| Voices Chorale SATB Novello & Co Ltd.
Gareth Malone: Voices is Malone 's latest and most personal album, embodying his...(+)
Gareth Malone: Voices is Malone 's latest and most personal album, embodying his vision of the future for Choral music. After searching the UK for the most talented young voices in the country he formed a genre-breaking new group. Gareth Malone: Voices features the main tracks from the album, including one by Paul Mealor, selected and arranged for SATB Chorus - including full lyrics. / Choeur Mixte Satb
29.39 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Debi Witt Jones: When the
Journey Ends: SATB: Vocal
Score Chorale SATB [Vocal Score] Shawnee Press
Uses: General All Saints Day RevivalScripture: John 14:2; Revelation 21:23This...(+)
Uses: General All Saints Day RevivalScripture: John 14:2; Revelation 21:23This hopeful country gospel toe tapper lifts your spirits and voices with visions of our heavenly home. Composed in atraditional gospel song format the “hook” will have you singing all day long as you contemplate the promises of God and our eternal destiny in Christ. Sure to be a choir and audience favorite try this on Sundaysafter Easter to bring an extra dose of joy into your Eastertide music programming.
13.75 GBP - vendu par Musicroom GB |
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| How Love Bleeds Chorale SATB SATB A Cappella Boosey and Hawkes
These well-known words seem endlessly fruitful for the composer and conjure up s...(+)
These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and balance of voices. With divisi writing and characteristically colourful harmonies, it is important that each note in the texture is given equal weight. It is also desirable that the tempo should be flexible and that phrase ends should be given a little time, especially at those moments marked either with a comma or tenuto. The final section starting with the upper voices should be ethereal and when the tenors and basses join they should do so gently to balance the upper parts. The bulk of the carol should be conducted in a minim beat, as indicated by the 2/2 time signature. Subdivisions should only be necessary at rallentandos. The piece should flow freely. 3/4 bars can be conducted in one to continue to encourage the carol's flow. Recommended recording: Come out, Lazar - The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College, Cambridge, directed by Sarah MacDonald. / Choeur Mixte (SATB) A Cappella
6.74 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| There Is No Rose Of Such
Virtue Chorale SATB SATB A Cappella Boosey and Hawkes
These well-known words seem endlessly fruitful for the composer and conjure up s...(+)
These well-known words seem endlessly fruitful for the composer and conjure up such lovely images which strike each of us in our own way. For me it was the beauty of the language with its flower imagery which made me want to set the words with richly warm harmony and to temper that with gently imitative refrains. The important element in approaching the performance of this carol is the blend and balance of voices. With divisi writing and characteristically colourful harmonies, it is important that each note in the texture is given equal weight. It is also desirable that the tempo should be flexible and that phrase ends should be given a little time, especially at those moments marked either with a comma or tenuto. The final section starting with the upper voices should be ethereal and when the tenors and basses join they should do so gently to balance the upper parts. The bulk of the carol should be conducted in a minim beat, as indicated by the 2/2 time signature. Subdivisions should only be necessary at rallentandos. The piece should flow freely. 3/4 bars can be conducted in one to continue to encourage the carol's flow. Recommended recording: Come out, Lazar - The shorter choral works of Paul Spicer (Regent REGCD280) by The Chapel Choir of Selwyn College, Cambridge, directed by Sarah MacDonald. / Choeur Mixte (SATB) A Cappella
3.63 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| The Novello Book Of Hymns Chorale SATB Novello & Co Ltd.
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and...(+)
The Novello Book Of Hymns is a collection of 50 favourite hymns, inspiringly and engagingly written for SATB Choirs. Edited by David Hill, all the arrangements in this book are designed to be singable by congregations without music, and can be used in any church or school service.As well as providing uplifting versions of hymns, these arrangements also work well as easy anthems, enabling church and school choirs to learn an often striking and dramatic piece of music quickly and easily.The hymns have been arranged by a range of well-loved composers including Richard Lloyd, John Bertalot, David Hill, Stephen Jackson, Philip Moore, Christopher Robinson and many others.Editor of the collection David Hill is a Choral Advisor to Novello. He is Chief Conductor of the BBC Singers, Musical Director of the Bach Choir, Chief Conductor of the Southern Sinfonia, Associate Guest Conductor of the Bournemouth Symphony Orchestra, Music Director of Leeds Philharmonic Society, and Professor of Choral Conducting at Yale University. / Choeur Mixte (SATB)
29.39 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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| Anne Boyd: Jesus
Reassures His Mother:
SATB: Vocal Score Chorale SATB [Vocal Score] University Of York Music Press
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymo...(+)
Jesus Reassures His Mother is a setting of medieval lyric poetry written anonymously in the 14th century. The poet recounts a vision of the young Mary rocking the infant Christ to sleep. The child requests hismother to sing a lullaby but alas knowing her child’s fate she is too sad to sing. Jesus tells her that all mothers worry about their children’s futures and insists that she should sing nevertheless. Mary recounts the visit ofGabriel and the events of Christ’s birth but reflects how sad it is to have delivered a child to such a fate. Jesus reassures his mother that he will be with his father in heaven where Mary will come to join Him at the end oftime there to live in eternal bliss. At this point Mary is persuaded by and echoes her child’s reassuring words and she is joined in this by the choir (now representing us all). The vision fades away in the voice of the narratorwhose loneliness and longing return. We learn that it is Christmas Day. This setting grows from the visionary mystical world inhabited by Julian of Norwich whose Revelations of Divine Love provided the inspiration for awork Anne Boyd composed in 1994. The medium has been expanded from the Song Company’s six solo voices used in the Revelations to the double motet choir of the Sydney Philharmonia who commissioned this work for their 75thanniversary. The parts of the infant Jesus Mary the Narrator and the angel Gabriel are taken by choir soloists: soprano alto tenor and bass. The work is situated in the context of Boyd’s personal musical aestheticwhich she describes as the intersection of Christian Love with Buddhist silence.
7.95 GBP - vendu par Musicroom GB |
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| Per Nørgård: Symphony
No. 6 'At The End Of
Day': Orchestra: Score Orchestre Wilhelm Hansen
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Pro...(+)
Symphony No. 6 'At The End Of Day' (1997-99) for Orchestra by Per Nørgård. Programme note: ”… with the Lord a day is like a thousand years and a thousand years is like a day” (New Testament 2 Peter 3:8) My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra the Göteborg Symphony Orchestra and the Oslo Philharmonic Orchestra to be premiered at the millenium 2000. The subtitle AT THE END OF THE DAY can be understood literally or it can mean “when all is added up”. However in my opinion nothing ever quite adds up there is always “something” missing any ending will be provisional ... This symphony appears to end only a few minutes into the first movement the first passage as the music fades away to almost-silence after a start of flying colours. But then there is still “something” a small motive (first heard in the initial sound-waves) which reappears hesitant but persistent and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next until all the voices become obsessed with the same phrase a see-saw motive based on thirds. This section evolves into almost martial ferocity when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony emplyoing instruments that I have never used before: double-bass tuba double-bass trombone double-bass clarinet and bass flute). The second movement the second passage apparently takes off where the first passage ended but now the events are more ambiguous and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia the characteristic baroque bass-variation. Without a break follows the third and last passage in a
129.99 GBP - vendu par Musicroom GB |
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| Robert White:
Lamentations: Mixed
Choir: Vocal Score [Vocal Score] Oxford University Press
While perhaps Tallis and Byrd's Lamentations are better known Robert White's La...(+)
While perhaps Tallis and Byrd's Lamentations are better known Robert White's Lamentations reflects a uniquely bleak and austere vision and is surely one of the composer's finest works. David Wulstan writes: 'This grief-stricken music is spellbinding.' Set for five voices the melancholy sound moves between expressive contrapuntal writing and block chords offering some remarkably bold harmonic shifts and revealing an exceptional depth of emotion. In keeping with the high standards of the previous Musica Dei Donum editions this edition has a running translation atop each system to facilitate performance. White's Lamentations is well suited for any good churchchoir or amateur or college chorus in a concert setting.
8.95 GBP - vendu par Musicroom GB |
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| Per Nørgård: To H.C.
Andersen Poesier: SATB:
Vocal Score Chorale SATB [Vocal Score] Wilhelm Hansen
To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to mus...(+)
To H.C. Andersen Poesier - Two Poems by Hans Christian Andersen arranged to music by Per Nørgård for SATB choir and SSA choir. 1. Lysets færdreland / The Native Land of Light (for mixed chorus SATB)2. Løft mig kun bort / Come lift me up (for mixed chorus SSA*) *) the second movement may be performed by a children’s chorus or by the female voices (SSA) from a mixed chorus Programme note From my very first aquaintance with these Andersen poems I was deeply moved by the simple almost naive yet evocative imagery with which Andersenrealized his visions images like: “The Melody of the Heart” “The Poem of Beauty” “A Spiritual Hindustan” “Fly Death over the Sea of Time fly to Eternal Summer”. Along with this “childishness” Hans Christian Andersen’s poetry encompasses enormous – almost Willim Blake-ish – cosmic visions in the interpolations between e.g. “reaching the Heaven” as opposed to “you’ll find it in a Rosebud” or the juxtaposition of “Everyday Life” and “Eternal Poetry” - which become one. Thus the music came to life in my immediate encounter with these words which almost sang themselves into my Musical Furnace – if you will. Per Nørgård
5.50 GBP - vendu par Musicroom GB |
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| The Police Complete Piano, Voix et Guitare [Partition] Hal Leonard
A handsome volume that contains 63 songs through to the Synchronicity album. Con...(+)
A handsome volume that contains 63 songs through to the Synchronicity album. Contains many beautiful black and white photographs.
27.00 EUR - vendu par Note4Piano Délais: 2-5 jours - En Stock Fournisseur |
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| Coffret Guitare notes et tablatures Amsco Wise Publications
Transcriptions guitare (solfège et tablatures) de tous les morceaux du groupe T...(+)
Transcriptions guitare (solfège et tablatures) de tous les morceaux du groupe The police. Coffret de 4 livres. / Guitare
28.60 EUR - vendu par LMI-partitions Délais: 2-5 jours - En Stock Fournisseur |
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