En Stock |
|
| Concerto For Violoncello,
Strings And Basso
Continuo A Minor (BACH
JOHANN SEBASTIAN) Violoncelle, Piano Barenreiter
Par BACH JOHANN SEBASTIAN. Célèbre concerto de Johann Sebastian Bach pour orgu...(+)
Par BACH JOHANN SEBASTIAN. Célèbre concerto de Johann Sebastian Bach pour orgue BWV 593 est une disposition de concerto op Antonio Vivaldi. 3 pas. 8 de 'L'Estro Armonico' pour deux violons solistes, cordes et basse continue.
Notre nouvelle édition, à son tour, est un arrangement de ce concerto pour orgue et a été marqué pour violoncelle solo, cordes et basse continue. Il a été commissed pour le célèbre violoncelliste Sol Gabetta qui créée il à 2013 Bachwoche à Ansbach, un célèbre festival de musique dans le sud de l'Allemagne.
Le compositeur et arrangeur Joachim FW Schneider propose un agencement idiomatique et violoncellistes accueillir cet ajout à leur répertoire.
- Aménagement du concerto pour orgue de Bach BWV 593
- arrangement idiomatique pour violoncellistes/ Répertoire / Violoncelle et Basse Continue
20.83 EUR - vendu par LMI-partitions Délais: En Stock |
|
| Concerto For Violoncello,
Strings And Basso
Continuo A Minor Violoncelle Barenreiter 20.88 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
|
| Concerto For Violoncello,
Strings And Basso
Continuo A Minor Violoncelle, Orchestre Barenreiter
/ Violoncelle Et Orchestre A Cordes
26.68 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
|
| Georg Friedrich Händel:
Rejoice Greatly O
Daughter Of Zion: Parts VLN/VLC/CONT::Violon/Violoncelle/Conti
nuo [Partition] Novello & Co Ltd.
Accompaniment Parts-The accompaniment parts for this popular aria for Soprano fr...(+)
Accompaniment Parts-The accompaniment parts for this popular aria for Soprano from Handel's celebrated Messiah edited by Watkins Shaw. This particular edition is presented in 12/8 time rather than the more familiar 4/4 version but with the Continuo line provided in the original simple time. The piece features the intimate arrangement of two Violins and Continuo with the Soprano soloist and the music is brimming with Handel's delightful imitative melodic writing creating an energetic dialogue between the soloist and the strings.
14.99 GBP - vendu par Musicroom GB |
|
| Henry Purcell: I Will
Give Thanks Unto Thee O
Lord: String Ensemble:
Score and Quatuor à cordes: 2 violons,
alto, violoncelle [Partition] Novello & Co Ltd.
Edited by Lionel Pike.Anthem for voice choir soloists strings keyboard and in...(+)
Edited by Lionel Pike.Anthem for voice choir soloists strings keyboard and instrumental continuo.
21.99 GBP - vendu par Musicroom GB |
|
| Edward Gregson: A Song
For Chris: Cello:
Instrumental Work Violoncelle, Piano [Partition] - Avancé Novello & Co Ltd.
In memory of Christopher Rowland. Originally a concerto for Cello and chamber or...(+)
In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part.The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song. And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and
19.99 GBP - vendu par Musicroom GB |
|
| Michael Praetorius:
Resonet in Laudibus:
String Quartet: Parts Quatuor à cordes: 2 violons,
alto, violoncelle Walton Music
Sing Out Dear Children-This edition of the work from the early 1600s offers gre...(+)
Sing Out Dear Children-This edition of the work from the early 1600s offers great versatility for the singers. The SSAATTB setting for young choirs and beyond allows the treble parts to be sung by soloists or a smaller mixed choir. Instruments may also be substituted for voices. For a bigger performance you may combine several choirs and add optional strings to the continuo. Available separately: SSAATTB Instrumental Accompaniment (Score and Parts for Strings). Duration: ca. 4:00.
32.00 GBP - vendu par Musicroom GB |
|